Doc Objects in Focus: the Admonitions Scroll Read

Total Page:16

File Type:pdf, Size:1020Kb

Doc Objects in Focus: the Admonitions Scroll Read Objects in Focus: the Admonitions Scroll // Doc / OH7Z5I7VK6 Objects in Focus: th e A dmonitions Scroll By Jan Stuart British Museum Press. Paperback. Book Condition: new. BRAND NEW, Objects in Focus: the Admonitions Scroll, Jan Stuart, The Admonitions scroll is an internationally recognized masterpiece of narrative painting and is arguably the earliest surviving Chinese painting. Painted in ink and colour on silk and traditionally attributed to the founding figure of Chinese painting, Gu Kaizhi (c.345c.406), the scroll entered the British Museum in 1903 and has become one of its most famous objects. The scroll illustrates a poem written in AD 292 by the poet-official Zhang Hua (232-300), who was reprimanding Empress Jia (257-300) who had wantonly abandoned the Confucian-based ethical behaviour expected of court ladies, including personal sacrifice to save the emperor should he be in danger. The Admonitions scroll was painted centuries later in order to admonish a different wayward ruler this time an emperor himself. While didactic and morally instructive, the painted scenes also reveal deep psychological insights into some of the figures as well as offer touching glimpses of court life, including in the bedchamber and a grooming session with the children. Modern scholarship holds that the Admonitions scroll dates from the sixth to eighth century AD. While it may or may not be a copy... READ ONLINE [ 6.82 MB ] Reviews The book is great and fantastic. it had been writtern extremely perfectly and valuable. I am very happy to let you know that here is the finest pdf i have read through within my own life and can be he very best book for actually. -- Miss Rossie Fay It in one of my personal favorite publication. Indeed, it is actually perform, still an amazing and interesting literature. Its been printed in an exceptionally easy way which is merely soon after i finished reading this book where really altered me, change the way i believe. -- Neal Homenick IV DMCA Notice | Terms.
Recommended publications
  • Ps TOILETRY CASE SETS ACROSS LIFE and DEATH in EARLY CHINA (5 C. BCE-3 C. CE) by Sheri A. Lullo BA, University of Chicago
    TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) by Sheri A. Lullo BA, University of Chicago, 1999 MA, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 Ps UNIVERSITY OF PITTSBURGH FACULTY OF ARTS & SCIENCES This dissertation was presented by Sheri A. Lullo It was defended on October 9, 2009 and approved by Anthony Barbieri-Low, Associate Professor, History Dept., UC Santa Barbara Karen M. Gerhart, Professor, History of Art and Architecture Bryan K. Hanks, Associate Professor, Anthropology Anne Weis, Associate Professor, History of Art and Architecture Dissertation Advisor: Katheryn M. Linduff, Professor, History of Art and Architecture ii Copyright © by Sheri A. Lullo 2009 iii TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) Sheri A. Lullo, PhD University of Pittsburgh, 2009 This dissertation is an exploration of the cultural biography of toiletry case sets in early China. It traces the multiple significances that toiletry items accrued as they moved from contexts of everyday life to those of ritualized death, and focuses on the Late Warring States Period (5th c. BCE) through the Han Dynasty (206 BCE-220 CE), when they first appeared in burials. Toiletry case sets are painted or inlaid lacquered boxes that were filled with a variety of tools for beautification, including combs, mirrors, cosmetic substances, tweezers, hairpins and a selection of personal items. Often overlooked as ordinary, non-ritual items placed in burials to comfort the deceased, these sets have received little scholarly attention beyond what they reveal about innovations in lacquer technologies.
    [Show full text]
  • Wikimedia with Liam Wyatt
    Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values.
