DOCSLIB.ORG

Catrin Meredydd Production Designer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Catrin Meredydd Production Designer Winner of BAFTA Cymru award for Best Production Design 2017 for Damilola, Our Loved Boy. Winner of BAFTA Cymru award for Best Production Design 2019 for Black Mirror: Bandersnatch. Agents Madeleine Pudney Assistant 020 3214 0999 Eliza McWilliams [email protected] 020 3214 0999 Daniela Manunza Assistant [email protected] Lizzie Quinn [email protected] + 44 (0) 203 214 0911 Credits In Development Production Company Notes CHASING AGENT Great Point Media / Rabbit Track Dirs: Declan Lawn & Adam FREEGARD Pictures / The Development Partnership Patterson 2021 Prods: Michael Bronner, Kitty Kaletsky & Robert Taylor SOULMATES 2 AMC / Amazon Postponed 2020 Film Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] MRS LOWRY AND SON Genesius Pictures Dir: Adrian Noble Prod: Debbie Gray Period Drama 1930's Starring Vanessa Redgrave & Timothy 2019 Spall IBOY Wigwam Films/ Pretty Dir: Adam Randall Pictures Prods: Lucan Toh, Oliver Roskill, Emily Leo, Contemporary Gail Mutrux 2016 With Bill Milner, Rory Kinnear, Miranda Richardson, Maisie Williams BELIEVE Bill and Ben Productions Dir: David Scheinmann Prods: Manuela Noble, Ben Timlett 1950's/1980's With Brian Cox, Toby Stephens, Natascha 2013 McElhone Television Production Company Notes CURSED Netflix Dirs: Jon East, Zetna Fuentes, Daniel Nettheim and Sarah O'Gorman 10 x 60 Medieval Drama Showrunners: Tom Wheeler and Frank Miller 2019 BLACK MIRROR: Netflix Dir: David Slade BANDERSNATCH Prod: Russell McLean Emmy Winner for Outstanding Creative 1 x 90 Contemporary Achievement in Interactive Media Within a 2018 Scripted Program 2019 Emmy Winner for Outstanding Television Movie 2019 BAFTA Cymru Winner for Best Production Design 2019 British Film Designers Guild Nomination for Best Production Design for International TV Drama including Mini Series, TV Movie or Limited Series ORDEAL BY INNOCENCE Mammoth Screen/ Dir: Sandra Goldbacher BBC/ Amazon Prod: Helen Zeigler, Roopesh Parekh 3 x 60, 1930's, 40's and 50's 2017 BLACK MIRROR: Zeppotron/ Netflix Dir: David Slade METALHEAD Prods: Annabel Jones, Louise Sutton 1 x 40, Contemporary 2017 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes OUR LOVED BOY Minnow Films/ BBC Dir: Euros Lyn Prod: Sue Horth 1 x 90 mins, Contemporary BAFTA Cymru Award winner for best Production 2016 Design BAFTA Award for Best Single Drama 2017 Nominated for BFDG Award for Best Production Design 2017 JEKYLL AND HYDE ITV Studios Dirs: Colin Teague, Robert Quinn, Joss Agnew, Stewart Svaasand 10 x 1hr, 1930's Prod: Foz Allan 2015 With Tom Bateman, Richard E. Grant, Donald Sumpter Nominated for British Academy Cymru Award for Production Design POLDARK Mammoth Screen Dirs: Ed Bazalgette, WIlliam McGregor Prod: Eliza Mellor 8 x 1 hr, 1780's With Aiden Turner, Elinor Tomlinson, Philip 2015 Davis BAFTA Audience Award 2016 FROM THERE TO HERE Kudos Film and Dir: James Strong Television Prod: Tim Bricknell 3 x 1hr, 1996 With Bernard Hill, Steven Mackintosh, Philip 2014 Glenister BROADCHURCH Kudos Film and Dirs: James Strong, Euros Lyn Television Prod: Richard Stokes SERIES 1, 8 x 1hr, With David Tennant, Olivia Coleman Contemporary Nominated for BAFTA Craft Award for 2013 Production Design BAFTA Award for Best TV Series 2014 THE BEST POSSIBLE TASTE Mammoth Screen Dir: James Strong Prod: Paul Frift Kenny Everett biopic, 1 x With Oliver Landsley, Katherine Kelly 90, Contemporary 2012 VERA ITV Studios Dirs: Peter Hoar, Farren Blackburn, Paul Whittington Prod: Elaine Collins 4 x 90 mins, 1960s With Brenda Blethyn, David Leon 2011 VEXED Eleventh Hour Dir: Matt Lipsey Films Prod: Eve Gutierrez 3 x 60, Contemporary 2010 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE FADES BBC Dir: Farren Blackburn Prod: Caroline Skinner 6 x 55 mins, Contemporary With Natalie Dormer, Joe Dempsie, Iain de 2011 Caestecker ON EXPENSES BBC Dir: Simon Cellan Jones Prod: Stephen Wright 1 x 60, Contemporary With Brian Cox, Anna Maxwell Martin 2010 CAUGHT IN A TRAP Eleventh Hour Dir: Michael Samuels Films/BBC Prod: Eve Gutierrez 1 x 70, Contemporary With Connie Fisher, Jim Carter, Geraldine James 2008 SPIRIT WARRIORS BBC Dir: Jon East Prod: Cahal Bannon 10 x 30 With Jessica Henwick, Benedict Wong 2010 SUMMERHILL BBC Dir: Jon East Prod: Stephen Smallwood 1 x 120, Contemporary With Olly Alexander, Jessie Cave 2008 ROCKET MAN Touchpaper Dir: Jon East Prod: Stephen Smallwood 6 x 60, Contemporary With Robson Green, Charles Dale 2005 IAN FLEMING: Wall To Wall Dir: John Alexander BONDMAKER Television Prod: Colette Flight 1 x 60, 1950's 2005 BLUE/ORANGE BBC Dir: Howard Davies Prod: Richard Fell 1 x 90, Contemporary With Brian Cox, John Simm, Shaun Parkes 2005 THE ALAN CLARK DIARIES BBC Dir: Jon Jones Prods: Kate Lewis, Richard Fell 6 x 30, 1980's With John Hurt, Jenny Agutter 2004 Commercials Production Company Notes NINTENDO Smuggler Dir: Jamie Rafn 2021 FIND MY PAST Knucklehead Dir: The Dempseys 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes VODAFONE Academy Dir: Vince Squibb 2021 AUNT BESSIE'S Stink Dir: Tom Green 2020 GAMBLE AWARE Academy Films Dir: Vince Squibb 2020 MCDONALDS Academy Films Dir: Vince Squibb 2020 LADBROKES Stink Dir: Tom Green 2020 IMBRUVICA Castelli & Company Dir: Tomas Skoging 2018 TALK TALK DMB Dir: Robbie Cooper 2018 HOMESENSE Academy Dir: Nadia Lee Cohen 2018 ARLA Stink Dir: Tom Green 2018 BBA Stink Dir: Tom Green 2018 DUNE 76 Ltd Dir: Dave Mould 2017 MAX FACTOR Stink Dir: Lauren Caris Cohen 2017 RITA ORA AWARD SHOW Canada Dir: Pensacola 2017 JUST EAT Academy Dir: Si & Ad 2017 OXFAM Stink Dir: Tom Green 2017 MORRISONS 76 Dir: Patrik Bergh 2017 FINISH Somesuch Dir: Autumn De Wilde 2017 BBC CHRISTMAS Academy Dir: Si & Ad 2017 DU Stink Dir: Tom Green 2016 KITKAT 2AM Ltd Dir: James Caddick 2016 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SEAT 76 Dir: Patrik Bergh 2016 O2 Academy Dir: Si & Ad MORE THAN Academy Dir: Si & Ad WEIGHTWATCHERS Academy Dir: Si & Ad STANDARD LIFE Academy Dir: Si & Ad MATCH.COM Academy Dir: Si & Ad Branston Academy Dir: Si & Ad VODAFONE Academy Dir: Frederic Planchon NATIONWIDE Dark Energy Dir: James Strong Short Films Production Company Notes WORM M&Em Films / Bertie Films Dir: Bert & Bertie Prods: Emily Leo, Matt Wilkinson With Robert Glenister, Jeany Spark THE BEACHCOMBERS Pico Pictures Dirs: Chris Croucher, Mark Beynon Prod: Michael Berliner SILENCE IS GOLDEN Autour de Minuit Productions Dir: Chris Shepherd LIVE ACTION AND ANIMATION Prod: Maria Manton Promos Production Company Notes VARIOUS These include Will Young, Richard Ashcroft, Sugababes and Kylie United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Recommended publications
  • THE LAND BEYOND the MAGIC MIRROR by E

