The Teetotaler's Hand-Book : in Four Parts, Being a Compilation of Valuable Information for the Use of All Classes
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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Some Kind of Wonderful.” Sponsored By: WLDE and ABC Us Alive”
REO Speedwagon Free Concerts Wednesday, September 26, 8 p.m. Fort Wayne Philharmonic Youth Symphony Founding member Neal Doughty and & Youth Concert Orchestra Kevin Cronin bring this Champaign, Sunday, May 20, 2 p.m. IN 46805 Wayne, Fort Blvd. 705 E. State Ill originated boy band back to the Midwest. They’ll play their The Foellinger Theatre is proud to bring back these local groups biggest hits “Keep on Lovin’ You,” “Time for me to Fly,” and many for an afternoon of spectacular musical entertainment. Some Kind of more of your favorites from their 40 million albums sold. Presented by Pacific Coast Concerts. Tickets: $60-$100, Fort Wayne Area Community Band $6 ticket fee Tuesday, June 12, 7:30 p.m. The Community Band will be joined by area band students in grades Wonderful 8-12 as they present “Side By Side,” a concert of All-American band music. Tickets Old Crown Brass Bandh Tuesday, June 19, 7:30 p.m. Old Crown Brass Band is an all-volunteer band that is modeled On-line By Phone after traditional British brass bands. The group is based in Fort www.foellingertheatre.org (260) 427-6000 Wayne and composed of a diverse group of professionals and very talented, dedicated amateur musicians. The band is under In Person the direction of T. J. Faur and Tony Alessandrini. Fort Wayne Parks & Recreation Department 705 E. State Blvd., Fort Wayne, IN 46805 Fort Wayne Area Community Band Monday-Friday, 8:00 a.m.-5:00 p.m. Tuesday, July 10, 7:30 p.m. The Fort Wayne Area Community Band presents “A Really Big Show” featuring music from the best and biggest movies and Foellinger Theatre Broadway shows. -
An American Band by Tibbieb
An American Band By TibbieB Dear Readers, A summers ago, a group of S&H sibs and I met in the Great Smokey Mountains for a few days of watching episodes and sharing our obsession for the boys. While watching “The Specialist” late one night, we noticed Starsky was wearing a t-shirt with something printed on the front. Ever desperate for any minute detail about the private lives of our heroes, we pursued the clue with a fervor equal to Sherlock Holmes tracking down Dr. Moriarty. Thank God for that marvelous invention on the DVD player the zoom! JackieH, always up to a challenge, maneuvered and manipulated the device until the words emblazoned on the t-shirt miraculously flashed on the screen before our eyes: “We’re An American Band.” “I know what that is!” I shouted to the others. “Grand Funk Railroad! That’s one of Grand Funk’s biggest hits!” Who would have taken Starsky for a Grand Funk Railroad fan? He was a rocker a hard rocker, no less! Until that moment, we had had little insight into his taste in music (aside from disco music, Jim Croce, and a little “Black Bean Soup”). We knew Starsky played the guitar, but had been treated to only a smattering of his musical ability in “The Avenger.” Could it be true? Starsky liked hardcore rock-and-roll? We pontificated on this for hours and, on the following day, rushed into town in search of Grand Funk’s CD by the same title. It wasn’t easy, but we finally returned home from a hard day of shopping in Gatlinburg, Tennessee, Londonmaid proudly clutching the trophy in her hand. -
Lon Chaney (1Er Avril 1883 – 26 Août 1930), Surnommé « L'homme Aux
