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the choice of great masters

FAZIOLI Pianos has been producing grand and concert grand pianos since 1981, when the company was founded by the engineer and pi- anist Paolo Fazioli. Passion for music, great ar- tisanship, continuous technological research and strict material selection: these are the elements required for building a Fazioli piano. FAZIOLI refuses any industrial approach to manufactu- ring and pursues the objective of uncompromi- sed quality. The factory is located in Sacile, in the Province of Pordenone (60 km Northeast of Venice) in an area boasting an ancient and pres- tigious tradition in the art of woodworking.

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mission & vision

The FAZIOLI factory was born out of a challen- Almost 40 years later, FAZIOLI strongly believes ge: demonstrating that the piano is not an in- to have carried out this mission coherently, thus strument passively and indissolubly anchored inspiring the whole acoustic piano manufactu- to tradition. On the contrary, the company has ring sector. always assumed that the piano, like any other work of the human intelligence, can and has to be subject to technological development and aesthetical improvement, without betraying the glorious past that wrote its history. Since the very beginning, FAZIOLI has consistently brought forward its philosophy, which can be summarized in few, however important, points:

• producing exclusively grand and concert grand pianos, destined to the professional market • excluding any imitation process and pur- suing the idea of a FAZIOLI sound inspired by the Italian “Bel Canto” • individually handcrafting each piano (eve- ry FAZIOLI instrument is unique), refusing every industrial process • using only the best materials and cut- ting-edge manufacturing techniques • constantly carrying on scientifi c research through an internal “Research and Deve- lopment” department and the collaborati- on with academic research institutions and external private subjects • meeting the demand of those who wish to acquire a unique and aesthetically ful- ly-customized instrument (Art Case & Home Design collections).

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history

1944 - 1977

Paolo Fazioli was born in Rome in 1944, into a family depth study of contemporary grand piano producti- of furniture makers. From a very early age, he had a on, analysing their structure and performance while keen interest in music and especially in playing the consulting researchers and experts in the fi eld. piano. He consequently started taking piano lessons and 1978 - 1981 continued his piano studies through his high school and university years, broadening his knowledge by At the end of the 1970s, Paolo Fazioli’s expertise in visiting manufacturing and restoration workshops traditional piano manufacturing, coupled with his and reading the most authoritative literature on the research, experience and creativity, fi nally brought subject. about the establishment of a new business. The Fa- In 1969, he graduated from the University of Rome zioli Piano Factory was established within the Sacile with a degree in Mechanical Engineering and in furniture plant, about 40 miles north of Venice. 1971 he received a degree in piano performance This choice of location fulfi lled a number of organi- from the G. Rossini Conservatory in Pesaro, under sational and production needs: materials were clo- the guidance of Maestro Sergio Cafaro. At the same se to hand, as were research and analysis laborato- time, he earned a Master’s degree in Music Compo- ries and, most importantly, specialised craftsmen. sition at the St Cecilia Academy in Rome, where he In 1979, he started designing his fi rst prototype studied under the composer Boris Porena. for a baby grand piano. He was assisted by a small team consisting of Professor Pietro Righini, an ex- Paolo Fazioli joined the family company after gradu- pert in musical acoustics, and Professor Guglielmo ation, honoring his management skills as a produc- Giordano, an eminent wood technologist, as well tion planning manager fi rst in Rome and then at the as Virgilio Fazioli and Lino Tiveron. Turin factory, while at the same time developing his The prototype of the F183 model was completed expertise in wood processing. in June 1980, followed at the end of the year by However, he soon left the family business in order the prototypes of two other models, the F156 and to pursue his dream of designing and building new the F278. In 1981 work began on the prototype of pianos. He began by devoting himself to the in- the F228 model.

