Hertz, Heinrich 1857 -1894

Total Page:16

File Type:pdf, Size:1020Kb

Hertz, Heinrich 1857 -1894 700 HERROLD Greb, "We even had a San Jose music store that supplied us tising. During World War II, he worked as a janitor at the records, of course free of charge, and I think we played them Oakland shipyards. He died in 1948. Until 1958, when his all. We would take the Mercury -Herald in San Jose, and we story was uncovered by San Jose journalism professor Gordon would read headlines and discuss them a little bit, just some- Greb, almost no one outside of northern California had ever thing to yak about and make it interesting at the same time, to heard of Charles Herrold. develop an audience, I would say." A local news story of a typ- MICHAEL H. ADAMS ical Herrold broadcast illustrates the method: See also De Forest, Lee; Fessenden, Reginald; KCBS/KQW For more than two hours they conducted a concert in Mr. Herrold's office, which was heard for many miles Charles D. Herrold. Born in Fulton, Illinois, 16 November around. The music was played on a phonograph fur- 1875. Studied astronomy, Stanford University (no degree), nished by the Wiley B. Allen Music company. Immedi- 1895; head of technical department, Heald's College, ately after the first record was played numerous Stockton, California, 1906 -08; started Herrold College of amateurs from various points in the valley notified (the Wireless and Engineering, San Jose, California, 1909; began a announcer) that they had heard the music distinctly. He regularly scheduled, pre-announced broadcast operation, gave the names of the records he had on hand and asked 1912 -17; invented a wireless radiotelephone and developed those listening to signify their choice (San Jose Mercury - other new products in various fields; broadcast operation Herald, 22 July 1912). licensed as KQW, 19z1; sold airtime for several Bay area radio station, 1925 -30; worked at Oakland Public Schools as media The question remains: if Herrold's was the first broadcast- technician, 1932; worked as janitor at Oakland shipyards ing station, why do not more people know about it? Some of during World War II. Died in Hayward, California, r July the misunderstanding surrounding the "who was first" broad- 1948. casting claims can be traced to an early historian, George Clark. In 1921 Clark, RCA's in -house historian, dismissed the Further Reading claims of all who broadcast before KDKA, because, as he Adams, Michael H., "The Race for Radiotelephone: 1900- wrote, "ordinary citizens" could not buy radios until KDKA, 1920," AWA Review 10 (1996) and therefore men like Herrold and de Forest were not really Adams, Michael H., et al., Broadcasting's Forgotten Father: broadcasters, because their audiences were engineers or ama- The Charles Herrold Story (videorecording), Los Altos, teurs, not "citizens." Still, Herrold was the first to use radio to California: Electronics Museum of the Perham Foundation, broadcast entertainment programs to an audience on a regular 1994 basis. He was not the first to broadcast pre- announced to an Barnouw, Erik, A History of Broadcasting in the United States, audience-that was Fessenden in 1906; he was not the first to 3 vols., New York: Oxford University Press, 1966 -70; see broadcast election returns -that was de Forest in 1916; he was especially vol. 1, A Tower in Babel: To 1933, 1966 not the first to get a broadcast license -that was Conrad in Greb, Gordon, "The Golden Anniversary of Broadcasting," 192.0. Herrold returned to the air in 1911 licensed as KQW, Journal of Broadcasting 3, no. I (Winter 1958-59) ran the station until 1915, and later specialized in radio adver- The Charles Herrold Historic Site, <www.charlesherrold.org> Hertz, Heinrich 1857 -1894 German Physicist In a series of laboratory experiments in 1887 -88, Heinrich Lodge, Guglielmo Marconi, Reginald Fessenden, Sir John Hertz verified James Clerk Maxwell's theory that electromag- Ambrose Fleming, E.F.W. Alexanderson, and Lee de Forest. netic waves, or wireless transmissions, existed, and that these Hertz's research placed the field of electrodynamics on a invisible forms of radiant energy traveled at the speed of light. firm footing, sparked enormous activity among scientists, and Hertz paved the way for the development of wireless radio laid the foundations for the development of wireless telegra- communications by notables such as Edouard Branly, Sir Oliver phy. He showed that electricity could be propagated or trans- .
