The Piano and Our Global Community Presented by Lisa Yui (DMA ’05), Director
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Russian Piano Music Series, Vol. 13: Sergei Rachmaninov
Russian Piano Music Series, vol. 13: Sergei Rachmaninov Sergei Rachmaninov (1873-1943) 1 Etude-Tableau in A minor, Op. 39 No. 2 8:15 Moments Musicaux, Op. 16 31:21 2 No. 1 Andantino in B flat minor 8:50 3 No. 2 Allegretto in E flat minor 3:49 4 No. 3 Andante cantabile in B minor 4:42 5 No. 4 Presto in E minor 3:32 6 No. 5 Adagio sostenuto in D flat major 4:29 7 No. 6 Maestoso in C major 5:52 Piano Sonata No. 1 in D minor, Op. 28 40:20 8 I Allegro moderato 15:38 9 II Lento 9:34 10 III Allegro molto 15:06 total duration : 79:56 Alfonso Soldano piano Dedication I wish to dedicate this album to the great Italian pianist and professor Paola Bruni. Paola was a special friend, and there was no justice in her sad destiny; she was a superlative human being, deep, special and joyful always, as was her playing… everybody will miss you forever Paola! Alfonso Sergei Rachmaninov (1873-1943) “The Wanderer’s Illusions” by Rosellina de Bellis ".. What I try to do, when I write my music, is to say simply and directly what is in my heart when I compose. If there is love, or bitterness, or sadness, or religion, these moods become part of my music .. " The bitterness of the words spoken by Schubert about the connection between song and love, "... when I wanted to sing love it turned into pain, and if I wanted to sing pain, it became love; so both divide my soul.. -
Claire Chase: Cerchio Tagliato Dei Suoni and Density
Claire Chase: Cerchio Tagliato dei Suoni and Density Sat, Apr 4 PART ONE Grazie Migranti! Royce Hall Marcos Balter (b. 1974): Alone (2014), 4pm for flute and wine glasses and ambient The Center would like to thank all the flute enthusiasts percussion who have joined us this week to bring Cutting the Circle WEST COAST PREMIERE of Sounds to vibrant life, both here today and earlier in rehearsals at the Hammer Museum. It has been a true Salvatore Sciarrino (b. 1947): Il cerchio migration, with performers traveling from San Diego and tagliato dei suoni (1977), for four flute RUNNING TIME: Santa Barbara and participants joining in where and when soloists and one hundred migrating flutists Approximately two and a WEST COAST PREMIERE they can. We were able to capture most of the names of the half hours; migrating flutists you will see here tonight in time for this One intermission Claire Chase Flutes printing. Each person on site today has our deep gratitude Michael Matsuno Flute for their generous contribution of time and energy to this Erin McKibben Flute unique project. Members of the migranti include: Christine Tavolacci Flute Levy Lorenzo Sound Engineer Robert Gonyo Production Aika Dan, Aileen Garcia, Ann Carlson, Amanda Vader, Amy Two, Arlette Flores, Barbara Gasior, Beth Ross CAP UCLA SPONSOR: Manager Supported in part by Intermission Buckley, Breanna Ohler, Catherine Marshall, Carlos The Andrew W. Mellon Cherish Zinn, Christine Buckley, Claire Hafteck, Daniel Foundation. PART TWO Valle, Dickson McMurray, Diego Monico, Elena Yarritu, Additional support Eloisa Perez, Emily Flores, Evan Caplinger, Eve Newton, Steve Reich (b. -
Rmc193chiprograml5.Pdf
SATURDAY APRIL 29, 2017 | 7:30 PM | ROCKEFELLER CHAPEL A TRIPTYCH: Earth, Moon, Peace Works of Augusta Read Thomas Played by Spektral Quartet and Third Coast Percussion ROCKEFELLER CHAPEL | UNIVERSITY OF CHICAGO OF UNIVERSITY 2 PROGRAM The program is performed without intermission, although there will be brief pauses for resetting the stage. You are warmly invited to a wine and cheese reception here in the Chapel after the concert, with refreshments served from the west transept. You will also find CDs on sale. RAINBOW BRIDGE TO PARADISE SELENE Moon Chariot Rituals 2016 2015 3 Russell Rolen CELLO Spektral Quartet Third Coast Percussion and CHI CHI | A TRIPTYCH: EARTH, MOON, PEACE CHI for string quartet RESOUNDING EARTH 2017 World première 2012 I CHI vital life force I INVOCATION pulse radiance II AURA atmospheres, colors, vibrations II PRAYER star dust orbits III MERIDIANS zeniths III MANTRA ceremonial time shapes IV CHAKRAS center of spiritual power in the body IV REVERIE CARILLON crystal