Introduction: the Challenge of Constraint
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Issue of Blake
BLAKE AN ILLUSTRATED QUARTERLY PBOCJLAllATION TIRED OF THE SPECTACLE OF SHORT STORIES, NOVELS, POEMS AND PLAYS STILL UNDER THE HEGEMONY OF THE BANAL WORD, MONO TONOUS SYNTAX, STATIC PSYCHOLOGY, DESCRIPTIVE NATURALISM, AND DESIROUS OF CRYSTALLIZING A VIEWPOINT ••• WE HEREBY DECLARE THAT : 1. THE REVOLUTION IN THE ENGLISH LANGUAGE IS AN AC COl\IPLISHED FA CT. 2. THE lllAGINATION IN SEARCH OF A FABULOUS WORLD IS AUTONOMOUS AND UNCONFINED. (Prudence is a rich, ugly old maid courted by Incapacity ... Blake) 3. PURE POETRY IS A LYRICAL ABSOLUTE THAT SEEKS AN A PRIORI BEAUTY WITHIN OURSELVES ALONE. (Bring oul number, weight and measure in a year of dearth ... ~lake) 4. NARRATIVE IS NOT .llERE ANECDOTE, BUT THE PROJEC TION OF A METAMORPHOSIS OF REALITY. (Enough I Or Too Much !... Blake) 6. THE EXPRESSION OF THESE CONCEPTS CL\lV BE ACHIEVED ONLY THROUGH THE RHYTHMIC " HALLUCINATION OF THE WORD ". (Rimbaud). 6. THE LITERARY CREATOR HAS THE RIGHT TO DISINTE GRATE THE PRIMAL llA'ITER OF WORDS IMPOSED ON HDI BY TEXT-BOOKS A.~D DICTIONARIES. (The road of excess leads to the palace of Wisdom ... Blake) 7. HE HAS THE RIGHT TO USE WORDS OF HIS OWN FASH IO~NG AND TO DISREGARD EXISTJNG GRAMMATICAL AND SYNTACTICAL LAWS. (The tigers of wrath are wiser lhan the horses of inslruclion ... Blake) 8. THE" LITANY OF WORDS" IS ADMI'ITED AS AN INDEPEN DE~T lJ-:\TIT. 9. WE ARE NOT CONCERNED WITH THE PROPAGATION OF SOCIOLOGICAL IDEAS, EXCEPT TO Ei\IANCJPATE THE CREATIVE El,E..\lEi"VTS FROl\I THE PRESENT IDEOLOGY. 10. TL\IE IS A TYRANNY TO BE ABOLISHED. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
1 Bibliografia
Paolo Albani e Berlinghiero Buonarroti AGA MAGÉRA DIFÚRA Dizionario delle lingue immaginarie Zanichelli, 1994 e 2011 e Les Belles Lettres 2001 e 2010 BIBLIOGRAFIA I testi evidenziati in grassetto sono, nello specifico campo di ricerca (ad esempio: lingue filosofiche, lingue immaginarie di tipo letterario, lingue internazionali ausiliarie, ecc.), opere fondamentali. Aarsleff, Hans, Da Locke a Saussure. Saggi sullo studio del linguaggio e la storia delle idee, Bologna, il Mulino, 1984. Abbott, Edwin A., Flatlandia. Racconto fantastico a più dimensioni, 1ª ed., Milano, Adelphi, 1966, 12ª ed. 1992. Academia pro Interlingua, Torino, 1921-1927, fascicoli consultati 32. Accame, Vincenzo, Il segno poetico. Materiali e riferimenti per una storia della ricerca poetico- visuale e interdisciplinare, Milano, Edizioni d'Arte Zarathustra - Spirali Edizioni, 1981. Adams, Richard, La valle dell'orso, Milano, Rizzoli, 1976. Agamben, Giorgio, "Pascoli e il pensiero della voce", introduzione a: Pascoli, Giovanni, Il fanciullino, Milano, Feltrinelli, 1982, pp. 7-21. Agamben, Giorgio, "Un enigma della Basca", in: Delfini, Antonio, "Note di uno sconosciuto. Inediti e altri scritti", Marka, 27, 1990, pp. 93-96. Airoli, Angelo, Le isole mirabili. Periplo arabo medievale, Torino, Einaudi, 1989. Albani, Paolo, a cura di, "Piccola antologia dei linguaggi immaginari", Tèchne, 3, 1989, pp. 79-93. Albani, Paolo, "Il gioco letterario tra accademici informi, patafisici e oulipisti italiani", in: Albani, Paolo, a cura di, Le cerniere del colonnello, Firenze, Ponte alle Grazie, 1991, pp. 7-23. Alembert, Jean-Baptiste Le Rond d', "Caractère", in: Diderot, Denis e Alembert, Jean-Baptiste Le Ronde d', a cura di, Encyclopédie ou Dictionnaire raisonné des sciences des arts et des métiers. -
Eunoia: the Good Bök - Times Online 21/11/08 5:14 PM
Eunoia: The good Bök - Times Online 21/11/08 5:14 PM Credit Munch Get 20% off your bill at Pizza Express Britain's still paying a heavy price for misjudgments in the inter-war years Libby Purves NEWS COMMENT BUSINESS MONEY SPORT LIFE & STYLE TRAVEL DRIVING ARTS & ENTS VIDEO ARCHIVE OUR PAPERS FILM MUSIC STAGE VISUAL ARTS TV & RADIO WHAT'S ON BOOKS THE TLS GAMES & PUZZLES Where am I? Home Arts & Entertainment Books Times Online From The Times MY PROFILE SHOP JOBS PROPERTY CLASSIFIEDS November 14, 2008 MOST READ MOST COMMENTED MOST CURIOUS Eunoia: The good Bök TODAY Horror as teenager commits suicide live... Giles Whittell meets Christian Bök, the Canadian writer behind Briton found guilty of throwing lover off... Eunoia, the univocal bestseller Business big shot: Arianna Huffington,... Somali pirates seize ninth vessel in 12 days EXPLORE BOOKS BOOK EXTRACTS BOOK REVIEWS BOOKS GROUP AUDIO BOOKS TIMES RECOMMENDS And the Hippos were Boiled in their Tanks by William S. Burroughs and Jack Kerouac Sci-fi: Little Brother by Cory DURING THE SEVEN YEARS it took Christian Bök to write Doctorow and The Quiet War Eunoia he would often read to audiences from his work in by Paul McAuley progress. He preferred not to tell them what was coming so that he could see the look on their faces when they realised what was happening. REVIEW “It would suddenly start dawning on people that I was performing this very athletic and acrobatic feat,” he says. “You could see the FOCUS ZONE light bulbs going on.” Listeners' first instinct would be to “wait for the moment of failure, Social Entrepreneurs: to see where I had screwed up. -
The D.A.P. Catalog Spring 2019 Au/Nz
AU/NZ THE D.A.P. CATALOG SPRING 2019 William Klein: Celebration Text by William Klein. Here, looking back from the perspective of his 90 years, William Klein selects his favorite works, those that he considers to be the very best he has made over the course of his long career, in order to pay homage to the medium of photography itself. This book, appropriately titled Celebration, provides a tour of his most emblematic works, traversing New York, Rome, Moscow, Madrid, Barcelona and Paris, in powerful black and white or striking color. The book also includes a text by the author in which he reflects upon the photographic art and explains what prompted him to make this director’s cut, this exceptionally personal selection. A small-format but high-voltage volume, in page after page Celebration makes it clear why Klein’s achievement is one of the summits of contemporary photography. Born in New York in 1928, William Klein studied painting and worked briefly as Fernand Léger’s assistant in Paris, but never received formal training in photography. His fashion work has been featured prominently in Vogue magazine, and has also been the subject of several iconic photo books, including Life Is Good and Good for You in New York (1957) and Tok yo (1964). In the 1980s, he turned to film projects and has produced many memorable documentary and feature films, such as Muhammed Ali, the Greatest (1969). Klein currently lives and works in Paris, France. His works are held in the collections of the Museum of Modern Art in New York, the National Gallery of Art in Washington, DC, and the Art Institute of Chicago, among others. -
Documents (Pdf)
Documents_ 18.7 7/18/01 11:40 AM Page 212 Documents 1915 1918 Exhibition of Paintings by Cézanne, Van Gogh, Picasso, Tristan Tzara, 25 poèmes; H Arp, 10 gravures sur bois, Picabia, Braque, Desseignes, Rivera, New York, Zurich, 1918 ca. 1915/16 Flyer advertising an edition of 25 poems by Tristan Tzara Flyer with exhibition catalogue list with 10 wood engravings by Jean (Hans) Arp 1 p. (folded), 15.3x12 Illustrated, 1 p., 24x16 1916 Tristan Tzara lira de ses oeuvres et le Manifeste Dada, Autoren-Abend, Zurich, 14 July 1916 Zurich, 23 July 1918 Program for a Dada event in the Zunfthaus zur Waag Flyer announcing a soirée at Kouni & Co. Includes the 1 p., 23x29 above advertisement Illustrated, 2 pp., 24x16 Cangiullo futurista; Cafeconcerto; Alfabeto a sorpresa, Milan, August 1916 Program published by Edizioni futuriste di “Poesia,” Milan, for an event at Grand Eden – Teatro di Varietà in Naples Illustrated, 48 pp., 25.2x17.5 Pantomime futuriste di Francesco Cangiullo, Rome, 1916 Flyer advertising an event at the Club al Cantastorie 1 p., 35x50 Galerie Dada envelope, Zurich, 1916 1 p., 12x15 Stationary headed ”Mouvement Dada, Zurich,“ Zurich, ca. 1916 1 p., 14x22 Stationary headed ”Mouvement Dada, Zeltweg 83,“ Zurich, ca. 1916 Club Dada, Prospekt des Verlags Freie Strasse, Berlin, 1918 1 p., 12x15 Booklet with texts by Richard Huelsenbeck, Franz Jung, and Raoul Hausmann Mouvement Dada – Abonnement Liste, Zurich, ca. 1916 Illustrated, 16 pp., 27.1x20 Subscription form for Dada publications 1 p., 28x20.5 Centralamt der Dadaistischen Bewegung, Berlin, ca. 1918–19 1917 Stationary of Richard Huelsenbeck with heading of the Sturm Ausstellung, II Serie, Zurich, 14 April 1917 Dada Movement Central Office Catalogue of an exhibition at the Galerie Dada. -
Inspiration and the Oulipo
Studies in 20th & 21st Century Literature Volume 29 Issue 1 Article 2 1-1-2005 Inspiration and the Oulipo Chris Andrews University of Melbourne Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Andrews, Chris (2005) "Inspiration and the Oulipo ," Studies in 20th & 21st Century Literature: Vol. 29: Iss. 1, Article 2. https://doi.org/10.4148/2334-4415.1590 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Inspiration and the Oulipo Abstract In the Ion and the Phaedrus Plato establishes an opposition between technique and inspiration in literary composition. He has Socrates argue that true poets are inspired and thereby completely deprived of reason. It is often said that the writers of the French collective known as the Oulipo have inverted the Platonic opposition, substituting a scientific conception of technique—formalization—for inspiration. Some of the group's members aim to do this, but not the best-known writers. Jacques Roubaud and Georges Perec practice traditional imitation alongside formalization. Imitation is a bodily activity with an important non-technical aspect. Raymond Queneau consistently points to an indispensable factor in literary composition that exceeds both formalization and imitation but is inimical to neither. Sometimes he calls this factor "inspiration"; sometimes he speaks of "the unknown" and the "the unpredictable," which must confirm the writer's efforts and intentions. -
Guide Pédagogique 08 EN
THE LIPOGRAM Fin de soirée , de Tristan Bastit Info Sheet Jeux de mots: 7th Blue Metropolis Lipogram Contest _______________________________________________ By EVE PARISEAU What is a lipogram? Lipograms are literary word games in which the writer intentionally avoids using one or more letters of the alphabet. In 1969, the great French writer Georges Perec wrote an entire novel, La Disparition , without using the letter e. Up for the challenge? A Brief Description of the Activity SECOND ACTIVITY Working with lipograms provides an excellent LIPOGRAM WORKSHOP opportunity for integrating creative writing and word play into classroom work. Lipograms, with the formal Activity Description constraints they place on which words can be used, Students search—with or without a dictionary, alone or encourage students to explore the limits of language. in groups—lipogrammatic words (words without a certain vowel) having to do with a defined subject, and Educational Goals which can replace other words. Since this is the second The proposed activities are aimed at meeting goals for exercise, the teacher may want to choose vowels less writing, reading and oral expression in poetry and constraining than the “e”. narrative. The students’ grammatical abilities, spelling and syntax, and their lexical and semantic development, Educational Goals will be put to the test, as well as their ability to work with Develop the students’ lexical skills humour. The challenges of the lipogram have a natural Develop lexical fields teaching effect. Familiarize students with lipograms What’s Needed Time Required The understanding of a few basic concepts is required A half-session for the student to participate. -
