Flood of 2019 Jeff Kelley Was Re-Elected with 420 Votes
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Country Airplay; Brooks and Shelton ‘Dive’ In
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 24, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Thomas Rhett’s Behind-The-Scenes Country Songwriters “Look” Cooks >page 4 Embracing Front-Of-Stage Artist Opportunities Midland’s “Lonely” Shoutout When Brett James sings “I Hold On” on the new Music City Puxico in 2017 and is working on an Elektra album as a member >page 9 Hit-Makers EP Songs & Symphony, there’s a ring of what-ifs of The Highwomen, featuring bandmates Maren Morris, about it. Brandi Carlile and Amanda Shires. Nominated for the Country Music Association’s song of Indeed, among the list of writers who have issued recent the year in 2014, “I Hold On” gets a new treatment in the projects are Liz Rose (“Cry Pretty”), Heather Morgan (“Love Tanya Tucker’s recording with lush orchestration atop its throbbing guitar- Someone”), and Jeff Hyde (“Some of It,” “We Were”), who Street Cred based arrangement. put out Norman >page 10 James sings it with Rockwell World an appropriate in 2018. gospel-/soul-tinged Others who tone. Had a few have enhanced Marty Party breaks happened their careers with In The Hall differently, one a lbu ms i nclude >page 10 could envision an f o r m e r L y r i c alternate world in Street artist Sarah JAMES HUMMON which James, rather HEMBY Buxton ( “ S u n Makin’ Tracks: than co-writer Daze”), who has Riley Green’s Dierks Bentley, was the singer who made “I Hold On” a hit. done some recording with fellow songwriters and musicians Sophomore Single James actually has recorded an entire album that’s expected under the band name Skyline Motel; Lori McKenna (“Humble >page 14 later this year, making him part of a wave of writers who are and Kind”), who counts a series of albums along with her stepping into the spotlight with their own multisong projects. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS AUGUST 26, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Jason Aldean’s ‘Rearview’ Is Change The Conversation’s Beverly Keel: Up Front >page 4 A SOURCE Of Inspiration For Nashville Women Midland, Billboard “Once upon a time, in the 1990s, there were lots of successful The battle Keel and her cohorts are waging is one that Assist CMA Noms women in country music who found their own voices, and country SOURCE began to recognize when the organization was founded >page 10 fans were eager to hear what they had to say.” in 1991. Women in the business were often Lauren Alaina’s introduction of Cliffie pushed into specific vocations — secretarial Stone Icon Award-winner Martina McBride jobs or publicity, for example — and frequently during the Academy of Country Music’s ACM overlooked as sources of marketing expertise Football Goes Honors on Aug. 21 made a pointed statement and information, even though women were Country about the fate of women in modern country. In considered country’s target audience. >page 11 her youth, Alaina considered McBride to be an SOURCE established its awards program in artistic role model, a symbol of what she could 2003 to call attention to specific women who to achieve in the future. helped build Nashville’s music community into Alabama, Alaina But today’s young women can find the successful industry it is today. Keel is one Tour Delays fewer examples for their own futures in of seven new members — including Bluebird country’s contemporary landscape. -
Bombing the European Axis Powers a Historical Digest of the Combined Bomber Offensive 1939–1945
Inside frontcover 6/1/06 11:19 AM Page 1 Bombing the European Axis Powers A Historical Digest of the Combined Bomber Offensive 1939–1945 Air University Press Team Chief Editor Carole Arbush Copy Editor Sherry C. Terrell Cover Art and Book Design Daniel M. Armstrong Composition and Prepress Production Mary P. Ferguson Quality Review Mary J. Moore Print Preparation Joan Hickey Distribution Diane Clark NewFrontmatter 5/31/06 1:42 PM Page i Bombing the European Axis Powers A Historical Digest of the Combined Bomber Offensive 1939–1945 RICHARD G. DAVIS Air University Press Maxwell Air Force Base, Alabama April 2006 NewFrontmatter 5/31/06 1:42 PM Page ii Air University Library Cataloging Data Davis, Richard G. Bombing the European Axis powers : a historical digest of the combined bomber offensive, 1939-1945 / Richard G. Davis. p. ; cm. Includes bibliographical references and index. ISBN 1-58566-148-1 1. World War, 1939-1945––Aerial operations. 2. World War, 1939-1945––Aerial operations––Statistics. 3. United States. Army Air Forces––History––World War, 1939- 1945. 4. Great Britain. Royal Air Force––History––World War, 1939-1945. 5. Bombing, Aerial––Europe––History. I. Title. 940.544––dc22 Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Book and CD-ROM cleared for public release: distribution unlimited. Air University Press 131 West Shumacher Avenue Maxwell AFB AL 36112-6615 http://aupress.maxwell.af.mil ii NewFrontmatter 5/31/06 1:42 PM Page iii Contents Page DISCLAIMER . -
