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The Darjeeling Limited Visas den 28/4 2008 The Darjeeling Limited Produktionsinfo Filmografi, urval: Regi: Wes Anderson 2007 Hotel Chevalier Manus: Wes Anderson, Roman Coppola 2007 The Darjeeling Limited Längd: 91 min 2009 Fantastic Mr. Fox Produktionsland: US 2012 Cousin Ben Troop Screening with Premiär i Sverige: Jason Schwartzman Medverkande: Owen Wilson, Jason Schwartzman, Adrien Brody, Bill Murray, 2012 Moonrise Kingdom Anjelica Huston, Camilla Rutherford, Wallace Wolodarsky, Natalie 2013 Castello Cavalcanti Portman, Amara Karan, Waris Ahluwalia, Irrfan Khan, Barbet 2013 Prada: Candy Schroeder, Kumar Pallana 2014 The Grand Budapest Hotel Om regissören Wes Anderson Wes Andersons genombrosfilm heter ”Rushmore” och året var 1998, men som så många andra regissörer hade han redan mycket tidigare givit sig i kast med filmandet. Utrustad med en Super-8 kamera började han som 10-åring att filma sina kamrater i små hemmasnickrade kortfilmer. När det så var dags för collegeval kom han till University of Texas i Austin, inte alltför långt från hemorten: Wes Anderson är född 1969 i Houston. I Austin träffade han Owen Wilson, numera välkänd skådespelare och manusförfaare, och tillsammans såg de allehanda film och skrev pjäser (och studerade emellanåt får man förmoda). 1994 skrev Wes och Owen e långfilmsmanus, som dock på grund av pengabrist klipptes ner till en 13 minuters svartvit kortfilm. Den nådde inte någon större publik men uppmärksammades av regissören James L. Brooks, som såg till att Columbia Pictures finansierade långfilmsversionen. Filmen fick namnet ”Bole Rocket”, kom 1996, och blev Wes Andersons riktiga regissörsdebut. Därefter kom filmer som Rushmore, The Royal Tenenbaums, The Life Aquatic och kvällens film The Darjeeling Limited, som således är hans femte film. Enligt vissa filmkritiker tycks Wes Andersons filmer alltid på något sätt inbegripa och handla om hans egen familj. Han använder oftast samma skådespelare, skriver manus med sina vänner (t ex Owen Wilson) och alla andra medverkande tycks också tillhöra hans vänkrets. De stora glasögonen som Anjelica Huston bär i kvällens film är tydligen mamma Andersons. Är det en ”limited” värld? Kanske det. Om filmen Tre bröder som inte talat med varandra på ett år beger sig ut på en tågresa genom Indien för att finna sig själva och återknyta banden med varandra. Plötsligt får resan ett abrupt slut och de står där omgivna av öken och ett stort antal resväskor. Nu tar resan en annan vändning. Källor: .moviebox.se, www.svd.se och www.imdb.com. Bildmaterial om inte annat anges © themoviedb.org Nästa film; '' visas den 28/4 info@kristianstadsfilmstudio.org www.kristiantadsfilmstudio.org www.facebook.com/kristianstadsfilmstudio.

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Touching Textures Through the Screen: a Cinematic Investigation of the Contemporary Fashion Film
Touching Textures Through the Screen: A Cinematic Investigation of the Contemporary Fashion Film Name: Simone Houg Supervisor: Dr. M.A.M.B Baronian Student Number: Second Reader: Dr. F.J.J.W. Paalman Address: University of Amsterdam Master Thesis Film Studies Phone Number: 26 June 2015 Email: [email protected] Word Count: 23709 2 Abstract The contemporary fashion film emerged at the beginning of this century and has enabled fashion and film to enter into an equivalent relationship. This symbiotic relationship goes back to the emergence of both disciplines at the beginning of the twentieth century. The fashion film is a relatively new phenomenon that is presented on the Internet as a short film, made by fashion designers and fashion houses that optionally collaborate with well-known filmmakers. The fashion film expresses itself in many forms and through many different styles and characteristics, which makes it hard to grasp. In the case studies on the fashion films commissioned by Dior, Prada, Hussein Chalayan and Maison Margiela, concepts such as colour, movement and haptic visuality are investigated, in order to demonstrate that by focusing on the fashion films' similar use of these cinematic techniques, a definition of the fashion film can be constituted. The fashion film moves in our contemporary society; a society that is focused on ideas of progress, increased mobility and other concepts that characterise a culture of modernity. These concepts evoke feelings of nostalgia and the fashion film responds to this by immersing the spectator into a magical, fictionalised world full of desired garments, objects and settings. The ‘aura’ that surrounds the fashion brand is expressed by letting the viewer fully participate in this fashioned world.
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Ests Kumar Pallana Author Matt Zoller Seitz!
The USAThe Film TheUSAUSA FestivalFilm Film Festival Festival invites invites invites you you youto to ato a 20tha 20th 20th anniversary anniversaryanniversary celebration celebrationcelebration with specialwith guests special Kumar guest Pallana author Matt author ZollerMatt Seitz Zoller! Seitz! with special guests Kumar Pallana author Matt Zoller Seitz! NovemberNovember 7, 2013 7, 2013 7:00pm 7:00pmSeating begins at 6:00pm NovemberSeating begins7, 2013at 6:00pm 7:00pm The Texas Theatre Seating begins at 6:00pm The Texas231 W.Theatre Jefferson Blvd in Oak CLiff 231 W. Jefferson(Street Blvd.,parking Dallas meters free; Bank of Texas lot at Centre/Madison) The Texas(Street parking Theatre meters free; Bank of Texas lot at Centre/Madison) 231 W. JeffersonTICKETS Blvd in Oak CLiff (Street parkingTICKETS meters$5 Screening free; only Bank of Texas lot at$30 Centre/Madison) Screening + 1 copy of $5 ScreeningTHE WESonly ANDERSON COLLECTION $30 ScreeningLimited & copy availability of - Pre-order TICKETSTHE WES ticketsANDERSON through COLLECTION the Festival office by calling 214-821-6300 $5 ScreeningLimited onlyavailability(Advance tickets- available until November 6th) $30 ScreeningPre-order +tickets 1 copy through of THE WES theANDERSON FestivalTickets office COLLECTIONatby the theatre box office Limited availabilitycalling 214-821-6300DAY OF Pre-orderSHOW ONLY beginning at 5:00pm.- tickets through(Advance tickets the availableFestival until officeNovember by6th) calling 214-821-6300Tickets at the theatre box office (Advance ticketsDAY OF SHOWavailable ONLY beginninguntil November at 5:00pm 6th) An on-stage Q&A with Tickets atauthor the Matt theatre Zoller Seitz box will followoffice An on-stage Q&A with Kumar Pallana and author Matt Zoller Seitz DAY OF SHOWthe screening ONLY moderated beginning by at will follow the screening moderated by Robert Wilonsky, Digital Managing Editor, The Dallas Morning News 5:00pm.
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