OSCAR GLOBAL LIMITED

C-76, Sector-08, Noida- 201 301, INDIA Mob. : 981 0337978,981 81 03500 E-mail : [email protected] CIN No : L51909DL1990P1-C041701

Date:02.09.2017

The Manager Department of Corporate Relationship Bombay Stock Exchange Limited , Phiroze Jeejeebhoy Towers Dalal Street, Mgmbai- 40Q001 Scrip Code: S30173 Scrip ID: OSCARGLO

SUB: - NEWSPAPER PUBLICA INFORMATION

Please find enclosed herewith copies of newspaper clippings of Notice of the 26rr, Ar.rnual ceneral Meeting of the members of the Company and E-voting Information as pLrblisirecl in the fbllorving newspapers on Septembet 02,2017 pursuant to Regulation 47 of SEBI(Listing obligatiorrs ancl Disclosures Requirements)Regulations, 20 I 5 :

(i) Pioneer dated 02.09.2017 (English Daily) (ii) veer Arjun dated 02.0g .2017 (Hindi Daily)

The above notice is also uploaded on the Company's website i.e. u,ww.oscar.-global,rret.

Kindly take the same on records and acknowredge receipt of trre sarne.

Thanking You, Yours faithfullv. for 9S]SARVfu GLOBAL LIMITED PAWAN CHADHA (Whole Time Director & CFO) DIN: 00415795 Address: A-l4I,Sector-55 Noida,U.p.-201301 Encl. as above

Regd. Office : 101, Plot No.6, LSC, Vardhman Rajdhani Plaza, New Rajdhani Enclave, -110092 NEW DELHI | SATURDAY | SEPTEMBER 2, 2017 vivacity {48 hours} 14

ARTISTIC ENSEMBLE 1 HOUR

eing a dancer also dialogues, thus adding on against demons, she is a jealous Kalapam at one go. She shared, She compares her hard brings along with it the to the dimension of an artiste. wife. In that sense she is human “Long ago, I presented an work to that of students at the Bresponsibility of present- Choreographed by her par- with her strengths and frailties.” episode of the series. The story Juilliard School in New York, ing yourself as an actor, too,” said ents Raja and Radha , For the artist, enacting is like a TV show with a partic- where one needs to practise at Bhavana Reddy, describing how along with Vedantam Prahlada Satyabhaama was difficult as she ular number of episodes. Also, least five hours a day. “I’m grate- the traditional dance form not Sarma, the Kamani Auditorium invested almost a month prac- I really like wearing traditional ful to my parents who have only involves expressions but witnessed the most traditional tising for it. Indian wear, which attracted me inculcated the habit of not tak- dance drama, Bhama Kalapam The Bhama Kalapam fol- towards this dance drama in the ing anything for granted.” associated with Kuchipudi. The lows mostly the Telugu version first place. It’s an honour for any On being compared with audience cheered for young of a story. But the director has artist to present Bhama Kalapam her parents, she added, “A guru Reddy as she displayed her per- incorporated certain external once in his/her life and I’m glad will always be a guru. I can never fection in poise, gait, technique elements. For instance, he now I’m one of those few.” think of comparing myself to my and abhinaya. Post-show, she has introduced a charac- Unlike her generation’s per- father. I always try to give my told us, “Bhama Kalapam is an ter called Madhavi, ception of looking into tradition- 100 per cent with every perfor- age-old Kuchipudi dance drama. who has added a al art forms as a passing fancy, mance.” However, there are various humorous edge to she stood out by opting for Balancing a parallel life notions surrounding its date of the dance drama and Kuchipudi as her profession. It between parents and friends, tra- origin. For some it’s 16th centu- kept up the interest of the was both her personal choice as ditional and rock music, has ry while for others it’s 18th cen- masses. well as her family’s gift that has worked to her advantage and tury. None the less, it is the most While the subject matter of been forwarded for generations. helped her understand the beau- popular and celebrated dance a woman’s inner world in Bhama She said, “I can’t imagine myself ty of both art forms. She said, drama in Kuchipudi. Bhama Kalapam is very relatable, the anything other than being a “Being a modern Indian, both Kalapam talks about way it was expressed and artic- Kuchipudi dancer. I’m perform- classical and Western music is Satyabhaama and how she feels ulated by Reddy was standout – ing this art form since I was five important for our culture. about her husband, . It an amalgamation of aesthetics years old, so it has gradually Because of the exposure I details her mind intricately. Her and lively expressions. With become a part of my identity. already had, I didn’t face any sort love for Krishna is all-consum- this performance Reddy Also, Kuchipudi as an art form of accent problem while record- ing and though he is a man of returns to the purity of classi- is very vibrant and vivacious ing for my album.” the world, she wants him com- cal grammar. and not everyone’s cup of Reddy’s ladder to success is pletely for herself and won’t be Reddy has set an example tea.” still in process. In 2012, she per- separated from him even for a among young artists by com- She believes having the formed at the Grammy’s after- minute. Though her love is ego- bining both Western and legendary Kuchipudi party which resulted in her driven, she doesn’t talk about it classical performances. She dancing couple singing debut with the publicly. It is the only play in said, “In 2014, I did Faces Padmabhushans, Raja- Hollywood movie Joy Ride 3. which the role of Krishna is where I succeeded in combin- Radha Reddy and Kaushalya She said, “The Grammys were practically absent and ing Kuchipudi and Western Reddy as parents a blessing in an altogether different experi- Satyabhaama renders the entire contemporary music to create disguise. “I have grown up ence. I was very nervous. Afterer Red number with the assistance of a new fusion experience for seeing them as my mentors. her handmaid. Satyabhaama is the audience.” I have learned from them obsessed with her husband to Reddy’s training began how much hard work is such an extent that she has to early. As a four-year-old, she required to enhance and know when and where he is off would assist her father dur- improve one’s talent. This to. Though she is a beautiful and ing his tours by dressing up knowledge for me is price- accomplished woman, having as Krishna or Rama. It was his less. Because excellence is helped Krishna in his battle idea to see her perform Bhama beyond hours of practice.” 4 Jeerj Depeg&ve, veF& efouueer, 2 efmelecyej, 2017 hegmlekeÀ cesues ceW meeleJeeb efove jne efkeÀleeye efJecees®eveeW kesÀ veece nceejs mebJeeooelee veF& efouueer ~ ,he´ieefle cewoeve ceW ®eue jns hegmlekeÀ cesues keÀe Deepe 7Jee efove nw ~ Deepe cesues ceW hegmlekeÀ he´sefce³eeW efkeÀ Yeejer Yeeræ[ vepej DeeF& ~ meeLe ner Fme meeue kesÀ efJe