    THE LAND BEYOND the MAGIC MIRROR by E

    GREYHAWK CASTLE DUNGEON MODULE EX2 THE LAND BEYOND THE MAGIC MIRROR by E. Gary Gygax AN ADVENTURE IN A WONDROUS PLACE FOR CHARACTER LEVELS 9-12 No matter the skill and experience of your party, they will find themselves dazed and challenged when they pass into The Land Beyond the Magic Mirror! Distributed to the book trade in the United States by Random House, Inc. and in Canada by Random House of Canada Ltd. Distributed to the toy and hobby trade by regional distributors. Distributed in the United Kingdom by TSR Hobbies (UK) Ltd. AD&D and WORLD OF GREYHAWK are registered trademarks owned by TSR Hobbies, Inc. ©1983 TSR Hobbies, Inc. All Rights Reserved. TSR Hobbies, Inc. TSR Hobbies (UK) Ltd. POB 756 The Mill, Rathmore Road Lake Geneva, Cambridge CB14AD United Kingdom Printed in U.S.A. WI 53147 ISBN O 88038-025-X 9073 TABLE OF CONTENTS This module is the companion to Dungeonland and was originally part of the Greyhawk Castle dungeon complex. lt is designed so that it can be added to Dungeonland, used alone, or made part of virtually any campaign. It has an “EX” DUNGEON MASTERS PREFACE ...................... 2 designation to indicate that it is an extension of a regular THE LAND BEYOND THE MAGIC MIRROR ............. 4 dungeon level—in the case of this module, a far-removed .................... extension where all adventuring takes place on another plane The Magic Mirror House First Floor 4 of existence that is quite unusual, even for a typical AD&D™ The Cellar ......................................... 6 Second Floor ...................................... 7 universe. This particular scenario has been a consistent .........................................
  • Written Evidence Submitted by Netflix

    Written Evidence Submitted by Netflix

    Written evidence submitted by Netflix Submission to Digital, Culture, Media and Sport Committee inquiry The future of Public Service Broadcasting June 2020 Netflix in the UK 1. Netflix is a streaming subscription video on demand (SVoD) service that allows customers to watch a wide variety of TV shows, films, documentaries, and more over the internet and ad-free on any one of thousands of internet-connected devices at a time and place of their choice. We are a global service, offered in 190 countries with close to 180 million subscribers, of whom over 12 million are in the UK. 2. The UK is one of Netflix’s top three locations for production globally, along with the U.S. and Canada. In 2019 we invested over £400m1 here in local content, with over 50 different shows in production including co-productions with the public service broadcasters and in total over £500m in UK production - a third of all our production in Europe. We expect our investment here to continue growing; our long-term commitment to the UK creative community and our intention to increase our investment in production is also reflected in our announcement last year that we are creating a dedicated production hub in the UK, based at Shepperton Studios.2 3. Localised content is increasingly a priority for our business, both in the UK and around the world. Since 2019 we have appointed several UK-based commissioners overseeing scripted and unscripted content, including drama, comedy, factual, and kids and family - all of whom built their careers in the UK film and TV industry, including with the PSBs.
  • John Collins Production Designer