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history 1982 - 1986

In February 1982 all four models – the F156, F183, for his concert at the Teatro Goldoni in Venice. F228 and F278 – were exhibited at the Frankfurt Mu- Toward the end of the year, chose sikmesse.The production area within the MIM facto- the Fazioli pianos for his Italian tour. ry was expanded to reach 600 square metres, thus increasing production to 2 pianos a month. 1994 - 1996 In 1983, the company began collaborating with Zel- tron (Zanussi Institute for Research) with the aim of In 1994, Fazioli Pianoforti exhibited at the NAMM studying and further improving tonal quality. The show in Anaheim, for the fi rst time, thus company started reaping the fi rst artistic successes: consolidating its position in the North American in 1984 and 1985, when renowned pianists like Aldo market. Ciccolini, Alfred Brendel, , Vladimir In the same year, the company displayed at MUSIC Aschkenazy, Lazar Berman, Nikita Magaloff, Michel CHINA in Shanghai, thus opening the way to suc- Beroff, Annie Fischer, Louis Lortie and many others cess in the Far East. started to play on Fazioli pianos. A number of impor- A concert grand piano was installed in the Sydney tant concert halls purchased the F278 concert grand Town Hall in and its debut performance and the fi rm started exporting to major European featured a concert attended by Australian Prime countries and the United States. Minister Paul Keating. Fazioli pianos were also cho- The demand for an instrument having even greater sen for the Gina Bachauer Piano Competition in Salt power and richness of tone, to be used in large con- Lake City, USA. cert halls, inspired the concept of the F308 model, In 1995, the F308 model was unveiled at the NAMM which is still the longest piano available on the mar- Show and subsequently used for concerts in Los An- ket. Alongside this project, work began on a new geles and Salt Lake City. In June, the F308 model was model to complement the existing line, the medi- presented in China, leading to the purchase of one of um-size F212 with a length of 212 cm. these instruments by the Beijing Conservatory. In 1996, a Fazioli was chosen for concerts in the Wie- 1987 - 1993 ner Musikvereinshalle by Ingeborg Baldaszti, Markus Schirmer, Jasminka Stancul and Elisabeth Leonskaya. The prototype of the fi rst F308 received its fi rst pu- The unique Brunei concert grand was built on order blic performance in 1987, at the Teatro Comunale in for the Sultan of Brunei, featuring inlays of precious Monfalcone, with French pianist François Joël Thio- stones, mother of pearl and exotic woods. In addition ller performing both Tchaikovsky piano concertos. to standard black instruments, the company develo- Later that year, Lazar Berman used the F308 piano ped a series of special art case models to cater to its at Carnegie Hall to perform Liszt’s Second Concer- most exacting customers. to. also requested the same model

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history 1997 - 2000 2004 - 2006

In 1997, Fazioli pianos were used for the fi rst In 2004, large orders were placed and produc- time at Umbria Jazz, one of the world’s most tion fi nally exceeded the 100 units. That same renowned jazz festivals, both for the summer edi- year, the company moved to its new offi ces and tion in Perugia and the winter companion festival the Fazioli Concert Hall was completed. in Orvieto. Through Umbria Jazz, a number of Equipped with variable acoustic devices, the eminent jazz artists have since become admirers hall is ideal for instrument testing, concerts and of Fazioli pianos, including , Mar- recordings. tial Solal, Brad Mehldau, Chucho Valdez, Michel In November 2006, the company celebrated its Camilo, Uri Caine, Kenny Barron, Stefano Bollani, 25th year in business with a ceremony attended Enrico Pieranunzi, Danilo Rea etc. by dealers, staff and a number of the most de- In 1998, the company purchased an area of ap- voted pianists. proximately 14,000 m2 next to the existing fac- tory, leading to the construction of a new plant 2007 - 2010 capable of producing approximately 150 instru- ments per year. The new facility includes a labo- The cooperation with prestigious universities on ratory for acoustic research and a concert hall research and development projects is testament where new instruments can be tested. to the company’s continuous commitment to quality and the improvement of its products. 2001 - 2003 The famous Juilliard School, New York - among the most important institutions in the world for In 2001, the new factory was fi nally opened. high level musical training - broke the mono- Production edged closer to the target of 100 pi- poly that had been bonding the institution with anos per year. The company’s relationship with another historic brand for more than 80 years by pianist became even more pro- purchasing a Fazioli concert grand. ductive in 2003, when the artist began reques- In October 2010, FAZIOLI was on stage for the ting Fazioli pianos for her world concert tours. very fi rst time at the Chopin Piano Competition In May, Louis Lortie used a Fazioli grand piano in . Daniil Trifonov played the FAZIOLI pi- to perform a recital in place of ano in all rounds and was awarded the 3rd prize. at the Carnegie Hall in New York, earning glo- wing reviews. In the same year, The Economist reported that “some artists believe that Fazioli now makes the best pianos in the world”.

