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DESERTMED a Project About the Deserted Islands of the Mediterranean
DESERTMED A project about the deserted islands of the Mediterranean The islands, and all the more so the deserted island, is an extremely poor or weak notion from the point of view of geography. This is to it’s credit. The range of islands has no objective unity, and deserted islands have even less. The deserted island may indeed have extremely poor soil. Deserted, the is- land may be a desert, but not necessarily. The real desert is uninhabited only insofar as it presents no conditions that by rights would make life possible, weather vegetable, animal, or human. On the contrary, the lack of inhabitants on the deserted island is a pure fact due to the circumstance, in other words, the island’s surroundings. The island is what the sea surrounds. What is de- serted is the ocean around it. It is by virtue of circumstance, for other reasons that the principle on which the island depends, that the ships pass in the distance and never come ashore.“ (from: Gilles Deleuze, Desert Island and Other Texts, Semiotext(e),Los Angeles, 2004) DESERTMED A project about the deserted islands of the Mediterranean Desertmed is an ongoing interdisciplina- land use, according to which the islands ry research project. The “blind spots” on can be divided into various groups or the European map serve as its subject typologies —although the distinctions are matter: approximately 300 uninhabited is- fluid. lands in the Mediterranean Sea. A group of artists, architects, writers and theoreti- cians traveled to forty of these often hard to reach islands in search of clues, impar- tially cataloguing information that can be interpreted in multiple ways. -
“Arcipelago Di La Maddalena” (NE Sardinia, Italy)
Scripta Herpetologica. Studies on Amphibians and Reptiles in honour of Benedetto Lanza: pp. 55-62, 2014 New data on the herpetofauna of the National Park “Arcipelago di La Maddalena” (NE Sardinia, Italy) Claudia Corti 1*, Marta Biaggini 1, Michel Delaugerre 2, Pietro Lo Cascio 1,3 1 Museo di Storia Naturale dell’Università degli Studi di Firenze, Sezione di Zoologia “La Specola” Via Romana 17, 50125 Firenze, Italy 2 Conservatoire du Littoral 3, Résidence Saint Marc - Rue du Juge Falcone, 20200 Bastia, France 3 Associazione Nesos - Via Vittorio Emanuele 24, 98055 Lipari (ME), Italy * Corresponding author: [email protected] Abstract. The data available on the herpetofauna of the Archipelago della Maddalena are mainly based on investigations carried out during the 1980’s by the Sezione di Zoologia “La Specola” of the Museo di Storia Naturale dell’Università di Firenze. Such records have not been specifically updated successively. Here field data on the composition and distribution of the herpetofauna of the Archipelago are presented, with particular attention to the micro-insular areas for which no bibliographic data were available. Between 2011 and 2012 a total of 51 islands and islets have been visited: new records have been gained for 15 islands and islets already studied in past while on 4 the herpetofauna has been recorded for the first time. The lack of herpetofauna on 9 islets and rocks seemingly never previously studied has been reported too. Keywords. Herpetofauna, Mediterranean Islands, La Maddalena Archipelago. INTRODUCTION The present knowledge on the herpetofauna of the Archipelago della Mad- dalena is mainly based on the results of investigations carried out during the 1980s by the Museo di Storia Naturale dell’Università degli Studi di Firenze, Sezione di Zoologia “La Specola” under the direction of Benedetto Lanza and in the frame- work of a national research-project focused on the flora and fauna of the Sardinian satellite islands. -
1967 Born in Vincenza, Italy, Where He Lives and Works Solo Shows (Selected) 2021 Lanciare L'aria, Philipp Von Rosen Galerie