Lon Chaney (1er avril 1883 – 26 août 1930), surnommé « l’homme aux mille visages », est un acteur de cinéma américain du temps du muet. Il fut l’un des acteurs les plus polyvalents et les plus impressionnants de l’aube du cinéma. On se souvient de lui surtout pour ses compositions de personnages torturés, souvent grotesques et affectés, ainsi que pour son talent novateur en ce qui concerne le maquillage de cinéma. Lon Chaney naquit Leonidas Frank Chaney à Colorado Springs (Colorado), le fils de Frank H. Chaney et d’Emma Alice Kennedy, son père avait du sang français mais surtout anglais, tandis que sa mère avait des origines irlandaises. Les parents de Chaney étaient sourds tous les deux et, dès l’enfance, Chaney montra quelque talent pour la pantomime. Il commença à monter sur les planches en 1902 et tourna avec des troupes de vaudeville et de théâtre. En 1905, il fit la connaissance de la chanteuse Cleva Creighton et l’épousa alors qu’elle n’avait que seize ans. L’année suivante naquit celui qui restera leur unique enfant, Creighton Chaney, qui fut mieux connu bien plus tard sous le nom de Lon Chaney, Jr.. La famille Chaney poursuivit les tournées, avant de se fixer en Californie en 1910. Malheureusement, leur mariage commença à battre de l’aile et, en avril 1913, Cleva se rendit au Majestic Theatre, situé au centre de Los Angeles, où Lon travaillait à un spectacle, le Kolb and Dill show et, là, elle tenta de mettre fin à ses jours en avalant du bichlorure de mercure. -
Films Refusés, Du Moins En Première Instance, Par La Censure 1913-1916 N.B
Films refusés, du moins en première instance, par la censure 1913-1916 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 001 16 avr 1913 As in a looking glass Monopole 3 rouleaux suggestifs. Condamné. 002 17 avr 1913 The way of the transgressor American Depicting crime. 003 17 avr 1913 White treachery American ? 004 18 avr 1913 Satan Ambrosio Cut out second scene as degrading to Christianity. Third scene: cut out monk intoxicated and other acts of crime. Forth scene: murder and acts of nonsense. 005 23 avr 1913 When men leave home Imperial ? 006 26 avr 1913 Sang noir Eclair ? 007 30 avr 1913 Father Beauclaire Reliance Muckery [=grossièretés]. 008 02 mai 1913 The Wayward son Kalem Too exciting. Burglary. 009 03 mai 1913 The auto bandits of Paris Eclair ? 010 05 mai 1913 Awakening of Papita Nestor ? 011 05 mai 1913 The Last Kiss Pasquali Adultère. (The chauffeur dream) 012 06 mai 1913 Dream dances Edison ? 013 06 mai 1913 Taps Bison Far too much flags; cut flags of U.S. war. A picture with no meaning. [Note du Dr. -
Holly Man, Teacher Held on Child Porn Charges
CASH USA MANAGER NICHOLAS SERGES THE STORIES BEHIND OUR AREA BUSINESSES FEATURED SECTION BEGINNINGS PART 1 INCLUDED WITH THIS EDITION $1.00 Fall Sports Preview SUNDAY EDITION An in-depth look at the Fenton, Holly, Lake Fenton and Linden football teams. Featured mini-tab section Weekend VOL. 22 NO. XXXIV SUNDAY, AUGUST 23, 2015 2012 - 2013 - 2014 NEWSPAPER OF THE YEAR Holly man, Grand Funk Railroad’s teacher held Mark Farner familiar on child porn with Fenton, Page 3A charges nAdmits to Mark Farner, '70s possessing 600 images including children involved in LINKEDIN PHOTO incest and Eric Junod bondage By Sharon Stone [email protected]; 810-433-6786 A 38-year-old Holly Township man is being temporarily detained on pending federal charges of distribut- ing, receiving and possessing child pornography. Eric Junod was recently fired from his job as part-time assistant band instructor at Troy Athens High School See PORNOGRAPHY on 6A Seminary to come Argentine opens Topps building down shortly firstcanoe launch is toppled after Labor Day Community members Demolition of the The 147-year-old can launch canoes, old Topps building building, also known kayaks, and stand-up began Friday morning as the Old Baptist paddleboards on the in Fenton. LaJoice Ministers house, will Shiawassee River from Enterprises will be be be demolished at the McCaslin Lake putting in a mixed- a cost of $48,900. Road Launch. use development. Page 8A Page 13A Page 19A Can some wordsmith Study after study shows A few weeks ago, King wrote TEXT out there please tell me a that dogs have the same men- an excellent column on the sights COMMENT YOUR ‘‘ word that rhymes ‘‘ tal capacity as a 2- ‘‘ and sounds of Fenton’s OF THE WEEK with Hillary, a word to 3-year-old child. -
Features Seger Makes Good Case for ‘Old Time Rock and Roll’ by Debra Taylor Stood Three Female Singers All Dressed in Red Staff Writer Against the Black Background
