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M.Sc. RESEARCH THESIS LARGE-SCALE MUSIC
LARGE-SCALE MUSIC CLASSIFICATION USING AN APPROXIMATE k-NN CLASSIFIER Haukur Pálmason Master of Science Computer Science January 2011 School of Computer Science Reykjavík University M.Sc. RESEARCH THESIS ISSN 1670-8539 Large-Scale Music Classification using an Approximate k-NN Classifier by Haukur Pálmason Research thesis submitted to the School of Computer Science at Reykjavík University in partial fulfillment of the requirements for the degree of Master of Science in Computer Science January 2011 Research Thesis Committee: Dr. Björn Þór Jónsson, Supervisor Associate Professor, Reykjavík University, Iceland Dr. Laurent Amsaleg Research Scientist, IRISA-CNRS, France Dr. Yngvi Björnsson Associate Professor, Reykjavík University, Iceland Copyright Haukur Pálmason January 2011 Large-Scale Music Classification using an Approximate k-NN Classifier Haukur Pálmason January 2011 Abstract Content based music classification typically uses low-level feature vectors of high-dimensionality to represent each song. Since most classification meth- ods used in the literature do not scale well, the number of such feature vec- tors is usually reduced in order to save computational time. Approximate k-NN classification, on the other hand, is very efficient and copes better with scale than other methods. It can therefore be applied to more feature vec- tors within a given time limit, potentially resulting in better quality. In this thesis, we first demonstrate the effectiveness and efficiency of approximate k-NN classification through a traditional genre classification task, achieving very respectable accuracy in a matter of minutes. We then apply the approx- imate k-NN classifier to a large-scale collection of more than thirty thousand songs. We show that, through an iterative process, the classification con- verges relatively quickly to a stable state. -
100 Amazing Facts About the Negro
The USCA4Truth Behind Appeal: '40 Acres 18-4794and a Mule' | African Doc: American 50-1 History Blog Filed: | The African03/23/2020 Americans: Many Pg: Rivers 1 of to 13 Cross This website is no longer actively maintained Some material and features may be unavailable HOME VIDEO HISTORY YOUR STORIES CLASSROOM PARTNER CONTENT ABOUT SHOP CONNECT WITH PROF. GATES! 100 Amazing Facts About the Negro The Truth Behind ’40 Acres and a Mule’ by Henry Louis Gates, Jr. | Originally posted on The Root We’ve all heard the story of the “40 acres and a mule” promise to former slaves. It’s a staple of black history lessons, and it’s the name of Spike Lee’s film company. The promise was the first systematic attempt to provide a form of reparations to newly freed slaves, and it wasNo. astonishingly 18-4794, radical viewedfor its time, 3/04/2020 proto-socialist in its implications. In fact, such a policy would be radical in any country today: the federal government’s massive confiscation of private property — some 400,000 acres — formerly owned by Confederate land owners, and its methodical redistribution to former black slaves. What most of us haven’t heard is that the idea really was generated by black leaders themselves. It is difficult to stress adequately how revolutionary this idea was: As the historian Eric Foner puts it in his book, Reconstruction: America’s Unfinished Revolution, 1863- 1877, “Here in coastal South Carolina and Georgia, the prospect beckoned of a transformation of Southern society more radical even than the end of slavery.” Try -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Notes and Sources for Evil Geniuses: the Unmaking of America: a Recent History
