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COTY INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 Form 10-Q (Mark One) ý QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE QUARTERLY PERIOD ENDED SEPTEMBER 30, 2018 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO COMMISSION FILE NUMBER 001-35964 COTY INC. (Exact name of registrant as specified in its charter) Delaware 13-3823358 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 350 Fifth Avenue, New York, NY 10118 (Address of principal executive offices) (Zip Code) (212) 389-7300 Registrant’s telephone number, including area code Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ý No ¨ Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes ý No ¨ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, or a smaller reporting company. -
E C O N O M I C S
ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 Economics of Mobile Programming SNL Kagan Industry Report Contents Executive Summary........................................................2 Mobile ads vs. video subscription services revenue, U.S. (chart) ................2 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...3 The Addressable Market: Sizing the U.S. Smartphone and Tablet Audience .............4 Smartphone and tablets in use, U.S., 2008-2014 (chart) .......................4 Carrier Video Subscription Services Are No Competition for OTT/TV Everywhere .......5 Carrier-branded mobile video subs, 2007-2014 (chart)........................5 Carrier-branded mobile video revenue, 2007-2014 (chart) .....................5 OTT and mobile video year-end subs, 2007-2014 (chart) ......................6 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...6 OTT and carrier-branded mobile video device compatibility ...................7 Price differential between OTT & carrier-based mobile video services, 2015 .......7 Free mobile video content, 2015.........................................7 -
Digital Video Pov Chapter1 Final
Digital Video & the Future of News Chapter 1: Forces Disrupting TV Economics 1! Forces Disrupting TV Economics We’re still in the process of picking “ourselves up off the floor after witnessing firsthand that a 16-year- old YouTuber can deliver us 3 times the “ traffic in a couple of days than some excellent traditional media coverage has over 5 months. Michael Fox Founder, Shoes of Prey, a site that allows users to design and buy their own custom shoes Digital Video Snapshot We’re undergoing continual shifts in audience makeup and behavior, and digital video is one of the most affected content types. Traditional TV Viewing Down In 3Q14, US adults watched an average of 4% fewer hours of live television than in the same quarter of 2013. 147hrs 4% 141hrs 3rd Quarter 2013 3rd Quarter 2014 Source: Neilsen Digital Video Grows While traditional television viewing is dropping, digital video has seen 5% growth year over year. Total US Population Digital Video Viewers 319 195.6 million million 61% of population watches digital video Source: Neilsen, TNS Usage is Frequent & Increasing 34 % 11hrs of US adults watch of streaming web video online video every day watched per month on average in 3Q14 Source: Comscore, Leichtman Research Group, NPD Group, Neilsen Usage is Frequent & Increasing 200m 44 % US homes will have Increase since early 2013, connected TVs or with 2/3 making regular attached devices this year connections for content Source: Comscore, Leichtman Research Group, NPD Group, Neilsen Usage is Frequent & Increasing 47 % 60 % of US households subscribe of users 18-24 subscribe to a digital video service to one or more digital such as Hulu or Netflix video services Source: Comscore, Leichtman Research Group, NPD Group, Neilsen Audience is Substantial 45% of US households watched internet content regularly on their TVs in 2014, up from about 28% in 2013. -
Sexual Violence and the Us Military: the Melodramatic Mythos of War
