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WAYNE MCGREGOR ANDOLAFUR ELIASSON ANDJAMIE Xx ANDMANCHESTER INTERNATIONAL FESTIVAL | UK
tree of codes WAYNE MCGREGOR AND OLAFUR ELIASSON AND JAMIE xx AND MANCHESTER Photo: Stephanie Berger Photo: INTERNATIONAL FESTIVAL | UK TREE OF CODES WAYNE MCGREGOR AND OLAFUR ELIASSON AND JAMIE xx AND MANCHESTER INTERNATIONAL FESTIVAL | UK DARLING HARBOUR THEATRE ABOUT THE DIRECTOR & CHOREOGRAPHER ICC SYDNEY Wayne McGregor CBE is a multi-award-winning British 6–10 JANUARY choreographer and director. Wayne is Artistic Director of 75 MINS Studio Wayne McGregor, the creative engine of a life-long choreographic enquiry into thinking through and with the body. Studio Wayne McGregor encompasses Wayne’s Director & Choreographer extensive creative collaborations across dance, film, Wayne McGregor music, visual art, technology and science; Company Wayne Visual Concept McGregor, the touring company of dancers; and highly Olafur Eliasson specialised learning and research programs. Studio Wayne McGregor opened its own newly created studio spaces at Composer Here East in Queen Elizabeth Olympic Park in March 2017. Jamie xx As Resident Choreographer at The Royal Ballet, Wayne’s Inspired by productions are acclaimed for their daring reconfiguring of by Jonathan Safran Foer Tree of Codes classical language. Wayne is Professor of Choreography at Company Wayne McGregor Trinity Laban Conservatoire of Music and Dance and has an Rebecca Bassett-Graham Honorary Doctor of Science from Plymouth University and Jordan James Bridge an Honorary Doctor of Letters from University of Leeds. In Travis Clausen-Knight 2017 he was awarded an Honorary Fellowship of the British Louis McMiller Science Association. Daniela Neugebauer Jacob O’Connell Wayne is regularly commissioned by and has works in the James Pett repertories of the most important ballet companies around Fukiko Takase the world, including Paris Opera Ballet, New York City Ballet, Po-Lin Tung Bolshoi Ballet, Royal Danish Ballet and San Francisco Jessica Wright Ballet. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Drake Take Care Free Album Download Mp3
Drake take care free album download mp3 Continue Atlanta Infectious Diseases Consultants (AIDC) is a Patient Advisory Infectious Disease Practice serving in the Atlanta and East Point Georgia area. It's the medical practice of Dr. Joyce Drayton who provides in patient, advisory Drake take care of the album tracklist free download, Drake take care of the album download lightning fast, Drake take care of the album download hulkshare.com, in one direction take me home album song songs, Drake take care of the album download livemixtapes, take me home one direction album download mp3, Drake take care of the album download songslover, in one direction take me home album of songs. See our hospital supplies here you are currently listening to samples. Listen to more than 60 million songs with an unlimited streaming plan. Listen to this album and over 60 million songs with unlimited streaming plans. 1 month free, then 19.99 euros/month Page 2 You are currently listening to samples. Listen to more than 60 million songs with an unlimited streaming plan. Listen to this album and over 60 million songs with unlimited streaming plans. 1 month free, then 19.99 pounds/month November 15, 2011 Take care of the lyrics: I know you've been hurt by someone else / I can tell by the way you wear yourself / If you let me, here's what I'll do / I'll take care of you / I loved and I'm lost / I. Take Care (Deluxe Version) is another 2011 album from Drake. Stream - Download ALBUM: Drake - Take Care (Deluxe Version) Mp3 Download. -
Pluckin' in the Pines
Pluckin’ in the Pines Saturday night is the time for down-home country music at Waretown’s Albert MusicHall By SUSAN BLOOM Photos by ARISTIDE ECONOMOPOULOS Long before the doors open at 6:30 p.m., a line has formed around Albert Hall in Waretown, deep in the Pinelands of South Jersey. Everyone’s getting ready to jockey for a good seat because this is Saturday night and Sat- urday night at Albert Music Hall means one thing: old-time country music. “We’re about a whole lot of warm feeling and fun,” says Elaine Everett of the Pinelands Cultural Society, which manages the music hall. “It reflects the hands-on nature and cooperation of a bunch of people getting together to have a good time, play music and pay homage to the unique heritage of the Pinelands region.” Often called “the Grand Ole Opry of New Jersey,” Albert Music Hall was designed to look “like the porch of a cabin in the woods” and is decorated with musical instruments, farm tools, vintage quilts and other period memorabilia. Tripp Horner of Toms River is picking and grinning at Albert Music Hall. “From bluegrass and country music 34 JANUARY 2013 NJ.COM/INSIDE-JERSEY NJ.COM/INSIDE-JERSEY JANUARY 2013 35 to rockabilly, there’s something for 1 11 the Albert brothers’ cabin,” says PCS everyone here,” says Albert Music president Roy Everett. Hall’s lead sound engineer Tom Rouze, The hall is located on Wells Mills 48. “The bands change every week, but Road in a town so quiet that it only it’s all about the music and it’s good recently received its own exit off the clean fun. -