lattice Spektral Quartet Third Coast Percussion Clara Lyon VIOLIN David Skidmore Maeve Feinberg VIOLIN Peter Martin Doyle Armbrust VIOLA Robert Dillon Russell Rolen CELLO Sean Connors ABOUT THIS CONCERT Like most works of art, tonight’s concert came into Enter Spektral Quartet (or re-enter, for this being through the confluence of flashes of desire, conversation also had begun, allegro con spirito, some snippets of conversation, and the sudden alignment of eons before). On March 7, 2015, the cosmic lights went energies sparked by the commissioning of a new work. green and we knew we had a program: Selene, to be The flash of desire came just over three years ago. -
Johann Kaspar Kerll Missa Non Sine Quare
Johann Kaspar Kerll Missa non sine quare La Risonanza Fabio Bonizzoni La Risonanza Elisa Franzetti soprano Emanuele Bianchi countertenor Mario Cecchetti tenor Sergio Foresti bass Carla Marotta, David Plantier violin Peter Birner cornett Olaf Reimers violoncello Giorgio Sanvito violone Ivan Pelà theorbo Fabio Bonizzoni organ & direction Recording: May 1999, Chiesa di San Lorenzo, Laino (Italy) Recording producer: Sigrid Lee & Roberto Meo Booklet editor & layout: Joachim Berenbold Artist photo (p 2): Marco Borggreve Translations: Peter Weber (deutsch), Sigrid Lee (English), Nina Bernfeld (français) π 1999 © 2021 note 1 music gmbh Johann Kaspar Kerll (1627-1693) Missa non sine quare 1 Introitus Cibavit eos (gregorian) 1:03 2 Kyrie, Christe, Kyrie * 3:31 3 Gloria * 4:49 4 Graduale Sonata in F major for two violins & b.c. 6:32 5 Credo * 7:15 6 Offertorium Plaudentes Virgini for soprano, alto, tenor, bass & b.c. 3:45 7 Sanctus et Benedictus * 4:17 8 Agnus Dei * 2:18 9 Communio Ama cor meum for alto, tenor, two violins & b.c. 7:25 10 Dignare me for soprano, alto, bass & b.c. 2:34 11 Post Communio Sonata in G minor for two violins, bass & b.c. 7:13 12 Deo Gratias Regina caeli laetare 2:31 * from Missa non sine quare English English cent coronation of the new Austrian Emperor various instruments (violins, violas, trombones) incomplete copy (only 10 of 19 parts remain- Leopold in Frankfurt, in the summer of 1658, and continuo. This type of concerted mass was ing) belongs to the Bayerische Staatsbibliothek Johann Kaspar Kerll Kerll composed a mass and was invited to play widely used for important liturgical occasions in of Munich along with a manuscript score (a the organ during the ceremony. -
Giovanni Valentini Secondo Libro De Madrigali a 4, 5, 8, 9, 10, & 11, Concertati Con Voci, Et Istromenti, (Venice, 1616)
GIOVANNI VALENTINI SECONDO LIBRO DE MADRIGALI A 4, 5, 8, 9, 10, & 11, CONCERTATI CON VOCI, ET ISTROMENTI, (VENICE, 1616) Edited by Pyrros Bamichas University of Athens Italian translations by Cinzia Scafetta German translations by Joachim Steinheuer and Ursula Herrmann English translations by John Whenham ! ii! www.ascima.bham.ac.uk EDITORIAL BOARD John Whenham (Birmingham) Silke Leopold (Heidelberg) Joachim Steinheuer (Heidelberg) Andrea Bornstein (Rome) The edition and translations are copyright ©2012 the editor, translators, The University of Birmingham and The University of Heidelberg. They may be freely downloaded for study or performance (including commercial recordings) provided that the edition and translations are properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder(s). L’edizione e le traduzioni sono di proprietà del curatore, dei traduttori, e delle università di Birmingham e di Heidelberg. Il materiale può essere liberamente scaricato sia per motivi di studio sia per essere eseguito (comprese registrazioni commerciali), a patto che gli estremi dell’edizione e delle traduzioni siano debitamente citati. Qualsiasi altro uso e/o riproduzione in qualsiasi formato è espressamente proibito senza il permesso dei detentori dei diritti summenzionati. Das Copyright für die Edition und die Übersetzungen liegt beim Herausgeber, bei den Übersetzern sowie bei den Universitäten Birmingham und Heidelberg. Das Material kann zu Studienzwecken oder für Aufführungen (einschließlich kommerzieller Einspielungen) unentgeltlich heruntergeladen und verwendet werden, vorausgesetzt, dass dabei in allen Fällen Herkunft und Herausgeber der Editionen bzw. der Übersetzungen in angemessener Weise benannt und kenntlich gemacht werden. Eine Weiterverbreitung und/oder Reproduktion in jeglicher Form ohne vorherige Zustimmung durch den/die Rechtsinhaber ist untersagt. -
