Catalog of Equipment
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NIKKOR Photoguide
Photo Guide I AM YOUR VIEW Photo is a conceptual image. Enhance your expression with interchangeable lenses Control light and shadow using Speedlights Wide-angle zoom lens Normal zoom lens Telephoto zoom lens High-power-zoom lens Daylight sync Bounce flash DX DX DX DX format format format format AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR Speedlights SB-910/SB700/SB-500/SB-300 Speedlights SB-910/SB700/SB-500/SB-300 (15-36 mm equivalent*1) (24-120 mm equivalent*1) (82.5-300 mm equivalent*1) (27-450 mm equivalent*1) 109° 83° 28°50' 76° DX 61° DX 20° DX 8° DX 5°20' Fixed-focal-length lens Micro lens Fisheye lens Auto FP high-speed sync Advanced Wireless Lighting Fast lens DX Fast lens FX-format DX DX format compatible format format AF-S DX NIKKOR 35mm f/1.8G AF-S NIKKOR 50mm f/1.8G AF-S DX Micro NIKKOR 40mm f/2.8G AF DX Fisheye-Nikkor 10.5mm f/2.8G ED Speedlights SB-910/SB700/SB-500 Speedlights SB-910/SB700/SB-500 (52.5 mm equivalent*1) (When attached to DX-format D-SLR cameras: 75 mm equivalent in 35mm [135] format) (60 mm equivalent*1) (16 mm equivalent*2) DX 44° FX 47° DX 31°30' DX 38°50' DX 180° 2 *1: When converted to 35mm [135] format. -
The Eyes Have It
John Henshall’s Chip Shop The Eyes Have It At Photokina, Cologne, and Photo Plus Expo, New York, John Henshall finds that medium format digital is not only alive and kicking but flourishing in the maturing digital marketplace. hen Canon introduced its EOS 1Ds Mark II DSLR at Photokina in 2004 it looked W as though the writing might be on the wall for the medium format back manufacturers. The EOS 1Ds Mark II has 16.7 million pixels on a full-frame (24 x 36mm) sensor which produces 47.6MB files of 4992 x 3328 pixels. Those are enough for a 25 x 16.6 inch (63.4 x 42.3cm) print at 200 pixels per inch or a 16.6 x 11 inch (42.2 x 28.2cm) print at 300ppi. Two years on, it seemed the time might be right for Canon to introduce the successor to the 1Ds Mark II at Photokina 2006 . Rumours abounded. Would it be in a body similar to the EOS 5D, with a similar interface, developed from the one button accessibility of the EOS 20D? Would it employ a 22 megapixel sensor – a 24 megapixel sensor – or even a ABOVE LEFT: Martin Parr gave a very witty two-hour square sensor? presentation about his work to an audience of about A square sensor in a 35mm-style 400 – mainly American photographers – all of whom DSLR body? This is not as strange a seemed to have no problem understanding Martin’s dry English humour. Maybe we have Ricky Gervais notion as it might at first seem seem. -
Table 1 : Japanese Investment Projects Submitted to BOI
Table 1 : Japanese Investment Projects Submitted to BOI Unit: Million Baht 2003 2004 2005 2006 2007 2008 Net Application No. of projects 316 340 387 335 330 324 Total Investment 106,374.1 101,855.6 175,314.2 110,477.1 149,071.9 102,994.3 Total Registered Capital 14,385.8 8,411.9 14,109.6 13,594.5 25,438.8 18,336.8 - Japanese 12,438.6 6,132.2 11,998.0 11,658.8 19,606.7 16,118.4 - Thai 1,386.1 1,843.3 1,462.8 1,606.2 3,414.0 1,979.5 Application Approved No. of projects 260 350 354 353 330 324 Total Investment 97,596.9 125,931.8 171,796.4 115,199.7 164,323.2 106,155.1 Total Registered Capital 15,913.4 15,381.4 14,141.5 21,032.8 32,060.1 24,147.5 - Japanese 14,386.4 12,872.2 12,693.5 15,180.7 23,360.0 22,191.8 - Thai 1,128.6 2,129.9 1,176.1 5,740.4 6,344.1 1,477.4 Note: 1) Japanese investment projects refer to projects with Japanese capital of at least 10%. International Affairs Bureau., BOI As of January 15, 2009 Table 2 : Japanese Projects