Christina Perri 3

Total Page:16

File Type:pdf, Size:1020Kb

Christina Perri 3 MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 03|2015 Contents Interview Christina Perri 3 MOTIF Soundset „Air“ by DCP Productions 6 Yamaha Synth Book reloaded 8 VP1 Soundset for MOTIF XF / MOXF 11 MOTIF XS/XF/MOXF Exploring Sound: „Vintage Keyboards“ 15 MOTIF XF / MOXF Performance Soundset „Hybrid Performer“ Part 3 19 Yamaha DTX M12 Touch App 22 The new e-drum kit Yamaha DTX582k 24 CHRISTINA Yamaha KP100 Kick Pad 26 Sounds & Goodies 29 PERRI Imprint 43 DREAMS COME TRUE MUSIC PRODUCTION GUIDE 03|2015 CHRISTINA PERRI - DREAMS COME TRUE “Every time I dream something up, it’s so “I don’t take it lightly,” she says. “I tell everyone, ‘That’s small compared to what actually happens,” the moment my life changed.’ It was incredibly special.” says singer/songwriter Christina Perri. But even as her own life was changing, Perri was changing “Because what actually happens is just other people’s lives through her music. Just a year later, amazing.” her multi-platinum song, “A Thousand Years,” was As an unsigned artist, Christina once dreamed of making released as the second single from the soundtrack album a career out of performing and recording her deeply to The Twilight Saga: Breaking Dawn – Part 1. It achieved personal yet pop-friendly songs. Then one day four years multi-platinum status, with a video that inspired romantic ago, one of her recordings was featured on the hit TV visions among countless Twilight fans. show So You Think You Can Dance, and suddenly she “I had dreamed of having a song on the Twilight stopped dreaming the dream—and began living it. soundtrack,” Christina says, “but I didn’t dream of it being “Probably the most important day of my life was June 30, this one song of the whole saga, and millions of people 2010, at 8:00 p.m. exactly, when they played a minute getting married to it! It’s always been a really nice surprise and a half of ‘Jar of Hearts,’” Perri remembers. “Kathryn when one of my songs connects with people on such a McCormick was the dancer, with a guy named Billy Bell.” deep level.” Those 90 seconds of music resonated with hundreds of These days, with four EPs and two studio albums under her thousands of listeners, and led to a recording deal with belt—including her 2011 Atlantic debut LP Lovestrong and Atlantic Records. Christina’s song became a worldwide 2014’s Head or Heart—Perri has evolved in a multitude pop hit, selling more than three million copies in the U.S. of ways to express herself through song, whether she’s alone. working solo or collaborating with others. YAMAHA.COM 3 MUSIC PRODUCTION GUIDE 03|2015 “My music takes shape completely differently most of the myself, learning to love myself, things I’ve gone through time,” she explains. “I normally begin with a skeleton, just or want to go through. I write about all the feelings and piano and vocal or just guitar and vocal, whichever I write emotions that go along with love. And it’s always 100% it on. Then I take it either to a producer or to my band, true. The emotions I don’t think I have any control over— depending on whether it’s in the studio or on tour, and I’m always emotional. But the sound creations have always create the sounds that I want to go with the song.” happened on the fly. I never go in wanting something super-specific. I let it happen organically.” Christina has been fortunate enough to work with—and learn from—top-notch producers like Joe Chiccarelli "Writing music is something I know I’ll do for life, (Jason Mraz, the Strokes, Morrissey), David Hodges because it’s the deepest-rooted thing I do. It’s where I put (Evanescence), and Jake Gosling (Ed Sheeran, One everything." Direction, Lady Gaga). “I study everyone and everything Her current album, Head or Heart, perfectly illustrates this in the studio and on the road,” she says. “Learning how organic, spontaneous creative process. “The song ‘Trust’ is to be a better player, writer, producer, engineer, and my favorite on the album,” Perri states. “For a very specific performer is one of my favorite things. Every single person reason. Honestly, it’s the first song I wrote for album two. I I’ve ever worked with has taught me so much.” had just come off 27 months’ worth of touring for the first Working with other songwriters also helps her discover album. Two weeks after I got home, I sat at the piano and new creative approaches. “Every songwriter that I’ve I wrote ‘Trust,’ and I had a full-on epiphany. I was like, ‘Oh written with has helped me bring out something new, for my gosh, the album will be called Head or Heart, and this sure,” Christina says. “I think it’s always a good idea to is the theme: Which one do you trust?’” co-write. Some songs come out solo and I know they're Half of the new album, Christina decided, would finished, but 80% of the time I know I need someone to be “head” songs and half would be “heart” songs. help me finish it. I love that process very much.” “I remember calling my management and saying, ‘I got Perri’s songs reflect the most elemental and universal of it!’” she recalls. “I stuck to that idea for the whole second- emotions: love, loss, and hope. “I’m mostly inspired by album-making process—and it was all because of that love,” she says. “Loving someone, losing someone, loving song. So basically, I don’t believe that any of the other YAMAHA.COM 4 MUSIC PRODUCTION GUIDE 03|2015 songs would have happened without ‘Trust.’ I’m the most “I try to give each show a different intention,” she says. grateful for that song, and I think I’m the most emotionally “So if someone I know is in the audience, or if we decide connected to it.” the whole show is for my front-of-house engineer, it keeps me fresh. Luckily I really love the new album, so For the past four years, Perri’s life has been dominated by these songs are still really fresh for me. And I just love near-ceaseless touring, including the last summer and fall performing with my band, so they keep me fresh...plus tour supporting Demi Lovato across America. you never know what’s going to happen onstage, so just Fortunately, such perpetual motion seems to invigorate the littlest difference keeps us all on our toes.” Christina rather than wear her down. “Touring for four Last summer, Christina found herself coming full-circle years straight, it’s a dream, it really is,” she says. “I can’t when she performed a song from her new album on So imagine doing anything else. The 11 people I tour with are You Think You Can Dance. “Here I was, four years later, my favorite people in the world. We laugh constantly, and singing while Katherine was dancing to “Burning Gold,” it makes traveling super-fun. I also love the audiences. which is a song about chasing your dreams,” she says. I dislike living out of a suitcase for months at a time and “On the same stage, with the same choreographer, Stacey waking up super-early for 4:00 a.m. flights, but I love way Tookey. The stars lined up again. Kathryn and I kind of caught eyes, and I almost cried. It’s a happy song, like more things than I dislike, so I’m very grateful this is my smiling, but I got so overwhelmed while performing the life.” song, because I just had a realization of exactly what this Perri’s current stage setup has an all-white theme, and was and how big it was for me.” features Yamaha’s special-edition white Motif XF keyboard, And what does the future hold for Perri and her dreams? which marks the company’s 40th year of building great synthesizers. My wildest dreams stopped like three years ago,” she laughs. “This is so far beyond. Writing music is something “Well, it’s perfect,” she says. “Because what we’ve been I know I’ll do for life, because it’s the deepest-rooted thing doing is painting things white, honestly. So the fact that I do. It’s where I put everything, so I can see that continuing we don’t have to do that is fantastic. We’ve got the white for my lifetime. But what I do with my songs is always up drums, we have a white bass amp, we have white amps, to the universe. I have no idea what will happen, just like my white setup, even the mic is white. So I just felt like this I had no idea this would happen! Everything is a surprise keyboard fit perfectly in our little family. This is brand- to me. I wanna write a movie. I wanna do Broadway. new for me—I’ve never played one before. And all my I wanna be a mom, too. I have lots of dreams still...so keyboard friends are really jealous that I have one now. we'll see!” Everybody loves this, so I’m excited to have it!” One of the biggest challenges for any artist is finding ways to keep performances spontaneous and genuine despite playing the same songs in city after city.
Recommended publications
  • Rockschool Female Vocals Grade 3
    Introductions & Information Title Page Female Vocals Grade 3 Performance pieces, technical exercises and in-depth guidance for Rockschool examinations www.rslawards.com Acknowledgements Acknowledgements Published by Rockschool Ltd. © 2014 under license from Music Sales Ltd. Catalogue Number RSK091403R ISBN: 978-1-912352-25-8 This edition published July 2017 | Errata details can be found at www.rslawards.com AUDIO Backing tracks produced by Music Sales Limited Supporting test backing tracks recorded by Jon Musgrave, Jon Bishop and Duncan Jordan Supporting test vocals recorded by Duncan Jordan Supporting tests mixed at Langlei Studios by Duncan Jordan Mastered by Duncan Jordan MUSICIANS Neal Andrews, Lucie Burns (Lazy Hammock), Jodie Davies,Tenisha Edwards, Noam Lederman, Beth Loates-Taylor, Dave Marks, Salena Mastroianni, Paul Miro, Ryan Moore, Jon Musgrave, Chris Smart, Ross Stanley, T-Jay, Stacy Taylor, Daniel Walker PUBLISHING Compiled and edited by James Uings, Simon Troup, Stephen Lawson, Stuart Slater Internal design and layout by Simon and Jennie Troup, Digital Music Art Cover designed by Philip Millard, Philip Millard Design Fact Files written by Stephen Lawson, Owen Bailey and Michael Leonard Additional proofing by Chris Bird, Ronan Macdonald, Jonathan Preiss and Becky Baldwin Cover photography © Kevin Winter / Getty Images Full transcriptions by Music Sales Ltd. SYLLABUS Vocal specialists: Martin Hibbert and Eva Brandt Additional consultation: Emily Nash, Stuart Slater and Sarah Page Supporting tests composition: Martin Hibbert,
    [Show full text]
  • YLO89 Magazine
    •YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional
    [Show full text]
  • Directory P&E 2021X Copy with ADS.Indd
    Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste.