Thursday, March 17, 1983 P ag e 4 The Pendulum features Seger makes good case for ‘old time rock and roll’ by Debra Taylor stood three female singers all dressed in red Staff Writer against the black background. The sold-out crowd was beginning to get Seger, with his hair cut a lot shorter than restless. It was 9:10 p.m. last Friday night. usual, but still with his mustache and Five minutes later, the lights in the beard, played five songs off of his new Greensboro Coliseum went out, and the album, “TTie Distance.” His hit single crowd became alive. The coliseum began to “ Shame on the Moon,” along with “ Roll tremble, and Bob Seger and the Silver Me Away,” “ Boomtown Blues,” “ Even Bullet Band appeared on stage. The crowd Now,” and “ Making Thunderbirds” were that once sat in their seats, waiting all big crowd pleasers. impatiently, were now on their feet, With his hands in his jeans pockets, whistling and yelling at the top of their griiming at the crowd, Seger joked around with the crowd about how hot it was on Concert review stage. He often pulled at his drenched, sticky shirt. But he did not seem to mind at lungs. And it was only the beginning. all. It looked as if he enjoyed putting on The grinning Bob Seger, dressed casually the show just as much as the crowd enjoyed in a pair of jeans, a black shirt and white watching it. canvas shoes, started off what was to be a Seger also sang many of his older songs, 22-song show with his hit “ Feel Like a such as “ Old-Time Rock and Roll,” “ Still Number.” The Same,” “Her Strut,” and “We’ve Got The Silver Bullet Band, with its two new Tonight.” After singing his hit band members — drummer Don Brewer “ Katmandu,” he and the Silver Bullet previously in Grand Funk Railroad, and a Band, left the stage, only to return a few new guitarist who looked all of the age of minutes later to screaming fans to sing 17 — did an equally fantastic job. -
Download Redgauntlet
Redgauntlet by Sir Walter Scott Redgauntlet by Sir Walter Scott * REDGAUNTLET by Sir Walter Scott, Bart. * CONTENTS. Introduction Text Letters I - XIII Chapters I - XXIII Conclusion Notes Glossary * page 1 / 806 Note: Footnotes in the printed book have been inserted in the etext in square brackets ("[]") close to the place where they were referenced by a suffix in the original text. Text in italics has been written in capital letters. There are some numbered notes at the end of the text that are referred to by their numbers with brief notes, also in square brackets, embedded in the text. * INTRODUCTION The Jacobite enthusiasm of the eighteenth century, particularly during the rebellion of 1745, afforded a theme, perhaps the finest that could be selected for fictitious composition, founded upon real or probable incident. This civil war and its remarkable events were remembered by the existing generation without any degree of the bitterness of spirit which seldom fails to attend internal dissension. The Highlanders, who formed the principal strength of Charles Edward's army, were an ancient and high-spirited race, peculiar in their habits of war and of peace, brave to romance, and exhibiting a character turning upon points more adapted to poetry than to the prose of real life. Their prince, young, valiant, patient of fatigue, and despising danger, heading his army on foot in the most toilsome marches, and page 2 / 806 defeating a regular force in three battles--all these were circumstances fascinating to the imagination, and might well be supposed to seduce young and enthusiastic minds to the cause in which they were found united, although wisdom and reason frowned upon the enterprise. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
Rockland Gazette : October 9, 1879
