John Donne's Use of Numbers
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Anglican Foundations: from Augustine to Cranmer
Anglican Foundations: From Augustine to Cranmer (yearlong) 2021-2022 ELIGIBLE STUDENTS: Grades 7- 9 Anglican Foundations: From Augustine to Cranmer is for the middle school student who is inter- ested in learning about the history of Anglicanism, and about Anglican doctrine and practices, who will follow instructions on marking a book, writing summaries, and taking notes, and is comfortable writing a 3-5 paragraph essay. Class Dates: Wednesday, September 7, 2021 through Wednesday, May 27, 2022 Class Times: Monday & Wednesday 9:30-10:45 a.m. (Eastern Time) Instructor: Rhea Bright Email: [email protected] Office Hours: Wednesday 8:30-9:30 a.m. and 1:45-3:30 p.m. ET COURSE DESCRIPTION Anglican Foundations: From Augustine to Cranmer studies the history of the church in England from the time when St Augustine of Canterbury arrived on the shores of Kent through to the English Reformation and the development of the distinctively Anglican Book of Common Prayer. We will trace key figures and issues that move the church in England through the Middle Ages and that lead to its break with Rome in the 16th century. We will read occasional primary documents and poetry to taste the flavour of the time. We will study the catechism published by Bishop Alexander Nowell in 1572 in order to understand Anglican teaching on the Law, the Creed, the Lord’s Prayer and the Sacraments. SCHEDULE CLASS SESSIONS DATES: Classes will take place on Monday & Wednesday 9:30-10:45 a.m. (ET) for 32 weeks. Orientation: Monday August 30. Semester 1: September 8, 13, 15, 20, 22, 27, 29 October 4, 6, 11, 13, 18, 20, 25, 27 November 1, 3, 8, 10, 15, 17, 29 [Thanksgiving Break: Nov. -
The Metaphysical Poet: John Donne and His Religious Experience in Poetry
ORIGINAL ARTICLE © UIJIR | ISSN (O) - 2582-6417 June 2020 | Vol. 1 Issue.1 www.uijir.com THE METAPHYSICAL POET: JOHN DONNE AND HIS RELIGIOUS EXPERIENCE IN POETRY DR. MUNA SHRESTHA Assistant Professor of Tribhuvan University, Nepal Mahendra Multiple Campus, Nepalgun, Nepal E-Mail:[email protected] ABSTRACT This paper tries to interpret John Donne’s as a religious poet. His works are better understood through the optic of Biblical knowledge, the backdrop of God’s revelation of Himself. A poet’s heart is filled with sympathy by the Spirit of his Maker and mind is illumined by His Word recognizes a much deeper sense of inspiring reality. In his poems, Donne uses the most effective and intimate of words to express his relation with God. The metaphysical poetry not only explains the existence of earthly things, but also reveals the religious significance of unnoticed or hitherto unappreciated aspects of temporal things. He also portrays satire in his poetry that deal the problem of true religion and it is a matter of great importance to Donne. He argues that it is better to examine carefully one's religious beliefs than blindly to follow any established tradition. Key words: John Donne, metaphysical poetry, religious, God. 1. INTRODUCTION English metaphysical poetry is the richest and most widely ranging in the language. Its style was most enthusiastic in the seventeenth century and it not only brought the best devotional poetry but also the finest lyrics, satires, pastorals and visionary meditations of that era (Edwin Honig). The poets gave the signal to the readers to enter into a new empire of poetry with a sense of attachment and belonging between different objects of nature and human sentiments, feeling and passion. -
Renaissance and Reformation, 1980-81
Donne's "La Corona" and Christ's Mediatorial Office R. R. DUBINSKI Ijy pointing out the affinities between "La Corona" and certain traditional meditative practives, studies by Louis Martz and Helen Gardner have provided important contexts for understanding the poem's structure and organization. Martz contends that the poem "is a complex synthesis of methods and materials from both rehgious and profane poetry, from the Uturgy of the Church, and from all the various ways of meditating on the life of Christ," but the fundamental impulse and outline of the sequence, he emphasizes, is found in the Catholic meditations of the corona.^ Martz draws analogies between "La Corona" and Jesuit treatises (in particular one by Sabin Chambers) to show how the meditations of the corona may have exerted a very strong influence on the construction, divisions, and general procedure of Donne's sequence.^ Helen Gardner argues that the sonnets are in- spired by liturgical prayer and praise, especially the meditation on the Fifteen Mysteries of the Rosary adapted by Donne to a meditation on the life of Christ.^ Both Martz and Gardner make it clear that "La Corona" has a strong affinity with the long-standing practice of organized meditations on the life of Christ. Both also notice how Donne's poem is characterized by a mixture of Catholic and Protestant emphases. Gardner points out one Cathohc emphasis: "It is doubtful whether Donne felt there was any- thing particularly Cathohc in concentrating on the Mysteries of Faith, or in addressing his second and third sonnets to the Blessed Virgin, or in apostrophizing St. -