The Xx Xx Album Rapidsharezip Hitl
The Xx Xx Album Rapidshare.zip Hitl The Xx Xx Album Rapidshare.zip Hitl 1 / 2 Read {MP3 ZIP} Download XX by O.A.R. from the story Television by ... Simple Way to Listen / Download XX by O.A.R. in mp3, FLAC, ogg, zip album and other ... Album Tracklist: +. Follow Me, Follow You Lay Down Hey Girl That Was a Crazy .... The Purple Album The genre category is: Thrash metal . music. ... Nice Guy Reggae Greats , Jacob Miller & Inner Circle TEMAS: 1-Shaky Girl 2-Tenement ... Downlaod Metallica Greatest hits mega rar zip 320kbps flac exitos baixar. ... 1982-07-06 - No Life Till Leather (Demo, original, 1 gen) 1982-xx-xx - No Life Till Leather .... Girl. Still shot from Girl video. close icon, click to close video page. Sleep Sound.. English indie pop band The xx have released three studio albums, one remix album, five ... "When It's All Over", 2012, Alicia Keys · Girl on Fire, Jamie Smith, Producer, —, Alicia Keys. "REmember", 2013, Mac ... Retrieved 27 May 2014. ^ "Download the xx's xxmas EP for free, including Jamie xx's extended remix of 'Sunset'".. 2 Songs, 10 Minutes; Released: 5 May 2014; ℗ 2014 Young Turks/ XL Recordings; Also Available in iTunes .... Check out In Colour [Explicit] by Jamie xx on Amazon Music. Stream ... Buy the CD album for £8.99 and get the MP3 version for FREE. ... Girl/Sleep Sound. The XX - XX (2009) [MP3 VBR 192 kbit/s] zip/rar DOWNLOAD. DOWNLOAD - http://files.rarzip.download/707563 ... Girl group, Indie rock,. Check out xx by The xx on Amazon Music. -
The Black Power Movement
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................ -
Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen
Journal of Sonic Studies 8 (2014) Sounds of Space: http://www.researchcatalogue.net/view/109536/109537 Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen Stefan Helmreich Contextualizing the Context In 2010, scientists claiming to belong to a dissenting faction of the Search for Extraterrestrial Intelligence (SETI) contacted Seeland Records. Calling themselves the Search for Extraterrestrial Intelligence in Exile, or SETI-X, the group claimed to have received an alien transmission of rearranged sound from the Voyager Golden Record, a phonograph album famously sent into outer space in 1977 on each of NASA’s two Voyager spacecraft (Figure 1). The Golden Record had been put together in the mid-1970s by a panel convened by astronomer Carl Sagan, and it held a program of sounds and music of Earth, representing to imagined aliens our planet’s soundscapes, voices, and musical traditions. [1] Figure 1: The Voyager Golden Record. Side 1, on left, is the analog audio program. Side 2, on right, instructions to extraterrestrials on how to play the record. [2] 1 Because the scientists of SETI-X wished to remain anonymous, Seeland sought a public voice or commentator from other quarters. Because the label had in 2003 released a CD I had created, Xerophonics: Copying Machine Music, a science- and-technology themed mix of sounds of indefinite ownership (Helmreich 2003), and because I had also written about scientific notions of extraterrestrial life (Helmreich 2006), Seeland reasoned that I might be appropriately positioned to offer thoughts on the SETI-X document. They asked me to comment, which I did in a few venues (including, among other sites, the Los Angeles Daily News [Mills 2010]. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Flying Dutchman Label Discography
Flying Dutchman Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Flying Dutchman Label Discography Flying Dutchman was a jazz label created 1969 by the renowned producer/arranger Bob Thiele. It produced a fascinating mix of forward thinking music; the label combined the sounds of jazz, soul, experimentation, and black politics. Although the label put out some standard jazz albums, their most incredible records were those of unique musicians such as Leon Thomas, Lonnie Liston Smith, Gil Scott-Heron and Angela Davis. Initially the label was distributed by Atco Division of Atlantic, but later was switched to Bob Shad’s Mainstream label for two years. By 1974 the distribution was switched to RCA which distributed the label to 1984. The Flying Dutchman catalog was acquired by Legacy Recordings in 1993 from Bob