"Don't Be Such a Girl, I'm Only Joking!" Post-Alternative Comedy, British Panel Shows, and Masculine Spaces" (2017)
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2017 "Don't Be Such a Girl, I'm Only Joking!" Post- alternative Comedy, British Panel Shows, and Masculine Spaces Lindsay Anne Weber University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Communication Commons, Film and Media Studies Commons, and the Gender and Sexuality Commons Recommended Citation Weber, Lindsay Anne, ""Don't Be Such a Girl, I'm Only Joking!" Post-alternative Comedy, British Panel Shows, and Masculine Spaces" (2017). Theses and Dissertations. 1721. https://dc.uwm.edu/etd/1721 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “DON’T BE SUCH A GIRL, I’M ONLY JOKING!” POST-ALTERNATIVE COMEDY, BRITISH PANEL SHOWS, AND MASCULINE SPACES by Lindsay Weber A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee August 2017 ABSTRACT “DON’T BE SUCH A GIRL, I’M ONLY JOKING!” POST-ALTERNATIVE COMEDY, BRITISH PANEL SHOWS, AND MASCULINE SPACES by Lindsay Weber The University of Wisconsin-Milwaukee, 2017 Under the Supervision of Professor Elana Levine This thesis discusses the gender disparity in British panel shows. In February 2014 the BBC’s Director of Television enforced a quota stating panel shows needed to include one woman per episode. This quota did not fully address the ways in which the gender imbalance was created. -
Issue 545 RAC Clark: Inside the Acms a Conversation with 52Nd ACM Awards Executive Producer RAC Clark: Let’S Get Right to the Elephant: Ratings Were Down Again
April 10, 2017, Issue 545 RAC Clark: Inside The ACMs A conversation with 52nd ACM Awards Executive Producer RAC Clark: Let’s get right to the elephant: Ratings were down again. We had the insanity of the 50th where everything fell into place, and that’s a hard standard to hold to. I don’t know what the new normal is for country music awards shows in the spring, but we’re finding it out. And I really don’t know what else to do. We had great music, great partici- pation from our stars – I’m stumped. Can we do something different with marketing, with production? We had stiff competition – base- ball, Walking Dead and WrestleMania – but RAC Clark we always do. At the same time, it was Final Four weekend, which has always been good to us, and CBS had huge ratings. We’ll do an extensive debrief over the summer and get into all the different factors. Road Warriors: Team Lauren takes their No. 1 celebration on The show was well-received in the room and our radio the road to iHeartMedia/Nashville. Pictured (l-r) are Mercury’s readers gave it high marks last week. Jack Christopher, iHeartCountry’s Rod Phillips, Mercury’s Damon I will happily say we were technically flawless. I haven’t heard Moberly, UMG/Nashville’s Donna Hughes, Lauren Alaina, any complaints and from where I sat, every team hit their marks. UMGN’s Royce Risser, WSIX’s Gator Harrison, manager Trisha McClanahan and UMGN’s David Friedman. Having the Entertainer nominees open was so strong and such a simple concept. -
Chart Action News
Thursday, December 15, 2016 NEWS CHART ACTION Dolly Parton’s Smoky Mountains Rise Telethon New On The Chart —Debuting This Week Raises Nearly $9 Million Artist/song/label—chart pos. As millions of viewers tuned in to Kenny Chesney/Bar At The End Of The World/Columbia Nashville— 64 watch Dolly Parton’s Smoky Donica Knight/Acting Like A Lady/Donica Knight Music-DKI— 72 Mountains Rise: A Beneit for the My Homegrown Band/American Town/Homegrown Entertainment— 74 People Fund telethon, the event has Tony Jackson/Nashville Cats— 79 brought in nearly $9 million in ! donations so far. Large contributions Greatest Spin Increase were made from artists as well as from Artist/song/label—Spin Increase people across the country. The total Luke Bryan/Fast/Capitol Nashville— 343 amount raised is expected to rise as mail donations are counted and the Jason Aldean/Any Ol’ Barstool/Broken Bow— 258 telethon is reBroadcast to new Kenny Chesney/Bar At The End Of The World/Columbia Nashville— 248 audiences over the next ive days. To Miranda Lambert/We Should Be Friends/RCA Nashville— 207 read the full story, click here. ! !Thomas Rhett/Star Of The Show/Valory Music Co.— 203 ! Most Added Artist/song/label—No. of Adds ! Kenny Chesney/Bar At The End Of The World/Columbia Nashville—20 Drake White Sets First Headlining Tour For 2017 Luke Bryan/Fast/Capitol Nashville—15 Following the release of his deBut Billy Currington/Do I Make You Wanna/Mercury Nashville— 8 album earlier this year, BMLG artist Drake White will kick off his irst Tucker Beathard/Momma And Jesus/Dot Records—7 headlining stint in February 2017. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS AUGUST 5, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Luke Combs’ Songwriter Ashley Gorley Advances From New Chart Marks >page 4 The Tape Room To The Executive Lounge Cash’s Kitchen Opens When Valory released the self-titled debut EP by new female act have a place in the music business or not, there was always some >page 10 Avenue Beat on July 26, it was perhaps a career-defining moment writing, some production, some publishing, some mentoring and for the Illinois-bred trio, but it also represents a new track for the some working with artists and labels and stuff like that. So it was Kentucky-born executive behind the band. just more of a matter of the order where I felt like I could commit.” Avenue Beat marks the first joint venture label deal for Gorley, who is actually a staff writer for Round Hill Music, isn’t Opry Names Tape Room, a publishing company founded by ace songwriter the only songwriter who has parlayed musical success into some New Leader Ashley Gorley (“Dirt on My Boots,” “Liv- form of a Nashville empire, but his mix of cre- >page 10 ing”) in 2011. If this expansion into new ative savvy and business acumen is a rare territory follows suit with Gorley’s history, combination among the genre’s composers. it would be the beginning of something big. “He’d probably be in Silicon Valley Gorley has piled up 34 No. 1country singles creating a new start-up right now if he weren’t Rhett And Brett: in Billboard as a songwriter, stretching from a songwriter,” says writer-producer Ross Fashion On Display Trace Adkins’ 2007 single “You’re Gonna Copperman (“I Lived It,” “Get Along”). -
Aaron Watson Puts the Cowboy Back in Country with 'Outta Style'
BILLBOARD COUNTRY UPDATE DECEMBER 5, 2016 | PAGE 13 OF 19 MAKIN’ TRACKS TOM ROLAND [email protected] Aaron Watson Puts The Cowboy Back In Country With ‘Outta Style’ When Aaron Watson debuted at No. 1 on Country Albums on March 7, 2015, “The line hit me, ‘The trends will come and go/The winds of change will with The Underdog, he set a precedent as the first-ever self-released indepen- blow/The way we love is never going out of style,’ ” remembers Watson. dent artist to start at the top on that chart. When they went home, he went to work finishing “Outta Style.” “Appar- He did it, of course, without substantial radio outside of Texas, and it raised ently it wasn’t too much of a hot date,” he jokes, “because I was writing a song a lot of eyebrows in the business. after dinner.” “Everyone seemed so, so shocked,” recalls Watson. “But the thing that He put plenty of himself into it, referencing his first car, a Monte Carlo; people aren’t factoring in is that we tour and we tour and we tour and we recalling how Kim believed in him when he was a “poor boy playing on some tour, so regardless of whether we’re getting played on mainstream radio, we pawn shop guitar”; weaving his own jeans-and-boots style into the storyline; are still servicing those markets and we are still reaching out to those fans.” and giving a nod to David Bowie’s “Rebel Rebel.” Considering the circumstances, the title The Underdog suited him nicely. -
Issue 546 Power Gold 2017 the Year-To-Year Rate of Change in Country Radio’S Top 100 Power Gold List Appears to Have Slowed a Bit
April 17, 2017, Issue 546 Power Gold 2017 The year-to-year rate of change in Country radio’s Top 100 Power Gold list appears to have slowed a bit. In fact, the 2017 PG 100 is more similar to the prior year’s list than any two-year comparison in the last six years. There are only 14 titles on this year’s list that weren’t on the 2016 Top 100. That compares to 36 new titles in 2016, 31 in ‘15, 39 in ‘14, 22 in ‘13 and 33 in ‘12. For a smaller influx of new Power Gold, you have to go back to 2011 when 13 songs that weren’t on the 2010 list appeared in the Top 100. The year prior, 2010 saw 10 new tracks hit the Top 100 for the first time. The 2017 Top 100 Power Gold is culled from Mediabase 24/7 and the Country Aircheck/Mediabase reporting panel for the week of March 12-18 is on page 9, but here’s the Top 10. 1. Jake Owen/Barefoot Blue Jean Night Pickin’ On The CEO: Roasters gather around TJ Martell 2. Florida Georgia Line/Cruise Foundation 2017 Ambassador of the Year, WMN’s John 3. Darius Rucker/Wagon Wheel Esposito, prior to a “roasting & toasting” in Nashville Monday 4. Zac Brown Band/Chicken Fried (4/17). Pictured (l-r) are WMN’s Matt Signore, McGhee 5. Miranda Lambert/Mama’s Broken Heart Entertainment’s Doc McGhee, WME’s Greg Oswald, Esposito, John Oates, TJM’s Laura Heatherly, CAA’s John Huie, Sony 6. -
Plan Prepare Pass It On