The Rockland Gazette. Gazette Job Printing PUBLISHED EVERT THURSDAY AFTERNOOK bT ESTABLISHMENT. V O S E & P O R T E R Having every facility in Presses, Type and Material, to which wg are constantly making additions, we are pi epared tv execute with promptness and good style 2 I O M a in S tr e e t. **very variety of Job Printing, including Town Reports, Catalogues, By-Law. TERMS: Posters, Shop Bills, Hand Bills, Pro If paid strictly In advance—per annum, $2.i grammes, Circulars, Bill Heads, If payment is delayed 6 months, 2.! If not paid till the close of the year, 2.1 Letter Heads, Law and Corpor O** New subscribe:b are expected to make the first ation Blanks, Receipts, Bills payment in advance. o f L ading, B usin ess, Ad W K o paper will be discontinued until a ll ar dress and Wedding rearges are paid, unless at the option of the publish- Cards, Tags, L abels, &c., V O L U M E 3 4 . ROCKLAND, MAINE, THURSDAY, OCTOBER 9,1879. N O . 4 5 . PRINTING IN COLORS AND BRONZING Z. POPE VO8K. J. B. PORTER. will receive prompt attention. J me!” said Mr. Myers in the bitterness of A Debt of HoilOr. I '9*9 !,s “ Miss Elliott.” And people can’t Our European Letter. ITEM S,—“ The good and bad coni- F O U N D A T L A S T I bis first nnger, and Mrs. Myers burst into ___ . mderstand what it means, and even Mrs. -
Old Time Rock and Roll Bob Seger Intro 2X: E 11111---| C -----320| ...Just Take Those Old Records G ------| FWC F W Off the Shelf
A --------| Chords in this song Old Time Rock and Roll Bob Seger Intro 2X: E 11111---| C -----320| ...Just take those old records G --------| FWC F W off the shelf. I’ll sit and lis-ten to ‘em by my-self, C To-day’s mu-sic ain’t got the same soul, F I like that old time rock and roll. Don’t try to take me to a F W disco. You’ll nev-er e-ven get me out on the floor, C F In ten min-utes I’ll be late for the door Start play-in’ old time rock and roll C F CHORUS: Still like that old time rock and roll, W The kind of mu-sic just soothes the soul, C F I reminisce a-bout the days of old with that old time rock and roll. Instrumental F / F / Bb / Bb / C / C / F / C / Verse 2 Won’t go to hear ‘em play a [F] tango, I’d rath-er hear some blues or [Bb] funky old soul There’s only one sure way to [C] get me to go, Start playin’ old time [F] rock and roll. Call me a relic, call me [F] what you will. Say I’m old fashioned, say I’m [Bb] over the hill Today’s music ain’t [C] got the same soul. I like that old time [F] rock and roll. [Repeat Chorus] Instrumental F / F / Bb / Bb / C / C / F / C / [Repeat Chorus] [A cappella chorus] [Repeat Chorus with chords again] Instrumental F / F / Bb / Bb / C / C / F / C / 1 Nadine Chuck Berry Chords in this song N NJJK As I got on a city bus and found a vacant seat, I thought I saw my future bride walking up the street, I shouted to the driver, hey conductor, you must.. -
Love, Death and the Search for Community in William Gaddis And
Histoire(s) of Art and the Commodity: Love, Death, and the Search for Community in William Gaddis and Jean-Luc Godard Damien Marwood Submitted for the Degree of Doctor of Philosophy Discipline of English and Creative Writing The University of Adelaide December 2013 Table of Contents Abstract ................................................................................................................................................... iii Declaration............................................................................................................................................... iv Acknowledgements ................................................................................................................................... v Introduction ............................................................................................................................................... 3 Methodology ......................................................................................................................................... 7 Topography ........................................................................................................................................ 11 Godard, Gaddis .................................................................................................................................. 17 Commodity, Catastrophe: the Artist Confined to Earth ........................................................................... 21 Satanic and Childish Commerce / Art and Culture ............................................................................