Shad's daughter Tamara when she sold the assets of Mainstream Records, which had distributed Flying Dutchman until it closed in 1978. The Flying Dutchman label had several subsidiaries the specialized in different musical styles. The Amsterdam label concentrated on popular music including the recordings of Thiele’s wife Teresa Brewer. The Reggae label was established to release the reggae music from Jamaica. The Bluestime label was established to release blues recordings. Starting in 1974, Flying Dutchman albums were released in the RCA numbering system and were distributed by RCA. This numbering system was also used for albums on the Signature which was reactivated in 1974; Thiele also established the Bob Thiele Music label. For other albums on the Flying Dutchman, Signature, Bob Thiele Music label releases see the discography of the Bob Thiele labels. -
The Legacy of Jazz Poetry in Contemporary Rap: Langston Hughes, Gil Scott-Heron, and Kendrick Lamar
Brigham Young University BYU ScholarsArchive Undergraduate Honors Theses 2020-07-31 The Legacy of Jazz Poetry in Contemporary Rap: Langston Hughes, Gil Scott-Heron, and Kendrick Lamar Madison Brasher Follow this and additional works at: https://scholarsarchive.byu.edu/studentpub_uht BYU ScholarsArchive Citation Brasher, Madison, "The Legacy of Jazz Poetry in Contemporary Rap: Langston Hughes, Gil Scott-Heron, and Kendrick Lamar" (2020). Undergraduate Honors Theses. 149. https://scholarsarchive.byu.edu/studentpub_uht/149 This Honors Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Honors Thesis THE LEGACY OF JAZZ POETRY IN CONTEMPORARY RAP: LANGSTON HUGHES, GIL SCOTT-HERON, AND KENDRICK LAMAR by Madison Hailes Brasher Submitted to Brigham Young University in partial fulfillment of graduation requirements for University Honors English Department Brigham Young University August 2020 Advisor: Greg Clark Honors Coordinator: John Talbot ii ABSTRACT THE LEGACY OF JAZZ POETRY IN CONTEMPORARY RAP: LANGSTON HUGHES, GIL SCOTT-HERON, AND KENDRICK LAMAR Madison Brasher English Department Bachelor of Arts Langston Hughes wrote in “Jazz as Communication that: “Jazz is a great big sea. It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.” In this paper I assert that the rap music of Kendrick Lamar contains the steady off-beat of jazz and carries out the rhetorical legacy of Hughes’ jazz poetry. By marking the key elements of jazz poetry and tracing their presence in rap music, I will show how these elements create a powerful aesthetic experience for audiences that primes them for the rhetorical messages of the artist. -
The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places. -
The Journal of Pan African Studies Speakers Bureau [email protected]
The Journal of Pan African Studies Speakers Bureau [email protected] The JPAS Speakers Bureau is a service of The Journal of Pan African Studies (www.jpanafrican.com) designed to present a host of perspectives on the African experience in the U.S. and around the world to audiences at college, universities and community-based organizations. Proceeds from this effort go towards the JPAS Foundation endowment which funds The Journal of Pan African Studies , and awards scholarships and grants to people and institutions doing research and study on the history and culture of people of African heritage around the globe. Each speaker in the JPAS Speakers Bureau donates at least 10% of their honorarium to the JPAS Foundation directed to scholarships, grants or the endowment. Hence, our speakers are independent contractors who have decided to participate in this act of giving to advance the greater good of human culture and society. Itibari M. Zulu is the senior editor of The Journal of Pan African Studies (JPAS), a Ph.D. candidate in Interdisciplinary Studies at Union Institute & University, and co-founder of The Bennu Institute of Arizona. He holds undergraduate degrees in African American Studies, a M.L.S. in library science, and a Th.D. in theology. He has been an academic professional, faculty member or consultant via the Ralph J. Bunche Center for African American Studies at UCLA, the African American Museum and Library at Oakland, the Africana Studies program at California State University at Fresno, the Los Angeles Public Library, and Mesa Community College. He is also a former elected executive board member of the Black Caucus of the American Library Association, founder of the Los Angeles Black Book Expo, founder of Amen-Ra Theological Seminary, the former elected chair of the African American Studies Librarians Section of the Association of College and Research Libraries, and he is presently vice president of the African Diaspora Foundation and a life member of the National Council for Black Studies, Inc.