Presentazione Standard Di Powerpoint
The History www.fazioli.com The History www.fazioli.com 1944–1977 Paolo Fazioli was born in Rome in 1944, into a family of furniture makers. From a very early age he demonstrated a gift for music and a keen interest in the piano. He consequently started taking piano lessons and continued his piano studies thorough his high school and university years, during which he developed a keen interest in the piano construction technology, broadening his knowledge by visiting manufacturing and restoration workshops and reading the most authoritative literature on the subject. In 1969, he graduated from the University of Rome with a degree in Mechanical Engineering and in 1971 he received a degree in piano performance from the G. Rossini Conservatory in Pesaro, under the guidance of Maestro Sergio Cafaro. At the same time, he earned a Master’s degree in Music Composition at the St Cecilia Academy in Rome, where he studied under the composer Boris Porena. In the meantime, his elder brothers took over the family business, manufacturing office The FAZIOLI family in 1947 furniture and exporting it throughout the world under the brand of MIM (Mobili Italiani Moderni). The Turin factory specialised in the production of metal furniture, while the Sacile factory (in the province of Pordenone) manufactured wood furniture using rare and exotic woods such as teak, mahogany and rosewood. 1944–1977 Paolo Fazioli joined the company after graduation, honing his management skills as a production planning manager first in Rome and then at the Turin factory, while at the same time developing his expertise in wood processing. -
Esopus Cd #16: Thirteen Composers
ESOPUS CD #16: THIRTEEN COMPOSERS 1 Anthony Cheung, excerpt from vis-à-vis (2010) Performed by the Ensemble Modern, conducted by Franck Ollu Recording © 2011 Hessischer Rundfunk, hr2-kultur. Used by permission. 2 Enno Poppe, excerpt from Rad (2003) Performed by Benjamin Kobler and Ernst Surberg, keyboards Score © 2003 G. Ricordi & Co. Munich (Universal Music Publishing); recording © 2004 col legno and © 2003 Südwestrundfunk Baden-Baden. Used by permission. Available on Col Legno Records: Donaueschinger Musiktage, 2003 3 Tristan Murail, excerpt from L’esprit des dunes (1994) Performed by the Ensemble Intercontemporain, conducted by David Robertson Score © 1994 Éditions Henry Lemoine; recording © 1996 Ensemble Intercontemporain, Ircam, Musidisc France, a Universal Music label. Used by permission. Available on Accord Records: Tristan Murail: compositeurs d’aujourd’hui, 1996 4 Fausto Romitelli, excerpt from Professor Bad Trip, Lesson 1 (1998) Performed by the Talea Ensemble, conducted by Scott Voyles Score © 1998 Casa Ricordi Milan (Universal Music Publishing). Archive recording from the Bang on a Can Marathon, June 2010 5 Steve Lehman, “Echoes” from Travail, Transformation, and Flow (2009) Performed by the Steve Lehman Octet © 2009 Pi Recordings. Used by permission. Available on Pi Recordings: Steve Lehman Octet: Travail, Transformation, and Flow, 2009 6 Unsuk Chin, “Immense Voix” from Cantatrix Sopranica (2004–05) Performed by Anu Komsi and Piia Komsi, sopranos; David Cordier, countertenor; musikFabrik conducted by Stefan Asbury Score © 2005 Boosey & Hawkes; recording © 2010, courtesy of Wergo/Schott Music & Media GmbH and musikFabrik/Landesensemble NRW e.V. Available on Wergo Records: Sprechgesänge [Speech Songs], 2010 7 Marcos Balter, excerpt from Portmanteaux (2008) Performed by the International Contemporary Ensemble (ICE), conducted by Michael Lewanski © 2008 Marcos Balter. -
Music-Related Contacts Between the Courts of the Polish King and the Archdukes of Inner Austria and the Dissemination of Musica