Christian Bök (1966 — ) Is a Professor at the University of Calgary, and He Is the Author of Two Books of Poetry
Parliamentary Poet Laureate POETRY CONNECTION: LINK UP WITH CANADIAN POETRY Christian Bök (1966 — ) is a professor at the University of Calgary, and he is the author of two books of poetry. Crystallography (Coach House, 1994) has been nominated for the Gerald Lampert Award for Best Poetic Debut, and Eunoia (Coach House, 2001) has won the 2002 Griffin Poetry Prize, becoming a bestseller in Canada and the UK. Eunoia consists of five chapters (each of which tells a story, using words that contain only one of the five vowels). Bök has also published a book of critical writing, entitled ‘Pataphysics: The Poetics of an Imaginary Science (Northwestern University Press, 2001). Bök has created artificial languages for two TV shows: Gene Roddenberry’s Earth: Final Conflict and Peter Benchley’s Amazon. He has also exhibited artworks in galleries around the world. Poem for discussion: “The Perfect Malware” is a selection from an ongoing project, entitled The Xenotext, a transgenic artwork that Bök has been creating for the last 11 years at a cost of $120,000. Bök has written two poems that mutually encode each another (e.g., the word “lyre” in one poem translates to “rely” in the other, with L assigned to R and E assigned to Y). Bök has encoded the first poem as a sequence of DNA implanted into a bacterium. The lifeform then “reads” this poem, as part of its normal biological processes, and then the lifeform “writes” the second poem, encoding it into a sequence of amino acids that make up a protein. Bök is quite literally writing a living poem. -
Serious Play: Formal Innovation and Politics in French Literature from the 1950S to the Present
Serious Play: Formal Innovation and Politics in French Literature from the 1950s to the Present by Aubrey Ann Gabel A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Debarati Sanyal Professor C.D. Blanton Professor Mairi McLaughlin Summer 2017 Abstract Serious Play: Formal Innovation and Politics in French Literature from the 1950s to the Present By Aubrey Ann Gabel Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair Serious Play: Formal Innovation and Politics in French literature from the 1950s to the present investigates how 20th- and 21st-century French authors play with literary form as a means of engaging with contemporary history and politics. Authors like Georges Perec, Monique Wittig, and Jacques Jouet often treat the practice of writing like a game with fixed rules, imposing constraints on when, where, or how they write. They play with literary form by eliminating letters and pronouns; by using only certain genders, or by writing in specific times and spaces. While such alterations of the French language may appear strange or even trivial, by experimenting with new language systems, these authors probe into how political subjects—both individual and collective—are formed in language. The meticulous way in which they approach form challenges unspoken assumptions about which cultural practices are granted political authority and by whom. This investigation is grounded in specific historical circumstances: the student worker- strike of May ’68 and the Algerian War, the rise of and competition between early feminist collectives, and the failure of communism and the rise of the right-wing extremism in 21st-century France. -