    [Show full text]
  • Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
    MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................
    [Show full text]
  • Joe Chiccarelli Scores with Atc Scm45a Pro Monitors
    Courtesy of TransAudio Group JOE CHICCARELLI SCORES WITH ATC SCM45A PRO MONITORS LOS ANGELES, CALIFORNIA – SEPTEMBER 2016: With Ten Grammy wins, including Best Engineered Album for The Raconteurs Consolers of the Lonely and scores of platinum and gold albums, Joe Chiccarelli has made good on the famous opportunity Frank Zappa gave him during the recording of “Sheik Yerbouti” – among Zappa’s best-selling albums ever. When the head engineer couldn’t make the session, Zappa promoted then-assistant engineer Chiccarelli to take the lead. Since then, Chiccarelli has had the opportunity to work with the biggest and best artists in the music industry, including U2, Beck, Elton John, Rufus Wainwright, Tori Amos, The Strokes, Jason Mraz, The White Stripes, and on and on and on. Inspired by their transparent midrange, extended low- and high-end, and impressive SPLs, Chiccarelli recently switched from the monitors he had been using for two decades to ATC SCM45A Pro nearfields. “I had stuck by the same monitors for twenty years because they offered the kind of phase coherence that allowed me to hear, for example, small differences in mic position,” explained Chiccarelli. “But in the last five years or so, I started looking around for something that would give me that same phase coherence, but greater low-end and high-end content to meet the current expectations in the recording industry. People are making bigger, punchier albums these days, with an extended frequency range and plenty of synthesized sounds with extreme frequency content. For a long time, it was an unsuccessful search, and I stayed with my old monitors.” He continued, “But then I was working with The Killers at their studio in Las Vegas, and Brad [Lunde, president of ATC’s U.S.
    [Show full text]
  • Web Development and Perl 6 Talk
    Click to add Title 1 “Even though I am in the thralls of Perl 6, I still do all my web development in Perl 5 because the ecology of modules is so mature.” http://blogs.perl.org/users/ken_youens-clark/2016/10/web-development-with-perl-5.html Web development and Perl 6 Bailador BreakDancer Crust Web Web::App::Ballet Web::App::MVC Web::RF Bailador Nov 2016 BreakDancer Mar 2014 Crust Jan 2016 Web May 2016 Web::App::Ballet Jun 2015 Web::App::MVC Mar 2013 Web::RF Nov 2015 “Even though I am in the thralls of Perl 6, I still do all my web development in Perl 5 because the ecology of modules is so mature.” http://blogs.perl.org/users/ken_youens-clark/2016/10/web-development-with-perl-5.html Crust Web Bailador to the rescue Bailador config my %settings; multi sub setting(Str $name) { %settings{$name} } multi sub setting(Pair $pair) { %settings{$pair.key} = $pair.value } setting 'database' => $*TMPDIR.child('dancr.db'); # webscale authentication method setting 'username' => 'admin'; setting 'password' => 'password'; setting 'layout' => 'main'; Bailador DB sub connect_db() { my $dbh = DBIish.connect( 'SQLite', :database(setting('database').Str) ); return $dbh; } sub init_db() { my $db = connect_db; my $schema = slurp 'schema.sql'; $db.do($schema); } Bailador handler get '/' => { my $db = connect_db(); my $sth = $db.prepare( 'select id, title, text from entries order by id desc' ); $sth.execute; layout template 'show_entries.tt', { msg => get_flash(), add_entry_url => uri_for('/add'), entries => $sth.allrows(:array-of-hash) .map({$_<id> => $_}).hash,
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
    University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history.