Recommended publications
  • Journal of the California Historical Radio Society ~~ 1~ I I I I I I I
    V o I u m e 2 9 n u m b e r SPRI ' G&SUMMER 2 0 0 4 JOURNAL OF THE CALIFORNIA HISTORICAL RADIO SOCIETY ~~ 1~ I I I I I I I FOR THE RESTORATION A D PRESERVATION OF EARLY RADIO C a f 0 n a H s 0 c a R a d 0 s 0 c e y CHRS Officers and Staff About CHRS Board of Directors: The California Historical Radio Society, Mike Adams Chairman of the Board, Web Master (CHRS). is a non-profit educational corporation Steve Kushman President, Membership, HOTLINE chartered in the State of California. CHRS was Richard Look Treasurer, IT Specialist formed in 1974 to promote the restoration and Scott Robinson Vice President, Publicity preservation of early radio and broadcasting. Mike Simpson Mailing Our goal is to provide the opportunity to Stephen Sutley Journal Editor exchange ideas and information on the history Bill Wray Secretary of radio. particularly in the West, with empha­ sis on collecting, preserving, and displaying Staff: early equipment. literature, and programs. Paul Bourbin Events Chairman Larry Clark Technical Advisor, Librarian © California Historical Radio Society. Bart Lee General Counsel, Awards Chairman All 1ights reserved. No part of this publication Norm Lehfeldt Name Badges may be reproduced in any form, or by any Fred Meehan Journal Editor means, without prior written permission from Don Steger Sacramento Chapter Chairman CHRS. except that you may make " fair use" of Bill Wheeler CHRS CPA quotations of text fully attributed by you to the source (this Jo11ma/) and the author. The KRE Project: Project Manager / Logistics Steve Kushman Operations Manager/Safety Officer Jerry Cantou CHRS Finance & Administration Richard Look P.O.
    [Show full text]
  • MA ENGLISH II YEAR - MASS COMMUNICATION and JOURNALISM Unit I : Introduction to Communications 1
    MA ENGLISH II YEAR - MASS COMMUNICATION AND JOURNALISM Unit I : Introduction to Communications 1. Definition – Meaning – Process of communications. 2. Functions and Theories of Mass Media 3. Role and effects of Mass Media in Social campaigns (Literacy, anti-poverty, family planning, National integration, secularism and environment issues) 4. Emerging trends and development in information and communication Technologies. Unit II : Introduction to Journalism 1. Role of Press in India – English and Vernacular Press. 2. Ethics and Principles of Journalism 3. Freedom of the Press 4. Press Council and Press Regulations in India Unit III : Print Media 1. The Making of a Newspaper 2. Principles of Reporting – Feature writing, Interviews, Reviews and cartoons. 3. the Role of Editors 4. Press and Public Opinion. Unit IV : Television and Radio 1. The growth and development of Television in India 2. Television Production and Formats of TV Programmes. 3. Radio genres, Ownership, Control and Broadcasting Policy 4. Impact of TV and Radio on society. Unit V : Advertisement 1. Types of Advertising and Advertising Media 2. Techniques in effective advertisements. 3. Code of Ethics for advertising 4. Advertising and Marketing. Unit I : Introduction to Communication 1.1 Introduction Translation is as old as human civilization. Since the dawn of civilization, we, human beings, have been using language to translate our thoughts and ideas. We use a set of symbols or codes to communicate or transfer an idea or thought or a feeling to the person whom we address during an act of communication. Here too we have translation. In this sense, we translate every day. With the evolution of human society, we became more anxious to know about the thoughts and feelings of people in distant places.
    [Show full text]
  • Audio Production Techniques (206) Unit 1
    Audio Production Techniques (206) Unit 1 Characteristics of Audio Medium Digital audio is technology that can be used to record, store, generate, manipulate, and reproduce sound using audio signals that have been encoded in digital form. Following significant advances in digital audio technology during the 1970s, it gradually replaced analog audio technology in many areas of sound production, sound recording (tape systems were replaced with digital recording systems), sound engineering and telecommunications in the 1990s and 2000s. A microphone converts sound (a singer's voice or the sound of an instrument playing) to an analog electrical signal, then an analog-to-digital converter (ADC)—typically using pulse-code modulation—converts the analog signal into a digital signal. This digital signal can then be recorded, edited and modified using digital audio tools. When the sound engineer wishes to listen to the recording on headphones or loudspeakers (or when a consumer wishes to listen to a digital sound file of a song), a digital-to-analog converter performs the reverse process, converting a digital signal back into an analog signal, which analog circuits amplify and send to aloudspeaker. Digital audio systems may include compression, storage, processing and transmission components. Conversion to a digital format allows convenient manipulation, storage, transmission and retrieval of an audio signal. Unlike analog audio, in which making copies of a recording leads to degradation of the signal quality, when using digital audio, an infinite number of copies can be made without any degradation of signal quality. Development and expansion of radio network in India FM broadcasting began on 23 July 1977 in Chennai, then Madras, and was expanded during the 1990s, nearly 50 years after it mushroomed in the US.[1] In the mid-nineties, when India first experimented with private FM broadcasts, the small tourist destination ofGoa was the fifth place in this country of one billion where private players got FM slots.
