Langston's Tribute to Gil Scott-Heron
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Permanent Call Number Douglass Collection "I Will Wear No Chain!" : a Social History of African-American Males / Christopher B
Location Name Title (Complete) Permanent Call Number Douglass Collection "I will wear no chain!" : a social history of African-American males / Christopher B. Booker. E185.86 .B635 2000 Douglass Collection "No man can hinder me" : black troops in the Union armies during the American Civil War : an exhibition at the Beinecke Rare Book & Manuscript Library, December 2003--E540.N3 H86 Douglass Collection "We specialize in the wholly impossible" : a reader in Black women's history / edited by Darlene Clark Hine, Wilma King, Linda Reed. E185.86 .W435 1995 Douglass Collection "When I can read my title clear" : literacy, slavery, and religion in the antebellum South / Janet Duitsman Cornelius. E443 .C7 1991 Douglass Collection 100 years of Negro freedom. E185.6 .B74 1962 Douglass Collection A Black woman's Civil War memoirs : reminiscences of my life in camp with the 33rd U.S. Colored Troops, late 1st South Carolina Volunteers / Susie King Taylor ; edited by PE492.94 33rd .T3 1988 Douglass Collection A Documentary history of slavery in North America / edited with commentary by Willie Lee Rose. E441 .D64 Douglass Collection A Southern woman's story / Phoebe Yates Pember ; with a new introduction by George C. Rable. E625 .P39 2002 Douglass Collection A death in Texas : a story of race, murder, and a small town's struggle for redemption / Dina Temple-Raston. HV6534.J36 T45 2002 Douglass Collection A gathering of old men / Ernest J. Gaines. PS3557.A355 G3 1997 Douglass Collection A gentleman of color : the life of James Forten / Julie Winch. E185.97.F717 W56 2002 Douglass Collection A heritage of woe : the Civil War diary of Grace Brown Elmore, 1861-1868 / edited by Marli F. -
2010 Harlem Book Fair Program & Schedule
2010 HARLEM BOOK FAIR PROGRAM & SCHEDULE Tribute to Book-TV Presented by Max Rodriguez, Founder – Harlem Book Fair Schomburg/Hughes Auditorium 11:00a - 11:15a Tribute to Howard Dodson, Chief of Schomburg Center for Research in Black Culture Presented by Herb Boyd; Max Rodriguez; Kassahun Checole Schomburg/Hughes Auditorium 11:15a - 11:30a SCHOMBURG C-SPAN PANEL DISCUSSIONS God Is Not A Christian: Can We All Get Along in A World of Holy Wars and Religious Chauvinism? Schomburg/Hughes Auditorium (Televised Live on C-Span’s Book-TV) 11:40a - 12:55p Who is the one true God? Who are the chosen people? Questions like these have driven a thousand human struggles through war, terrorism and oppression. Humanity has responded by branching off into multiple religions--each one pitted against the other. But it doesn't have to be that way, according to Bishop Carlton Pearson and many others. This New Thought spiritual leader will discuss these and many other burning questions with author and theologian, Obery Hendricks and others. MODERATOR: Malaika Adero, Up South: Stories, Studies, and Letters of This Century's African American Migrations, The New Press PANELISTS: Obrey Hendricks, The Politics of Jesus: Rediscovering the True Revolutionary Nature of Jesus' Teachings and How They Have Been Corrupted (Doubleday); Bishop Carlton Pearson, God is Not a Christian, Nor a Jew, Muslim, Hindu...God Dwells with Us, in Us, Around Us, as Us (Simon&Schuster), Sarah Sayeed,, and others. Book signing immediately following discussion in Schomburg lobby. Is Racial Justice Passe? Barack Obama, American Society, and Human Rights in the 21st Century Schomburg/Hughes Auditorium (Televised Live on C-Span’s Book-TV) 1:05p - 2:20p Barack Obama's election as the 44th President of the United States upends conventional notions of citizenship, racial justice, and equality that contoured the modern civil rights movement. -
Educational Packet and Discussion Guide
