The Nikonian #8
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Nikon F6 Vs Canon EOS-1V Vs Leica R9
Battle of the Titans: NIKON F6 vs. CANON EOS-1v vs. LEICA R9 Shutter Release, April 2005 Revised March 2007 Canon got the better of Nikon and Leica on Internet forums in 2004 with regard to film cameras. If ad hoc quips about the world’s leading 35mm SLR cameras were to be believed, Canon had pulled ahead in optics and overall speed of operation. As to Leica, well, the legendary mark had already had its day and is a stodgy if reliable instrument years behind Canon and Nikon. The stereotypes were flat-out wrong, even before the introduction of the new Nikon F6 in late 2004. The reality is that each manufacturer has selectively invested in features for different users. Canon has led in technology to steady hand-held telephoto lenses. The Leica R9 provides ultimate finessing of manual with automatic controls to a precision of 0.1 f-stop (in multi-pattern metering), and is arguably the most user-friendly of the three cameras. The Nikon F6 is a more versatile and lighter redesign of the F5 that pioneered the most advanced autoexposure system available, engineered for accuracy in extreme or peculiar lighting conditions where other cameras would fall short. Features in Common The three flagship models are equipped to enable excellence in most photographic situations. Together with their abundant selections of optics and all manner of gadgetry, the top-of-line Nikon, Canon and Leica cameras have been widely considered the best in 35mm film photography. The Nikon F6, Canon EOS-1v and Leica R9 offer: Evaluative autoexposure: The microcomputer in the camera assesses a scene through an array of sensors, and applies an ideal aperture and/or shutter speed as fast as 1/8000 sec. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Lisa Sorensen, Purchasing Specialist SUBJECT
Date: October 12, 2020 TO: All Bidders FROM: Lisa Sorensen, Purchasing Specialist SUBJECT: Bid 613, Moorpark College Camera Equipment and Accessories Enclosed is a packet for Bid 613, Moorpark College Camera Equipment and Accessories. This bid packet includes the General Instructions to Bidders, Specifications, Pricing Form, Bid Form, Drug-Free Workplace Certification, Non-Collusion Affidavit, and Affirmative Action. Should you have problems downloading this bid packet, you may contact the Purchasing Specialist for instructions. The Bid award will be by section to the lowest responsive bidder(s) bidding all items listed. The Ventura County Community College District reserves the right to reduce or increase quantities based on available budget. All bid responses must be clearly marked with the bid number and title and returned in a sealed envelope to Ventura County Community College District Purchasing Department, 761 E. Daily Drive, Suite 200, Camarillo, CA 93010. The Purchasing Department will not fax out bid packets or accept faxed bid submissions. The bid deadline is Tuesday, October 27, 2020, at 3:00 p.m. The award shall be subject to final agreement on terms, conditions, and scope of work between VCCCD and Bidder. It is the responsibility of the Bidder to verify that their proposal has been received by the VCCCD Purchasing Department prior to the opening date. Verification of receipt can be made through the listed Purchasing Specialist. I hope you will be interested in submitting a proposal on this project. If you choose not to participate in this particular bid, please sign and return the Bid Form stating “No Bid”. -
SB-22S’S Built-In Sensor Measures the Flash Illumination Reflected Back from the in This Mode, the Flash Always Fires at Full Output
Preparation TTL Auto Flash t Mode Non-TTL Auto Flash ˙ Mode Manual Flash ƒ Mode The built-in TTL auto flash sensor in cameras so equipped measures the illumination The SB-22s’s built-in sensor measures the flash illumination reflected back from the In this mode, the flash always fires at full output. Manual flash photography is recommended Set the SB-22s’s POWER switch to OFF, then slide down the battery provided by the SB-22s that is reflected back from the subject. This measurement is made subject, automatically controlling the flash output to give you the correct exposure. when shooting subjects in which the correct exposure is difficult to obtain in the TTL or 1 chamber lid in the direction of the arrow and lift it off. through-the-lens and when the light is sufficient to ensure proper exposure, the camera This is called the Non-TTL Auto Flash A mode. A choice of four shooting apertures at Non-TTL Auto Flash mode or when you want to exercise your creative preferences. 11 sends a signal to the SB-22s to stop firing. TTL Auto Flash TTL mode* provides simple 16 A1 to A4 are available, covering a variety of shooting distances. 22 and effective flash operation, recommended for users with little experience with flash. Set your camera’s exposure mode to Aperture-priority auto (A) or Manual (M). m 0.6 0.91.3 2 3 5 7 10 Autofocus Speedlight ft 23468 1215 20 30 40 1 ● Set your camera’s metering system to any setting. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
Additional Information on 10Mm F5.6 OP-Fisheye Nikkor Lens
Additional Information on 10mm f5.6 OP-Fisheye Nikkor Lens 10mm f/5.6 OP FISHEYE-NIKKOR Originally introduced in 1968 and was discontinued eight years later in the mid of 1976. This is a highly specialized lens that offers unique orthographic projection (OP) characteristics producing a circular image of 180 degree . The image reproduced, however, is larger in the center and gradually becomes more compressed toward the periphery than the images produced by other Fisheye-Nikkors. To meet the exacting OP requirements, an aspherical front lens is employed. This projection formula provides a special configuration through which the luminance of a place is measured. When the light source is photographed with the OP Fisheye-Nikkor, the proportion of the image area of the light source to the total area represents the luminance or brightness of the place. This proportion is called the "configuration factor" or "sky factor" when the light source is the sky. This feature is effectively applied to architectural design, civic improvement, street lighting, fire safety studies and other specialized applications. The lens is also useful in advertising photography to emphasize the main subject by taking advantage of the OP characteristics. Another characteristic of the OP design is that subjects of the same brightness are reproduced with equal density, no matter where they are positioned in the picture. Therefore, even with the use of narrow latitude color film, uniform image brightness is obtained over the entire circular field. A fixed-focus lens, it requires the mirror to be in the "up" locked position before mounting. An accessory viewfinder, which can also be used on the 6mm f/5.6 Fisheye- Nikkor, is available. -
Is a Picture Worth a Thousands [Thousand] Words?
Is A Picture Worth A Thousands Words? By MIKE BAILEY Boca Greens Country Club EDITORS NOTE: PART ONE OF A THREE PART SERIES camera with the standard 50mm lense, as right off to bat, you have just bought an obsolete item; being the lense. How many times have you said, "If only I had a picture of Instead, look for just the camera body alone: Nikon EM, that". Well, photography need not only be for just the NY mail order cost $80. This item will most certainly professionals. Most amateurs think of the instamatic box perform all of your photographic needs forever, unless type camera and often feel anything beyond a simple you plan on turning professional whereby you should con- camera is much too complex to handle, thereby shrugging sider the Nikon F3AF $850. off any further advancement in photography. The intent of this article is to stimulate the non-photographer into Secondly, the lense must be considered. This item is the comprehending that photography is not quite that diffi- key to either viewing pictures of fine sharp resolution or a cult. This will be the first of a three part series on the grainy photograph that is a blur. The standard 50mm aspects of photography. We will discuss the initial pur- lense is virtually useless, when instead, one can purchase chase of the camera, basic concepts of photography and multi-focal length zoom lense of wide angle 28mm to slight lastly, advanced photographic techniques. telephotic range of 80mm such as the Vivitar Automatic 28mm/90mm at a cost of $140. -
PC-Nikkor 35Mm F/2.8 Nikon INSTRUCTION MANUAL NOMENCLATURE
PC-Nikkor 35mm f/2.8 Nikon INSTRUCTION MANUAL NOMENCLATURE Preset ring alignment index Preset ring Aperture ring Distance scale Depth-of-field indicators In frared index Distance scale index 2 Apertu re scale Aperture ring alignment index Focusing ring Shift scale Shift knob Maximum permissible shift value index Maximum permissible shift values Mounti index 3 CONTENTS FOREWORD Foreword ........ ...... .. .4 The PC-Nikkor 35mm f/2.8 is a retrofocus-type Mou nti ng the lens .......... 5 perspective control (PC) lens with an optical Setting the aperture . .. -. .... 6 construction of 7 elements in 7 groups. The Stop-down measurement. .. .. -.7 im age circle of this lens is wider than regular Focusing ............ ... .. 8 35mm wideangle lenses providing a covering Depth of field .. ...... .. ... 9 angle of 78° ; thus image quality is insured even Shift and rotation movement. .. 10 when the lens is shifted. The lens barrel can be Maximum permissible shift ... 11 shifted up to 11 mm off-axis and rotated 3600 Framing................. 12 with click-stops every 300 for complete image Panoramas .. .... .... 16 control. The PC-Ni kkor is ideally suited for Depth of field tables ... ..... 20 architectural and commercial photography, Close-up tables ... ...... ... 22 enabling the photographer to properly frame Features/specifications ... .. 23 the subject without tilting or angling the camera- and the photographer has the added convenience of thru-the-lens viewing and meter ing for greater ease of operation. It is also possible to take panoramic shots. If used with a Nikon camera having inter changeable focusing screens, the Type E or E2 with its etched horizontal and vertical Iines is -recommended. -