    [Show full text]
  • Introduction to Radio,-, Production and Programming
    Introduction to Radio , Production and Programming 010 /PS e Ye • ge. 10111e mieb 4Vie °le MICHAEL H. ADAMS A KIMBERLY K. MASSEY • Regarding Introduction to Radio - Production and Programming... "Its basic how-to approach is very appealing. Beginning radio production students could actually take the textbook into the production studio and teach themselves....The book is comprehensive, progresses logically, and covers virtually all subject matter required by the beginning student." —Jim Cathey, Arkansas State University Introduction to Radio —Production and Programming can serve as the only text needed to lead students toward acomplete understanding of radio production and programming. With its step-by-step approach, this text walks students through production techniques and programming applications and provides insight into daily tasks at aradio station. Introduction to Radio —Production and Programming features: •Current information on present and future computer use in radio production •Graphic illustrations of the latest technology and astep-by-step editing demonstration •A full chapter on formats to help students see how all elements of radio programming work together to create the final product •A realistic view of post-deregulation 90s radio stations and radio broadcasting careers A ISBN 0-697-15354-1 90000 McGraw-Hill ADivision of The McGrawIliil Companies Recycled 110 9 780697 153548 V Introduction to Radio Production and Programming • ;.4k1V4'‘7.11fIV .. /0.7; • •.•' •••<, • . ••C: , y ht• 4e Y • •• x. Introduction to Radio,-, Production and Programming A MICHAEL H. ADAMS San Jose State University KIMBERLY K. MASSEY, Ph.D. San Jose State University. The McGraw-Hill Companies, Inc. Primis Custom Publishing New York St.
    [Show full text]
  • And Exhibits @ King Library for More Information About These and Other Public Events, Visit the King Library Website at Library.Sjsu.Edu/Events
    Library welcomes new associate dean • Message from the dean • SJSU ScholarWorks needs you! • Upcoming events and exhibits • Local television archive now available • Art of Protest collection goes online • Library art hides in plain sight • Late professor’s papers archived in Special Collections • Cultural Heritage Center fulfills endowment • Students may now bring guests during library’s extended hours • Library faculty and staff updates yra y rb a g Lin w i e t e K h a m t G o r c y f t i luca m U fS e d r SJ o a New associate dean joins library Photo by David Schmitz. s fweN After a lengthy nationwide search, Cuddy holds a Master of Library Science degree the university library is welcoming from Rutgers University and a Master of Arts in American and English Literature from New York Ac experienced library director Colleen Cuddy as the new associate dean for University. She is the author of many works on the use of technology in libraries, including the book research and scholarship. Using PDAs in Libraries. “Colleen comes to us with an impressive back- Active in the professional community, Cuddy ground in university library administration,” says served as president of the American Library As- Library Dean Tracy Elliott. “Her expertise is exactly sociation’s Library Information Technology (LITA) what we need to expand the library’s role in sup- division in 2011 and is a distinguished member of porting the research, scholarship and creative the Academy of Health Information Profession- SPRING ’17 activity of SJSU students and faculty as well as the als.