Classified by Investment Size Unit: Million Baht Investment Size 2003 2004 2005 2006 2007 2008 (million Baht) No. of Investment No. of Investment No. of Investment No. of Investment No. of Investment No. of Investment Projects Projects Projects Projects Projects Projects Net Application <50 104 2,375.0 120 2,657.5 129 2,842.9 146 2,921.3 120 2,146.7 134 2,574.1 50-99 52 3,634.9 44 3,004.2 61 4,580.9 31 2,067.4 56 3,972.7 41 2,908.2 100-499 128 31,961.7 140 33,343.6 151 38,227.8 113 28,803.5 109 27,070.4 108 27,433.0 500-999 11 7,098.6 17 12,180.8 26 18,731.6 21 14,722.3 22 14,635.8 21 13,544.5 >1,000 -
Bronica Product Guide
BRONICA PRODUCT GUIDE . D MARKETED BY o Ehren reich P hoto~ Opti cal Industries, Inc. ~liJ@JO 623 Stewart Avenu e, Ga rden City, New York 11530, USA '" .. (516) 248 -5200. ~ BRONICA DELUXE ("0") The Bronica Deluxe, or "0" model was the first camera introduced by Zenza Bronica. As the forerunner of an unbroken series of 2% square SlR cameras, it incorporated many design features still not found on competitive equipment after more than 16 years. The Deluxe is easily recognized by the following key features: 1. Focusing mount integral part of body. 2. No advance crank on right side. 3. Focusing scale on upper part of advance/focus knob. 4. Speed dial on outside face of advance/focus knob. 5. Self-timer scale on left side of body. 6. Double exposure dial on right side of body. 7. 3 stud male bayonet fitting on bottom of camera body. 8. Focus lock lever on right front of body. The Deluxe has double exposure capability, shutter speeds to 1/1250th second, a 2 - 10 second self-timer which also allowed timed long expo sures of 2 - 10 seconds and a locking lever to lock the camera's focusing mount at any desired point. All small bayonet mount Auto-Nikkor and Zenzanon lenses fit the De luxe, as well as all five "5" series prisms and hoods. The S2A grips, however, will not fit due to the bayonet fitting on the camera base, and a special tripod adapter #81502 was required to use either of these grips. 2 BRONICA "S" This is the second model introduced by Bronica. -
Monthly Trading Value of Most Active Stocks (Mar.2012) 1St Section
Monthly Trading Value of Most Active Stocks (Mar.2012) 1st Section Rank Code Issue Trading Value \ mil. 1 7203 TOYOTA MOTOR CORPORATION 752,067 2 8306 Mitsubishi UFJ Financial Group,Inc. 730,107 3 3632 Gree,Inc. 502,599 4 8604 Nomura Holdings, Inc. 499,738 5 8316 Sumitomo Mitsui Financial Group,Inc. 484,590 6 8411 Mizuho Financial Group,Inc. 479,077 7 7267 HONDA MOTOR CO.,LTD. 463,849 8 6501 Hitachi,Ltd. 461,233 9 6954 FANUC CORPORATION 446,135 10 7751 CANON INC. 397,098 11 6301 KOMATSU LTD. 395,772 12 7261 Mazda Motor Corporation 382,125 13 9984 SOFTBANK CORP. 376,578 14 6753 Sharp Corporation 375,316 15 7201 NISSAN MOTOR CO.,LTD. 360,947 16 8058 Mitsubishi Corporation 347,340 17 6758 SONY CORPORATION 340,209 18 9983 FAST RETAILING CO.,LTD. 322,905 19 2432 DeNA Co.,Ltd. 314,045 20 6502 TOSHIBA CORPORATION 309,996 21 8031 MITSUI & CO.,LTD. 301,066 22 4502 Takeda Pharmaceutical Company Limited 269,567 23 9432 NIPPON TELEGRAPH AND TELEPHONE CORPORATION 241,388 24 9433 KDDI CORPORATION 221,661 25 9437 NTT DOCOMO,INC. 215,232 26 8001 ITOCHU Corporation 215,078 27 6752 Panasonic Corporation 214,525 28 2914 JAPAN TOBACCO INC. 214,082 29 8801 Mitsui Fudosan Co.,Ltd. 212,776 30 8802 Mitsubishi Estate Company,Limited 210,943 31 9104 Mitsui O.S.K.Lines,Ltd. 199,642 32 6762 TDK Corporation 199,253 33 8035 Tokyo Electron Limited 199,065 34 8002 Marubeni Corporation 198,306 35 1605 INPEX CORPORATION 192,983 36 5411 JFE Holdings,Inc. -
Leaf Credo Digital Camera Backs