    John Collins Production Designer

    John Collins Production Designer Credits include: BRASSIC Director: Rob Quinn, George Kane Comedy Drama Series Producer: Mags Conway Featuring: Joseph Gilgun, Michelle Keegan, Damien Molony Production Co: Calamity Films / Sky1 FEEL GOOD Director: Ally Pankiw Drama Series Producer: Kelly McGolpin Featuring: Mae Martin, Charlotte Richie, Sophie Thompson Production Co: Objective Fiction / Netflix THE BAY Directors: Robert Quinn, Lee Haven-Jones Crime Thriller Series Producers: Phil Leach, Margaret Conway, Alex Lamb Featuring: Morven Christie, Matthew McNulty, Louis Greatrex Production Co: Tall Story Pictures / ITV GIRLFRIENDS Directors: Kay Mellor, Dominic Leclerc Drama Series Producer: Josh Dynevor Featuring: Miranda Richardson, Phyllis Logan, Zoe Wanamaker Production Co: Rollem Productions / ITV LOVE, LIES AND RECORDS Directors: Dominic Leclerc, Cilla Ware Drama Producer: Yvonne Francas Featuring: Ashley Jensen, Katarina Cas, Kenny Doughty Production Co: Rollem Productions / BBC One LAST TANGO IN HALIFAX Director: Juliet May Drama Series Producer: Karen Lewis Featuring: Sarah Lancashire, Nicola Walker, Derek Jacobi Production Co: Red Production Company / Sky Living PARANOID Directors: Kenny Glenaan, John Duffy Detective Drama Series Producer: Tom Sherry Featuring: Indira Varma, Robert Glennister, Dino Fetscher Production Co: Red Production Company / ITV SILENT WITNESS Directors: Stuart Svassand Mystery Crime Drama Series Producer: Ceri Meryrick Featuring: Emilia Fox, Richard Lintern, David Caves Production Co: BBC One Creative Media Management
  • Black Mirror

    Black Mirror

    BLACK MIRROR "SAN JUNIPERO" FINAL SHOOTING SCRIPT Written By Charlie Brooker INCLUDING THE FOLLOWING REVISIONS: ** PINK REVISIONS - DATED 23.11.15 ** ** BLUE REVISIONS - DATED 02.12.15 ** Charlie Brooker C/o House of Tomorrow Shepherds Building Charecroft Way London W14 0EE (c) 2017 Black Mirror Drama Limited. All Rights Reserved This screenplay is the property of Black Mirror Drama Limited (“BMD”). Distribution or disclosure of any information of whatever nature in whatever form relating to the characters, story and screenplay itself obtained from any source including without limitation this screenplay or information received from BMD, to unauthorised persons, or the sale, copying or reproduction of this screenplay in any form is strictly prohibited. This Screenplay is intended to be read solely by BMD employees and individuals under contract to or individuals permitted by BMD. This screenplay contains confidential information and therefore is given for the review on a strictly confidential basis. By reading this screenplay you agree to be bound by a duty of confidence to BMD and its subsidiary companies. BLACK MIRROR "SAN JUNIPERO" 1. 1 EXT. SHORELINE - NIGHT 1 It’s 1987. Coastal California. Silhouetted mountains, moonlit sea. Lights twinkling near the shoreline. We move closer to see the lights of the town of San Junipero. Streetlights. Nightclubs and bars. Cars drifting up and down the main street. The vehicles date from 1987. There's a billboard advertising the movie The Witches of Eastwick. We move closer: 2 EXT. BARKER STREET - CONTINUOUS 2 This is San Junipero's main drag. Along the sidewalk we follow YORKIE, a slightly awkward woman in her early 20s, dressed so as not to stand out.
  • A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, Noahzepponi@Gmail.Com

    A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]

    University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
  • Peter Moffat Writer