    [Show full text]
  • CONNECTING a CONTINENT: AT&T and the Broadcast Networks
    CONNECTING A CONTINENT: AT&T and the Broadcast Networks Copyright 2021 by Mark Durenberger This is a second update of the original work dated October, 2013. The most important changes include: 1) The strengthening and expanding of a good deal of factual information, including further research and follow-up on comments and suggestions offered by readers of the original work. Thank you for your input! 2) The rebuilding of drawings and the addition of illustrations and URLs to offer deeper understanding. 3) The transfer of deep technical detail to the last chapter where it becomes a technical addendum. (This should make the story easier to follow and should make it easier for those not interested in such detail…while offering deep technical detail for those who are.) 4) The original URLs pointed to an older website. These hot buttons have been repointed as of April 2021. 5) The document has been reformatted and may be easier to read. To supplement the material referenced throughout, we’re fortunate to keep turning up fresh information online. New web sites appear almost daily containing scans of the trade magazines, literature and correspondence involving the subject under scrutiny (one of the most useful is WorldRadioHistory.Com). Hopefully the changes will be useful! "Everything that once was wireless is now wired. Everything that once was wired is now wireless." - Rodney E. Nilk About four years ago, inspired by a piece by James O’Neal in Radio World Magazine I came to realize that, while many of us grew up in a broadcast industry created in part by AT&T, there’s been no easy access to the full detail of AT&T’s contributions.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Developing Radio Histories Kuitenbrouwer, V.; Luscombe, A.; Wijfjes, H. DOI 10.18146/tmg.593 Publication date 2019 Document Version Final published version Published in Tijdschrift voor Mediageschiedenis License CC BY-SA Link to publication Citation for published version (APA): Kuitenbrouwer, V., Luscombe, A., & Wijfjes, H. (2019). Developing Radio Histories. Tijdschrift voor Mediageschiedenis, 22(2), 1-7. https://doi.org/10.18146/tmg.593 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:23 Sep 2021 1 Vincent Kuitenbrouwer, Anya Luscombe, Huub Wijfjes Developing Radio Histories In at least fifteen countries worldwide a century of radio is, or will be, celebrated in 2019 and following years. Looking in more detail at these celebrations, it is obvious that several techno- logical breakthroughs connected to wireless transmission of sounds are considered to be the most important events structuring radio history.
    [Show full text]
  • 1880-1930 Timetable
    1900-1910 - BIRTH 1. THE INVENTION OF THE WIRELESS TELEGRAPH: Guglielmo (Bill) Marconi has ideas for an invention that will (a) replace the wired telegraph, (b) help ensure the safety of ships at sea. Marconi sends, in 1900, his famous S (dit dit dit) in Morse code from England to Canada. 2. FROM WIRELESS TELEGRAPH TO WIRELESS TELEPHONE: Inventors like Lee de Forest and Reginald Fessenden want to find a wireless substitute for the wired telephone. The human voice could add a nuance to communication not possible with the telegraph, but people like Marconi decry it, saying it will not be private and others will be able to hear it. 3. THE FIRST BROADCAST: In 1906 at Brant Rock MA, Fessenden plays his violin, sings a song, reads a bible verse or two into a wireless telephone of his own invention. This is the first broadcast and it happens Christmas Eve, 1906. It is a broadcast because it is designed for more than one listener (not 2-way) it is pre-announced. His goal is to find financial backers. 4. LEE DE FOREST: Probably the most important person in the development of radio, de Forest does two important demonstrations of wireless telephone; (1) in 1907 he equips the Navy fleet with his wireless telephone, an arc transmitter, and plays phonograph records to shore stations as the fleet comes into ports like San Francisco, and (2) in NYC he broadcasts on several occasions well-known opera singers to an audience of reporters. He wants to bring culture into homes. 5. CHARLES HERROLD: In San Jose, Herrold in April 1910 is quoted in a notarized affidavit published in a national magazine, "we have given wireless phonograph concerts to amateur men in Santa Clara Valley," one of the very first published references to what we now know as the activities of radio broadcasting to an audience of more than one.
    [Show full text]
  • Appendix B Historic Project Assessment
    AAPPPPEENNDDIIXX BB HHIISSTTOORRIICC PPRROOJJEECCTT AASSSSEESSSSMMEENNTT HISTORIC PROJECT ASSESSMENT Gateway Tower 470 South Market Street San José, Santa Clara County, California (APNs #264-30-089, -090, and -144) Prepared for: David J. Powers & Associates, Inc. 1871 The Alameda, Suite 200 San José, CA 95126 05.03.2016 (revised 08.17.2016) ARCHIVES & ARCHITECTURE, LLC PO Box 1332 San José, CA 95109-1332 http://www.archivesandarchitecture.com HISTORIC PROJECT ASSESSMENT Table of Contents Table of Contents Table of Contents ............................................................................................................................. 2 Introduction ....................................................................................................................................... 3 Project Description ........................................................................................................................ 4 Purpose and Methodology of this Study ....................................................................................... 5 Previous Surveys and Historical Status ........................................................................................ 6 Regional Map ................................................................................................................................ 9 Location Map .............................................................................................................................. 10 Summary of Findings .................................................................................................................