Prejeto / received: 11. 1. 2017. Odobreno / accepted: 23. 4. 2017 DOI: 10.3986/dmd13.1-2.12 MUSIC-RELATED CONTACTS BETWEEN THE COURTS OF THE POLISH KING AND THE ARCHDUKES OF INNER AUSTRIA AND THE DISSEMINATION OF MUSICA MODERNA IN CENTRAL AND EAST-CENTRAL EUROPE BARBARA PRZYBYSZEWSKA-JARMIŃSKA Polska Akademia Nauk, Warszawa Izvleček: Poroki poljskega kralja Sigismunda Abstract: The marriages of the King of Poland III. Vase z Ano (1592) in pozneje Constanzo Sigismund III Vasa with Anna (1592) and sub- (1605), članicama dinastije notranjeavstrijskih sequently her sister Constance (1605), who were nadvojvod, sta imeli veliko kulturnih posledic. descendants of the dynasty of Archdukes of Inner Razprava povzema podatke o obojesmernih Austria, had many cultural consequences. The migracijah glasbenikov in glasbenega reperto- article recalls some facts on the migrations of arja med Krakovom (tudi Varšavo) in Gradcem musicians and musical repertoires in both direc- konec 16. in v prvih dveh desetletjih 17. stoletja. tions between Cracow (also Warsaw) and Graz at the end of the sixteenth century and during the first two decades of the seventeenth century. Ključne besede: duhovna glasba, mali mote- Keywords: sacred music, small-scale motets, ti, italijanski glasbeniki, Sigismund III. Vasa, Italian musicians, Sigismund III Vasa, Archduke notranjeavstrijski nadvojvoda Ferdinand II., of Inner Austria Ferdinand II, Cracow, Graz. Krakov, Gradec. The close ties between the court of King Sigismund III Vasa of Poland (who reigned during the years 1587–1632) and the court of the Archdukes of Inner Austria – ties that existed especially during the period 1592–1619 – extended also to musical life. The close relationships between the courts were a consequence of Sigismund’s consecutive mar- riages with two daughters of Archduke Karl II and Maria née Wittelsbach: Archduchess Anna (Queen of Poland during the years 1592–1598), and – following her death – her sister Constance (1605–1631). -
Giovanni Valentini, Cantate Gentes, Ed
Giovanni Valentini, Cantate gentes, ed. Andrew H. Weaver, December 2007 Introduction, p. i ________________________________________________________________________________________________________ INTRODUCTION The Composer Giovanni Valentini (ca. 1582/83–1649) was one of the most highly respected (and certainly highest paid) musicians at the Habsburg court in Vienna during the first half of the seventeenth century.1 Probably originally from Venice (though his early years remain hazy), Valentini spent the first decade of the seventeenth century in Poland, serving as court organist to King Sigismund III, before entering Habsburg service in 1614. In that year he joined the Graz court chapel of Ferdinand, Archduke of Styria, moving with his employer to Vienna when the archduke became Holy Roman Emperor Ferdinand II in 1619. In 1626 Valentini was appointed maestro di cappella of the imperial chapel, a post he held for the rest of his life, continuing to serve during the reign of Ferdinand II’s successor Ferdinand III (r. 1637–57). Throughout his tenure as maestro di cappella, Valentini enjoyed a very close relationship with his employers, especially Ferdinand III, who in his youth had been taught music and Italian poetry by Valentini and who continued to turn to the composer for musical advice throughout his life. Valentini published a great deal of sacred music, with his first print appearing in 1611, when he was still serving the Polish king.2 His remaining five publications were issued during his Habsburg service, the first in 1617 and the last in 1625, the year before he became maestro di cappella. Although he stopped publishing music, from 1642 until 1649 he published nine volumes of poetry, including several Italian libretti. -
Calbach Apr 2019 Release Final 3-29-19
CALIFORNIA BACH SOCIETY Paul Flight, Artistic Director “California Bach Society delivers a sublime St. Matthew Passion” Steven Winn, San Francisco Classical Voice, October 2016 “sensitive and expansive leadership" [...] This long, demanding piece needs conviction and focus, and the ensemble seemed to have both of those in abundance.” Nicholas Jones, “California Bach Society sings a moving All-Night Vigil”, San Francisco Classical Voice, March 2019 April 26-28, 2019 I Maestri Italiani a Vienna / Italian Masters in Vienna Giovanni Valentini and Antonio Bertali Friday, April 26, 8pm, at St. Mark’s Lutheran Church 1111 O’Farrell at Franklin, San Francisco 94109 Saturday, April 27 8pm, at All Saints’ Episcopal Church 555 Waverley at Hamilton, Palo Alto 94301 Sunday, April 28, 4pm, at St. Mark’s Episcopal Church 2300 Bancroft at EllsWorth, Berkeley 94704 Doors open 30 minutes prior to each performance. Tickets: $35 (discounts for advance purchase, seniors, students, and under 30) 650-485-1097 | http://WWW.calbach.org | [email protected] Palo Alto, March 28, 2019: True to their reputation as "prospectors of Baroque gold," Artistic Director Paul Flight and the award-winning chorus will perform the U.S. premiere of Antonio Bertali's Missa Redemptoris, for eight vocal soloists, chorus, brass, and strings. It is only one of a beautiful collection of works by tWo Italian masters, Giovanni Valentini and his successor Bertali, who worked as Kapellmeisters at the Hapsburg court in Vienna in the 17th century. The 30-voice chamber chorus was aWarded "Best Choral Group” and “Best Early Music/Baroque Ensemble" for 2017-2018 by San Francisco Classical Voice for their performance at the Berkeley Early Music Festival in June 2018. -
Scriabin (1872-1915) the Complete Piano Sonatas
ALEXANDER SCRIABIN (1872-1915) THE COMPLETE PIANO SONATAS SOMMCD 262-2 Peter Donohoe piano CD 1 [74:34] 1 – 4 Sonata No. 1 in F Minor, Op. 6 (1892) 23:58 5 – 6 Sonata No. 2 in G Sharp Minor, Op. 19, “Sonata-Fantasy” (1892-97) 12:10 7 – bl Sonata No. 3 in F Sharp Minor, Op. 23 (1897-98) 18:40 SCRIABIN bm – bn Sonata No. 4 in F Sharp Major, Op. 30 (1903) 7:40 bo Sonata No. 5, Op. 53 (1907) 12:05 THE COMPLETE CD 2 [65:51] 1 Sonata No. 6, Op. 62 (1911) 13:13 PIANO SONATAS 2 Sonata No. 7, Op. 64, “White Mass” (1911) 11:47 3 Sonata No. 8, Op. 66 (1912-13) 13:27 4 Sonata No. 9, Op. 68, “Black Mass” (1912-13) 7:52 5 Sonata No. 10, Op. 70 (1913) 12:59 6 Vers La Flamme, Op. 72 (1914) 6:29 TURNER Recorded live at the Turner Sims Concert Hall SIMS Southampton on 26-28 September 2014 and 2-4 May 2015 Recording Producer: Siva Oke ∙ Recording Engineer: Paul Arden-Taylor Peter Donohoe Front Cover: Peter Donohoe © Chris Cristodoulou Design & Layout: Andrew Giles piano DDD © & 2016 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Made in the EU SCRIABIN PIANO SONATAS DISC 1 [74:34] SONATA NO. 5, Op. 53 (1907) bo Allegro. Impetuoso. Con stravaganza – Languido – 12:05 SONATA NO. 1 in F Minor, Op. 6 (1892) [23:58] Presto con allegrezza 1 I. Allegro Con Fuoco 9:13 2 II. Crotchet=40 (Lento) 5:01 3 III. -
Fazioli - Wikipedia, the Free Encyclopedia 1/5/14, 5:37 PM Fazioli from Wikipedia, the Free Encyclopedia (Redirected from Fazioli Pianos)
Fazioli - Wikipedia, the free encyclopedia 1/5/14, 5:37 PM Fazioli From Wikipedia, the free encyclopedia (Redirected from Fazioli pianos) Fazioli Pianoforti (Italian pronunciation: [faˈtsjɔːli]) is a piano Fazioli Pianoforti manufacturing company based in Sacile, Italy. In 2007, Fazioli produced 110 pianos a year from its single factory and had annual revenues of €6 million.[1] Contents Type Limited liability company Industry Musical instruments 1 History Founded 1981 2 Models Founder(s) Paolo Fazioli 3 See also 4 References Headquarters Sacile, Italy 5 External links Key people Paolo Fazioli Products Grand pianos History Website fazioli.com (http://www.fazioli.com) In 1944, Paolo Fazioli, the youngest of six sons, was born. His father ran a successful furniture factory in Rome. Paolo demonstrated a high level of musical talent, as well as a strong interest in pianos. Later, while continuing his piano studies, he attended the University of Rome as an engineering student, a requirement for managing the family business. During his studies, Paolo visited laboratories working on pianos and restoration, while studying the available literature on the subject. In 1969, Paolo earned his university diploma as an engineer at the University of Rome. Steve Beresford plays on a Fazioli piano In 1971, Paolo earned his degree as a Pianist at the Conservatory G. Rossini in Pesaro under the instruction of Maestro and head professor Sergio Cafaro; later of the Conservatory Santa Cecilia in Rome. He also received a Master Degree in Music Composition at the Rome Music Academy where he was guided by the composer Boris Porena. In 1978 Paolo Fazioli, an engineer and pianist, brought together a team of specialist technicians, including mathematicians, acoustic physicists, wood technologists, piano makers and pianists to "define the process for the construction of a conceptually new piano".