Notes and Sources for Evil Geniuses: The Unmaking of America: A Recent History Introduction xiv “If infectious greed is the virus” Kurt Andersen, “City of Schemes,” The New York Times, Oct. 6, 2002. xvi “run of pedal-to-the-medal hypercapitalism” Kurt Andersen, “American Roulette,” New York, December 22, 2006. xx “People of the same trade” Adam Smith, The Wealth of Nations, ed. Andrew Skinner, 1776 (London: Penguin, 1999) Book I, Chapter X. Chapter 1 4 “The discovery of America offered” Alexis de Tocqueville, Democracy In America, trans. Arthur Goldhammer (New York: Library of America, 2012), Book One, Introductory Chapter. 4 “A new science of politics” Tocqueville, Democracy In America, Book One, Introductory Chapter. 4 “The inhabitants of the United States” Tocqueville, Democracy In America, Book One, Chapter XVIII. 5 “there was virtually no economic growth” Robert J Gordon. “Is US economic growth over? Faltering innovation confronts the six headwinds.” Policy Insight No. 63. Centre for Economic Policy Research, September, 2012. --Thomas Piketty, “World Growth from the Antiquity (growth rate per period),” Quandl. 6 each citizen’s share of the economy Richard H. Steckel, “A History of the Standard of Living in the United States,” in EH.net (Economic History Association, 2020). --Andrew McAfee and Erik Brynjolfsson, The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies (New York: W.W. Norton, 2016), p. 98. 6 “Constant revolutionizing of production” Friedrich Engels and Karl Marx, Manifesto of the Communist Party (Moscow: Progress Publishers, 1969), Chapter I. 7 from the early 1840s to 1860 Tomas Nonnenmacher, “History of the U.S. -
4BH 1000 Best Songs 2011 Prez Final
The 882 4BH1000BestSongsOfAlltimeCountdown(2011) Number Title Artist 1000 TakeALetterMaria RBGreaves 999 It'sMyParty LesleyGore 998 I'llNeverFallInLoveAgain BobbieGentry 997 HeavenKnows RickPrice 996 ISayALittlePrayer ArethaFranklin 995 IWannaWakeUpWithYou BorisGardiner 994 NiceToBeWithYou Gallery 993 Pasadena JohnPaulYoung 992 IfIWereACarpenter FourTops 991 CouldYouEverLoveMeAgain Gary&Dave 990 Classic AdrianGurvitz 989 ICanDreamAboutYou DanHartman 988 DifferentDrum StonePoneys/LindaRonstadt 987 ItNeverRainsInSouthernCalifornia AlbertHammond 986 Moviestar Harpo 985 BornToTry DeltaGoodrem 984 Rockin'Robin Henchmen 983 IJustWantToBeYourEverything AndyGibb 982 SpiritInTheSky NormanGreenbaum 981 WeDoIt R&JStone 980 DriftAway DobieGray 979 OrinocoFlow Enya 978 She'sLikeTheWind PatrickSwayze 977 GimmeLittleSign BrentonWood 976 ForYourEyesOnly SheenaEaston 975 WordsAreNotEnough JonEnglish 974 Perfect FairgroundAttraction 973 I'veNeverBeenToMe Charlene 972 ByeByeLove EverlyBrothers 971 YearOfTheCat AlStewart 970 IfICan'tHaveYou YvonneElliman 969 KnockOnWood AmiiStewart 968 Don'tPullYourLove Hamilton,JoeFrank&Reynolds 967 You'veGotYourTroubles Fortunes 966 Romeo'sTune SteveForbert 965 Blowin'InTheWind PeterPaul&Mary 964 Zoom FatLarry'sBand 963 TheTwist ChubbyChecker 962 KissYouAllOver Exile 961 MiracleOfLove Eurythmics 960 SongForGuy EltonJohn 959 LilyWasHere DavidAStewart/CandyDulfer 958 HoldMeClose DavidEssex 957 LadyWhat'sYourName Swanee 956 ForeverAutumn JustinHayward 955 LottaLove NicoletteLarson 954 Celebration Kool&TheGang 953 UpWhereWeBelong -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Something Akin to Freedom
ሃሁሂ INTRODUCTION I can see that my choices were never truly mine alone—and that that is how it should be, that to assert otherwise is to chase after a sorry sort of freedom. —Barack Obama, Dreams from My Father: A Story of Race and Inheritance n an early passage in Toni Morrison’s second novel, Sula (1973), Nel Iand Sula, two young black girls, are accosted by four Irish boys. This confrontation follows weeks in which the girls alter their route home in order to avoid the threatening boys. Although the boys once caught Nel and “pushed her from hand to hand,” they eventually “grew tired of her helpless face” (54) and let her go. Nel’s release only amplifies the boys’ power as she becomes a victim awaiting future attack. Nel and Sula must be ever vigilant as they change their routines to avoid a confrontation. For the boys, Nel and Sula are playthings, but for the girls, the threat posed by a chance encounter restructures their lives. All power is held by the white boys; all fear lies with the vulnerable girls. But one day Sula declares that they should “go on home the short- est way,” and the boys, “[s]potting their prey,” move in to attack. The boys are twice their number, stronger, faster, and white. They smile as they approach; this will not be a fi ght, but a rout—that is, until Sula changes everything: Sula squatted down in the dirt road and put everything down on the ground: her lunch pail, her reader, her mittens, and her slate. -