Educational Packet & Discussion Guide for Pieces of the Moon by Nick Flint Presented by STAGES in partnership with ONE YEAR LEASE THEATER COMPANY A new stage play adapted to a radio play for live streaming First aired at Stages in Houston TX on July 20, 2020 Originally Commissioned and Developed by One Year Lease Theater Company Directed by Ianthe Demos Sound Design by Brendan Aanes Music Direction by Granville Mullings Studio Engineering and Audio Editing by Tom Beauchel Packet Materials by Isabel Faith Billinghurst 1 oneyearlease.org Who Is Gil Scott-Heron? Today, Gil Scott-Heron is widely considered the “grandfather of rap,” and “the Black Bob Dylan,” though he preferred to call himself a “bluesologist,” which he defined as “a scientist who is concerned with the origin of blues.” Over the course of his life, he published two novels, a collection of poetry, thirteen studio albums, nine live albums, and posthumously published a memoir and an additional album. “It is very important to me that my ideas are understood. It is not as important that I be understood. I believe that this is a matter of respect; your most significant asset is your time and your commitment to invest a portion of it considering my ideas means it is worth a sincere attempt on my part to transmit the essence of the idea. If you are looking, I want to make sure that there is something here for you to find.” A Brief Timeline of Gil’s Life April 1, 1948 - Born in Chicago, Illinois to Bobbie Scott-Heron and Giles “Gil” Heron December 1950 - Moves to Jackson, -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
A Bibliography of Contemporary North American Indians : Selected and Partially Annotated with Study Guides / William H
A Catalog of the National Underground Railroad Freedom Center Library Materials On‐Loan to the Public Library of Cincinnati and Hamilton County Cataloged by the Staff of the Cataloging Services Department Public Library of Cincinnati and Hamilton County Edited by Roger M. Miller Cataloging Services Department Public Library of Cincinnati and Hamilton County September 2008 The Public Library of Cincinnati and Hamilton County 800 Vine Street Cincinnati, Ohio 45202‐2071 513‐369‐6900 www.cincinnatilibrary.org The National Underground Railroad Freedom Center, located on the banks of the Ohio River in downtown Cincinnati, Ohio, opened its doors on August 23, 2004. The Freedom Center facility initially included the John Rankin Library, but funding issues eventually lead to the elimination of the librarian position and closing the library to the public. In the fall of 2007, the Public Library of Cincinnati and Hamilton County and The National Underground Railroad Freedom Center entered into an agreement for their John Rankin Library to be housed at the Main Library in downtown Cincinnati as a long‐term loan. The initial loan period is 10 years. The items from the Freedom Center have been added to the Library’s catalog and have been incorporated into the Main Library’s Genealogy & Local History collection. These materials are available for the public to check out, if a circulating item, or to use at the Main Library, if a reference work. The unique nature of the Freedom Center’s collection enhances the Main Library’s reference and circulating collections while making the materials acquired by the Freedom Center again available to the public. -
Flying Dutchman Label Discography
Flying Dutchman Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Flying Dutchman Label Discography Flying Dutchman was a jazz label created 1969 by the renowned producer/arranger Bob Thiele. It produced a fascinating mix of forward thinking music; the label combined the sounds of jazz, soul, experimentation, and black politics. Although the label put out some standard jazz albums, their most incredible records were those of unique musicians such as Leon Thomas, Lonnie Liston Smith, Gil Scott-Heron and Angela Davis. Initially the label was distributed by Atco Division of Atlantic, but later was switched to Bob Shad’s Mainstream label for two years. By 1974 the distribution was switched to RCA which distributed the label to 1984. The Flying Dutchman catalog was acquired by Legacy Recordings in 1993 from Bob Shad's daughter Tamara when she sold the assets of Mainstream Records, which had distributed Flying Dutchman until it closed in 1978. The Flying Dutchman label had several subsidiaries the specialized in different musical styles. The Amsterdam label concentrated on popular music including the recordings of Thiele’s wife Teresa Brewer. The Reggae label was established to release the reggae music from Jamaica. The Bluestime label was established to release blues recordings. Starting in 1974, Flying Dutchman albums were released in the RCA numbering system and were distributed by RCA. This numbering system was also used for albums on the Signature which was reactivated in 1974; Thiele also established the Bob Thiele Music label. For other albums on the Flying Dutchman, Signature, Bob Thiele Music label releases see the discography of the Bob Thiele labels. -