    [Show full text]
  • The Performative Body
    The Performative Body by Rong Xie 1 CONTENTS Introduction Chapter 1: Her Voice Helene Cixous Chapter 2: Their Bodies The nude Kenneth Clark & John Berger The Invisible Body in Ancient China John Hay & Xin Ran Exterior and Interior, veil and Soul Ann Hollander & Helene Cixous Chapter 3: Performativity Sex and Gender Simone de Beauvoir & Judith Butler Gender's Performative in Chinese Folk Story Painted skin Chapter 4: Bodies in Performance Art Body Boundaries Maria Abramovic & Ulay Yoko Ono Culture and Nature Yayol Kusama Song Dong Cultural Animal Xu Bin Gillian Wearing Conclusion Bibliography 2 Introduction My thesis has been divided into three parts in order to look at ideas concerning “ecriture feminine”1, the performative body, and the broader issues concerning sexual politics. For this process I examined the theories of Helen Cixious with regard to the space and writing; Judith Butler’s idea of gender and performativity; as well as incorporating ideas related to contemporary performance art. Furthermore my own writing and performance is growing as a body of work parallel to my thesis, this will be presented in another book, which will, in turn, implicate the relationship between theory and practice. The first chapter of my thesis explores the definitions of Feminine Writing”, I examined the book Three Steps on the Ladders of Writing by Helene Cixous published in 1994. I chose her to study because she is the first feminist who introduced the theory of Feminine Writing. I was so inspired by her writing that I began to write about myself. She said: “We have to write about our story, our history, and ourselves.
    [Show full text]
  • F1914.53 Documentation Work Sheet
    Freer Gallery of Art Completed: 31 August 2007 F1914.53 Updated: 06 May 2009 (format/bibliography) Trad. attrib. to: Gu Kaizhi 顧愷之 (ca. 345–406) Title: Nymph of the Luo River 《洛神圖》 Luoshen tu Dynasty/Date: Southern Song dynasty, mid-12th to mid-13th century Format: Handscroll Medium: Ink and color on silk Dimensions: 24.2 x 310.9 cm (9-1/2 x 122-3/8 in) Credit line: Gift of Charles Lang Freer Accession no.: F1914.53 Provenance: John C. Ferguson (1866–1945) Ex-collection Duanfang 端方 (1861–1911) Literary subject: Illustration of the rhapsody, or prose-poem (fu 賦), Luoshen fu 洛神賦 (The Nymph of the Luo River), by Cao Zhi 曹植 (192–232).1 The original poem contains 168 lines, while the current painting only illustrates the text starting at about line 111. Judging from this and comparison with other recorded and extant versions of the composition, it is apparent that a little more than half the painting is missing from the front of the scroll, and probably one scene from the rear as well.2 Outside label slip: Duanfang 端方 (1861–1911) 1 Freer Gallery of Art Completed: 31 August 2007 F1914.53 Updated: 06 May 2009 (format/bibliography) Six characters, running script; plus seven characters, smaller running script 顧虎頭《洛 神圖》。希世之珍,匋齋題。 The Nymph of the Luo River, by Gu Hutou [Gu Kaizhi]. A rare treasure of the world; written by Taozhai [Duanfang]. Front mounting silk: Yellow silk brocade with phoenix-and-cloud motif. With signed inside label. Two (2) collector seals. Dimensions: 24.0 x 11.1 cm Inside label slip: Liang Qingbiao 梁清標 (1620–1691) Ten characters, standard script.
    [Show full text]
  • Zeng Jing's Informal Portraits of the Jiangnan Litera
    UNIVERSITY OF CALIFORNIA Santa Barbara Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Seokwon Choi Committee in charge: Professor Peter C. Sturman, Chair Professor Miriam Wattles Professor Hui-shu Lee December 2016 The dissertation of Seokwon Choi is approved. _____________________________________________ Miriam Wattles _____________________________________________ Hui-shu Lee _____________________________________________ Peter C. Sturman, Committee Chair September 2016 Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati Copyright © 2016 by Seokwon Choi iii ACKNOWLEDGEMENTS My sincerest gratitude goes to my advisor, Professor Peter C. Sturman, whose guidance, patience, and confidence in me have made my doctoral journey not only possible but also enjoyable. It is thanks to him that I was able to transcend the difficulties of academic work and find pleasure in reading, writing, painting, and calligraphy. As a role model, Professor Sturman taught me how to be an artful recluse like the Jiangnan literati. I am also greatly appreciative for the encouragement and counsel of Professor Hui-shu Lee. Without her valuable suggestions from its earliest stage, this project would never have taken shape. I would like to express appreciation to Professor Miriam Wattles for insightful comments and thought-provoking discussions that helped me to consider the issues of portraiture in a broader East Asian context. I owe a special debt of gratitude to Susan Tai, Elizabeth Atkins Curator of Asian Art at the Santa Barbara Museum of Art. She was my Santa Barbara mother, and she helped made my eight-year sojourn in the American Riviera one that I will cherish forever.