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history 2011 - 2016

Since 2011, FAZIOLI has been taking part in the admitted to the fi nal, three of which had chosen Artur Rubinstein Piano Competition in : to perform on Fazioli since the fi rst round of the at the 2011 edition, 5 out of 6 fi nalists preferred competition. Among them, the fi rst and third the Italian instrument over the two piano brands prizewinners. at their disposal. At the Liszt Competition in Utrecht, feat. 3 diffe- 2018 rent piano brands, 4 out of 23 contestants cho- se FAZIOLI. FAZIOLI pianos also gathered great At the Honens International Piano Competition, 7 out success at the Chopin National Competition for of 10 semifi nalists chose to play Fazioli in at least 1 of USA, in Miami, Florida. the 4 rounds of the competition. 2 out of 3 fi nalists The Fazioli piano is now present at the most (Han Chen and Llewellyn Sanchez Werner) perfor- prestigious piano competitions, including the med their piano concerto with orchestra on the F278. Honens in Calgary and the Sydney International Composer and pianist Daniil Trifonov played an ex- Piano Competition of Australia where, in July traordinary Chopin-inspired programme at the pres- 2016, the Fazioli concert grand received unani- tigious Verbier Festival (Switzerland). His recital was mous praise. live streamed on “Medici TV” and followed by a huge number of fans from all over the world. 2017 In Verbier, an audience of 2000 people acclaimed this outstanding Artist, who requested to perform his two In May 2017, it was with great pride that the most anticipated concerts at the Festival on a Fazioli company saw all three fi nalists of the Artur Ru- concert grand, as well as his chamber music perfor- binstein International Piano Competition in Tel mance including the world premiere of his new Quin- Aviv, who chose to perform every round on FA- tetto Concertante for piano and strings. ZIOLI, being awarded a number of prizes. A Fazioli F183 is featured in the new short fi lm by In September 2017, the Fazioli piano was cho- Deutsche Grammophon where Trifonov plays a sen by all fi nalists of the Scottish International 19th-century “stowaway” who steals aboard a deser- Piano Competition in Glasgow. ted train and dreams of playing the opening move- Also the fi nal of the International Piano Compe- ment of Rachmaninov’s Fourth Piano Concerto on a tition “Halina-Czerny Stefanska” in memoriam, real piano as the train makes its way through the bre- which took place in September 2017in Poznan, athtaking landscapes of the Colorado Rockies. registered a new success for FAZIOLI. During the three rounds of the competition, contestants were asked to select their instrument among four piano brands. Eight were the candidates

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production

Production levels revolve around 140 pianos a The whole production process, from the initial year, reaching not only the European and North rim bending to the fi nished product, lasts about American market, but also China, Russia, the two years and requires technological expertise, Far East and South America, as well as various great artisanship, rigorous material selection emerging countries. The company currently em- and continuous scientifi c research. All of the- ploys a staff of 50 people. The FAZIOLI technici- se aspects, aiming at reaching uncompromised ans represent a highly specialized team working high quality and therefore much more important with the passion and professionality of someone than a mere “long-standing tradition”, are as- who is aware of being constantly involved in the sociated with an obsessive attention to detail construction of a unique and precious object and represent the distinguishing features of the destined to the world of art. FAZIOLI grand pianos.