Page 1 of 143 Ventura County Library Diversity, Inclusion, & Anti
Ventura County Library Diversity, Inclusion, & Anti-RacismSort All Featured White Fragility By: DiAngelo, Robin; Dyson, Michael Eric ISBN: 9780807047422 Published By: Beacon Press 2018 EPUB3 View book URL https://ebook.yourcloudlibrary.com/library/venturacountylibrary-document_id-qv1u1r9 The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively. Page 1 of 143 Let Them See You By: Braswell, Porter ISBN: 9780399581410 Published By: Potter/Ten Speed/Harmony/Rodale 2019 The guide to getting hired, being promoted, and thriving professionally for the 40 million people of color in the workplace—fromthe CEO and cofounder of Jopwell, the leading career advancement platform for Black, Latinx, and Native American students and professionals. Let Them See You is a collection of Braswell’s straight-talking advice and mentorship for diverse careerists, from college students to mid-level professionals. -
The Legacy of Jazz Poetry in Contemporary Rap: Langston Hughes, Gil Scott-Heron, and Kendrick Lamar
Brigham Young University BYU ScholarsArchive Undergraduate Honors Theses 2020-07-31 The Legacy of Jazz Poetry in Contemporary Rap: Langston Hughes, Gil Scott-Heron, and Kendrick Lamar Madison Brasher Follow this and additional works at: https://scholarsarchive.byu.edu/studentpub_uht BYU ScholarsArchive Citation Brasher, Madison, "The Legacy of Jazz Poetry in Contemporary Rap: Langston Hughes, Gil Scott-Heron, and Kendrick Lamar" (2020). Undergraduate Honors Theses. 149. https://scholarsarchive.byu.edu/studentpub_uht/149 This Honors Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Honors Thesis THE LEGACY OF JAZZ POETRY IN CONTEMPORARY RAP: LANGSTON HUGHES, GIL SCOTT-HERON, AND KENDRICK LAMAR by Madison Hailes Brasher Submitted to Brigham Young University in partial fulfillment of graduation requirements for University Honors English Department Brigham Young University August 2020 Advisor: Greg Clark Honors Coordinator: John Talbot ii ABSTRACT THE LEGACY OF JAZZ POETRY IN CONTEMPORARY RAP: LANGSTON HUGHES, GIL SCOTT-HERON, AND KENDRICK LAMAR Madison Brasher English Department Bachelor of Arts Langston Hughes wrote in “Jazz as Communication that: “Jazz is a great big sea. It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.” In this paper I assert that the rap music of Kendrick Lamar contains the steady off-beat of jazz and carries out the rhetorical legacy of Hughes’ jazz poetry. By marking the key elements of jazz poetry and tracing their presence in rap music, I will show how these elements create a powerful aesthetic experience for audiences that primes them for the rhetorical messages of the artist. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
James Baldwin: Biographical Dispatches on a Freedom Writer
DISPATCH James Baldwin: Biographical Dispatches on a Freedom Writer Phillip Luke Sinitiere Sam Houston State University Abstract This essay presents the idea of James Baldwin as a freedom writer, the organizing idea of my biography in progress. As a freedom writer, Baldwin was a revolution- ary intellectual, an essayist and novelist committed unfailingly to the realization of racial justice, interracial political equality, and economic democracy. While the book is still in process, this short essay narrates autobiographically how I came to meet and know Baldwin’s work, explains in critical fashion my work in relation to existing biographies, and reflects interpretively my thoughts- in- progress on this fascinating and captivating figure of immense historical and social consequence. Keywords: James Baldwin, biography, American culture, African- American history, black radicalism Jimmy is terrifying . Because he demands of anybody who comes in contact with him a look at some aspect of truth. How the hell do I say this?—Jimmy confronts you, not just racially, but with the human predicament. Kenneth B. Clark (1966)1 One of the last things [Baldwin] said to me was that he hoped that I and other writers would continue to be witnesses of our time; that we must speak out against institu- tionalized and individual tyranny wherever we found it. Because if left unchecked, it threated to engulf and subjugate us all—the fire this time. And, of course, he is right. He is right—about racism, violence, and cynical indifference that characterize modern society, and especially the contemporary values that are dominant here in America today. -
Copyright by Jennifer Nichole Asenas 2007
Copyright by Jennifer Nichole Asenas 2007 The Dissertation Committee for Jennifer Nichole Asenas Certifies that this is the approved version of the following dissertation: The Past as Rhetorical Resource for Resistance: Enabling and Constraining Memories of the Black Freedom Struggle in Eyes on the Prize Committee: Dana L. Cloud, Supervisor Larry Browning Barry Brummett Richard Cherwitz Martha Norkunas The Past as Rhetorical Resource for Resistance: Enabling and Constraining Memories of the Black Freedom Struggle in Eyes on the Prize by Jennifer Nichole Asenas, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2007 Dedication For Jeff and Marc Acknowledgements This dissertation is the product of many kind souls with brilliant minds who agreed to helped me throughout this process. I would like to thank my advisor, Dana Cloud, for being a living example of a scholar who makes a difference. I would also like to thank my committee members: Barry Brummett, Richard Cherwitz, Martha Norkunas, and Larry Browning for contributing to this project in integral and important ways. You have all influenced the way that I think about rhetoric and research. Thank you Angela Aguayo, Kristen Hoerl, and Lisa Foster for blazing trails. Jaime Wright, your inner strength is surpassed only by your kindness. Johanna Hartelius, you have reminded me how special it is to be loved. Lisa Perks, you have been a neighbor in all ways. Amanda Davis, your ability to speak truth to power is inspiring. -
Relevant Books
Relevant Books Stockley, Grif. Black Boys Burning: The 1959 Fire at the Arkansas Negro Boys Industrial School. Jackson, MS: University Press of Mississippi, 2017, pp.210, ISBN: 1496812697. On the morning of March 5, 1959, fire had engulfed the Arkansas Negro Boys Industrial School in Wrightsville, thirteen miles outside of Little Rock. Forty-eight boys clawed their way through the windows of the dormitory to safety, however, twenty-one boys between the ages of thirteen and seventeen who burned to death. This book presents an explanation of how systemic poverty perpetuated by white supremacy sealed the fate of those students, hence, telling of the history of the school and fire, providing a fresh understanding of the broad implications of white supremacy. Thus, the book adds to an evolving understanding of the Jim Crow South, Arkansas’s history, the lawyers who capitalized on this tragedy, and the African American victims. Babb, Valerie. A History of the African American Novel. New York, NY: Cambridge University Press, 2017, pp.485, ISBN: 9781107448773. This volume offers an overview of the development of the novel and its major genres. In the first part of this book, the author examines the evolution of the novel from the 1850s to the present, showing how the concept of Black identity has transformed along with the art form. The second part explores the prominent genres of African American novels, such as narratives of the enslaved, detective fiction, and speculative fiction, and considers how each one reflects changing understandings of Blackness as it builds on other literary histories by including early Black print culture, African American graphic novels, pulp fiction, and the history of adaptation of Black novels to film by placing novels in conversation with other documents - early Black newspapers and magazines, film, and authorial correspondence.