Pocahontas's Two Rescues and Her Fluid Loyalty
言語・地域文化研究 第 ₂6 号 2020 103 Pocahontas’s Two Rescues and Her Fluid Loyalty Hiroyuki Tsukada ポカホンタスの二つの助命と忠誠心の揺らぎ 塚田 浩幸 要 旨 ポカホンタスは、二度、ジョン・スミスの命を救った。一度目は有名な助命で、1607 年 12 月、インディアンの首長パウハタンによる処刑の寸前に、ポカホンタスが捕虜スミ スに自分の体をなげうって助命をした。これは、スミスの死と生まれ変わりを象徴的に 意味し、入植者をインディアンの世界に迎え入れる儀式で、ポカホンタスはスミスを救 うというあらかじめ決められた役割を担った。この一度目の助命の真偽については長ら く論争が行なわれてきたが、スミスが 1608 年 6 月の報告書簡でポカホンタスを「比類な き人物」と高く評価できたという事実は、助命が実際に起きたことを示している。その 6 月の時点で、スミスは助命の他に、取引や物資の提供と人質解放交渉の場面でポカホ ンタスと会う機会を持っていたが、それらの場面においては、スミスが「比類なき人物」 と評価することができるほどの行動をポカホンタスがとっていなかったからである。そ して、スミスがその報告書簡でポカホンタスを紹介したのは、入植事業の宣伝のために インディアンとの平和友好をアピールするねらいがあった。つまり、スミスに批判的な 研究者が主張するように、スミスがポカホンタスの人気にあやかって自分の名声をあげ るために助命を捏造したのではなく、助命に感銘を受けたスミスがポカホンタスの人気 を作り上げたといえるのである。 パウハタンは、一度目の助命でポカホンタスをインディアンと入植者の平和友好のシ ンボルとして仕立て上げ、その後の平和的な外交の場面にもポカホンタスを同行させて いた。しかしながら、二度目の助命は、パウハタンの外交方針に逆らって、ポカホンタ ス自身の意思によって行なわれた。1609 年 1 月、インディアンと入植者の関係が悪化す るなか、パウハタンがスミスを本当に襲おうとしているところをポカホンタスがスミス に密告して救った。この二つの助命のあいだの期間、ポカホンタスは入植者と頻繁に会 うなかで理解を深め、パウハタン連合のインディアンとしての忠誠心に揺らぎを生じさ せていたのである。つまり、ポカホンタスは、単なるパウハタンの遣いとしての平和友 好のシンボルであることをやめ、自らを平和友好の使者として確立させるに至ったので ある。 本稿の著作権は著者が保持し、クリエイティブ・コモンズ表示 4.0 国際ライセンス(CC-BY)下に提供します。 https://creativecommons.org/licenses/by/4.0/deed.ja 104 論文 ポカホンタスの二つの助命と忠誠心の揺らぎ (塚田 浩幸) Table of contents 1. Introduction 2. A special relationship between Pocahontas and John Smith 3. Refutation of all existing theories 4. Demonstration of the veracity of the rescue 5. Conclusion 1. Introduction Pocahontas saved John Smith twice. The frst instance came in December 1607, when she symbolically ofered her own head to save Smith’s -
John Donne 1 John Donne
John Donne 1 John Donne John Donne John Donne Born between 24 January and 19 June [1] 1572 London, England Died 31 March 1631 (aged 59) London, England Occupation Poet, priest, lawyer Nationality English Alma mater Oxford University Genres Satire, Love poetry, elegy, sermons Subjects Love, sexuality, religion, death Literary movement Metaphysical Poetry John Donne (/ˈdʌn/ DUN) (between 24 January and 19 June 1572[1] – 31 March 1631) was an English poet, satirist, lawyer and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. His works are noted for their strong, sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially compared to that of his contemporaries. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of British society and he met that knowledge with sharp criticism. Another important theme in Donne’s poetry is the idea of true religion, something that he spent much time considering and theorising about. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.[2] Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. -
If We Look at Elizabethan Poetry from the Vantage Point of a 21St‐Century
If we look at Elizabethan poetry from the vantage point of a 21st‐century university survey course in English Renaissance literature, it is clearly one of the two most prominent genres, together with Elizabethan drama, that we will have to deal with. If we look deeper, we will discern various subgenres, such as epic, love poetry, erotic poems, religious verse, etc.; or we might as well consider some of the most celebrated poets: Philip Sidney, Edmund Spenser, Christopher Marlowe, William Shakespeare, John Donne, etc. … Naturally, we will do this – but if we are to understand Elizabethan poetry in its own terms, we need to start by taking a closer look at its socio‐political and cultural context. 1 The first cornerstone of the Elizabethan socio‐political and cultural context is humanist education. Humanism, as an educational reform movement, began in Italy in the late 13th and developed throughout the 14th century. Initially, it was characterized by the recovery, study and translation of important works from Greek and Latin antiquity as well as a renewed interest in classical rhetoric and style – as a reaction against the restrictive scholasticism and exegetical practices of medieval education dominated by the Catholic church. It was also associated with the desire of Italian city states (such as the Venetian and Florentine republics) to claim continuity between them and ancient Rome, and by extension ancient Greece. Important early humanists include Francesco Petrarca, Giovanni Boccacio, Leonardo Bruni, Poggio Bracciolini, Marcilio Ficino, Pico della Mirandola, Niccolo Machiavelli. Humanism spread north in the 14th and 15th centuries influencing scholars and teachers in France, Germany, the Netherlands and eventually in the 16th century also in England. -
