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MOONRISE KINGDOM De Wes Anderson Avec Kara Hayward, Jared Gilman, Bruce Willis États-Unis - 2012

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MOONRISE KINGDOM De Wes Anderson Avec Kara Hayward, Jared Gilman, Bruce Willis États-Unis - 2012 MOONRISE KINGDOM De Wes Anderson Avec Kara Hayward, Jared Gilman, Bruce Willis États-Unis - 2012 1h34 SYNOPSIS Sur une petite île de la Nouvelle-Angleterre, dans les années soixante, Sam et Suzy, douze ans, ont en commun une maturité atypique et un goût pour les arts qui les isolent de leurs camarades. Ils tombent amoureux et décident de fuguer ensemble. Ils seront poursuivis par une troupe de scouts, puis par le « nigaud et triste » capitaine Sharp et, bientôt, par toute la communauté de l’île. FILMOGRAPHIE Wes Anderson est un cinéaste américain né en 1969 à Houston. Après avoir commencé des études de philosophie et de cinéma il décide d’arrêter pour passer directement à la réalisation de courts métrages et de films, tels que (liste non CRITIQUES exhaustive) : Rushmore (1998) La Famille Tenebaum (2001) On a beaucoup évoqué l'autisme qui traverse l'œuvre de Wes Anderson, et Moonrise La vie Aquatique (2004) Kingdom ne manque pas de rappeler combien Hotel Chevalier (court métrage 2007) ce qui pourrait apparaître comme une posture À Bord du Darjeeling Limited (2007) n'a rien d'affecté : c'est un état directement Fantastic Mr. Fox (2010) connecté à ce monde de l'enfance que le film, Castello cavalcanti (court métrage 2013) en se coupant radicalement des adultes et en The Grand Budapest Hotel (2014) se jouant avec une telle légèreté de toute forme d'autorité, pousse dans ses plus délicats Les films de Wes Anderson nous amènent à chaque fois dans retranchements. son univers bien singulier : un monde poétique où Vincent Malausa, Cahiers du Cinéma l’esthétique est de rigueur avec une symétrie parfaite, des couleurs toujours vives, et avec des personnages souvent excentriques et décalés. La miniaturisation du monde, grande affaire du cinéaste (...) n'a donc jamais paru aussi naturelle. (...) Moonrise Kingdom devient quasiment haletant, entre cartoon et film catastrophe. Or cette efficacité, nouvelle chez Wes Anderson, n'enlève rien à son art du micro-drame, du déchirement en sourdine. Louis Guichard, Télérama LE CINÉMA DE WES ANDERSON PISTES PÉDAGOGIQUES Jeremy Dawson, producteur : «L’histoire de Moonrise Avant la projection : Kingdom est universelle et parle à chacun d’entre nous parce que c’est celle d’un premier amour et d’un - Travailler sur la filmographie et le style de Wes Anderson : en passant par exemple le film A bord du été magique. Elle parle d’un jeune garçon et d’une jeune fille qui s’enfuient pour être ensemble. Dans ce Darjeeling Limited, et son prologue Hôtel Chevalier. film, il y a de la douceur, du charme et de l’humour. Le - Analyser l’affiche : les couleurs, les personnages, la titre fait référence à la baie où s’enfuient les deux photographie type photo de famille. Analyser le titre : enfants. Sur la carte, le nom technique est Goulet de Moonrise Kingdom : signification en français, à quoi ce marée au mile 3.25… mais pour eux c’est un lieu titre peut-il faire référence ? (aux rêves, à l’espoir…) secret et magique qu’ils baptisent Moonrise Kingdom.» (Extrait du Dossier de Presse). Après la projection : Wes Anderson aime retrouver ses acteurs fétiches - Travailler sur l’esthétique du film : un univers très dans ses films : Owen Wilson, Jason Schwartzman, Bill coloré avec beaucoup de jaune et de rouge et Muray, Jeff Goldblum. Même s’il ne s’agit parfois d’éléments saturés ; l’ambiance des années 60 ; les simplement que d’un clin d’œil avec une brève costumes et accessoires rappellent souvent les apparition. couleurs des décors (cf photo de Suzy ci-dessus). Ses films sont itinérants : il y a souvent du - Le cadrage et les mouvements de caméra : des plans mouvement , une quête, un objectif qui amène le ou fixes et symétriques (image souvent coupée en deux au les personnages à voyager. Moonrise Kingdom en est milieu par une ligne invisible), contrastés par des l’exemple même : les deux adolescents fuient le travellings. monde des adultes pour aller à la quête de leurs - Faire un parallèle nature / ville : dans le film, les deux idéaux. adolescents décident de fuir dans la nature. A la fin, leur retour à un mode de vie urbain est contrasté par la peinture de Sam représentant ce lieu naturel isolé, montrant ainsi une sorte de nostalgie. - Référence à l’Arche de Noé : de leur rencontre (lors de la représentation d’une pièce de théâtre sur l’Arche de Noé) à la fin du film avec le déluge des eaux qui emportent tout, le thème revient tout au long du film. Un programme présenté dans le cadre du 33e FESTIVAL CINÉMA D’ALÈS ITINÉRANCES - 20 MARS - 29 MARS 2015 .
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