SEXUAL VIOLENCE AND THE U.S. MILITARY: THE MELODRAMATIC MYTHOS OF WAR AND RHETORIC OF HEALING HEROISM Valerie N. Wieskamp Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Communication and Culture, Indiana University April 2015 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________ Chair: Robert Terrill, Ph.D. _________________________ Purnima Bose, Ph.D. _________________________ Robert Ivie, Ph.D. _________________________ Phaedra Pezzullo, Ph.D. April 1, 2014 ii © Copyright 2015 Valerie N. Wieskamp iii Acknowledgements This dissertation would not have been possible without the help of colleagues, friends, and family, a few of which deserve special recognition here. I am forever grateful to my dissertation advisor, Dr. Robert Terrill. His wisdom and advice on my research and writing throughout both this project and my tenure as a graduate student has greatly enhanced my academic career. I would also like to express my gratitude to my dissertation committee, Dr. Robert Ivie, Dr. Phaedra Pezzullo, Dr. Purnima Bose, and the late Dr. Alex Doty for the sage advice they shared throughout this project. I am indebted to my dissertation-writing group, Dr. Jennifer Heusel, Dr. Jaromir Stoll, Dave Lewis, and Maria Kennedy. The input and camaraderie I received from them while writing my dissertation bettered both the quality of my work and my enjoyment of the research process. I am also fortunate to have had the love and support of my parents, John and Debbie Wieskamp, as well as my sisters, Natalie and Ashley while completing my doctorate degree. -
Iamabroadcaster Delegate Book 2015
P10 AGENDA P14 SPEAKERS Your guide to two days of Who is contributing to this AIB informative sessions outstanding conference Association for International Broadcasting #iamabroadcaster TWO DAYS OF HIGH-LEVEL DISCUSSION AND DEBATE ABOUT THE INTERNATIONAL MEDIA INDUSTRY | LONDON | 18-19 FEBRUARY 2015 Conference agenda AIB Association for International Broadcasting PRACTICAL INFORMATION #iamabroadcaster Twitter Mobile phones Video recording You can tweet about today’s event As a courtesy to your colleagues AIB will record the conference. - we have created the hashtag of at the conference, please ensure By entering the conference premises, you give your #iamabroadcaster for the that your mobile is switched to consent to be filmed. conference. silent when you are in the You also agree not to record or digitise any parts of Follow AIB @aibnews on twitter. conference. the event. Refreshments and lunch Transportation Refreshments will be served in The closest Underground stations are Regent’s Park – on the Bakerloo line – and Oxford the reception area adjacent to the Circus – on the Bakerloo, Central and Victoria lines. Traditional black cabs can be booked in main conference auditorium. advance through Radio Taxis by calling 020 7272 0272. Mini cabs can be booked through Lunch will be served in the Addison Lee by calling 020 7387 8888. We also recommend Uber which offers an efficient Florence Hall on the first floor. service in London. Quote the RIBA postcode when booking your taxi – W1B 1AD Smoking After the conference We would like to make this event non-smoking – and Photographs and speaker presentations - for those who have granted it is important to remember that smoking is not permission - will be available in the week following the event. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
Six Emerging Trends in Media and Communications Occasional Paper
Six emerging trends in media and communications Occasional paper NOVEMBER 2014 Canberra Melbourne Sydney Red Building Level 32 Level 5 Benjamin Offices Melbourne Central Tower The Bay Centre Chan Street 360 Elizabeth Street 65 Pirrama Road Belconnen ACT Melbourne VIC Pyrmont NSW PO Box 78 PO Box 13112 PO Box Q500 Belconnen ACT 2616 Law Courts Queen Victoria Building Melbourne VIC 8010 NSW 1230 T +61 2 6219 5555 T +61 3 9963 6800 T +61 2 9334 7700 F +61 2 6219 5353 F +61 3 9963 6899 1800 226 667 F +61 2 9334 7799 Copyright notice http://creativecommons.org/licenses/by/3.0/au/ With the exception of coats of arms, logos, emblems, images, other third-party material or devices protected by a trademark, this content is licensed under the Creative Commons Australia Attribution 3.0 Licence. We request attribution as: © Commonwealth of Australia (Australian Communications and Media Authority) 2014. All other rights are reserved. The Australian Communications and Media Authority has undertaken reasonable enquiries to identify material owned by third parties and secure permission for its reproduction. Permission may need to be obtained from third parties to re-use their material. Written enquiries may be sent to: Manager, Editorial and Design PO Box 13112 Law Courts Melbourne VIC 8010 Tel: 03 9963 6968 Email: [email protected] Contents Introduction 1 Communication goes OTT 6 Consumers build their own communications links 10 Wearable devices—personalised data arrives 15 ‘Flexible’ TV—online expands viewer options 19 Multi-screening is mainstream 25 TV is still the main news source, even as platforms shift 30 | iii Introduction The ACMA monitors industry and consumer data to identify changes in the media and communications environment and their impact on regulatory settings. -