    [Show full text]
  • Flowers Bloom and Fall
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ASU Digital Repository Flowers Bloom and Fall: Representation of The Vimalakirti Sutra In Traditional Chinese Painting by Chen Liu A Dissertation Presented in Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy Approved November 2011 by the Graduate Supervisory Committee: Claudia Brown, Chair Ju-hsi Chou Jiang Wu ARIZONA STATE UNIVERSITY December 2011 ABSTRACT The Vimalakirti Sutra is one of the classics of early Indian Mahayana Buddhism. The sutra narrates that Vimalakirti, an enlightened layman, once made it appear as if he were sick so that he could demonstrate the Law of Mahayana Buddhism to various figures coming to inquire about his illness. This dissertation studies representations of The Vimalakirti Sutra in Chinese painting from the fourth to the nineteenth centuries to explore how visualizations of the same text could vary in different periods of time in light of specific artistic, social and religious contexts. In this project, about forty artists who have been recorded representing the sutra in traditional Chinese art criticism and catalogues are identified and discussed in a single study for the first time. A parallel study of recorded paintings and some extant ones of the same period includes six aspects: text content represented, mode of representation, iconography, geographical location, format, and identity of the painter. This systematic examination reveals that two main representational modes have formed in the Six Dynasties period (220-589): depictions of the Great Layman as a single image created by Gu Kaizhi, and narrative illustrations of the sutra initiated by Yuan Qian and his teacher Lu Tanwei.
    [Show full text]
  • A HISTORY of the WORLD in 100 OBJECTS Neil Macgregor
    A HISTORY OF THE WORLD IN 100 OBJECTS Neil MacGregor THE EBB RADI a BRITISH ° MUSEUM 92-95 FM ALLEN LANE an imprint of PENGUIN BOOKS Contents Preface: Mission Impossible xiii Introduction: Signals from the Past xv PART ONE Making us Human 2,000,000-9000 BC 1. Mummy of Hornedj itef 2 2. Olduvai Stone Chopping Tool 9 3. Olduvai Handaxe 15 4. Swimming Reindeer 19 5. Clovis Spear Point 26 PART TWO After the Ice Age: Food and Sex 9000-3500 BC 6. Bird-shaped Pestle 32 7. Ain Sakhri Lovers Figurine 37 8. Egyptian Clay Model of Cattle 43 9. Maya Maize God Statue 49 10. JomonPot 55 PART THREE The First Cities and States 4OOO-2OOO BC 11. King Den's Sandal Label 62 12. Standard of Ur 68 i). Indus Seal 78 14. Jade Axe 84 ij\ Early Writing Tablet 90 Vll CONTENTS PART FOUR The Beginnings of Science and Literature 2000-700 BC 16. Flood Tablet 96 iy. Rhind Mathematical Papyrus 102 18. Minoan Bull-leaper 111 19. Mold Gold Cape 117 20. Statue of Ramesses II 124 PART FIVE Old World, New Powers IIOO-3OO BC 21. Lachish Reliefs 132 22. Sphinx of Taharqo 140 23. Chinese Zhou Ritual Vessel 146 24. ParacasTextile 153 25. Gold Coin of Croesus 158 PART six The World in the Age of Confucius 500-300 BC 2.6. Oxus Chariot Model 164 27. Parthenon Sculpture: Centaur and Lapith 171 28. Basse-Yutz Flagons 177 29. Olmec Stone Mask 183 30. Chinese Bronze Bell 190 PART SEVEN Empire Builders 300 BC-AD 10 31.
