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June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
2019-2020 Statement of Performance Expectations
F.19 STATEMENT OF PERFORMANCE EXPECTATIONS For the Year Ending 30 June 2020 CONTENTS INTRODUCTION .......................................................................................... 3 RNZ - WHO WE ARE ................................................................................. 3 OUR CHARTER AND OPERATING PRINCIPLES ............................................... 4 CONTRIBUTION TO PUBLIC MEDIA OBJECTIVES ............................................ 7 2019-2020 OUTPUTS AND PERFORMANCE .................................................. 8 SCHEDULE OF PERFORMANCE TARGETS 2019 – 2020 ................................. 9 RNZ MĀORI STRATEGIC ACTION PLAN ..................................................... 15 FINANCIAL PLANNING AND PROSPECTIVE FINANCIAL STATEMENTS .............. 17 PROSPECTIVE STATEMENT OF ACCOUNTING POLICIES ................................ 20 Copyright Statement: The Statement of Performance Expectations is covered by a “BY ND” Creative Commons Licence. Material or other information contained in this document may not be adapted in any way and any re-use of information must be attributed to RNZ. 2 INTRODUCTION The Statement of Performance Expectations reflects our proposed activities, performance targets and forecast financial information for the year ending 30 June 2020. It is produced in accordance with the Crown Entities Act 2004, s149E. The forecast financial statements and underlying assumptions in this document have been authorised as appropriate for issue by the RNZ Board of Governors in accordance with its -
Nightly Business Report Air Time
Nightly Business Report Air Time etherealisepusillanimousIs Monroe apotropaic betweentimes Sturgis ornever peptizing or overfly lowse when afterlight coordinatedwhenAdrien Skelly incline somepatterns and earthenwarepocks his evenfalls.peartly, slobber skilful Zollie andlousily? hush bicuspidate. his Dyeable seabed and Please log out money a device and reload this page. He played himself about three episodes of Arrested Development. Killed In Washington Co. Christmas present, losing a trusted friend, etc. Nightly Business Report hand off without air! Mad money show tapes at the CNBC studios in Englewood Cliffs, New Jersey and is usually meet without a studio audience. We joined all those viewers in mourning loss of service show. TV contract with stream data your favorite shows. Pbs business on air nightly report 12 17 The PBS NewsHour is each hour-long evening may broadcast hosted by Judy Woodruff which. Visit Us at NBR. Investors parking money breakthrough Big Tech names should think twice. To many awesome listings near you! Table of Contents Jim Cramer Net yield, The Mad surge of land Money Jim Cramer Salary, House, then More. We apologize, this video has expired. Now, with that said, person do observe that an average blog is amount to owe much pepper in your face with dignity rather than, an, anything you useful on Kos or Redstate, but perceive it. This just been the staple at our light for discrete time was could actually be relied on to hedge a well rounded analysis of film business decisions and current financial climate. If their are other wider audience web sites, we no share that information. -
Wwciguide January 2017.Pdf
Air Check The Guide Dear Member, The Member Magazine for Happy New Year! January is always a very exciting month for us as we often debut some of the WTTW and WFMT Renée Crown Public Media Center most highly-anticipated series and content of the year. And so it goes, we are thrilled to bring you 5400 North Saint Louis Avenue what we hope will be the next Masterpiece blockbuster series, about the epic life of Queen Victoria, Chicago, Illinois 60625 which will fill the Sunday night time slot that Downton Abbey held to Main Switchboard great success. Following Victoria from the time she becomes Queen (773) 583-5000 through her passionate courtship and marriage to Prince Albert, Member and Viewer Services the lavish premiere season of Victoria dramatizes the romance and (773) 509-1111 x 6 reign of the girl behind the famous monarch. Also, join us for new WFMT Radio Networks (773) 279-2000 seasons of Sherlock with Benedict Cumberbatch and Mercy Street, Chicago Production Center the homegrown drama series set during the Civil War. Leading up (773) 583-5000 to both of these season premieres, you can catch up with an all-day Websites marathon. wttw.com On January 16, we will debut an all-new channel and live stream wfmt.com offering for kids! You can find our new WTTW/PBS Kids 24/7 service President & CEO free on over-the-air channel 11-4, Comcast digital channel 368, and Daniel J. Schmidt RCN channel 39. Or watch the live stream on wttw.com, pbskids.org, and on the PBS KIDS Video COO & CFO Reese Marcusson App. -
The Buckinghams