    [Show full text]
  • CONNECTING a CONTINENT: AT&T and the Radio Networks
    CONNECTING A CONTINENT: AT&T and the Radio Networks Copyright 2013 by Mark Durenberger "Everything that once was wireless is now wired. Everything that once was wired is now wireless." - Rodney E. Nilk About three years ago, inspired by a piece by James O’Neal in Radio World newsmagazine I came to realize that, while many of us grew up in a broadcast industry created in part by AT&T, there’s no easily-accessible access to the full detail of AT&T’s contributions. Furthermore, those with first-hand experience in an earlier analog world were retiring and the heritage of experience with AT&T methodology was being lost. This is unfortunate, since AT&T’s pioneering formed the practical electrical world in which we operate today. I also believe there’s a body of curious folks of all ages who wish to know more about these bedrock principles and about a company that was such a force in early commercial broadcasting. This work is the first step in satisfying that curiosity. We’ll drill down into early telecommunications history (before there was an AT&T) and we’ll learn how “The Telephone Company” was born, matured and made its mark in radio and in radio-network transmission. In its first half-century of service, the American Telephone and Telegraph Company developed and advanced audio connectivity by wire to every home and business in the country…and then used that wiring to expand the reach of radio networks that rode the copper to national coverage. These communications achievements helped lead to the homogenization of America, when regional boundaries fell and the nation began to experience common community.
    [Show full text]
  • 2027 at Radio Central
    CONFIDENTIAL DRAFT The Rainbow Kids in the year 2027, visit the Museum of the California Historical Radio Society: (By and Copyright Bart Lee, 2017) -- “Daddy, what’s radio?” -- “You’ll see in a moment, Sweetie!” The Rainbow Kids, or at least the eleven of them in Rainbow Cloud number 9 (Oakland), gaze up at the old building on Alameda’s Central Avenue. The flight of stairs leads up to two flanking columns. They climb up. It reminds them of some ancient temple they studied, maybe in Greece. At the vestibule, a totally life-like robot, an animatronic young man, greets them. -- “Hello, Rainbow Kids! Welcome to the Museum! My name is Charles Herrold, but you can just call me ‘Doc.’” And needless to say, animatronic-Doc looks just like the historical Doc Herrold. (“Sweetie” whispers: “Daddy, what’s a museum?” Once again, Daddy replies: “You’ll see in a moment, Sweetie!”) Doc Herrold continues: “Please come into the Great Hall,” Doc asks the kids. The Rainbow kids marvel at all the weird old stuff in the Great Room, and have no idea what any of it is, or was. Doc goes on: “A docent, each of whom is a trained volunteer, will hand each of you a special set of wrap-around glasses. You may have something similar in your VR games. These glasses are our programed Augmented Reality spectacles. Once you have them on, I will appear before each of you in the middle of the Great Room.” “I see him, I see him!” many shout out at once.
    [Show full text]
  • Professor Greb to Celebrate the Golden Anniversary of SJS Broadcast Journalism
    Professor Greb to Celebrate the Golden Anniversary of SJS Broadcast Journalism (1957 – 2007) (1957 – 2007) 50th Anniversary Reunites Many SJS Graduates Who Fulfilled Professor’s Prediction They Could Win When I’m sitting in a rocking chair, old and gray, I expect to see you when I turn on the TV set. Somebody’s got to replace Cronkite, Jennings, or Brinkley. ---What Professor Greb told his kids Subject:: The Greb Story (3300 words) 2 Walter Cronkite didn’t shiver in his chair. Nor did David Brinkley and Peter Jennings. But they didn’t know San Jose State Professor Gordon Greb expected his graduates to try to take their jobs when they graduated from his program during the last half of the 20th century. Now in 2007 they’re coming for a reunion April 26 at The Summit in downtown San Jose to tell their old professor what they did: Valerie Morris, of CNN in New York City, Mike Johnson of The AP in Moscow and Paris, Bill Knowles of ABC-TV, Washington D.C. Jerry Nachman, author of radio and TV books Ron Miller, nationally syndicated TV columnist, Lolyd LaCuesta, KTVU (Ch2)SF Bay Area TV newsman Terry Phillips, European foreign correspondent And the list goes on and on. “Why did I expect big things from our state college students?” Dr. Greb explains. “Why not? I knew we had the talent coming to the School of Journalism which could be taught professionally and all they needed was a Knute Rockne pep talk from me, ‘Go out there and win one for Greb’ to see them do it.” The happiest man to see From the Radio and TV News them return to SJSU will Center at San Jose State be Professor Emeritus College, Larry Galvin Gordon Greb.
    [Show full text]