    Peter Moffat Writer

    Peter Moffat Writer Barrister turned writer, Peter Moffat started out writing plays – his first, ‘Fine and Private Place’ was broadcast on BBC Radio – before going on to create several television dramas, including ‘Criminal Justice, ‘Silk’ and ‘North Square,’ which he won the Broadcasting Press Guild Writer’s Award. He was awarded two BAFTAS for ‘Criminal Justice,’ which was the basis for HBO’s Emmy-winning series ‘The Night Of,’ starring Riz Ahmed. His most recent series for Showtime, ‘Your Honour,’ stars Bryan Cranston and ‘61st Street’ with Michael B. Jordan as Executive Producer. Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Television Production Company Notes 61ST STREET AMC Studios Executive Producer: Michael B. Jordan 2020 YOUR HONOR CBS for Showtime 10 x 60 2020 Producer: Liz Glotzer and Michelle & Robert King Lead Director: Ed Berger Starring: Bryan Cranston and Courtney B. Vance THE LAST POST BBC 6 x 60 2017 Aden 1965. This is the story of a British army unit fighting a Yemeni insurgency in the Middle East and the women and children who were there with them. THE NIGHT OF HBO Executive Producer 2016 Based on the Peter's orginal series Criminal Justice United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes UNDERCOVER BBC1 6 x60' with Sophie Okonedo and Adrian Lester, Denis 2015 Haysbert Director James Hawes, Exec Producer Peter Moffat THE VILLAGE series Company Pictures 6 x 60' with John Simm, Maxine Peake, Juliet Stevenson 1 / BBC1 Producer: Emma Burge; Director: Antonia Bird 2013 SILK 2 BBC1 6 x 60' With Maxine Peake, Rupert Penry Jones, Frances 2012 Barber, and Neil Stuke Producer: Richard Stokes; Directors: Alice Troughton, Jeremy Webb, Peter Hoar SILK BBC1 6 x 60' 2011 With Maxine Peake, Rupert Penry Jones, Natalie Dormer, Tom Hughes and Neil Stuke.
  • March 2016 Conversation

    March 2016 Conversation

    SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster.
  • A Study Guide

    A Study Guide

    A Study Guide Written by Sophie Watkiss Edited by Rosie Dalling Rehearsal photography by Marc Brenner Production photography by Johan Persson This programme has been made possible by the generous support of The Bay Foundation, Noel Coward Foundation and Universal Consolidated Group 1 Contents Section 1: Cast and Creative Team Section 2: A new version of a classic text The social and cultural positioning of Henrik Ibsen’s original play A DOLL’S HOUSE transposed in time Synopsis, Act 1 Section 3: Inside the rehearsal room The rehearsal process Rehearsing the final scene of Act One Stage 1: contextualising the scene and investigating the text Stage 2: playing the scene Conversations inside the rehearsal room, week 3. Toby Stephens – Thomas Maggie Wells – Annie Anton Lesser – Dr Rank Christopher Eccleston – Neil Kelman Tara Fitzgerald – Christine Lyle Section 4: Endnotes and bibliography 2 section 1 Cast and Creative Team Cast GILLIAN ANDERSON. NORA Trained: Goodman Theatre School. Theatre: includes The Sweetest Swing in Baseball (Royal Court), What the Night is For (Comedy), The Philanthropist (Connecticut), Absent Friends (New York). Film: includes X-Files: I Want to Believe, Boogie Woogie, How to Lose Friends & Alienate People, Straightheads, The Last King of Scotland, A Cock and Bull Story, The Mighty Celt, House of Mirth – BAFTA Award, Playing by Heart, The X-Files Movie, The Mighty. Television: includes Bleak House, X-Files – Emmy Award. CHRISTOPHER ECCLESTON. NEIL KELMAN Trained: Central School of Speech and Drama. Theatre: includes Electricity, Hamlet (WYP), Miss Julie (Haymarket), Waiting at the Water’s Edge (Bush), Encounters (NT Studio), Aide-Memoire (Royal Court), Abingdon Square (NT/Shared Experience), Bent (NT), Dona Rosita the Spinster, A Streetcar Named Desire (Bristol Old Vic), The Wonder (Gate).
  • JAY ARTHUR 1ST AD Varied Route to A.D