    [Show full text]
  • Clio's Scroll
    The Berkeley Undergraduate History Journal DEPARTMENT OF HISTORY, UNIVIERSTY OF CALIFORNIA, BERKELEY Clio’s Scroll Vol.21 Fall 2019 No.1 Clio’s Scroll The Berkeley Undergraduate History Journal Vol. 21, No.1 Fall 2019 The Berkeley Undergraduate History Journal DEPARTMENT OF HISTORY, UNIVIERSTY OF CALIFORNIA, BERKELEY Clio’s Scroll Vol.21 Fall 2019 No.1 Contents 12 Editorial Board 4 Note from the Editors 3 5 Contributors Scelera Carnis: Same-sex Acts in Medieval Monasteries 6 Danielle O’Dea California State University, Channel Islands 331 Transmission Down Through the Centuries: The Transforming Social Dimensions Behind the Art of Remounting Chinese Scrolls Meishan Liang University of California, Berkeley 678 Cracks in the Great Wall of Chinatown: Reinventing Chinese American Identity in San Francisco’s Chinese New Year Celebrations Richard Lim University of California, Berkeley 9106 About Clio’s Scroll Clio’s Scroll, the Berkeley Undergraduate History Journal, is published twice yearly by students of the Department of History at the University of California, Berkeley. The journal aims to provide undergraduates with the opportunity to publish historical works and to train staff members in the editorial process of an academic journal. Clio’s Scroll is produced by financial support from the Townsend Center for the Humanities, the Associated Students of the University of California (ASUC), and the Department of History. Clio’s Scroll is not an official publication of the ASUC or UC Berkeley. The views expressed herein are solely those of the authors and do not necessarily represent those of the journal, the editors, the university, or sponsors. The Berkeley Undergraduate History Journal DEPARTMENT OF HISTORY, UNIVIERSTY OF CALIFORNIA, BERKELEY Clio’s Scroll Vol.21 Fall 2019 No.1 Editorial Board EDITOR-IN-CHIEF GERAINT HUGHES is a senior History and Classics double major, hoping to either go into International Relations or become a history professor (fingers crossed).
    [Show full text]
  • Craig CLUNAS – BIBLIOGRAPHY
    Craig CLUNAS – BIBLIOGRAPHY Books (sole author) Screen of Kings: Royal Art and Power in Ming China, Reaktion Books (London, 2013), pp. 248 Chinese translation: Fan ping: Mingdai Zhongguo de huangjia yishu yu quanli 藩屏: 明代中国的皇家艺术与权力, translated by Huang Shaojuan], Henan daxue chubanshe (Zhengzhou, 2016) Art in China, Second edition, Oxford History of Art (Oxford, 2009), pp. 276 Empire of Great Brightness: Visual and Material Cultures in Ming China, 1368-1644 (London, 2007) [American edn. University of Hawai’i Press] pp. 288 Superfluous Things: Material Culture and Social Status in Early Modern China, Second edition, University of Hawai’i Press (Honolulu, 2004) Chinese translation: Zhang wu: Zaoqi xiandai Zhongguo de wuzhi wenhua yu shehui zhuangkuang 长物:早期现代中国的物质文化与社会状况, translated by Gao Xindan & Chen Heng , Sanlian shudian (Beijing, 2015) Elegant Debts: The Social Art of Wen Zhengming 1470-1559 (London, 2004) [American edn. University of Hawai’i Press] pp. 223 Chinese translation: Ya zhai – Wen Zhengming de shejiaoxing yishu 雅債——文徵明 的社交性藝術, translated by Liu Yuzhen, Qiu Shihua and Hu Jun, Rock Publishing (Taipei, 2009), also jiantizi edition, Sanlian shudian (Beijing, 2012) Pictures and Visuality in Early Modern China (London, 1997) [American edn Princeton University Press], pp. 221 Chinese translation: Mingdai de tuxiang yu shijuexing 明代的图像与视觉性, translated by Huang Xiaojuan, Peking University Press (Beijing, 2011) Art in China, Oxford History of Art (Oxford, 1997), pp. 255 Korean translation: Saeropge Yigneun Junggukeui Misul, translated by Young-ae Lim, (Seoul, 2008) Chinese translation: Zhongguo meishu 中国美术, translated by Liu Ying, Shanghai renmin chubanshe (Shanghai, 2012) Chinese Carving, V&A Far Eastern Series (Singapore, 1996), pp.