John Donne and the Countess of Bedford
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1976 John Donne and the Countess of Bedford Marcia Mascolini Brown Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Brown, Marcia Mascolini, "John Donne and the Countess of Bedford" (1976). Dissertations. 1572. https://ecommons.luc.edu/luc_diss/1572 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1976 Marcia Mascolini Brown JOHN DONNE A...~D THE COUNTESS OF BEDFORD by Marcia Mascolini Brown A Dissertation Submitted to the Faculty of the Graduate School of' Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy February 1976 VITA Marcia Mascolini Brow"'Tl is the daughter of the late Virgil G. Mascolini and Gertrude Garbus Mascolini. She was born January 15, 1944, in Wilkes-Barre, Pennsylvania. Her elementary and secondary education was obtained in the public and parochial schools of Dallas, Edwardsville, and Williamsport, Pennsylvania. In September, 1961, she entered College Misericordia, Dallas, Pennsylvania, and in May, 1965, received the degree of Bachelor of Arts with a major in English. She was granted an N.D.E.A. doctoral fellowship and entered Loyola University of Chicago in September, 1965. She received an Arthur J. -
Brennan ARC to Travel Writing 22 Aug
This is a repository copy of Editorial Matters. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/120551/ Version: Accepted Version Book Section: Brennan, MG orcid.org/0000-0001-6310-9722 (2019) Editorial Matters. In: Pettinger, A and Youngs, T, (eds.) The Routledge Research Companion to Travel Writing. Routledge , Abingdon, UK . ISBN 9781472417923 https://doi.org/10.4324/9781315613710 © 2019 selection and editorial matter, Alasdair Pettinger and Tim Youngs; individual chapters, the contributors. This is an author produced version of a book chapter published in The Routledge Research Companion to Travel Writing. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 22 August 2017 Michael G. Brennan, ‘Editorial Matters’, for The Ashgate Research Companion to Travel Writing, ed. Tim Youngs and Alasdair Pettinger, Routledge (forthcoming) Michael G. Brennan is Professor of Renaissance Studies at the School of English, University of Leeds. -
Doctrinal and Stylistic Elements in the Sermons of John Donne, Richard Hooker and Lancelot Andrewes
such seeds of eternity So worthie a part of divine service we should greatlie wronge, :if we did not esteeme preaclringe as the blessed ordinance of God, sermons as Keyes to the kingdom of heaven, as winges to the soule, as spurres to the good affections of m an, unto the sound and healthie as foode, as phisicke unto diseased mindes. Hooker, V, 22.1, Laws II, p. 87. II ••• such seeds of eternity II DOCTRINAL AND STYIJSTIC ELEMENTS IN THE SERMONS OF JOHN DONNE, RICHARD HOOKER AND LANCELOT ANDREWES by JOSEPH RICH ARD GIBSON, B.A. A Thesis Submitted to the School of Graduate Studies :in Partial. Fulfilment of the Requirements for the Degree of M aster of Arts Me Master University October, 1979. M ASTER OF ARTS (1979) McM ASTER UNIVERSITY (English Literature) Hamflton, Ontario TITLE: Doctrinal and Stylistic Elements in the Sermons of John Donne, Richard Hooker and Lancelot Andrewes AUTHOR: Joseph Richard Gibson, B.A. (Guelph) SU PER VISO R: Professor G. Roebuck NU MBER OF PAGES: 116. ii ABSTRACT This thesis focuses upon doctrinal and trinitarian elements. and their influence on style, in selected sermons of Richard Hooker, John Donne and Lancelot Andrewes c The thesis concentrates upon the rational aspects of each man's doctrine and the rhetorical aspects of their style, as these emerge from the sermonso Hooker's notion of reason tends to locate itself within the Thomistic traditions of Scholastic thought.. Conaequently, Hooker, a radically conservative thinkert fastens upon the image of God the Father, the God of generative reason and Logos, in his approaches to the Trinityo It is argued that Hooker does this in order to confound the increasingly fideistic and pyrrhonistic notions of many of his contemporarieso Thus, he seeks to counteract a rising tide of Augustinian thought in English letters . -