Atlantic Basin Hurricane Tracking Chart NATIONAL HURRICANE CENTER • MIAMI, FLORIDA COLLIER COUNTY EMERGENCY MANAGEMENT ALL HAZARDS GUIDE Plan Prepare Pass It On Emergency Management Collier County Emergency Information SHELTERING & EVACUATION POLICY Emergency Information Collier County continues to espouse the philosophy “Run from the Water – Hide from the Wind” in its evacuation methodology. We evacuate those at risk from storm surge or fresh water flooding. This Collier Information Center is the biggest risk to loss of life. The areas that are at risk vary because of the storm’s track and intensity. (Emergency Information) Residents that live in mobile or manufactured homes, as well as live-aboard boaters, will be ordered to 211, 311 OR (239) 252-8444 evacuate in all hurricane events. Collier Emergency Management Dear Residents and Guests of Collier County The options available are few: Webpage: www.CollierEm.org 1. Remain at home if your residence is wind-worthy. If you elect to remain, the best place is in a walk- NOAA Weather Radio (Collier County) in closet, bathroom or inner hallway away from any windows. The All-Hazards Guide is your ready reference guide to help you, your family, and your business prepare for those 162.525 MHZ & FIPS CODE: 012021 dangerous and potentially deadly days caused by Mother Nature such as flood, fire, hurricane, and tornados. This 2. Go to a local hotel/motel or stay with friends or relatives out of the evacuation area. SkyWarn — Spotter Info & Training 3. Leave the County; for landfalling storms that would approach from the west or southwest, the quick- year’s guide is especially important as we have made changes to our discussions on hurricane storm surge and HTTP://WWW.SRH.NOAA.GOV/MFL/SKYWARN.PHP evacuation areas. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS JULY 22, 2019 | PAGE 1 OF 21 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Eric Church Earns ‘Some’ Success Big Loud, Nicolle Galyon Partner For >page 4 All-Female Label Imprint Songs & Daughters Highwomen, Strait Albums Due As women artists continue facing an uphill battle at country radio, the studio with Joey Moi (Florida Georgia Line, Chris Lane). >page 10 Nashville-based independent label Big Loud is launching Songs & Her debut song, “First Last Name,” will be officially released Daughters, an imprint devoted solely to signing female acts. on July 26 to digital streaming partners, with more new music Songwriter-producer Nicolle Galyon (“Tequila,” to follow. “Automatic”) will run the label as president. Settling into a couch “That song, that’s meant for poignant moments, you-can-hear- Sally Williams at the Alabaster Collective event space in Nashville’s historic a-pin-drop moments,” says Watkins. “So we’re going to pursue Leaves Opry Germantown section, she details the evolution of Songs & elements that fit that vibe.” >page 10 Daughters with Big Loud The initial idea for the vp marketing Candice imprint started as a joke. Watkins and first signee Big Loud partner Seth Madison Kozak. England invited Galyon Alabama, Wariner Since it has been nearly to a showcase for Kozak Head To Hall nine months since the in hopes of setting up co- >page 11 idea took shape, Galyon writes for the budding jokes that they’re birthing songwriter. As Kozak a baby. performed “First Last Makin’ Tracks: “It’s been nine months Name,” a ballad she Kane Brown’s of keeping a secret and penned for her dad for basically speaking in code Father’s Day, England ‘Homesick’ GALYON KOZAK Road Tale about this idea,” Galyon saw tears streaming down >page 16 tells Billboard. -
Aaron Watson Vaquero
Aaron Watson Vaquero Aaron Watson isn’t interested in what someone else thinks he should do. But instead of getting lonely as he sidesteps expectations, he’s gaining followers––hundreds of thousands of them. Delivered with a warm smile and fueled by a wild spirit, Watson’s rebellion echoes the land that helped make him. Watson remains strikingly similar to the people that still dot his native West Texas. They’re a rugged people, proud of home but humble and hardworking, the first to help a neighbor but also fiercely independent. And Watson is unquestionably one of them. “I’ve always considered myself an anti-rock star,” Watson says, his drawl cracking slightly as he grins. “People don’t like me because I’m a rock star. People like me because I’m just like them.” Throughout his 17-year career that spans a dozen albums and more than 2,500 shows throughout the U.S. and Europe, 39-year-old Watson has stubbornly and sincerely identified with the everyman––even as he’s proven to be the exception to the rule. The latest evidence of Watson’s homespun singularity is Vaquero, an ambitious 16-song set of character-driven storytelling, level-headed cultural commentary, and love songs for grown- ups that promise to further solidify his status as one of today’s finest torch-bearers of real country music. Vaquero is the follow-up to 2015’s The Underdog, an acclaimed collection that also made history. Watson was sitting at his kitchen table as his wife Kim scrambled eggs when he got the call: The Underdog had debuted at No.