The Resurgence of Film by Becky Danese One Hundred Reasons to Celebrate News from Gray Levett by Gillian Greenwood Latest Lens Releases and Much, Much More
gazette The Periodical for the Nikon Devotee Founded 1992 • Issue no. 69 Nikon D850 Overview The Resurgence of Film by Becky Danese One Hundred Reasons to Celebrate News from Gray Levett by Gillian Greenwood Latest Lens Releases and much, much more... Grays of Westminster • 40 Churton Street • Pimlico • London SW1V 2LP • England T: 020-7828 4925 • [email protected] • www.graysofwestminster.co.uk The Grays of Westminster Gazette 1 from Gray Levett Gray from Welcome many dealers offering the same type News Why Nikon?... of precision photographic equipment I am often asked why I chose the as Grays of Westminster. There was Nikon brand both personally and nothing to distinguish us from dozens professionally. This is best answered of other camera stores. I considered by telling you about an interview I that a change of course might well gave to Nikon Japan for their 100th avoid the company being caught up in Anniversary website. The interviewer the decline and financial loss that was A Century of Nikon began by asking me to name the first decimating many of the businesses at Nikon I had ever held. the time. A very warm welcome to this edition of the Grays of Westminster Gazette. I remembered the moment very clearly. It was in the late 1960s; I was working as a young sales assistant in a camera shop called N Hartle Photographic on the south coast of England. One day a customer walked in and asked me to help him with his camera. It was a brand new black Nikon F Photomic FTn fitted with an F-36 motor-drive unit and he did not know how to load the batteries into the motor drive. -
Kerrisdale Cameras: Used List
KERRISDALE CAMERAS This used list is used by our staff internally and we post it weekly on our website, usually on Mondays and Thursdays. To Note: Descriptions are abbreviated because they are from our 'back-office' inventory system and meant for internal-use and therefore not fully "user-friendly". Items shown here were in stock on the morning of the report's date. Contact us to check current availability as items may have sold since this report was run. The item in stock may only be available in one of our seven stores. In most cases, we can transfer an item to any of our stores within one to three business days. Items marked "reserve" may be on hold. Please contact us to check availability. Item marked with two asterisks ** indicate that it is an item that regularly comes into stock and may have more than one in stock available. Also, many new items are required to be held for a month before we can sell them, as required by some municipalities' bylaws. These items are included here. We can accept deposits to hold an item for you until the police allow us to release it for sale. Contact Us: For more product information, to order, to find out which store the item is in, to request a transfer to another store, or to confirm stock availability, please call us at 604-263-3221 or toll-free at 1-866-310-3245 or email us: [email protected] Report Date: 06/03/2019 Date: 06/03/2019 Web Used List Time: 08:33 Department Description : DIGITAL CAMERA BATTERIES used Department Name : DCB Product Product Retail Code Name Price 449.QC NIMH -
Photographica Auction Tuesday 21St July at 10:00 GMT+1
Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Photographica Auction Tuesday 21st July at 10:00 GMT+1 This is an non attented auction Viewing on a rota basis by appointment only Special Auction Services Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com @SpecialAuction1 Paul Mason Mike Spencer @Specialauctionservices Photographica Photographica Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyer’s Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 1. A Tray of Light Meters, 11. A Tray of Adaptor Rings 22. A Tray of Zoom Lenses, manufacturers including Weston, Kopil, Teleconverters and Tubes, manufacturers manufacturers including Soligor, Tamron, Lunamatic, many other examples, 45 plus including Vivitar, Miranda, Olympus, Sigma, Chinon, other examples, AF £30-50 Tamron, Soligor and others £30-50 £40-60 2. Plate and Folding Cameras, 23. A Tray of Photographic including No. 2 Folding Brownie (2), 12. A Tray of Light Meters, including Litrature, manuals, Cine world magazines, several plate cameras, roll film back a Gossen Lunasix F, Sixtar, Sixton, Sekonik brochures and guides adaptors, film plate cartrage, all AF models, General Electric meter, other £20-30 £30-50 examples, many in original boxes, 30 plus £60-80 24.