1967 born in Vincenza, Italy, where he lives and works Solo Shows (selected) 2021 Lanciare l’aria, Philipp von Rosen Galerie, Cologne 2019 fragilissimo, Galleria dello Scudo, Verona Art Club #29 Arcangelo Sassolino, Villa Medici, Rome 2018 Conflitti, Philipp von Rosen Galerie, Cologne The Way We Were, Galleria Continua/Le Moulin, Bossy-le-Châtel Warped Matter, Curved Time, Pearl Lam Gallery, Hong Kong 2017 Matter revealed, Repetto Gallery, London 2016 Canto V, Galleria Continua, San Gimignano Damnatio Memoriae, Galerie Rolando Anselmi, Berlin Mechanisms of Power, Frankfurter Kunstverein, Frankfurt/Main Not Human, CAM Museum, St. Louis 2014 Arcangelo Sassolino, Villa Pisani Bonetti, Longio 2011 Piccolo animismo, MARCO Museum, Rome 2010 Arcangelo Sassolino, Nicola van Senger, Zurich Time Tomb, House of Contemporary Art, Hasselt Qui e ora, Galleria Continua, San Giminiano 2008 SUPERDOME, Palais de Tokyo, Paris Critical Mass, Galerie Feinkost, Berlin 2007 Arcangelo Sassolino, Nicola van Senger, Zurich 2006 Momento, Galleria Galica, Milan 2004 Rimozione, Arte Ricambi, Verona 2001 Concrete Matters, Galleria Grossetti, Milan Group Shows (selected) 2021 Biennale architettura, Antarctic Resolution, Padiglione Centrale, Venezia 2019 Artistic Intelligence, Kunstverein Hannover 2018 Artists & Robots, Grand Palais, Paris 2017 The Transported Man, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing Porto Maghera 100, Palazzo Ducale, Venice Sign o’ the Times, Philipp von Rosen Galerie, Cologne 2016 Art Club #7, Villa Medici, Rome Prototypology, Gagosian Gallery, Rome 2014 A Chromatic Loss, Bortolami Gallery, New York 2013 Garage Grit, MU artspace, Eindhoven 2012 Francis Bacon and the Existential Condition in Contemporary Art, CCC Strozzina, Firenze Art and the City, Public Art Festival Zürich, Zurich Beyond Occupied Images, Skuc Gallery, Ljubljana 2011 Rediscovered developments in Italian art. -
Exibart.Onpaper 18 Sped
FREE Exibart.onpaper 18 Sped. in A.P. 45% art. 2. c. 20 A.P. in Sped. let. B - l. 662/96 Firenze Copia euro 0,0001 arte.architettura.design.musica.moda.filosofia.hitech.teatro.videoclip.editoria.cinema.gallerie.danza.trend.mercato.politica.vip.musei.gossip eventi d'arte in italia | anno terzo | novembre - dicembre 2004 www.exibart.com Un numero così non l'avete mai visto. Ad iniziare dalla cover, come sempre d'autore: questa volta -il tratto urban è inconfondibile- la firmano Botto e Bruno. All'interno quattro chiac- chiere con il fotografo più hot del momento, Terry Richardson. Lo abbiamo incontrato a Bologna, per la presentazione del suo libro. Diario per immagini tenero, scandaloso, sexy, impre- vedibile… ovviamente limited edition. Ve ne diamo un assaggio pepatissimo in una pagina di sole foto. Quelle che nessun'altra rivista (in Italia) ha osato pubblicare. Ricordiamo il filo- sofo Jacques Derida, recentemente scomparso. Senza retorica, due contributi: uno pro ed uno contro. Un'altra pagina la dedichiamo a Donald Judd, papà del Minimal, di cui ricorrono dieci anni dalla morte (anche qui ci sa tanto di essere stati gli unici a ricordarcelo). E a Cristopher Reeve, al mito di Superman e all'immortalità formato celluloide. E ancora. Nuovi spazi che aprono i battenti, overview dalla Biennale di Architettura ed un incontro a tu per tu con Miss Graffiti -al secolo Miss Van- giovane artista di Tolosa che ha firmato la nuova col- lezione della griffe Fornarina. E poi le mostre da non perdere in Italia e all'estero, un giovane designer da tener d'occhio, libri, teatro, parliamo pure di Brian Wilson deus ex machina dei beach Boys, che ha dato alla luce -meglio tardi che mai!- un progetto durato trent'anni. -
The Impeded Archipelago of Corsica and Sardinia
Island Studies Journal, 16(1), 2021, 325-342 The impeded archipelago of Corsica and Sardinia Marcel A. Farinelli Independent researcher [email protected] Abstract: Sardinia (Italy) and Corsica (France) are two islands divided by a strait that is 13 km wide. Their inhabitants have had commercial and cultural links at least since the Bronze Age, facing similar historical processes such as colonization from mainland powers during Middle Ages and a problematic assimilation within the nation-states to which the islands are nowadays associated. Nevertheless, they are generally perceived and analyzed as separate and distant islands. This is a consequence of the geopolitical context of the last three centuries, during which Corsica and Sardinia have become part of two separate states marked by a troubled relationship. This study has two main purposes: explaining the case of the two islands through a historical analysis of the island-to-island relationship between the 17th and 21st Centuries and proposing the concept of ‘impeded archipelago’ to describe analogous situations. Keywords: archipelago, Corsica, islands, island-to-island relationship, nationalism, Sardinia https://doi.org/10.24043/isj.142 • Received August 2020, accepted December 2020 © Island Studies Journal, 2021 Introduction Few scholars have adopted an archipelagic perspective on Corsica (France) and Sardinia (Italy), albeit the strait that divides them (The Strait of Bonifacio) in its narrow point is 13 km wide. Sardinians and Corsicans have had economic and cultural ties at least since the Bronze Age, they experienced colonization from continental powers during Middle Ages and Modern Era, and they shared a problematic integration process in the mainland country to which they are linked with since the 18th and 19th Centuries. -
Prisoners & Partisans
Mauro de Agostini, Pietro de Piero, Italino Rossi, Marco Rossi, Giorgio Sacchetti PRISONERS & PARTISANS ITALIAN ANARCHISTS IN THE STRUGGLE AGAINST FASCISM Free download from www.katesharpleylibrary.net Kate Sharpley Library 1999 www.katesharpleylibrary.net 1 Mauro de Agostini, Pietro de Piero, Italino Rossi, Marco Rossi, Giorgio Sacchetti Prisoners and Partisans: Italian Anarchists in the struggle against Fascism ©1999 KSL & authors Translated by Paul Sharkey First published 1999 by the Kate Sharpley Library www.katesharpleylibrary.net What is Anarchism? Anarchism is a political theory which opposes the State and capitalism. It says that people with economic power (capitalists) and those with political power (politi• cians of all stripes left, right or centre) use that power for their own benefit, and not (like they claim) for the benefit of society. Anarchism says that neither exploi• tation nor government is natural or neccessary, and that a society based on freedom, mutual aid and equal share of the good things in life would work better than this one. Anarchism is also a political movement. Anarchists take part in day•to•day strug• gles (against poverty, oppression of any kind, war etc) and also promote the idea of comprehensive social change. Based on bitter experience, they warn that new ‘revolutionary’ bosses are no improvement: ‘ends’ and ‘means’ (what you want and how you get it) are closely connected. www.katesharpleylibrary.net 2 Anarchists against Mussolini THE ROOTS OF ANARCHIST OPPOSITION TO FASCISM 1920•1932 Anarchist opposition to fascism, as indeed the opposition from other political group• ings seeking to defend the exploited and their interests, began well before Mussolini took power and it took the form not only of actions but also of analyses of fascist ideology. -
Arcangelo Sassolino the Way We Were
1/ 46, rue de la Ferté-Gaucher, 77169 Boissy-le-Châtel, France Tel. +33 (0)1 64 20 39 50 / [email protected] / www.galleriacontinua.com Open from Wednesdays to Sundays from noon to 6pm and by appointment. ARCANGELO SASSOLINO The way we were Opening on Sunday, May 13, 2018, as from noon Exhibition until September 30, 2018 Galleria Continua is proud to present The way we were, Further on, another kind of tortured soul rises up: The way a solo exhibition of work by Arcangelo Sassolino, an artist who we were, exhibited here for the first time, and lending its romantic for more than twenty years has been pushing the boundaries of title to the exhibition. The speed and the brutal force characterising his chosen mediums, playing with the limits of the possible, with the violent action of the press make it possible to crush a black danger, and the emptiness of existence. basalt rock in less than two minutes. It is an action in complete opposition with the sweet-sounding name of the piece, with its In his mechanised sculptures, materials and forms reference to the Hollywood splendor of the 1970s. The way the draw each other in, combine, and struggle to create a precarious piston ineluctable descends, halts, then reascends, whether or balance between poetry and tension, defiantly challenging the laws not there is a rock under it, creates an infinite cycle, the story of of physics. Gravity, pressure, or speed take on the principal roles, Sisyphus as mechanical myth. The perpetual fragmentation heralds animating the living dramaturgy of hieratic machines, in love with life’s ephemeral nature and the inexorable passing of time, which freedom and speech. -
Podarcis Tiliguerta) G