    JAY ARTHUR 1ST AD Varied Route to A.D

    JAY ARTHUR 1ST AD Varied route to A.D. includes chronologically: Theatre Lighting, Morris Angels Costumier, Sound Engineer, Stills Photographer , offline/online editor, Music Video Director, P.M. Producer FEATURE FILMS Production Company Director Title BTB productions Vadim John Breaking the Bank Victor films Jake Gavin Hector Huge prods Ben Miller Huge Formosa Films Neil Thompson Clubbed Midas Films Malcolm Needs Charlie T.V.SERIES Production Company Director Title Well Street Productions Rei Green Top Boy Series 3 Black Mirror ?????? Series 5 Black Mirror David Slade “METALHEAD” series 4 In the Long Run Declan Lowney In the Long Run Objective Media Ben Taylor Ye Sweeney Privileged Productions Roy Forberg/James Lafferty The Royals Privileged Productions Menhaj Huda/ Roy Forberg The Royals Me+You Gordon Anderson Hoff the Record King Bert Mat Lipsey Ruby Robinson Heartswood Mat Lipsey Outlaws Avalon Mat Lipsey Wit Tank Nightjack Productions John Baird Babylon BBC/Avalon Ben Taylor Catastrophe - series 1 SKY / Bwark Ben Taylor 30 & Counting BBC Ben Taylor Cuckoo - Series 1 BBC Matt Lipsey Psychoville Tiger Aspect Gordon Anderson Katherine Tate Christmas Greenroom Vadim Jean Fresh! Kudos Gordon Anderson Moving Wallpaper Baby Cow Paul King The Mighty Boosh Warp Chris Waitt Fur T.V. Bwark J. Bobin /Gordon Anderson Inbetweeners – series 1 Baby Cow Prods Ben Miller Saxondale – series 1 Talkback James Bobin Modern MenModern Men Talkback Becky Martin Ladies and Gentlemen Talkback Graeme Linehan IT Crowd Talkback Chris Morris /Charlie Brooker Nathan
  • JOHN RODDA – Sound Mixer CORMORAN STRIKE (Series 2) Director: Susan Tully

    JOHN RODDA – Sound Mixer CORMORAN STRIKE (Series 2) Director: Susan Tully

    McKinney Macartney Management Ltd JOHN RODDA – Sound Mixer CORMORAN STRIKE (Series 2) Director: Susan Tully. Producer: Jackie Larkin. Starring: Tom Burke and Holliday Grainger. BBC. COME AWAY Director: Brenda Chapman. Producers: Angelia Jolie, Leesa Khan, Andrea Keir, David Oyelowo and James Spring. Starring: Angelia Jolie, Michael Caine and Gugu Mbatha-Raw. GEM Entertainment. THE SPLIT (Series 2) Director: Paula van der Oest. Producer: Natasha Romaniuk. Starring: Nicola Walker. Sister Pictures/AMC. WILD BILL Director: Annie Griffin. Producer: Chris Thompson. Starring: Rob Lowe. 42 / Anonymous Content / Shiver / ITV. FISHERMAN’S FRIENDS Director: Chris Foggin. Producers: Meg Leonard, Nick Moorcroft and James Spring. Starring: Tuppence Middleton, James Purefoy and Daniel Mays. Fred Films. THE ABC MURDERS Director: Alex Gabassi. Producer: Farah Abushwesha. Starring: John Malkovich, Eamon Farren and Michael Shaeffer. Mammoth Screen/Amazon Prime Video. 2019 Association of Motion Picture Sound (AMPS) nomination – Excellence in Sound Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JOHN RODDA Contd … 2 BLACK MIRROR: USS CALLISTER Director: Toby Haynes. Producer: Louise Sutton. Starring: Jesse Plemons, Cristin Milioti and Jimmi Simpson. Netflix. 2018 Cinema Audio Society (CAS) – Outstanding Achievement in Sound Mixing 2018 Association of Motion Picture Sound (AMPS) – Excellence in Sound BAFTA Nomination – Best Sound THAT GOOD NIGHT Director: Eric Styles. Producers: Alan Latham and Charles Savage. Starring: John Hurt, Sofia Helin and Max Brown. Goldfinch Studios/Eagle Films. HANK ZIPZER’S CHRISTMAS CATASROPHE Director: Matt Bloom. Producer: Matthew Mulot. Starring: Nick James, Neil Fitzmaurice and Juliet Cowan.
  • Ian Gelder Photo: Jonathan Dockar-Drysdale