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grand pianos

F156 - BABY GRAND F183 - MEDIUM GRAND

The smallest model of the FAZIOLI collection. A mellow, rich and brilliant sound suited for the Despite its small size, this piano has a remarka- entire piano repertoire. With a fi ne balance be- bly powerful and clear sound. Suitable for smal- tween the bass and treble, this piano has a pro- ler settings where the player does not wish to jecting tone, which exceeds its dimensions. renounce to the sound and action of a high-qua- lity grand piano.

DATE OF THE FIRST PROTOTYPE / 1980 DATE OF THE FIRST PROTOTYPE / 1980 LENGTH / 156 cm LENGTH / 183 cm WEIGHT / 295 kg WEIGHT / 340 kg

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grand pianos

F212 - SEMI-CONCERT GRAND F228 - SEMI-CONCERT GRAND

Considered across the world as the classic size Very similar to the concert grand (F278) in its for performing and teaching, this piano is also action and dynamic features; a deep and po- suitable for medium concert halls. The excellent werful bass makes this piano excellent for medi- balance between the bass and treble and the um-size concert halls. Only slightly smaller than wide dynamic range make this instrument parti- a full concert grand, its tonal richness makes it cularly well suited for the recording studio. an ideal instrument for chamber music.

DATE OF THE FIRST PROTOTYPE / 1986 DATE OF THE FIRST PROTOTYPE / 1981 LENGTH / 212 cm LENGTH / 228 cm WEIGHT / 395 kg WEIGHT / 430 kg

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grand pianos

F278 - CONCERT GRAND F308 - LONGEST CONCERT GRAND

Exceptional power, magnifi cent balance be- The absolute “jewel in the crown” designed for tween the bass and treble, extensive dynamic modern large-capacity concert halls and very big range and harmonic richness. A classic instru- spaces. It has immense power and extraordinary ment for large concert halls and recording stu- harmonic richness, thanks to the increased string dios, suitable both for the solo repertoire and length in the bass section. This makes the F308 for performances with large orchestras. particularly suitable for concerts with orchestra, even if it can be successfully used also for chamber DATE OF THE FIRST PROTOTYPE / 1980 music repertoire, as the wide dynamic range allows LENGTH / 278 cm to get the deepest pianissimo. It is endowed with WEIGHT / 530 kg a fourth pedal invented by Fazioli. Located to the left of the three traditional pedals, it reduces the hammer-blow distance, thus reducing sound volu- me without modifying the timbre, at the same time facilitating the performance of glissandos, pianissi- mos, rapid passages and legatos.

DATE OF THE FIRST PROTOTYPE / 1987 LENGTH / 308 cm WEIGHT / 570 kg

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institutions

The success of a company which today is not just considered an authentically “Made in Italy” brand, but a brand in the truest sen- se of the word, is confi rmed by the presence of FAZIOLI pianos at the world’s most important institutions for piano training of the highest level.

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list of institutions a few examples

NORTH AMERICA

CANADA MONTREAL Université Royal F278 CANADA REGINA University of Regina F278

USA LOS ANGELES Colburn School of Fine Art 2x F278, 4x F212 USA LOS ANGELES University of California F228 USA FLORIDA College of Music F228 USA CHICAGO Fine Art Building F278 USA CHICAGO Northern Illinois University F278 USA NEW YORK Adelphi University F228, F308 USA NEW YORK Julliard School 2x F212, F278 USA OREGON Eastern Oregon university F278 ASIA

CHINA BEIJING China Conservatory F228 CHINA BEIJING National Centre for Performing Arts F308, F278, F183 CHINA BEIJING Winland Financial Center F308, F183 CHINA CHANGZHOU Changzhou Grand Theatre F278 CHINA SHANGAI Shanghai Conservatory of Music F278, 3x F212 CHINA XIAMEN Central conservatory F308, F278, 2x F228, F212 CHINA HONG KONG Academy for Performing Arts F308

SINGAPORE SINGAPORE Nanyang Academy of Fine Art F2x F212

JAPAN HIROSHIMA CITY Hinokki Hall F278 JAPAN MAKUHARI CITY Makuhari High School 2x F278 JAPAN TOKYO Toyosu Civic Center Hall F278