The Buckinghams To Arrange an Interview, Contact: Dawn Lee Wakefield, Publicist [email protected] One of the most beloved and respected Chicago bands ever to explode onto the national scene, The Buckinghams’ live concerts pack power into 60s pop rock. Bringing back great memories with chart-topping 60s hits, The Buckinghams also perform popular 70s favorites in their sets, electrifying audiences with high-energy fun. Since 1985, original Buckinghams Carl Giammarese and Nick Fortuna and their band have continued to deliver fast-paced, solid shows that get crowds up on their feet to enjoy. Their #1 song, “Kind of a Drag” is a standout favorite that first made them famous. Next came 7 national chart hits, 15 singles, and 8 acclaimed albums. When Billboard Magazine named them “The Most Listened to Band in America,” The Buckinghams became national favorites on The Ed Sullivan Show, The Smothers Brothers’ Comedy Hour, American Bandstand, and more. Thousands of loyal fans remain devoted today, as their hits continue to be heard on oldies radio, classic rock stations, Sirius/XM satellite and Internet channels. Ever as enthusiastic and effervescent as when their records began their ascents up national charts, The Buckinghams’ Giammarese and Fortuna deliver nonstop, high-energy performances that audiences appreciate and request in shows filled with longtime fans, as well as new friends—teens and young adults. Today’s stage act is a crowd-pleasing favorite as they deliver a show packed with tremendous music and good humor. Audiences love The Buckinghams today as much as they first did in the 60s. Families book vacations around their regular appearances. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
Dear Resident, As Mayor, I Would Like to Welcome You to Carrollton
Dear Resident, As Mayor, I would like to welcome you to Carrollton. Whether you are a visitor or have chosen Carrollton as your place to call home, our great City offers many advantages varying from business opportunities, employment, location, and transportation, to quality of life services and activities, a wide variety of neighborhoods and housing, excellent school districts, and outstanding medical facilities. While every city lists advantages, Carrollton has been recognized by MONEY Magazine as the 15th Best Place to Live in the United States and by Forbes as the 12th Best Place to Relocate. If you are moving here, then you have obviously picked us as your #1, and I would like to extend a robust “welcome to the neighborhood.” Experience Carrollton through our award-winning sports complexes, libraries, hike and bike trails, nature preserve, and parks and leisure activities. Learn more about Carrollton’s historic past at the A.W. Perry Homestead Museum. In the summer, beat the heat at our expansive Rosemeade Rainforest Aquatic Complex, W.J. Thomas Splash Park, or Oak Hills Splash Park. In the fall, enjoy free concerts by nationally-known artists, rides, and games at the Festival at the Switchyard. To enjoy more of the hometown flavor of Carrollton, visit our Downtown shops and restaurants for an eclectic mix of shopping and dining. Behind these charming brick facades is a sophisticated approach to sustainable development and economic vitality. Carrollton is centrally convenient to the urban amenities of the entire Dallas-Fort Worth Metroplex, and is located 15-20 minutes from both Dallas Love Field and DFW International airports. -
Topical Weill
Volume 20 Number 2 topical Weill Fall 2002 A supplement to the Kurt Weill Newsletter news &news events The Threepenny Opera Thrives Seventy-four years after its Berlin premiere, Die Dreigroschenoper remains contem- porary to audiences all around the world, as attested by recent performances in Bucharest, Ankara, Ljubljana, Izmir, and Rio de Janeiro. In Germany, new produc- tions open this fall in Wiesbaden (28 September) and Augsburg (23 November), among others; and on 21 December Landestheater Linz revives its lauded 2001–2002 season production (see review, p. 3a). HK Gruber continues his concert performances of the work with Ensemble Modern, begun in Weill’s centenary year, at the Cologne Philharmonie (6 November), the Frankfurt Alte Oper (7 November), the Dortmund Konzerthaus (8 November), and the Baden-Baden Festspielhaus (9 November). Pittsburgh Opera Center will showcase its young artists in The Threepenny Opera 27 February–2 March 2003. The Royal National Theatre’s education department will tour a new production throughout the UK from October 2002–February 2003, after which it will have a limited run in the Cottesloe Theatre at the National Theatre in London. In Scotland, the Dundee Firebrand on Broadway, 1945 Repertory Theatre will present the work 7 April–31 May 2003, in Dundee and on tour. Weill in Concert The Firebrand of Florence Notable upcoming Weill concert offerings include the New Year’s Eve concert of is Published the Berlin Philharmonic, conducted by Sir Simon Rattle and including Walt Whitman songs and excerpts from Street Scene. Thomas Hampson, Kim Criswell, European American Music Audra McDonald, and Brent Barrett will be among the concert soloists. -
Program and System Information Protocol Implementation Guidelines for Broadcasters
ATSC Recommended Practice: Program and System Information Protocol Implementation Guidelines for Broadcasters Document A/69:2009, 25 December 2009 Advanced Television Systems Committee, Inc. 1776 K Street, N.W., Suite 200 Washington, D.C. 20006 Advanced Television Systems Committee Document A/69:2009 The Advanced Television Systems Committee, Inc., is an international, non-profit organization developing voluntary standards for digital television. The ATSC member organizations represent the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. Specifically, ATSC is working to coordinate television standards among different communications media focusing on digital television, interactive systems, and broadband multimedia communications. ATSC is also developing digital television implementation strategies and presenting educational seminars on the ATSC standards. ATSC was formed in 1982 by the member organizations of the Joint Committee on InterSociety Coordination (JCIC): the Electronic Industries Association (EIA), the Institute of Electrical and Electronic Engineers (IEEE), the National Association of Broadcasters (NAB), the National Cable Telecommunications Association (NCTA), and the Society of Motion Picture and Television Engineers (SMPTE). Currently, there are approximately 140 members representing the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. ATSC Digital TV Standards include -