© Cameron Davidson © Cameron Leaf Credo Digital Camera Backs Leaf Credo 80 80MP Leaf Credo 60 60MP Leaf Credo 50 50MP Leaf Credo 40 40MP © Maikka Trupp The Leaf Credo series of digital camera backs brings the legendary Leaf image quality along with speed, flexibility and versatility that are second to none Uncompromising Image Quality Capture One Software The Leaf Credo delivers stunning, film-like quality that has been Leaf’s Photographers are able to leverage the unique features and workflow trade-mark for many years. The large, specially designed sensor with environment of Capture One workflow software to optimize and enhance unsurpassed 14 f-stops of dynamic range provides unmatched detail, their images, create web galleries and print contact sheets directly from richness of color, low noise and beautiful tonality. Lossless 14/16-bit file the computer. compression accelerates file handling without loss of image quality. Wireless Preview, Control and Liveview High Resolution and High Speed With the Leaf Credo, you, your client, or an art director can use Capture Pilot to preview and rate images during the shoot on an Apple iPhone, The Leaf Credo uses unique, high resolution DELSA CCD sensors iPad or iPod touch, and remotely control your camera. High quality Live sensors with up to 80 Megapixel, measuring up to 53.7 x 40.3 mm. View of the Credo 50 allows for easy composition and focusing - on the The Leaf Credo 80 offers the best price-performance ratio of any 80 MP digital back, or on your mac/PC through Capture One. single-shot capture device, allowing you to take your photography further by capturing the highest quality, single-shot images possible. -
Digital Camera Systems Integrated Digital Solutions for Photographers Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality
Digital Camera Systems Integrated Digital Solutions for Photographers Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality Mamiya 645DF+ Camera With small format handling and speed, the Mamiya 645DF+ captures top-quality images that offer the professional feel that only a medium format system can provide. • Rapid and accurate auto-focus • Dual focal plane and leaf shutter system with seamless switching and speeds of up to 1/4000 sec • Sophisticated operation via easy-to-use, ergonomically placed dials and buttons • Reliable, robust camera body construction • Wide range of accessories including optional V-Grip Air for comfortable vertical handholding with a built-in Profoto Air transmitter Mamiya Leaf Digital Camera Systems Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality The World's Most Desirable Digital Camera System Mamiya 645DF+, Leaf Credo digital camera backs, Schneider-Kreuznach, Mamiya optics and Capture One workflow software The unbeatable combination of Mamiya 645DF+ camera, Leaf Credo camera backs and Capture One workflow software represents the best of what digital photography has to offer. Extraordinary capture becomes natural through ease of use and direct control. Take advantage of Schneider-Kreuznach leaf shutter lenses or the Mamiya digital focal plane lenses. © Steffen Jahn © Steffen The Leaf Credo Family of Digital Backs Where Art meets Science Touch screen and new GUI The Leaf Credo digital camera back is the latest and the most advanced Utilizing the latest display technology, the high resolution, bright, touch digital back on the market. It is the result of 20 years of experience in the screen offers an intuitive and user-friendly workflow in a responsive, so- digital business from the company that brought the first medium format phisticated yet easy-to-use package. -
FULL PROGRAM A-4 Printable Format