    Ian Gelder Photo: Jonathan Dockar-Drysdale

    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Ian Gelder Photo: Jonathan Dockar-Drysdale Location: London Eye Colour: Brown Height: 5'9" (175cm) Hair Colour: Grey Weight: 10st. 7lb. (67kg) Hair Length: Short Playing Age: 61 - 70 years Voice Character: Authoritative Appearance: White Voice Quality: Warm Other: Equity Stage Stage, Mr Pasmore, The March On Russia, Orange Tree Theatre, Alice Hamilton Stage, Harry Henderson, Racing Demon, Theatre Royal Bath, Jonathan Church Stage, Clifford, The Treatment, Almeida Theatre, Lyndsey Turner Stage, John, Human Animals, Royal Court, Hamish Pirie Stage, James Whale, Gods and Monsters, Southwark Playhouse, Russel Labey Stage, Marcus Andronicus, Titus Andronicus, Shakespeare's Globe, Lucy Bailey Stage, Jack Bryant, Roots, Donmar Warehouse, James Macdonald Stage, Ed, Pugh, Farmer, The Low Road, The Royal Court, Dominic Cooke Stage, Kent, King Lear, Almeida, Michael Attenborough Stage, Frank, Definitely the Bahamas, The Orange Tree, Martin Crimp Stage, Larry, Company, Sheffield Crucible, Jonathan Mumby Stage, George, Precious Little Talent, Trafalgar Studios, James Dacre Stage, Harry, Racing Demon, Crucible Theatre Sheffield, Daniel Evans Stage, Jestin Overton, Lingua Franca, Finborough Theatre, Michael Gieleta Stage, David Freud, The Power of Yes, National Theatre, Angus Jackson Stage, Merrison/Greville Todd/Duckett/Gleason, Serious Money, Birmingham Rep, Jonathan Mumby Stage, Max, The
  • 'The New (Old) Play': Q1 Hamlet and the Texts Around

    'The New (Old) Play': Q1 Hamlet and the Texts Around

    ‘THE NEW (OLD) PLAY’: Q1 HAMLET AND THE TEXTS AROUND PERFORMANCE, 1980-2015 Scott Shepherd Royal Holloway, University of London PhD Thesis TABLE OF CONTENTS DECLARATION OF ACADEMIC INTEGRITY ................................................................4 ABSTRACT .............................................................................................................................5 ACKNOWLEDGEMENTS ....................................................................................................7 A NOTE ON TEXTS AND ABBREVIATIONS ....................................................................9 CHAPTER ONE WHAT WE TALK ABOUT WHEN WE TALK ABOUT HAMLET ................................11 Approaching the Archive .............................................................................................16 The First Quarto from 1825 to 1980: A Pre-History ....................................................23 The Origins of Q1: A Survey of Scholarship .................................................................35 Summary of the Argument and Outline of the Thesis ....................................................44 CHAPTER TWO: 1980-1989 THE MOST VALUABLE OF ALL SCHOLARLY ACTIVITIES ....................................50 RSC 1980: Reviewing Authenticity ...............................................................................58 Orange Tree 1985: Absolute Fidelity? .........................................................................66 RSC 1989: Common Sense, I Suppose ..........................................................................72