    [Show full text]
  • Practical Perl Tools Give As Good As You Get, My Tiny Dancer
    Practical Perl Tools Give as Good as You Get, My Tiny Dancer DAVIDCOLUMNS BLANK-EDELMAN David N. Blank-Edelman is During our last time together, we had a chance to explore some of the features of the director of technology at the Web library for Perl, the seminal HTTP client distribution (more commonly the Northeastern University called LWP) . We saw how to fetch HTTP content from Web servers, POST data College of Computer and to them, and so on . I thought it might be interesting to look at the other side of Information Science and the author of the the coin and explore another way to construct Perl applications that serve data to O’Reilly book Automating System Administration HTTP clients like those from my April column . I say “another” way because all the with Perl (the second edition of the Otter rabid fans of this column (I’m waving to both of you!) will recall our forays into the book), available at purveyors of fine dead CGI::Application framework back in July and September of 2009 . CGI::Application trees everywhere. He has spent the past 24+ is still alive and kicking, but since then there have been a number of new frame- years as a system/network administrator in works released that some considered to be the new hotness . In this column we’ll large multi-platform environments, including look at one of those frameworks, and, if polling numbers stay high, we’ll look at a Brandeis University, Cambridge Technology “competing” framework in the next issue . Group, and the MIT Media Laboratory.
    [Show full text]
  • Is %11V ECLECTIC ENGINEERING
    $4.00 August 1985 NEE Volume 16 - Numb W LIKPERFORMANCE VIDEO BROADCAST a li ..;;.wz,z/PW477/757/7/ilionnumoHHIIHftmff-7---WZ., r..t ,Z;fiara7j161"! 17. '"41"1.4t' 1:1161TALA: 0 0 nnnnnnnn MI a' 0 10010.00 o Do SO OM 0 0 1110.13 on on ma." :No OOOOO On OOOOOOOO nfl OOOOOOOOOOOOOO OOOO e_o eam. ' ileCi AN NAlxu 9 is %11v A0631410d 9100 6666 2215i0 t1211 1336 ECLECTIC ENGINEERING - page 30 FROM OSTRHAIRPINAIN W THE SPEED_ OF BEEN For years, sloppy tape transportation and handling have made the audio engineer's day much harder than it had to be. This tormenting state has come to an end with the introduction of Sony's APR-5000 2 -track analog re- corder, available in a center-track time code version. 1 The APR- 5000's precise handling and numerous advanced features make the audio engineer's day run much smoother. For example, the APR- 5000's 16 -bit microprocessor manages audio alignment with a pre- cision that's humanly impossible. And the additional 8 -bit microprocessor opens the way for extremely sophisticated serial communications. In tandem, they reach a truly unique level of intelligence. Not only does the APR -5000 do its job well; it does it consistently. The die-cast deck plate and Sony's long- standing commitment to quality control maintain that the APR-5000 will hardly need time off. All of which results In a consistent sonic perform- ance that'll stand even the most critical audio profes- sionals on their ears. For a demonstration of the re- corder that transports analog audio to a new fidelity high, contact your nearest Sony office: Eastern Region (201) 368 -5000; 40.
    [Show full text]
  • MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
    MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business.
    [Show full text]
  • Columbia Chronicle (04/07/2014) Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 4-7-2014 Columbia Chronicle (04/07/2014) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (4/7/2014)" (April 7, 2014). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/905 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. WEB EXCLUSIVE: Columbia alumna Kemati Janice Porter has been selected to temporarily run eta Creative Arts Founda- tion, the much admired, African-American theatrical group. For SPRING 2014 the full story, visit ColumbiaChronicle.com. WEEKS Online exclusive video LEFT Opinions: Advertisements still fail to Wise Ass is a flop – April Fools’! 5 portray “real” women. See PG. 35 No. 1 Non-Daily College Newspaper in the Nation MONDAY, APRIL 7, 2014 THE OFFICIAL NEWS SOUrcE OF COLUMBia COllEGE CHOicaG VOLUME 49, ISSUE 25 ‘ Israeli / Palestinian Conflict ’ section reinstated AAUP inquiry contends college violated professor’s academic freedom TYLER EAGLE the issues surrounding the can- had been posted for registration on Despite low enrollment in Che- Chehade said he agrees with the Associate Editor celed section galvanized national OASIS, the online student portal. hade’s spring 2013 class, OASIS re- findings and recommendations of support for Chehade, as reported Corey disputes the report and cords show that Chehade’s fall 2013 the AAUP’s report.
    [Show full text]