    [Show full text]
  • Lecture Notes, by James Cahill Note: the Image Numbers in These Lecture
    Lecture Notes, by James Cahill Note: The image numbers in these lecture notes do not exactly coincide with the images onscreen but are meant to be reference points in the lectures’ progression. Lecture 3. Six Dynasties Painting and Pictorial Designs Introduction I must begin with a note on nomenclature. I’m using an old-fashioned name for this period, which is the almost four centuries between two great unified dynasties, the Han and the Tang. In the Three Thousand Years of Chinese Painting book, it is called the “Three Kingdoms, Two Jin, and Northern and Southern Dynasties.” This is more accurate but ponderous. Thorp and Vinograd call it the “Age of the Dharma: The Period of Division,” emphasizing the rise of Buddhism in this period, and the lack of any single ruling power in north and south. I will use the old, somewhat discredited term for convenience. As I emphasized at the beginning, you will have to get historical background elsewhere; I’m not going to lecture at length on the complexities of Six Dynasties power struggles, the rise and fall of states. Nor will I give you more than the simplest remarks on Buddhism, which are that it enters China from India, by sea and later through Central Asia, already in the Han period and becomes a great force in Chinese civilization in the centuries that follow. I was never strong in Buddhist art, and I won’t show much of it in these lectures. I will completely leave out, for instance, the wall paintings in the Buddhist caves at Dunhuang, the site in the far northwest of China.
    [Show full text]
  • VOL. 29 Rutgers Art Review
    Rutgers Art Review The Journal of Graduate Research in Art History VOL. 29 Rutgers Art Review The Rutgers Art Review (RAR) is an annual journal produced by graduate students in the Department of Art History at Rutgers University. The journal is dedicated to presenting original research by graduate volume the editors convene an editorial board made students in Art History and related fields. For each up of students from the department and review all new submissions. The strongest papers are then sent to established contribute to existing scholarship. Articles appearing scholars in order to confirm that each one will in RAR are abstracted and indexed online in America: History and Life, ARTbibliographies Modern, the Avery Index to Architectural Periodicals, BHA (Bibliography of the History of Art), Historical Abstracts, and the Wilson Art Index. The journal is distributed by and public libraries in North America and Europe. subscription to many of the finest university, museum, to printed volumes before Vol. 29, visit: For more information about RAR or to suscribe RAR.Rutgers.edu Cover Image: Udechukwu, Obiora, Exile Train, 1981?, brush and ink, sketchbook page. Staff &Thanks Editors Special Thanks Virginia Allison Harbin The editors of Volume 29 would like to thank our Gianna LoScerbo guidance as Rutgers Art Review switched into a digital Assistant Editor version.faculty advisor Without Tatiana her involvement, Flores for her this dedication transition and Lauren Henning wouldRutgers have Art beenReview much would more also difficult. like to thank the time To contact the staff at and dedication of our outside readers, who took time Rutgers Art Review, email: from their busy schedule to read and review our submissions.
    [Show full text]
  • Notes on the Lighting Devices in the Medicine Buddha Transformation Tableau in Mogao Cave 220, Dunhuang by Sha Wutian 沙武田
    ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 14 2016 Contents From the editor’s desktop: The Future of The Silk Road ....................................................................... [iii] Reconstruction of a Scythian Saddle from Pazyryk Barrow № 3 by Elena V. Stepanova .............................................................................................................. 1 An Image of Nighttime Music and Dance in Tang Chang’an: Notes on the Lighting Devices in the Medicine Buddha Transformation Tableau in Mogao Cave 220, Dunhuang by Sha Wutian 沙武田 ................................................................................................................ 19 The Results of the Excavation of the Yihe-Nur Cemetery in Zhengxiangbai Banner (2012-2014) by Chen Yongzhi 陈永志, Song Guodong 宋国栋, and Ma Yan 马艳 .................................. 42 Art and Religious Beliefs of Kangju: Evidence from an Anthropomorphic Image Found in the Ugam Valley (Southern Kazakhstan) by Aleksandr Podushkin .......................................................................................................... 58 Observations on the Rock Reliefs at Taq-i Bustan: A Late Sasanian Monument along the “Silk Road” by Matteo Compareti ................................................................................................................ 71 Sino-Iranian Textile Patterns in Trans-Himalayan Areas by Mariachiara Gasparini .......................................................................................................
    [Show full text]