KOREA DAEGU Dalseogu Advanced Cultural Center F278 KOREA DAEGU Dong-gu Culture & Athletic Center F278 KOREA PYEONGTAEK Pyeongtaek University F308 KOREA SEOUL Mozart Hall F278

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list of institutions a few examples

KOREA SEOUL National University of Music F278

TAIWAN TAINAN National University for the Arts F308 TAIWAN TAICHUNG National Metropolitan Opera House F308 TAIWAN TAIPEI Chinese Culture University F228 TAIWAN TAIPEI National Theatre concert Hall F308, F278 TAIWAN TAIPEI Taipei Symphony Orchestra F278

VIETNAM HOCHIMINH CITY Conservatory of Music 2x F278 EUROPE

AUSTRIA ERL The Tiroler Festspiele ERL F278 AUSTRIA GRAZ University of Music and Performing Arts F278 AUSTRIA SALZBURG Mozarteum University of Music F228 AUSTRIA WIEN Conservatory 3x F228, F212 AUSTRIA WIEN Universität fur Musik und darstellende Kunst 4xF228, F212, 5x F183

DENMARK COPENHAGEN Museum of Modern Arts F308 DENMARK COPENHAGEN Danish National Sympony Orchestra F228 DENMARK COPENHAGEN Royal Accademy of Music F278

FINLAND HELSINKI Sibelius-Akatemia F278, 2x F212 FINLAND HELSINKI G LIvelab Jazzclub F228

FRANCE PARIS Conservatoire National Superieur de Musique F278, 3x F228, 6x F212 FRANCE PARIS Musée des Invalides F278 FRANCE STRASBOURG Conservatoire National F212 GERMANY DRESDEN Semper Oper F183 GERMANY DRESDEN Hochscule fur musik F308 GERMANY HAMBURG Musikhochschule 2x F228 GERMANY HANNOVER Musikhochschule F212 GERMANY KARLSRUHE Musikhochschule F228 GERMANY MUNCHEN Bayerische Rundfunk F278

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list of institutions a few examples

GERMANY MUNCHEN Musikhochschule F308, F212 GERMANY STUTTGART Staatstheaterballet F308 GERMANY STUTTGART Treffpukt RoteBühlplatz F228 GERMANY STUTTGART Wilhelma Theater F278 GERMANY WEIMAR Konzertsaal F308

HOLLAND AMSTERDAM Asko/schonberg Ensemble F228 HOLLAND AMSTERDAM Theater De Rode Hoed F278, F228 HOLLAND MAASTRICHT Recording Studio Andre Rieu F308, 2x F278 HOLLAND ECHTELT Recording Studio Miller Music F308 HOLLAND UTRECHT Muziekcentrum Vredenburg F278

UK LONDON Purcell School of Music 2x F278, 2x F212 UK LONDON Royal Academy of Music 2x F228 UK LONDON Royal College of Music 2x F228, 2x F212 UK LONDON Trinity College of Music F278 UK LONDON Yehudi Menuhin School F278, 3x F212 UK LONDON York University F278

AND MANY MORE

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artists

HERBIE HANCOCK ANGELA HEWITT

DANIIL TRIFONOV BENNY ANDERSSON

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artists

VADYM KHOLODENKO MARC-ANDRÉ HAMELIN

ELIANE RODRIGUES JEF NEVE

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competitions

FAZIOLI pianos are always more in demand for important natio- nal and international piano competitions. Please see hereunder a list of some of the most recent contests where a FAZIOLI piano were featured:

FORMER COMPETITIONS

7TH HONENS INTERNATIONAL PIANO COMPE- 34TH PREMIO VENEZIA (VENEZIA, ITALY) TITION (CALGARY, CANADA) 2017, October 22-28 (annual) 2018, August 30 - september 8 (triennial) 30TH INTERNATIONAL PIANO COMPETITION 22ND INTERNATIONAL PIANO COMPETITION ETTORE POZZOLI (SEREGNO, ITALY) RINA SALA GALLO (MONZA, ITALY) 2017, September 26 october 3 (biennial) 2018, October 7-13 (biennial) 4TH INTERNATIONAL PIANO COMPETITION 9TH INTERNATIONAL PIANO COMPETITION IN MEMORIAM “HALINA-CZERNY STEFA—SKA” IN MASSAROSA (MASSAROSA, ITALY) (POZNA—, POLAND) 2018, June 6-9 (annual) 2017, September 17-24 (triennial)