A SPECIAL THANK YOU TO: OUR SPONSORS INSTITUTIONS AND INDIVIDUALS FOR THEIR CONTRIBUTIONS New York Public Library for the Performing Arts New York Public Library, Barbara Goldsmith ConservaIon Lab The James B. Duke House of The InsItute of Fine Arts, New York University The Metropolitan Museum of Art, Department of Photograph ConservaIon Museum of Modern Art, The David Booth ConservaIon Department Laumont Photographics Alison Rossiter, ArIst Adam Fuss, ArIst ORGANIZING COMMITTEES Heather Brown, AIC Photographic Materials Group Secretary/Treasurer TaIana Cole AIC, Photographic Materials Group Program Chair Diana Diaz, ICOM-CC Photographic Materials Working Group Coordinator Jessica Keister, NYC Local Planning Team Coordinator Barbara Lemmen, AIC Photographic Materials Group Chair Saori Kawasumi Lewis, AIC Photographic Materials Group Secretary/Treasurer Ruth Seyler, AIC MeeIngs & Advocacy Director Barbara Brown, ICOM-CC Photographic Materials Working Group Assistant Coordinator Susie Clark, ICOM-CC Photographic Materials Working Group Assistant Coordinator Lee Ann Daffner, NYC Local Planning Team EsIbaliz Guzman, ICOM-CC Photographic Materials Working Group Assistant Coordinator Marc Harnly, ICOM-CC Photographic Materials Working Group Assistant Coordinator Greg Hill, ICOM-CC Photographic Materials Working Group Assistant Coordinator MarIn Jürgens, ICOM-CC Photographic Materials Working Group Assistant Coordinator Natasha Kung, NYC Local Planning Team Krista Lough, NYC Local Planning Team Mark Strange, ICOM-CC Photographic Materials Working Group Assistant Coordinator Elsa Thyss, NYC Local Planning Team TABLE OF CONTENTS Program of Talks in Summary . 1 Speakers, Authors, & Abstracts Wednesday, Feb. 20th . 3 Thursday, Feb. 21st . 13 Friday, Feb. 22nd . 24 Session Chairs . 30 Workshops . 30 Tours Tuesday, Feb. 19th . 32 Wednesday and Thursday, Feb. 20th and 21st . -
Boxing Week/ January 2020
It has been wonderful to see so many of you over the past year in our new location. We really appreciate and thank you for your support. May you enjoy your time with friends and family. We look forward to seeing you all again in 2020! Happy Holidays from all your friends at Beau! Monday Dec. 23rd – 8:30-5pm Tuesday Dec. 24th – 8:30-2pm Dec 25th and 26th – Closed Friday Dec. 27th – 8:30-5pm Saturday Dec. 28th – 10am-2pm Monday Dec. 30th – 8:30-5pm Tuesday Dec. 31st – 8:30-2pm Happy New Year! January 1st 2020 – Closed Jan 2nd – Back to regular hours. Beau Newsletter - Boxing Week/ January 2020 Boxing Week Specials! • Come On In and Save on Digital Cameras, Sigma Lenses, Rode Microphones, Bags, Film, Filters, Inkjet Paper and More • See Inside for Details... DON’T MISS OUT! SALE ENDS JANUARY 9, 2020 See next page for S AV E + BONUS Premium Accessory Kit an even bigger (LP-E6N+1000SR bag + RC Strap LENS SAVINGS $700† + 128GB card ($330 value) discount until Dec. 27th... 1 2 3 4 5 6 7 1 EF 100-400mm f/4.5-5.6L IS II USM $3,219/$2,429 SAVE $790† 2 EF 24-70mm f/2.8L II USM $2,779/$2,149 SAVE $630† 3 EF 16-35mm f/4L IS USM EOS 5D MARK IV 24-105 KIT $5,149 / $4,449† $1,609/$1,199 SAVE $410† EOS 5D MARK IV 24-70 F4 KIT $4,949 / $4,249† 4 EF 16-35mm f/2.8L III USM EOS 5D MARK IV BODY $3,999 / $3,299† $2,849/$2,449 SAVE $400† 5 EF 24-70mm f/4L IS USM $1,469/$1,099 SAVE $370† S AV E + BONUS Premium Accessory Kit (LP-E6N+1000SR bag + RC Strap 6 EF 70-200mm f/2.8L IS III USM $500† + 128GB card ($330 value) $2,799/$2,449 SAVE $350† 7 EF-S 55-250mm f/4-5.6 IS STM $399/$229 SAVE $170† ADD A LENS WITH DSLR PURCHASE 8 9 10 8 EF-S 10-18mm f/4.5-5.6 IS STM $439/$269 SAVE $170† 9 EF 40mm f/2.8 STM $299/$169 SAVE $130† EOS 6D MARK II 24-105 KIT $3,149 / $2,649† 10 EF 50mm f/1.8 STM EOS 6D MARK II BODY $1,999 / $1,499† $189/$159 SAVE $30† All prices valid December 24, 2019 - January 9, 2020. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Pro-B3 1200 Airs User´S Guide