Journal of Zoology. Print ISSN 0952-8369 The role of island physiography in maintaining genetic diversity in the endemic Tyrrhenian wall lizard (Podarcis tiliguerta) G. Senczuk1,2 , R. Castiglia2, P. Colangelo3, M. Delaugerre4 & C. Corti1 1 Sezione di Zoologia “La Specola”, Museo di Storia Naturale dell’Universita di Firenze, Firenze, Italia 2 Dipartimento di Biologia e Biotecnologie “Charles Darwin”, Universita di Roma “La Sapienza”, Rome, Italia 3 Istituto di Ricerca sugli Ecosistemi Terrestri (CNR-IRET), Consiglio Nazionale delle Ricerche, Rome, Italia 4 Conservatoire du littoral, Bastia, France Keywords Abstract islands; elevation; insular differentiation; Tyrrhenian wall lizard; Podarcis tiliguerta; Mid- Sea level oscillations occurred during the Pleistocene have strongly affected Pleistocene; genetic diversity; Mediterranean. islands’ physiography by changing area, elevation, and even the number of islands rising above the sea level. Such changes had direct consequences on island genetic Correspondence diversity by promoting genetic admixture during glacial marine regressions while Gabriele Senczuk, Sezione di Zoologia “La fragmentation or even extinctions occurred because of marine transgressions. Here Specola”, Museo di Storia Naturale we investigated the effect of islands’ physiographic changes on the mitochondrial dell’Universita di Firenze, Via Romana 17, 50125, diversity of 84 individuals of the Tyrrhenian wall lizard (Podarcis tiliguerta) from Firenze, Italy. different islands and island groups surrounding Corsica and Sardinia. The La Mad- Email: [email protected] dalena Archipelago that is the more complex of the studied island groups, showed the highest genetic diversity, while we detected decreasing genetic diversity in Editor: Jean-Nicolas Volff island groups with lower number of islands and elevation. The genetic imprint we Associate Editor: Simon Baeckens found seems to have been shaped by eustatic changes occurred in the Mediter- ranean basin during Mid-Pleistocene times. -
Caprera Santo Stefano Spargi Budelli Razzoli
SANTA MARIA RAZZOLI Cala Santa Maria Spiaggia del Cavaliere Piscine naturali BUDELLI Spiaggia Rosa 1 2 SPARGI 1 2 Cala Corsara MADDALENA TOUR 2 dalle 9.30 alle 19.00 Partenza da Cannigione e arrivo all'isola di Spargi - Cala Corsara - con bagno e snack. Si prosegue per l’isola di La Maddalena Cala Coticcio Budelli con vista della spiaggia Rosa e sosta con bagno Tahiti alle Piscine naturali (spiaggia del Cavaliere). A seguire sosta, bagno all’isola di Santa Maria, nell’omonima cala. 2 1 CAPRERA Il tour riprende in direzione isola di Caprera, con bagno SANTO e aperitivo a Cala Coticcio (Tahiti) e rientro a STEFANO Cannigione. 1 Cala Villamarina Departure from Cannigione and arrival at the island of Spargi - Corsara Cove - with bath and snack. Continue to Palau the island of Budelli with the view of the Pink beach and dalle 9.30 alle 18.30 1 stop with bath at the natural pools (Cavaliere beach). Partenza da Cannigione e arrivo all'isola di Spargi - Cala Corsara - Afterwards stop, bath on the island of Santa Maria, in con bagno e snack. Si prosegue per l’isola di Budelli con vista della the homonymous cove. The tour continues towards the spiaggia Rosa e sosta con bagno alle Piscine naturali (spiaggia del island of Caprera, with a bath and aperitif in Coticcio Cavaliere). A seguire sosta, bagno all’isola di Santa Maria, Cove (Tahiti) and return to Cannigione. nell’omonima cala. Il tour riprende in direzione isola Maddalena 2 con sbarco, visita dell’omonima cittadina e aperitivo al rientro. -
Download Trip Notes
TRIP OVERVIEW There is no better way to experience the stunning natural beauty and idyllic waters of Sardinia’s Emerald Coast than with this fully guided swimming holiday in one of Italy’s most picturesque locations. From gorgeous turquoise seas to stunning island coastlines, this beautiful Mediterranean destination is just waiting to be explored. The Maddalena archipelago, which forms part of Sardinia’s Emerald Coast, is a small group of seven islands featuring crystal clear waters, pink sand beaches, dramatic blue cliffs rising from deep sea beds and a series of coves and rocks which offer intense colours and beautiful vistas around every corner. The National Park, which was formed in 1994 as ‘Parco Nazionale Arcipelago di La Maddalena’, is located inside the Straits of Bonifacio between the islands of Sardinia and Corsica. The southern part of the archipelago