WARREN F. MOTTE JR. Department of French and Italian 3374 16Th
WARREN F. MOTTE JR. Department of French and Italian 3374 16th Street University of Colorado Boulder Boulder, Colorado 80309-0238 Colorado 80304 Tel: 303-492-6993 Tel: 303-440-4323 [email protected] [email protected] EDUCATION Ph.D. University of Pennsylvania French Literature 1981 A.M. University of Pennsylvania French Literature 1979 Maîtrise Université de Bordeaux Anglo-American Literature 1976 A.B. University of Pennsylvania English Literature 1974 INTERESTS Contemporary French Literature Comparative Literature Theory of Literature Literary Experimentalism POSITIONS HELD DISTINGUISHED PROFESSOR, University of Colorado, 2018- COLLEGE PROFESSOR OF DISTINCTION, University of Colorado, 2016- PROFESSOR, University of Colorado, 1991- ASSOCIATE PROFESSOR, University of Colorado, 1987-91 ASSOCIATE PROFESSOR, University of Nebraska, 1986-87 ASSISTANT PROFESSOR, University of Nebraska, 1982-86 LECTEUR, Université de Bordeaux, 1975-77 TEACHING FELLOW, University of Pennsylvania, 1974-75; 1977-82 Motte 2 PUBLICATIONS BOOKS The Poetics of Experiment: A Study of the Work of Georges Perec (Lexington: French Forum Monographs, 1984). Questioning Edmond Jabès (Lincoln: University of Nebraska Press, 1990). Playtexts: Ludics in Contemporary Literature (Lincoln: University of Nebraska Press, 1995). Small Worlds: Minimalism in Contemporary French Literature (Lincoln: University of Nebraska Press, 1999). Fables of the Novel: French Fiction Since 1990 (Normal: Dalkey Archive Press, 2003). Fiction Now: The French Novel in the Twenty-First Century (Champaign: Dalkey Archive Press, 2008). Mirror Gazing (Champaign: Dalkey Archive Press, 2014). French Fiction Today (Victoria: Dalkey Archive Press, 2017). EDITED VOLUMES Oulipo: A Primer of Potential Literature (Lincoln: University of Nebraska Press, 1986). Translated and edited. Rev. ed. Normal: Dalkey Archive Press, 1998; rpt. 2007. -
The Narrative Turn in the French Novel of the 1970S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto The Narrative Turn in the French Novel of the 1970s Hanna Meretoja University of Turku One of the central aspects of the nouveau roman, the most important French literary movement of the 1950s and 1960s, was the way in which it questioned the idea of the novel as storytelling. The nouveaux romanciers, such as Alain Robbe-Grillet, Nathalie Sarraute and Claude Simon, wanted to bring forth the ideological question- ability of narrativity epitomized by what they called “Balzacian realism” – in terms of which, they felt, the novel as a genre was still viewed and assessed. However, after this period of radical problematization, a rehabilitation of storytelling is visible in the French novel of the 1970s – a shift that some scholars have characterized as the “return of the narrative” or as “re-narratization of the novel” (see e.g. Kibedi Varga 1988, 38; Gratton 1997, 248; cf. Davis & Fallaize 2000, 14–15). In my article, I would like to shed some light on this “narrative turn” by arguing that it can be seen as a turn towards a fundamentally hermeneutic view of the narrative mediatedness of our relation to the world. As my primary example I will use Michel Tournier who has been mentioned as a major representative of this turn (Kibedi Varga 1988, 38; Gratton 1997, 248) but whose precise contribution to it has not yet been examined. Problematization of Storytelling in the Nouveau Roman First, I will have a brief look at why the nouveaux romanciers rejected the idea of the novel as storytelling or as “narration of a succession of fictional events” (to use Rimmon-Kenan’s (1988, 2) definition of ‘narrative fiction’).