Crafting Knowledge of the Mughal Empire In
Essays in History Volume 52 (2019) Crafting Knowledge of the Mughal Empire in Samuel Purchas’s Hakluytus Posthumus and Seventeenth- Century English Travel Accounts Madeline Grimm University of California Los Angeles Introduction In October 1614, the East India Company nominated Sir Thomas Roe to serve as the first -En glish ambassador to the Mughal Empire. George Abbot, the Archbishop of Canterbury, wrote to Roe in January 1617, while Roe resided at Emperor Jahangir’s court. Abbot advised him to closely observe events in India, for “as things now stand throughout the whole worlde, there is no place so remote, but that the consideration thereof is mediately or immediately of conse- quence to our affaires here.”1 Abbot assured Roe that his post in India, far from London and royal favor, was essential to England’s national interests. He encouraged Roe to report to him on Jahangir’s habits and demeanor, the activities of Dutch and French merchants, and any poten- tially valuable merchandise. In doing so, he articulated the need to obtain information about India that was reliable and could be used to England’s advantage against their European rivals. The English needed to think globally if they were to acquire significant political and economic power in Europe. Roe’s response to Abbot and his other writings from the embassy circulated in several forms. While in India, he had kept a journal where he noted the significant events at court each day. The journal and copies of Roe’s letters were assembled into one manuscript.2 Roe had this work in his possession when he left India and copies of it were sent to the East India Company (EIC) at their offices in London. -
Lindsay A. Mann Sacred and Profane Love in Donne Despite a Number Of
Lindsay A. Mann Sacred and Profane Love in Donne Our business is, to rectifie Nature, to what she was ... ("To Sir Edward Herbert at Julyers," 11. 33-4) Despite a number of recent studies arguing for continuity in Donne's career, the common interpretation of Donne's treatment of love and marriage still depends on the drawing of a sharp distinction between the sceptical naturalism of his early satirical and erotic verse and the asceticism of his devotional poetry and prose, with some of the more mature and suffering of the love poems (usually associated with Donne's marriage) providing an uneasy hyphen which only serves to emphasize the dichotomy. 1 This dichotomized reading of Donne's career issues in, or is sustained by, mar ked differences of opinion in the interpretation of the basic intention and essential implications of Donne's treatment of love. These problems of interpretation are further confused by and contribute to contradictory interpretations of Donne's relation to the main intellectual traditions of the period, whether essentially medieval or Augustinian or modern and sceptical or, just now, Calvinist.2 The dominant view, though not unchallenged, is still Bredvold's reading of a fundamental dualism (as between body and soul, faith and reason, the natural and the spiritual) in Donne.3 My examination of Donne's portrayals of human and divine love in some characteristic early and later work, in the light of consistent principles developed in his prose, supports current efforts to see a deeper consistency in Donne's work than is generally acknowledged. Although I can present only a summary of the evidence here, I hope the reader will find it suggestive enough to pursue the argument further. -
The Songs and Sonets of John Donne: an Essay on Mutability
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1967 The onS gs and Sonets of John Donne: an Essay on Mutability. Barbara Ann Maynard Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Maynard, Barbara Ann, "The onS gs and Sonets of John Donne: an Essay on Mutability." (1967). LSU Historical Dissertations and Theses. 1304. https://digitalcommons.lsu.edu/gradschool_disstheses/1304 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received ^ 13,999 MAYNARD, Barbara Ann, 1935- THE SONGS AND SONETS OF JOHN DONNE: AN ESSAY ON MUTABILITY. Louisiana State University and Agricultural and Mechanical College, Ph.D., 1967 Language and Literature, general Please note: Name in vita is Barbara Kehoe Maynard. University Microfilms, Inc., Ann Arbor, Michigan THE SONGS AND SONETS OF JOHN DONNE: AN ESSAY ON MUTABILITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Barbara Ann Maynard M.A., Louisiana State University, 1959 May, 1967 FOREWORD The number of poems included in the Songs and Sonets varies from editor to editor; accurate dating of the poems is impossible.