with the two largest islands of La Maddalena and Caprera are a perfect base for some dramatic coastal swims, while the more remote and uninhabited islands of Spargi, Budelli, Razzoli and Santa Maria are great venues for some challenging island-hopping swims and a short circumnavigation. The main town of La Maddalena, a short distance from our base for the week, is a picturesque traditional Sardinian town, and an ideal venue to spend some time relaxing after our daily exertions. This trip features a variety of both coastal and island-hopping interspersed with focused swim coaching by our qualified guides. If you would like to explore this part of the world, but are looking for slightly longer swimming distances, please check out our Emerald Coast Long Swims - Sardinia trip. -
ARCANGELO SASSOLINO Solo Exhibition
Hong Kong H Queen’s Warped Matter, Curved Time ARCANGELO SASSOLINO solo exhibition Exhibition Dates 27 March–29 May, 2018 Monday–Saturday, 10am–7pm Extended Hours 27–31 March, 9am–9pm Venue Pearl Lam Galleries HK H Queen’s, 9/F H Queen’s, 80 Queen's Road Central, Central, Hong Kong Hong Kong— Pearl Lam Galleries is delighted to announce the opening of its new gallery at H Queen's, Hong Kong’s latest art hub. Warped Matter, Curved Time is the first solo exhibition in Asia by Italian artist Arcangelo Sassolino. For over two decades, Sassolino has developed a visual language where the properties of physics—speed, gravity, pressure, and vibration—are marshalled to examine the friction between industrial progress and humanist concerns. His sculpture is both ethological and mechanized, poetic and menacing, pushing materials past their physical limitations and illustrating Modernism’s process of becoming and unbecoming. The exhibition contains three discrete bodies of work that each uses industrial material as its foil: concrete, glass, and rubber. Sassolino’s large-scale, wall-mounted concrete sculptures transform the once rough building material into a reflective glass-like surface. Influenced by the pervasive and promiscuous use of concrete across Northern Italy’s landscape, Sassolino sought to push the ubiquitous industrial material past its utilitarian applications where curved forms are created by its own weight rather than casting. The surface of the artworks is not polished; instead, the artist has pioneered a radical technique to reveal concrete’s untapped potential where concave forms seem to float from the wall like portals, creating encounters that evoke the sublime and question perception. -
Jose Davila, Nic Hess, Arcangelo Sassolino Sign O' the Times April 1 – June 17, 2017
Jose Davila, Nic Hess, Arcangelo Sassolino Sign o‘ the Times April 1 – June 17, 2017 Jose Dávila, Nic Hess, Arcangelo Sassolino Sign o‘ the Times April 1 – June 17, 2017 Installation view Arcangelo Sassolino Untitled, 2017 Black concrete and steel 65 x 63 x 13 cm EUR 24.000 The above mentioned prices include VAT Jose Dávila Untitled, 2017 Stone volume and boulder 83 x 60 x 105 cm USD 40.000 The above mentioned prices include VAT Arcangelo Sassolino Untitled, 2017 Black concrete and steel 103 x 103 x 16 cm EUR 36.000 The above mentioned prices include VAT Nic Hess So Long, Enzo, 2017 Mixed media collage on wall Variable size Price upon request The above mentioned prices include VAT Jose Dávila, Nic Hess, Arcangelo Sassolino Sign o‘ the Times April 1 – June 17, 2017 Installation view Jose Dávila Untitled, 2017 Stone volumes and boulder 149,5 x 60 x 60 cm USD 63.000 The above mentioned prices include VAT Arcangelo Sassolino Untitled, 2017 Blue concrete and steel 104 x 107 x 17 cm EUR 36.000 The above mentioned prices include VAT Jose Dávila, Nic Hess, Arcangelo Sassolino Sign o‘ the Times April 1 – June 17, 2017 Installation view Arcangelo Sassolino D.P.D.U.F.A. (dilatazione pneumatica di una forza attiva), 2016 Polycarbonate, nitrogen, steel, glass Variable size Price upon request The above mentioned prices include VAT Jose Dávila Untitled, 2017 Stone volumes and boulder 142 x 87 x 99 cm USD 63.000 The above mentioned prices include VAT Jose Dávila, Nic Hess, Arcangelo Sassolino Sign o‘ the Times Opening on March 31, 2017 at 7.00 pm – the artists will be present Exhibition from April 1 to June 17, 2017 We are proud to present with Sign o‘ the Times a mutual exhibition of Jose Dávila, Nic Hess and Arcangelo Sassolino.