Chris Cadillac Song List
CHRIS CADILLAC SONG LIST ROLL OVER BEETHOVEN YOU NEVER CAN TELL MAYBELLINE CHUCK BERRY NO PARTICULAR PLACE SWEET LITTLE ROCK n’ ROLLER MY DING ‘A LING TUTTI FRUTTI LITTLE RICHARD LUCILLE GOOD GOLLY MISS MOLLY JAILHOUSE ROCK BLUE SUEDE SHOES I CAN’T HELP FALLING IN LOVE ELVIS MY WAY YOU’D BE SO LONELY TREAT ME NICE HEARTBREAK HOTEL MY GIRL / LET’S STAY TOGETHER DOCK OF THE BAY TRY A LITTLE TENDERNESS OTIS REDDING CIGARETTES AND COFFEE A CHANGE IS GONNA COME I’VE GOT DREAMS TO REMEMBER HARD TO HANDLE AIN’T NO SUNSHINE JUST THE 2 OF US BILL WITHERS LEAN ON ME KISSING MY LOVE PROUD MARY BAD MOON RISING CREEDANCE SUZIE Q HAVE YOU EVER SEEN THE RAIN I GOT A WOMAN I LOVE HER SO RAY CHARLES HIT THE ROAD JACK GEORGIA WHAT I SAY ONE AFTER NINE O NINE HEY JUDE COME TOGETHER HARD DAY’S NIGHT IMAGINE THE BEATLES LET IT BE DON’T LET ME DOWN 8 DAYS A WEEK LADY MADONNA DAY TRIPPER ELEANOR RIGBY CONCRETE JUNGLE COULD YOU BE LOVE ONE LOVE BOB MARLEY IS THIS LOVE REDEMPTION SONG THREE LITTLE BIRDS PEACEFUL EASY FEELING DESPERADO TAKE IT EASY EAGLES TEQUILA SUNRISE HOTEL CALIFORNIA ONE OF THESE NIGHTS SO LONELY MESSAGE IN A BOTTLE POLICE ENGLISHMAN IN NEW YORK ROXANNE SMOOTH CRIMINAL HUMAN NATURE MICHAEL JACKSON BILLIE JEAN BEAT IT LOVE NEVER FELT SO GOOD 1999 CREAM KISS PURPLE RAIN WHEN DOVES CRY I WANNA BE YOUR LOVER LET’S GO CRAZY PRINCE I WOULD DIE FOR YOU RASBERRY BERET MONEY DON’T MATTER 2 NIGHT MUSICOLOGY LIFE ‘O’ THE PARTY DEAR MR. -
40Th Anniversary Special the African Americans: FRONTLINE: Many Rivers to Cross League of Denial: the NFL’S Concussion Crisis
OCTOBER 2013 Great Performances: 40th Anniversary Special The African Americans: FRONTLINE: Many Rivers to Cross League of Denial: The NFL’s Concussion Crisis Andrew Vayette The Monthly Magazine for Members of Vegas PBS BOLD FLAVORS BOLDER PRICES 2 FOR $3.33 Sausage McMuffin® with Egg A la carte only. Price of a single item posted on menuboard. Prices and participation may vary. Limited time only. © 2013 McDonald’s Contents LetterFROM THE GENERAL MANAGER Cover Story PBS Arts Fall Festival 6 There is much to look forward to this fall as the PBS Arts Fall Festival returns. Peg+Cat Departments rom Sesame Street to Daniel Tiger’s Neighborhood, Wild Message to Our Members 5 Kratts or The Cat in the Hat Knows A Lot About That!, pub- Letter from General Manager Tom Axtell lic television has a legacy of continuously developing School Media 9 innovative, educational and entertaining multimedia content for children. This month, comes to Vegas The Changing Face of Education Peg + Cat PBS as part of our new daytime lineup, weekdays at 9 Planned Giving 22 Fa.m. starting October 7. Peg+Cat is a new animated series for children aged 3 to 5 that focus- Features es on the ongoing adventures of Peg and her sidekick, Cat, who encounter problems both “big” and “small” and work together to solve these prob- The Arts Around Town 7 lems using foundational math concepts. Peg+Cat (that’s Peg Plus Cat) Elton John in Concert 10 uses humor, music and storytelling to model collaborative problem solving and introduce children to foundational math concepts like Earthflight: A Nature Special Presentation 11 greater and less than, measurement, ordinal numbers, and much more. -
A Comparison of Two Female Slave Narratives Miya Hunter-Willis
