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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements. -
'Nomadland' Finds a Home with WAFCA Critics
FOR IMMEDIATE RELEASE The Washington, D.C. Area Film Critics Association Contact: [email protected], Tim Gordon 202-374-3305 On the Web: www.wafca.com Facebook.com/wafca Twitter.com/wafca February 8, 2021 ‘Nomadland’ Finds a Home with WAFCA Critics Washington, D.C. — “Nomadland” triumphed with five wins when The Washington, D.C. Area Film Critics Association (WAFCA) announced their top honorees for 2020 this morning. A slice-of-life from filmmaker Chloé Zhao about a widow who loses her job and sells her belongings to travel the American West, “Nomadland” won Best Film, Best Director, Best Actress for Frances McDormand, Best Adapted Screenplay, and Best Cinematography. WAFCA posthumously awarded Best Actor to the late Chadwick Boseman for his searing turn as a talented trumpeter and songwriter struggling to make a name for himself in 1927 Chicago in George C. Wolfe’s film adaptation of August Wilson’s play “Ma Rainey’s Black Bottom.” Best Supporting Actor was awarded to Leslie Odom, Jr. for his powerful performance as soul musician Sam Cooke in Regina King’s 1964-set “One Night in Miami…” and Best Supporting Actress went to Yuh-Jung Youn, a standout in Lee Isaac Chung’s “Minari.” Best Youth Performance also went to “Minari,” for Alan Kim’s memorable work as the young son of South Korean immigrants relocating from California to rural Arkansas in the 1980s. Best Acting Ensemble accolades were awarded to “One Night in Miami…,” a drama about a fictionalized February 1964 meeting between Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke, starring Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom, Jr. -
Chadwick Boseman, Best Known for Black Panther Starring Role, Dies at 43
Chadwick Boseman, Best Known For Black Panther Starring Role, Dies at 43 Pdf Published On August 29, 2020 04:05 AM Staff Consortium | August 29, 2020 04:05:40 AM 8 Chadwick Boseman By JORDAN STRAUSS/INVISION/AP LOS ANGELES (AP) — Chadwick Boseman, who played Black American icons Jackie Robinson and James Brown with searing intensity before inspiring audiences worldwide as the regal Black Panther in Marvel’s blockbuster movie franchise, died Friday of cancer. He was 43. Boseman died at his home in the Los Angeles area with his wife and family by his side, his publicist Nicki Fioravante told The Associated Press. Boseman was diagnosed with colon cancer four years ago, his family said in a statement. “A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much,” his family said. “From Marshall to Da 5 Bloods, August Wilson’s Ma Rainey’s Black Bottom and several more - all were filmed during and between countless surgeries and chemotherapy. It was the honor of his career to bring King T’Challa to life in Black Panther.” Born in South Carolina, Boseman graduated from Howard University and had small roles in television before his first star turn in 2013. His striking portrayal of the stoic baseball star Robinson opposite Harrison Ford in 2013′s “42” drew attention in Hollywood and made him a star. A year later, he wowed audiences as Brown in the biopic “Get On Up.” Boseman died on a day that Major League Baseball was celebrating Jackie Robinson day. -
Blade II" (Luke Goss), the Reapers Feed Quickly
J.antie Lissow- knocks Starbucks, offers funny anecdotes By Jessica Besack has been steadily rising. stuff. If you take out a whole said, you might find "Daddy's bright !)ink T -shirt with the Staff Writer He is now signed under the shelf, it will only cost you $20." Little Princess" upon closer sparkly words "Daddy's Little Gersh Agency, which handles Starbucks' coffee was another reading. Princess" emblazoned across the Comedian Jamie Lissow other comics such as Dave object of Lissow's humor. He In conclusion to his routine, front. entertained a small audience in Chappele, Jim Breuer and The warned the audience to be cau Lissow removed his hooded You can read more about the Wolves' Den this past Friday Kids in the Hall. tious when ordering coffee there, sweatshirt to reveal a muscular Jamie Lissow at evening joking about Starbucks Lissow amused the audience since he has experienced torso bulging out of a tight, http://www.jamielissow.com. coffee, workout buffs, dollar with anecdotes of his experi mishaps in the process. stores and The University itself. ences while touring other col "I once asked 'Could I get a Lissow, who has appeared on leges during the past few weeks. triple caramel frappuccino "The Tonight Show with Jay At one college, he performed pocus-mocha?"' Lissow said, Leno" and NBC's "Late Friday," on a stage with no microphone "and the coffee lady turned into a opened his act with a comment after an awkward introduction, newt. I think I said it wrong." about the size of the audience, only to notice that halfway Lissow asked audience what saying that when he booked The through his act, students began the popular bars were for University show, he presented approaching the stage carrying University students. -
Moon Knight Table Guide by Shoryukentothechin