4TH INTERNATIONAL PIANO COMPETITION 5TH SCOTTISH INTERNATIONAL PIANO COM- “PIANO FVG” (SACILE, ITALY) PETITION (GLASGOW, UK) 2018, May 4-11 2017, September 6-10 (triennial)

21ST THE JAQUES SAMUEL PIANOS INTERCOL- 8TH INTERNATIONAL PIANO COMPETITION LEGIATE PIANO COMPETITION (LONDON, UK) IN MASSAROSA (MASSAROSA, ITALY) 2017, October 31 (annual) 2017, June 7-10 (annual)

11TH INTERNATIONAL FRANZ LIST PIANO 15TH THE ARTHUR RUBINSTEIN INTERNATIO- COMPETITION (UTRECHT, THE NETHERLANDS) NAL PIANO MASTER COMPETITION (TEL AVIV, 2017, October 8-21 (triennial) ISRAEL) 2017, April 25- may 11 (triennial)

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competitions

UPCOMING COMPETITIONS

THE JAQUES SAMUEL PIANOS INTERCOLLEGI- 31TH INTERNATIONAL PIANO COMPETITION ATE PIANO COMPETITION (LONDON; UK) ETTORE POZZOLI (SEREGNO, ITALY) 2018, November 15, thursday 2019, September 24 - october 1

4TH INTERNATIONAL PIANO COMPETITION 1ST FAZIOLI COMPETITION IN AUCKLAND FOR YOUNG PIANISTS “IL POZZOLINO” (SE- 2019, Massey high school / REGNO, ITALY) auckland philharmonia orchestra 2018 November 21-25 12TH INTERNATIONAL FRANZ LIST PIANO 35TH PREMIO VENEZIA (VENEZIA, ITALY) COMPETITION (UTRECHT, THE NETHERLANDS) 2018, December 1-6 2020, March 16-28

2ND TAIWAN INTERNATIONAL PIANO ENSEM- 16TH ARTHUR RUBINSTEIN INTERNATIONAL PI- BLE COMPETITION (TAIPEI, TAIWAN) ANO MASTER COMPETITION (TEL AVIV, ISRAEL) 2018, December 14-15 2020, May 5-21

31ST ALESSANDRO CASAGRANDE INTERNATI- 12TH SYDNEY INTERNATIONAL PIANO COM- ONAL PIANO COMPETITION (TERNI, ITALY) PETITION (SYDNEY, AUSTRALIA) 2019, May 19-25 2020, July 8-20

16TH INTERNATIONAL TCHAIKOVSKY COMPE- 18TH INTERNATIONAL FRYDERYK CHOPIN PI- TITION (MOSCOW, RUSSIA) ANO COMPETITION 2019, June 2020, October 2-23

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the piano of the future

“A COMPANY THAT 40 YEARS AGO DIDN’T EVEN EXIST, IS CONSIDERED TODAY TO BE A GREAT EXAMPLE FOR ITS STRONG COMMITMENT TO RESEARCH, INNOVATION AND PROMOTION OF ITS PRODUCT: A PIA- NO CONSTANTLY LOOKING TO THE FUTURE. EVERY DAY FAZIOLI SEES NEW CHALLENGES AS AN OPPORTUNITY FOR GROWTH: OCCASIONS TO WRITE ANOTHER CHAPTER IN THAT HISTORY OF THE PIANO THAT THE COMPANY DOES NOT WISH TO BETRAY, BUT RATHER TO CARRY FORWARD WITH CURIOSITY AND INTELLIGENCE.” - THE ECONOMIST -

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