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2008 Writing the Wrongs : A Comparison of Two Female Slave Narratives Miya Hunter-Willis Follow this and additional works at: http://mds.marshall.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Women's Studies Commons Recommended Citation Hunter-Willis, Miya, "Writing the Wrongs : A Comparison of Two Female Slave Narratives" (2008). Theses, Dissertations and Capstones. Paper 658. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Writing the Wrongs: A Comparison of Two Female Slave Narratives Thesis submitted to The Graduate College of Marshall University In partial fulfillment of The requirements for the degree of Master of Arts In History By Miya Hunter-Willis Dr. Robert Sawrey, Ph.D., Committee Chairperson Dr. Daniel Holbrook, Ph.D. Dr. Jerome Handler, Ph.D. Marshall University October 2008 ABSTRACT This thesis compares slave narratives written by Mattie J. Jackson and Kate Drumgoold. Both narrators recalled incidents that showed how slavery and the environment during the Reconstruction period created physical and psychological obstacles for women. Each narrator challenged the Cult of True Womanhood by showing that despite the stereotypes created to keep them subordinate there were African American women who successfully used their knowledge of white society to circumvent a system that tried to keep their race enslaved. Despite the 30 years that separate the publication of these two narratives, the legacy of education attainment emerges as a key part of survival and binds the narrators together under a common goal. -
Slave Narratives and African American Women’S Literature
UNIVERSIDAD DE SALAMANCA Facultad de Filología Departamento de Filología Inglesa HARRIET JACOBS: FORERUNNER OF GENDER STUDIES IN SLAVE NARRATIVES AND AFRICAN AMERICAN WOMEN’S LITERATURE Sonia Sedano Vivanco 2009 UNIVERSIDAD DE SALAMANCA Facultad de Filología Departamento de Filología Inglesa HARRIET JACOBS: FORERUNNER OF GENDER STUDIES IN SLAVE NARRATIVES AND AFRICAN AMERICAN WOMEN’S LITERATURE Vº Bº Tesis doctoral que presenta SONIA LA DIRECTORA, SEDANO VIVANCO, dirigida por la Dra. OLGA BARRIOS HERRERO Salamanca 2009 UNIVERSIDAD DE SALAMANCA Facultad de Filología Departamento de Filología Inglesa HARRIET JACOBS: FORERUNNER OF GENDER STUDIES IN SLAVE NARRATIVES AND AFRICAN AMERICAN WOMEN’S LITERATURE Sonia Sedano Vivanco 2009 a Manu por el presente a Jimena, Valeria y Mencía por el futuro People will forget what you said, people will forget what you did, but people will never forget how you made them feel. (Maya Angelou) Keep in mind always the present you are constructing. It should be the future you want. (Alice Walker) ACKNOWLEDGMENTS When I decided to undertake this project, enthusiasm and passion filled my heart. I did not know then that this would be such a demanding, complex—but at the same time enjoyable and gratifying—enterprise. It has been a long journey in which I have found the support, encouragement and help of several people whom I must now show my gratitude. First of all, I would like to thank Dr. Olga Barrios for all her support, zealousness, and stimulus. The thorough revisions, sharp comments, endless interest, and continuous assistance of this indefatigable professor have been of invaluable help. Thank you also to well-known scholar of African American literature Frances Smith Foster, whose advice in the genesis of this dissertation served to establish a valid work hypothesis. -
Slave Narratives, Captivity Narratives, and Genre Transformation in Keckley's Behind the Scenes
University of Kentucky UKnowledge Theses and Dissertations--English English 2021 Wilderness of Freedom: Slave Narratives, Captivity Narratives, and Genre Transformation in Keckley's Behind the Scenes Hannah Gautsch University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2021.205 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Gautsch, Hannah, "Wilderness of Freedom: Slave Narratives, Captivity Narratives, and Genre Transformation in Keckley's Behind the Scenes" (2021). Theses and Dissertations--English. 132. https://uknowledge.uky.edu/english_etds/132 This Master's Thesis is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.