Page 1 of 15 Moon Knight Table Guide By ShoryukenToTheChin 9 1 2 3 4 5 6 7 8 Key to Table Image Above 1. Crime Scene Hole 2. Left Orbit 3. Left Ramp 4. Mission Orbit 5. Side Mission Hole 6. Crawley Target 7. Right Ramp 8. Right Orbit 9. Moon Ramp In this Guide when I mention a Ramp etc. I will put a number in brackets which will correspond to the Key above, so that you know where on the Table that particular feature is located. Page 2 of 15 TABLE SPECIFICS Introduction This is one of the four Tables which were included in the Marvel Pinball Vengeance & Virtue Pack, this is available for PFX2 on Xbox 360 for a mere 800MS PTS. This Table is for me one of the Best, if not the Best that Zen Studios have produced. It truly blends the Comic Book nature of the character of Moon Knight and his Universe. One of the most unique aspects of the Table is that it has cinematic occurrences; these can of course be skipped at any time. This adds to the whole immersion of the Characters World. The Layout of the Table is very unique and for me can’t be compared with any Table that has come before it, but I would say it’s perhaps a Blade II Table so to speak. Overall the Team once again have done such an amazing job they really captured the Character of Moon Knight brilliantly and incorporated his Universe in the Table seamlessly. The voice acting is top notch calibre and the Artwork etc. -
John Collins Production Designer
John Collins Production Designer Credits include: BRASSIC Director: Rob Quinn, George Kane Comedy Drama Series Producer: Mags Conway Featuring: Joseph Gilgun, Michelle Keegan, Damien Molony Production Co: Calamity Films / Sky1 FEEL GOOD Director: Ally Pankiw Drama Series Producer: Kelly McGolpin Featuring: Mae Martin, Charlotte Richie, Sophie Thompson Production Co: Objective Fiction / Netflix THE BAY Directors: Robert Quinn, Lee Haven-Jones Crime Thriller Series Producers: Phil Leach, Margaret Conway, Alex Lamb Featuring: Morven Christie, Matthew McNulty, Louis Greatrex Production Co: Tall Story Pictures / ITV GIRLFRIENDS Directors: Kay Mellor, Dominic Leclerc Drama Series Producer: Josh Dynevor Featuring: Miranda Richardson, Phyllis Logan, Zoe Wanamaker Production Co: Rollem Productions / ITV LOVE, LIES AND RECORDS Directors: Dominic Leclerc, Cilla Ware Drama Producer: Yvonne Francas Featuring: Ashley Jensen, Katarina Cas, Kenny Doughty Production Co: Rollem Productions / BBC One LAST TANGO IN HALIFAX Director: Juliet May Drama Series Producer: Karen Lewis Featuring: Sarah Lancashire, Nicola Walker, Derek Jacobi Production Co: Red Production Company / Sky Living PARANOID Directors: Kenny Glenaan, John Duffy Detective Drama Series Producer: Tom Sherry Featuring: Indira Varma, Robert Glennister, Dino Fetscher Production Co: Red Production Company / ITV SILENT WITNESS Directors: Stuart Svassand Mystery Crime Drama Series Producer: Ceri Meryrick Featuring: Emilia Fox, Richard Lintern, David Caves Production Co: BBC One Creative Media Management -
Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes. -
Benicio Del Toro Mathieu Amalric Psychotherapy of A
WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN 2013 – France – 1h54 – 2.40 – 5.1 INTERNATIONAL SALES INTERNATIONAL PR THE PR CONTACT Phil SYMES - +33 (0)6 09 65 58 08 Carole BARATON - [email protected] Ronaldo MOURAO - +33 (0)6 09 56 54 48 Gary FARKAS - [email protected] [email protected] Vincent MARAVAL - [email protected] Silvia SIMONUTTI - [email protected] SYNOPSIS GEORGES DEVEREUX At the end of World War II, Jimmy Picard, a Native American Blackfoot who fought Inspired by a true story JIMMY P. (Psychotherapy of a Plains Indian) is adapted from the in France, is admitted to Topeka Military Hospital in Kansas - an institution specializing seminal book Reality and Dream by Georges Devereux. Published for the first time in in mental illness. Jimmy suffers from numerous symptoms: dizzy spells, temporary 1951, the book reflects the remarkable multidisciplinary talents of its writer, standing as blindness, hearing loss... and withdrawal. In the absence of any physiological causes, it does at a crossroads between anthropology and psychoanalysis, and opening the way he is diagnosed as schizophrenic. Nevertheless, the hospital management decides to ethno-psychiatry, among other disciplines. It is also the only book about psychoanalysis to seek the opinion of Georges Devereux, a French anthropologist, psychoanalyst to transcribe an entire analysis, session after session, in minute detail. and specialist in Native American culture. Georges Devereux, a Hungarian Jew, moved to Paris in the mid 1920s. -
{Dоwnlоаd/Rеаd PDF Bооk} Marvels Agent Carter: Season Two
MARVELS AGENT CARTER: SEASON TWO DECLASSIFIED: SEASON TWO DECLASSIFIED Author: Daphne Miles Number of Pages: 224 pages Published Date: 18 Oct 2016 Publisher: Marvel Comics Publication Country: New York, United States Language: English ISBN: 9780785195924 DOWNLOAD: MARVELS AGENT CARTER: SEASON TWO DECLASSIFIED: SEASON TWO DECLASSIFIED Marvels Agent Carter: Season Two Declassified: Season two declassified PDF Book Adolescents and Adults with Autism Spectrum DisordersFor many students, the lecture hall or seminar room may seem vastly removed from the reality of everyday life. - Advanced Tactics and Strategies to dominate your mates and online opponents. Largely overlooked for almost a century, the compelling story of this case emerges vividly in this meticulously researched book by Dean A. Three related and mutually reinforcing ideas to which virtually all pragmatists are committed can be discerned: a prioritization of concrete problems and real-world injustices ahead of abstract precepts; a distrust of a priori theorizing (along with a corresponding fallibilism and methodological experimentalism); and a deep and persistent pluralism, both in respect to what justice is and requires, and in respect to how real-world injustices are best recognized and remedied. 4 Convertible 8. But even more, it was a failure of some very sophisticated financial institutions to think like physicists. Just as the levels of biological organization flow from one level to the next, themes and topics of Biology are tied to one another throughout the chapter, and between the chapters and parts through the concept of homeostasis. Marvels Agent Carter: Season Two Declassified: Season two declassified Writer What You'll Discover Inside: - How to Download Install the Game. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier).