Ests Kumar Pallana Author Matt Zoller Seitz!

Total Page:16

File Type:pdf, Size:1020Kb

Ests Kumar Pallana Author Matt Zoller Seitz! The USAThe Film TheUSAUSA FestivalFilm Film Festival Festival invites invites invites you you youto to ato a 20tha 20th 20th anniversary anniversaryanniversary celebration celebrationcelebration with specialwith guests special Kumar guest Pallana author Matt author ZollerMatt Seitz Zoller! Seitz! with special guests Kumar Pallana author Matt Zoller Seitz! NovemberNovember 7, 2013 7, 2013 7:00pm 7:00pmSeating begins at 6:00pm NovemberSeating begins7, 2013at 6:00pm 7:00pm The Texas Theatre Seating begins at 6:00pm The Texas231 W.Theatre Jefferson Blvd in Oak CLiff 231 W. Jefferson(Street Blvd.,parking Dallas meters free; Bank of Texas lot at Centre/Madison) The Texas(Street parking Theatre meters free; Bank of Texas lot at Centre/Madison) 231 W. JeffersonTICKETS Blvd in Oak CLiff (Street parkingTICKETS meters$5 Screening free; only Bank of Texas lot at$30 Centre/Madison) Screening + 1 copy of $5 ScreeningTHE WESonly ANDERSON COLLECTION $30 ScreeningLimited & copy availability of - Pre-order TICKETSTHE WES ticketsANDERSON through COLLECTION the Festival office by calling 214-821-6300 $5 ScreeningLimited onlyavailability(Advance tickets- available until November 6th) $30 ScreeningPre-order +tickets 1 copy through of THE WES theANDERSON FestivalTickets office COLLECTIONatby the theatre box office Limited availabilitycalling 214-821-6300DAY OF Pre-orderSHOW ONLY beginning at 5:00pm.- tickets through(Advance tickets the availableFestival until officeNovember by6th) calling 214-821-6300Tickets at the theatre box office (Advance ticketsDAY OF SHOWavailable ONLY beginninguntil November at 5:00pm 6th) An on-stage Q&A with Tickets atauthor the Matt theatre Zoller Seitz box will followoffice An on-stage Q&A with Kumar Pallana and author Matt Zoller Seitz DAY OF SHOWthe screening ONLY moderated beginning by at will follow the screening moderated by Robert Wilonsky, Digital Managing Editor, The Dallas Morning News 5:00pm. Robert Wilonsky, Digital Managing Editor, The Dallas Morning News THE USA FILMIn FESTIVAL 1993, screened the BOTTLE ROCKET in 1993, then a short lm helmed by a young Wes Anderson, shot in Dallas, and starring several area friends including the Wilson brothers Owen, Luke and Andrew. A few years later, the short was expanded to a feature-lengthUSA lm, and twentyFilm years Festival down the road, the lm claims cult status. We celebrate by screening both the short and feature lms to commemoratescreened the publication BOTTLE of Matt Zoller ROCKET Seitz’s terric, new a book,short THE filmWES ANDERSON helmed COLLECTION. by a young Wes Anderson, shot in Dallas, and e USA Film Festivalstarring honors severalKUMAR PALLANA area –friends Born in India including in 1918, Kumar the Pallana Wilson began his entertainment brothers career Owen, as a Luke and Andrew. A few years juggler and singer, touring nightclubsAn on-stage around the world Q&A before his 30-yearwith stay Kumar in Dallas. At thePallana youthful age ofand 78, Pallana author began a Matt Zoller Seitz movie career workinglater, for theWeswill Anderson short follow as wasthe dawdling theexpanded safecrackerscreening into BOTTLE a feature-lengthmoderated ROCKET (1996), Mr. Littlejeans film,by Robert inand RUSHMORE twenty Wilonsky, years down Digital the road,Managing the films (1998) and Pagoda,can the claimfamily butler cult in THE status. ROYAL TENNENBAUMS We celebrate (2001). by Pallana screening has appeared in overboth 20 lms, the including short and feature films to commemo- Anderson’s THE DARJEELINGEditor, LIMITED The(2007), asDallas well as THE TERMINALMorning (2004), NewsROMANCE & CIGARETTES (2005), and Matt ZollerANOTHER Seitz EARTHrate (2011). the Whetherpublication juggling and of spinning Matt plates Zoller on television’s Seitz’s Captain terrific Kangaroo and new e Mickey book, Mouse THE Club, WES ANDERSON COLLECTION. performing mind-blowing chair handstands as “Kumar of India,” bringing the rst known yoga studio to Texas, or presiding over eclectic salon nights at his former coee shop in Dallas, e Cosmic Cup, Kumar Pallana has always known how to steal the show. MATT ZOLLERRemembering SEITZ – e Brooklyn-based KUMAR PALLANA writer and lmmaker – Born hasin written,India innarrated 1918, and Kumar edited orPallana produced began over a hundred his en - hours’ worth oftertainment video essays aboutcareer cinema as historya juggler and style and for esinger, Museum touring of the Movingnightclubs Image andaround e L Magazine,the world among before other THETHE WES WES ANDERSON COLLECTION ANDERSON COLLECTION outlets. His ve-parthis 30-year 2009 video stay essay in “WesDallas. Anderson: At the e youthful Substance ageof Style” of served78, Pallana as the basis began for THE a WESmovie ANDERSON career work - may be ordered in advance through the THE USA FILM FESTIVAL COLLECTION.screened BOTTLE Seitz is theROCKET founder and in origi- 1993, nal then editor a of short e House lm Nexthelmed Door, by now a partyoung of Slant Wes Magazine, Anderson, and the shot creator in Dallas,of may be ordered in advance ing for Wes Anderson as the dawdling safecracker in Bottle Rocket (1996), Mr. Little- Festival; A limited number of books will and starring several area friendsPress including Play, a blog ofthe lm Wilson and TV brotherscriticism and Owen, video essays. Luke He and is the Andrew. director ofA the few 2005 years romantic later, comedy the short Home was and expandedthe forthcom to- bethrough available the Festival; for sale at the theater. a feature-length lm, and twentying sci- years ence ctiondownjeans epic thein RushmoreRabbit road, of the the Sith.lm(1998) He claims is and currently cultPagoda, writingstatus. the a Wememoir family celebrate titled butler “All by thein screening ingsThe Royal that both Remind Tenenbaums the Me short of Her.” and (2001). feature Pallana has appeared in over 20 films, including Anderson’s The Darjeeling Limited (2007), AuthorA limited signing number following of books the screening. lms to commemorate the publicationTHE WES ANDERSON of Matt Zoller COLLECTION Seitz’s terric BOOK new book, THE WES ANDERSON COLLECTION. as well as The Terminal (2004),– Wes Romance Anderson is& one Cigarettes of the most (2005),inuential and voices Another in contemporary Earth American(2011). will be available for sale at cinema. From Bottle Rocket, Rushmore, e Royal Tenenbaums, e Life Aquatic with Steve Zissou, e Darjeeling Limited, Fantas- the theater. Author signing Whether juggling and spinning plates on television’s Captain Kangaroo and The Mickey e USA Film Festival honorstic KUMARMr. Fox and PALLANAMoonrise Kingdom, – Born Anderson in India fans incan 1918, never get Kumar enough Pallana of the lmmaker’s began his signature entertainment idiosyncratic career characters, as a following the screening. juggler and singer, touring nightclubseccentric tone, aroundMouse and sublimely theClub, world unique performing before visual artistry.his mind-blowing 30-year is fantastic stay chairin compendium Dallas. handstands At is the rst youthfulas in-depth “Kumar age overview of 78,India,” of PallanaAnderson’s bringing began lmmog the a - raphy, tak- ing the reader through his life and career, and featuring previously unpublished photographs, artwork and ephemera, with Kumar Pallana first known yoga studio to Texas, or presiding over eclectic salon nights at his former coffee movie career working for Wesa book-length Anderson conversation as the dawdling between safecrackerAnderson and award-winningin BOTTLE criticROCKET Matt Zoller (1996), Seitz. Mr. Littlejeans in RUSHMORE (1998) and Pagoda, the family butler inshop THE inROYAL Dallas, TENNENBAUMS The Cosmic Cup, (2001).Kumar Pallana hashas appearedalways known in over how 20 lms,to steal including the show. Anderson’s THE DARJEELINGAs we were going LIMITED to press (2007), with asthis well program, as THE the TERMINAL news of Kumar (2004), Pallana’s ROMANCE passing & CIGARETTES reached us. Yet(2005), again, and he ANOTHER EARTHsteals (2011). the show.Whether Although juggling Kumar and spinning will not platesbe with on us television’s in the physical Captain world Kangaroo for this and program, e Mickey we know Mouse that Club, his performing mind-blowingspirit joins chair us handstandsas his Themany as USA “Kumarfriends Fim Festival ofand India,” fans is bringingsupportedcelebrate the hisin rst part screen known by thedebut yoga City performance studioof Dallas to Texas, Office and or of apresiding Culturalman who overAffairs en - and the Texas Commission eclectic salon nightsriched at his the former lives coeeof so shopmany.on the in Dallas,Arts.A film Support eclip Cosmiccompilation for this Cup, program tribute Kumar honoringhas Pallana been has Kumarprovided always Pallana knownby The will howTexas precede to Theatre, steal the the program. theshow. Dallas Film Commission, Buffalo Casting and ABRAMS Books. Special thanks to Jeremy Spracklen, Don Merritt, Chris Durbin and Andy MATT ZOLLER SEITZ – e Brooklyn-basedValentin, writer reservoir and lmmaker geeks. has written, narrated and edited or produced over a hundred ABOUT THE BOOK / THE WES ANDERSON COLLECTION – Wes Anderson is one of the most influential THE WES hours’ worth of videovoices essays in contemporaryabout cinema historyAmerican and cinema. style for Frome Museum Bottle Rocket, of the Moving Rushmore, Image The and Royal e LTenenbaums, Magazine, among The Lifeother ANDERSON COLLECTION outlets. His ve-partAquatic 2009 videowith Steveessay “WesZissou, Anderson: The Darjeeling e Substance Limited, of Fantastic Style” served Mr. asFox
Recommended publications
  • Postnormal Imaginings in Wes Anderson's the Darjeeling Limited
    Postnormal Imaginings in Wes Anderson’s The Darjeeling Limited Perpetuating Orientalist and neocolonial representations, biases, and stereotypes as pretentious comedy is the new creed of the American New Wave Movement JOHN A. SWEENEY THE HISTORY OF THE INDIAN RAILWAY SYSTEM PRESENTS A FABLE SOME 150 YEARS old—one that helped to defne the very topography of the sub-continent and its people. Emphasizing the lasting impact of trains on India, Srinivasan observes, “Railways made India a working and recognizable structure and political and economic entity, at a time when many other forces militated against unity. Through their own internal logic, their transformation of speed and the new dynamic of the economic changes they made possible, the railways defnitively altered the Indian way of life” (Srinivasan, 2006, pxiii). While assisting in the alteration of identities, Indian railways simultaneously united and partitioned the sub-continent on a seemingly unimaginable scale. “If you dug up all the rail track in India and laid it along the equator,” writes Reeves, “you could ride around the world one-and-a- half times.” This enormous enterprise, which occurred when the idea of “India” as an integrated political unit “remained very much an imaginary notion,” originated as the fanciful legacy of British rule, which sought a material means to coalesce its occupation (Reeves, 2006, pxiii). The railway was both the cause and efect of Britain’s colonial sovereignty; the very “idea of establishing and expanding a railway system in India ofered the most vibrant excitement in colonial mind” (Iqbal, 2006, p173). The vast colonial East-West Afairs 75 project was “the work of the capitalist interest in Britain” but it “fourished and expanded frst on ground which was essentially ‘mental’” (Iqbal, 2006, p183).
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]
  • RAY ZIMMERMAN Producer
    (6/25/12) RAY ZIMMERMAN Producer From 1995 through 2005, Ray served as Sr. Vice President for Sony / Tristar / Columbia Pictures, supervising and managing all aspects of the physical production of approximately 100 films including: Jerry Maguire, My Best Friend’s Wedding, Starship Troopers, The Mask of Zorro, Godzilla, Memoirs of a Geisha, Charlie’s Angels: Full Throttle, Panic Room, Big Fish, Vertical Limit, Men in Black II, As Good As It Gets, Stepmom, Ali, Spiderman 2, Hitch, The Da Vinci Code, The Pursuit of Happyness, Hollow Man, Talladega Nights, Bad Boys 2 , and many more. During his tenure at Sony, Ray was responsible for the oversight of over $500 million per year in film productions with budgets ranging from $6 million to $250 million. He worked closely with the filmmakers to create the production plan, schedule, budget and approach, and legal/corporate/tax structure for each film. FILM & TELEVISION DIRECTOR COMPANY PRODUCERS “COWBOYS & ALIENS” Jon Favreau Universal Brian Grazer (Unit Production Manager) Dreamworks Ron Howard “THE CHRONICLES OF Andrew Adamson Disney Andrew Adamson NARNIA: PRINCE CASPIAN” Walden Media Mark Johnson (Production Executive) Philip Steuer “BOTTLE ROCKET” Wes Anderson Columbia Cynthia Hargrave (Co-producer) Gracie Films Polly Platt “TRUE CRIME” Pat Verducci Trimark Pictures Jonathan Furie (Co-producer) Andrew Hersh “HEATSEEKER” Albert Pyun Filmwerks Tom Karnowski (Co-producer) Trimark Pictures Gary Schmoeller “SPITFIRE” Albert Pyun Filmwerks Tom Karnowski (Co-producer) Trimark Pictures Gary Schmoeller “HONG KONG 97” Albert Pyun Filmwerks Tom Karnowski (Co-producer) Trimark Pictures Gary Schmoeller “LEPRECHAUN 2” Rodman Flender Planet Productions Donald P. Borchers (Production manager) “INCIDENT AT OGLALA” Michael Apted Spanish Fork Motion Arthur Chobanian (Production Supervisor) Picture “DESIRE AND HELL AT Alien Castle Planet Productions Donald P.
    [Show full text]
  • Idiocracy (2006) 112,199 This R | 1H 24Min | Adventure, Comedy, Sci-Fi | 25 January 2007 (Germany)
    Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE Awards Central 6.6/10 Rate Idiocracy (2006) 112,199 This R | 1h 24min | Adventure, Comedy, Sci-Fi | 25 January 2007 (Germany) Private Joe Bauers, the definition of "average American", is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes five centuries in the future. He discovers a society so incredibly dumbed down that he's easily the most intelligent person alive. Director: Mike Judge Writers: Mike Judge (story), Mike Judge (screenplay) | 1 more credit » Check out IMDb's full coverage of all the Stars: Luke Wilson, Maya Rudolph, Dax Shepard | major awards events, including the Critics See full cast & crew » Choice Awards, Gotham Awards, and more. Visit our Awards Central section » Metascore Reviews Popularity 66 From metacritic.com 438 user | 125 critic 1,412 ( 327) Watch Now Like118K people like this. Sign Up to see what your From EUR2.99 (SD) on Amazon Video friends like. ON DISC 1 nomination. See more awards » Videos Photos Related News ‘King of the Hill’ Creator Mike Judge to Receive Writers Guild Animation Award 13 December 2016 7:51 PM, +01:00 | Variety - TV News Present Tense 21 November 2016 2:43 PM, +01:00 | Trailers 8 photos | 1 video | 331 news articles » from Hell President Trump? The Simpsons got there first… Edit 9 November 2016 11:47 AM, +01:00 | Cast HeyUGuys.co.uk Cast overview, first billed only: See all 331 related articles » Luke Wilson ..
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • Build a Be4er Neplix, Win a Million Dollars?
    Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept.
    [Show full text]
  • Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode.
    [Show full text]
  • THE ROYAL TENENBAUMS” Ari Tenenbaum
    Touchstone Pictures’ ADDITIONAL CAST “THE ROYAL TENENBAUMS” Ari Tenenbaum. GRANT ROSENMEYER Uzi Tenenbaum . JONAH MEYERSON CAST Young Chas Tenenbaum. ARAM ASLANIAN-PERSICO Young Margot Tenenbaum. IRENE GOROVAIA GENE HACKMAN Young Richie Tenenbaum . AMEDEO TURTURRO as Dudley Heinsbergen. STEPHEN LEA SHEPPARD Royal Tenenbaum Young Eli Cash. JAMES FITZGERALD Peter Bradley . LARRY PINE ANJELICA HUSTON Detective . DON MCKINNON as Hotel Manager. FRANK WOOD Etheline Tenenbaum Walter Sherman. AL THOMPSON Rachael Tenenbaum . JENNIFER WACHTELL BEN STILLER Hotel Clerk . DONAL WARD as Farmer Father/Tex Hayward. ANDREW WILSON Chas Tenenbaum Doctor . DIPAK PALLANA GWYNETH PALTROW Sanjay Gandhi. SANJAY MATHEW as Chas’ Secretary. MARY WIGMORE Margot Tenenbaum Sing-Sang . SONAM WANGMO Neville Smythe-Dorleac . PAWEL WDOWCZAK LUKE WILSON Yasuo Oshima . PETER LEUNG as Franklin Benedict . WILLIAM STURGIS Richie Tenenbaum Reporter in Blue Cardigan . LIAM CRAIG Eli’s Aunt . SHEELAGH TELLERDAY OWEN WILSON Cote d’Ivoire Attendant . MAX FAUGNO as Cote d’Ivoire Radio Operator . GUIDO VENITUCCI Eli Cash Frederick (Bellboy) . EBON MOSS-BACHRACH Elderly “Baumer” Fan #1 . BRIAN SMIAR BILL MURRAY Elderly “Baumer” Fan #2 . JAN V.E. AUSTELL as Raleigh St. Clair Cemetery Maintenance Man . RONY CLANTON Anwar . SALIM MALIK DANNY GLOVER Judge . TOM LACY as Royal’s Lawyer . KEITH CHARLES Henry Sherman Gypsy Cab Driver . GREG GOOSEN Nurse . SADIAH ARRIKA EKULONA SEYMOUR CASSEL Sanchez . VIC MATA as Irish Longshoreman . MICHAEL CONTI Dusty Parisian Girl . TATIANA ABBEY New Guinea Tribesman . KALANI QUEYPO KUMAR PALLANA Punk Rocker . MEL CANNON as Eli’s Egyptian Friends . LEO MANUELIAN Pagoda AMIR RAISSI ROGER SHAMAS Narrator Father Petersen. PHILIP DENNING ALEC BALDWIN Police Officer . GARY EVANS Mr. Levinson . REX ROBBINS Elaine Levinson .
    [Show full text]
  • Auteur Music in the Films of Wes Anderson
    Wayne State University Wayne State University Dissertations 1-1-2013 What Is This Music? Auteur Music In The iF lms Of Wes Anderson Lara Rose Hrycaj Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Hrycaj, Lara Rose, "What Is This Music? Auteur Music In The iF lms Of Wes Anderson" (2013). Wayne State University Dissertations. Paper 662. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. WHAT IS THIS MUSIC? AUTEUR MUSIC IN THE FILMS OF WES ANDERSON by LARA HRYCAJ DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2013 MAJOR: COMMUNICATIONS Approved by: Advisor Date ! ! ! ! ! ! © COPYRIGHT BY LARA HRYCAJ 2013 All Rights Reserved DEDICATION I dedicate this to: Judy, Steve, and Nick Wes, Mark, and Randall and Mandy and the boys ii ACKNOWLEDGMENTS I would like to thank my advisor Jackie Byars. I am indebted to all the wisdom, hard work, and encouragement she has shared on my journey in earning my PhD. I would like to extend my gratitude to my committee. Hayg Oshagan and Juanita Anderson have been part of my entire dissertation process and have always kept me on my toes. I am grateful for Steven Shaviro and Pradeep Sopory for joining my committee late in the process. While Robert Burgoyne had to leave my committee, the genesis of this dissertation is due him sharing one of the earliest academic articles on Wes Anderson with me, and for this I am extremely grateful.
    [Show full text]
  • The Allusive Auteur: Wes Anderson and His Influences
    The Allusive Auteur: Wes Anderson and His Influences By Timothy Penner A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfilment of the requirements of the degree of MASTER OF ARTS Department of English, Film and Theatre University of Manitoba Winnipeg Copyright © 2011 by Timothy Penner i Abstract Writer, producer and director Wes Anderson‘s unusual and idiosyncratic films take place in world which seems to be entirely his own. Often anachronistic and highly stylized, the Andersonian universe looks like little else being shown in contemporary cinemas. Yet, Anderson is also one of the most allusive filmmakers working today. Littered throughout his oeuvre are endless allusions to films, directors, authors and books which have had significant influence on Anderson as an artist. In fact, Anderson‘s films can only be fully appreciated when viewed through the lens of his many sources, since his films emerge as he carefully collects, compiles and crafts his many influences into a sort of collage. In order to understand how this dichotomy operates in Anderson‘s work I examine the influence of several key directors, authors, and films. Through this study I show that one of the things that make Anderson unique is the very way in which he interacts with the sources to which he is alluding. It is his uncommon ability to weave homage and critique together which makes him a truly allusive auteur. ii Acknowledgements It is impossible to embark on any project of this sort without a great deal of guidance from those who have journeyed this road before.
    [Show full text]
  • Bottle Rocket Production Information
    Bottle Rocket Production Information Anthony (Luke Wilson) has been discharged from the mental hospital where he was treated for "exhaustion." To accommodate the fantasies of his lifelong friend Dignan (Owen C. Wilson), he gets permission to climb down a bed sheet rather than simply walk out the front door. Thus begins the story of three Texas boys whose lives show that loyalty, friendship and commitment are not always virtues but collectively can sometimes begin to resemble stupidity. These three friends -- inextricably, if unconventionally, linked -- are searching for something. Something they often can't articulate or even identify, but they know it's special. Anthony seeks true love. Bob (Robert Musgrave) yearns for family. Dignan (Owen C. Wilson) pursues a distinguished position amongst thieves and con-artists. Anthony, Bob and Dignan will get what they want but in ways they never expected. Bottle Rocket tells the gently comic story of three devoted, would-be thieves who prove the importance of friendship, honor and duty as they ineptly pursue a life of crime. Directed by Wes Anderson, Bottle Rocket is written by Owen C. Wilson and Wes Anderson. In addition to Owen C. Wilson, Luke Wilson and Robert Musgrave, the film also stars Andrew Wilson, Lumi Cavazos and James Caan as Mr. Henry. Polly Platt and Cynthia Hargrave are the producers. The executive producers are James L. Brooks, Richard Sakai, Barbara Boyle and Michael Taylor. Robert Yeoman is the director of photography; David Wasco is the production designer; David Moritz is the editor. The film is co-produced by Ray Zimmerman and L.M.
    [Show full text]
  • Rushmore Press
    TOUCHSTONE PICTURES Directed by . WES ANDERSON "Rushmore" Written by . .WES ANDERSON & OWEN WILSON CAST Produced by . .BARRY MENDEL and PAUL SCHIFF Max Fischer . JASON SCHWARTZMAN Director of Photography . .ROBERT YEOMAN Mr. Blume . BILL MURRAY Production Designer . .DAVID WASCO Miss Cross . OLIVIA WILLIAMS Editor . DAVID MORITZ Dr. Guggenheim . BRIAN COX Costume Designer . KAREN PATCH Bert Fischer . SEYMOUR CASSEL Executive Producers . .WES ANDERSON Dirk Calloway . MASON GAMBLE and Margaret Yang . SARA TANAKA OWEN WILSON Magnus Buchan . STEPHEN MCCOLE Co-Producer . JOHN CAMERON Dr. Peter Flynn . LUKE WILSON Music by . MARK MOTHERSBAUGH Mr. Adams . DEEPAK PALLANA Casting by . MARY GAIL ARTZ Coach Beck . ANDREW WILSON and Mrs. Guggenheim . MARIETTA MARICH BARBARA COHEN Ronny Blume . RONNIE MCCAWLEY Donny Blume . KEITH MCCAWLEY Music Supervisor . .RANDY POSTER Alex . HAE JOON LEE Unit Production Manager . JOHN CAMERON Mr. Obiamiwe . ABEBAYO ASABI First Assistant Director . MICHAEL CEDAR Mrs. Calloway . CONNIE NIELSEN Second Assistant Director . CONTE MATAL Ernie . AL FIELDER Set Decorator . ALEXANDRA REYNOLDS-WASCO Boy Portraying Frank Serpico . COLIN PLATT Script Supervisor . SCOTT PETERSON O'Reilly . GEORGE FARISH Sound Mixer . .PAWEL WDOWCZAK Burnum . FRANCIS FREDNANDEZ Art Director . ANDREW LAWS Fields . MCCAULEY PENDERDAST Assistant Art Director . AUSTIN CORG Willie . ERIC WEEMS Assistant Set Decorator . .AMANDA ANDERSON Wrestler . .DALTON TOMLIN On-Set Dresser . EVELYN COLLEN SARO Referee . WALLY WOLODARSKY Greens Coordinator . .WALLACE R. SYMS Mrs. Blume . KIM TERRY Leadman . .JEFFREY B. HARTMAN Woman Backstage . ELLA PRYOR Costume Supervisor . CATHERINE ALLEN BUSCH Waiter . PAUL SCHIFF On-Set Costumer JENNIFER LONG Small Boy Artist . ANTONI SCARANO Costumer . LEEANN RADEKA Contractor . .BRIAN TANENBAUM Wardrobe Assistant . JAMELLE FLOWERS School Reporter . THAYER MCCLANAHAN Animation & Models Furnished by .
    [Show full text]