Creative Director // Art Allison Baxley
allison baxley 1.646.509.0351 www.allisonbaxley.com creative director // art [email protected] Passionate and hard-working cross-discipline creative director who values creativity, innovation and enthusiasm for producing stunning, insightful and conversation-provoking work. // EXPERIENCE freelance creative director // new york, ny 1.2019 // present Wunderman Thompson: Flonase, Sensodyne, Lyrica, Abreva, Spravato, Eucerin/Aquaphor MRM//McCann: USPS, United States Postal Inspection Service Beamly: Marc Jacobs, CoverGirl, Clairol, Sally Hansen, Rimmel creative director // new york, ny 8.2018 // 1.2019 Velocity OMC: Neutrogena, Aveeno, Band-Aid, Kraft freelance sr. art director // new york, ny 5.2011 // 8.2018 Wunderman: TUMS, Nicorette, Fresenius, Sensodyne, Pronamel Havas: IBM Watson Leo Burnet: Invesco Mintbox: creative consultant partnering to relaunch fashion startup Edelman: Banana Boat, Hawaiian Tropic MRM//McCann: Nikon, Verizon, USPS, Cigna, Nestle CreativeWorx: visual and product design consultant for TimeTracker software platform Razorfish: Mercedes Benz integration concepts for Super Bowl 2013 DDB: Aveeno, Hertz, State Farm, PWC, Electrolux, Frigidaire, Glidden Paint, NY Lottery, Cotton co:collective: confidential new business initiatives Magnani Caruso Dutton: Discover, Samsung, E-Trade, Nautica art director // new york, ny 2.2010 // 5.2011 T3: Chase, Coca-Cola, Sprite freelance art director // new york, ny 1.2009 // 2.2010 Berlin Cameron United: Belvedere, Comcast, Amazon.com, Lincoln, Ford, Super 8 DeVito/Verdi: Kohl’s, -
Lies, Incorporated
Ari Rabin-Havt and Media Matters for America Lies, Incorporated Ari Rabin-Havt is host of The Agenda, a national radio show airing Monday through Friday on SiriusXM. His writing has been featured in USA Today, The New Republic, The Nation, The New York Observer, Salon, and The American Prospect, and he has appeared on MSNBC, CNBC, Al Jazeera, and HuffPost Live. Along with David Brock, he coauthored The Fox Effect: How Roger Ailes Turned a Network into a Propaganda Machine and The Benghazi Hoax. He previously served as executive vice president of Media Matters for America and as an adviser to Senate Democratic Leader Harry Reid and former vice president Al Gore. Media Matters for America is a Web-based, not-for-profit, progressive research and information center dedicated to comprehensively monitoring, analyzing, and correcting conservative misinformation in the U.S. media. ALSO AVAILABLE FROM ANCHOR BOOKS Free Ride: John McCain and the Media by David Brock and Paul Waldman The Fox Effect: How Roger Ailes Turned a Network into a Propaganda Machine by David Brock, Ari Rabin-Havt, and Media Matters for America AN ANCHOR BOOKS ORIGINAL, APRIL 2016 Copyright © 2016 by Ari Rabin-Havt and Media Matters for America All rights reserved. Published in the United States by Anchor Books, a division of Penguin Random House LLC, New York, and distributed in Canada by Random House of Canada, a division of Penguin Random House Canada Limited, Toronto. Anchor Books and colophon are registered trademarks of Penguin Random House LLC. Reinhart-Rogoff chart on this page created by Jared Bernstein for jaredbernsteinblog.com. -
Taming Distraction: the Second Screen Assemblage, Television
Media and Communication (ISSN: 2183-2439) 2016, Volume 4, Issue 3, Pages 185-198 Doi: 10.17645/mac.v4i3.538 Article Taming Distraction: The Second Screen Assemblage, Television and the Classroom Markus Stauff Media Studies Department, University of Amsterdam, 1012 XT, Amsterdam, The Netherlands; E-Mail: [email protected] Submitted: 19 December 2015 | Accepted: 18 April 2016 | Published: 14 July 2016 Abstract This article argues that television’s resilience in the current media landscape can best be understood by analyzing its role in a broader quest to organize attention across different media. For quite a while, the mobile phone was consid- ered to be a disturbance both for watching television and for classroom teaching. In recent years, however, strategies have been developed to turn the second screen’s distractive potential into a source for intensified, personalized and social attention. This has consequences for television’s position in a multimedia assemblage: television’s