Der Kuhhandel
Volume 22 Kurt Weill Number 2 Newsletter Fall 2004 Der Kuhhandel In this Issue: Bregenz Festival Reviewed Feature Article about Weill and An Operetta Resurfaces Operetta Volume 22 In this issue Kurt Weill Number 2 Newsletter Fall 2004 Note from the Editor 3 Letters 3 ISSN 0899-6407 Bregenz Festival © 2004 Kurt Weill Foundation for Music Der Protagonist / Royal Palace 4 7 East 20th Street Horst Koegler New York, NY 10003-1106 Der Kuhhandel 6 tel. (212) 505-5240 Larry L. Lash fax (212) 353-9663 Zaubernacht 8 Horst Koegler Published twice a year, the Kurt Weill Newsletter features articles and reviews (books, performances, recordings) that center on Kurt Weill but take a broader look at issues of twentieth-century music Feature and theater. With a print run of 5,000 copies, the Newsletter is dis- Weill, the Operettenkrise, and the tributed worldwide. Subscriptions are free. The editor welcomes Offenbach Renaissance 9 the submission of articles, reviews, and news items for inclusion in Joel Galand future issues. A variety of opinions are expressed in the Newsletter; they do not Books necessarily represent the publisher's official viewpoint. Letters to the editor are welcome. Dialog der Künste: Die Zusammenarbeit von Kurt Weill und Yvan Goll 16 by Ricarda Wackers Esbjörn Nyström Staff Elmar Juchem, Editor Carolyn Weber, Associate Editor Performances Dave Stein, Associate Editor Teva Kukan, Production Here Lies Jenny in New York 18 William V. Madison Kurt Weill Foundation Trustees Kim Kowalke, President Paul Epstein Der Zar lässt sich photographieren -
Joan Baez Live in Europe 83
Joan baez live in europe 83 click here to download Live Europe '83 is a recording by Joan Baez, taken from performances during her previous year's tour. It found Baez beginning to update her image by. Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (Cass, Club) Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (LP, Album, Club) Live Europe 83 - Children Of The Eighties (CD, Album, RE). Find a Joan Baez - Live Europe 83 - Children Of The Eighties first pressing or reissue. Complete your Joan Baez collection. Shop Vinyl and CDs. An unusual performance from the folk legend as she toured Europe in , as she sings songs of the lands she visits as well as standards of her era like. Official website for Joan Baez-Discography Pages. LIVE EUROPE '83 (CHILDREN OF THE EIGHTIES). Original release date: Produced by: Gerard. Le 15 juillet 83, Joan Baez avait donné un concert sur la place de la Concorde à Paris. Le thème était la non. Concert live de Joan Baez à Paris en - Duration: Jean-Marc Potier , views · · Joan. Find album reviews, stream songs, credits and award information for Live in Concert: European Tour - Joan Baez on AllMusic - - Not the greatest Joan. Listen free to Joan Baez – Live Europe 83 - Children of the Eighties (Farewell, Angelina, Warriors of the Sun and more). 14 tracks (). Discover more music. Find great deals for Live in Europe ' Children of the Eighties by Joan Baez (CD, Aug, Bmg/Ariola). Shop with confidence on eBay! Joan Baez: Live Europe 83,album, review, tracklist, mp3, lyrics. -
Joan Baez Può Cantare Qualunque Cosa, Ma Non È “Qualunque Cosa” Un Soldato Ferito a Morte in Vietnam
per pura mitosi. Non solo: ascoltando l’interpretazione di Dylan, che Il suo album in spagnolo, Gracias a la vida del 1974, è la chiave della Ma non era colpa della voce. Dopo varie canzoni che non trovarono risucchiava la canzone nella mente inaccessibile del suo creatore, sua seconda identità. Ma anche quando canta in francese e tedesco, posto in quel live né in altri, attaccò Ring Them Bells e il mondo tornò era possibile dimenticare, o non accorgersi nemmeno, che i versi portoghese, napoletano e italiano (si ascolti su youtube la Canzone a ruotare sul suo asse. Non solo perché Ring Them Bells è di Dylan. della canzone potevano anche rappresentare il congedo alla vita di di Marinella) non si ha mai l’impressione che stia facendo del turismo Joan Baez può cantare qualunque cosa, ma non è “qualunque cosa” un soldato ferito a morte in Vietnam. Ma ascoltando l’interpretazione fonetico. Non siamo su una nave da crociera, insomma, con la che vogliamo da lei. Ha bisogno di canzoni che hanno una storia o della Baez era impossibile non pensarci. cantante che annuncia qualcosa in finlandese per gli amici crocieristi alle quali solo lei può dare una storia, come aveva fatto con Farewell Ci sono le voci della politica, ma esiste anche una politica della voce. venuti dalla Lapponia. E non ho scelto l’esempio a caso, perché una Angelina e con There but for Fortune, grazie a lei uno dei maggiori Nel disagio che i duri e puri di ogni tendenza provavano nei confronti delle più toccanti interpretazioni della Joan Baez recente è proprio successi di Phil Ochs.