Pro-B3 1200 AirS User´s Guide Pro-B3 1200 AirS 2 www.profoto.com Pro-B3 1200 AirS Thank you for choosing Profoto Thanks for showing us your confidence by investing in a Pro- B3 generator. For more than four decades we have sought the perfect light. What pushes us is our conviction that we can offer even yet better tools for the most demanding photographers. 3 Before our products are shipped we have them pass an extensive and strict testing program. We check that each individual product comply with specified performance, quality and safety. For this reason our flash equipment is widely used in rental studios and rental houses worldwide, from Paris, London, Milan, New York, Tokyo to Cape Town. Some photographers can tell just from seeing a picture, if Profoto equipment has been used. Professional photographers around the world have come to value Profoto’s expertise in lighting and light-shaping. Our extensive range of Light Shaping Tools offers photographers unlimited possibilities for creating and adjusting their own light. Every single reflector and accessory creates its special light and the unique Profoto focusing system offers you the possibility to create your own light with only a few different reflectors. Enjoy your Profoto product! www.profoto.com Safety instructions SAfeTy PrecAUTionS! Do not operate the equipment before studying the instruction manual and the accompanying safety. Make Pro-B3 1200 AirS sure that Profoto Safety Instructions is always accompanied the equipment! Profoto products are intended for professional use! Generator, lamp heads and accessories are only intended for indoor photographic use. -
Vi Utser Bästa Kameran!
SPECIAL FULLFORMAT TEST INSTEGSMODELLER test & tips Vi utser bästa kameran! Sugen på den bildkvalitet en fullformatare kan ge? Vi har testat instegskamerorna Canon EOS 6D, Nikon D610 och Sony Alpha 7, jämfört dem på längden och bredden, inifrån och ut och kommit fram till vad vi anser vara det bästa köpet. TEXT OCH FOTO: CHRISTIAN NILSSON Sökare ● När formatet krymper brukar det innebära kompromisser. Sonys elektroniska sökare är förvisso stor och högupplöst och ger en ljusare bild än konkurren- ternas optiska sökare när man fotograferar i mörker. Men den har ganska begränsat kontrast- omfång och klarar inte att visa högdagrar och skuggor lika nyanserat som ögat ser dem genom en optisk sökare. Ett motiv som är placerat mot en mycket ljus bakgrund blir ofta nästan silhuettartat. Rör man kameran i sidled blir sökarbilden också en aning suddig. Dessutom drar en elektronisk sökare en hel igitala systemkameror Bildsensoror ochoch upplösning del ström, i Sonys fall så mycket med bildsensorer i att man kan ta fer bilder på en D fullformat, 24✕36 mm, ● Vi börjar med att kika närmare har fyra miljoner pixlar färre än laddning om man i stället foto- var till en början på kamerornas grundläggande konkurrenterna har i praktiken graferar enbart med hjälp av mycket dyra och köptes nästan funktioner. Alla tre använder ganska liten betydelse för hur skärmen. uteslutande av yrkesfotografer. CMOS-sensorer i 24✕36 mm bilderna blir. Det fnns andra Canons och Nikons spegel- Canons första fullformatskamera storlek vilket i sig ger mycket egenskaper som påverkar och refexsökare visar motivet unge- EOS 1Ds, som lanserades 2003, god förutsättning för hög bild- som ofta märks mer i slutresulta- fär så som ögat uppfattar det hade exempelvis ett listpris på kvalitet.