alleged speci- ficities (e.g. liveness) become mouldable features, which are selectively applied to guide the attention of users across different devices and platforms. Television does not end, but some of its traditional features do only persist because of its strategic complementarity with other media; others are re-adapted by new technologies thereby spreading televisu- al modes of attention across multiple screens. The article delineates the historical development of simultaneous media use as a ‘problematization’—from alternating (and competitive) media use to multitasking and finally complementary use of different media. Additionally, it shows how similar strategies of managing attention are applied in the ‘digital classroom’. While deliberately avoiding to pin down, what television is, the analysis of the problem of attention allows for tracing how old and new media features are constantly reshuffled. -
News-Video-On-The-Web.Pdf
NUMBERS, FACTS AND TRENDS SHAPING THE WORLD FOR FURTHER INFORMATION ON THIS REPORT: Amy Mitchell, Director of Journalism Research Dana Page, Communications Manager 202.419.4372 www.pewresearch.org RECOMMENDED CITATION: Pew Research Center, March 2014, “State of the News Media 2014: News Video on the Web: A Growing, if Uncertain, Part of News.” 1 PEW RESEARCH CENTER About This Report This report is a component of the State of the News Media 2014, the eleventh edition of the annual report by the Pew Research Center examining the landscape of American journalism. This year’s study includes special reports about the revenue picture for news, the growth in digital reporting, the role of acquisitions and content sharing in local news and how digital video affects the news landscape. In addition, it provides the latest data on audience, economic, news investment and ownership trends for key sectors of news media. The full study is available online and includes a database with news industry trend data and a slideshow about how news functions on social media. This report is a collaborative effort based on the input and analysis of the following individuals. Find related reports about trends in journalism at pewresearch.org/journalism. Amy Mitchell, Director of Journalism Research Jesse Holcomb, Senior Researcher Kenneth Olmstead, Research Associate Jeffrey Gottfried, Research Associate Nancy Vogt, Researcher About Pew Research Center Pew Research Center is a nonpartisan fact tank that informs the public about the issues, attitudes and trends shaping America and the world. It does not take policy positions. It conducts public opinion polling, demographic research, media content analysis and other empirical social science research. -
Fall 2019 Push Notification
2019 FALL CUSTOMER SUCCESS REPORT PUSH NOTIFICATION SOFTWARE CATEGORY PUSH NOTIFICATION SOFTWARE OVERVIEW Push notification software enables companies to directly deliver messages to a consumer’s mobile device or computer. These notifications provide vital updates and alerts to customers and drive them back to an enterprise’s website or app. The platform is utilized by marketers to deliver a specific call to action that is crafted within the notification system and sent straight to a customer’s device via web browser, desktop app, or mobile app. Top solutions present functionalities for delivering push notifications via both web browsers and apps. With push notification software, you can completely customize the text and images of your messages within the program. These solutions also provide detailed analytics, allowing you to track data such as the delivery, click-through, and conversion rates of your messages. Push notification tools can exist as a capability within mobile marketing systems or include A/B testing functions to help you test the results of your message delivery to your customers. 2 Customer Success Report Ranking Methodology The FeaturedCustomers Customer Success ranking is based on data from our customer reference Customer Success Report platform, market presence, web presence, & social Award Levels presence as well as additional data aggregated from online sources and media properties. Our ranking engine applies an algorithm to all data collected to calculate the final Customer Success Report rankings. The overall Customer Success ranking is a weighted average based on 3 parts: Market Leader Content Score is affected by: Vendor on FeaturedCustomers.com with 1. Total # of vendor generated customer substantial customer base & market share.