Rancière and Literature Edited by Grace Hellyer and Julian Murphet

May 2016 Hb • 978 1 4744 0257 6 • £70.00 BIC: DSA, HPS 224 pp 234 x 156 mm

Alternative Formats: Eb (PDF) • 978 1 4744 0259 0 • £70.00 Eb (epub) • 978 1 4744 0260 6 • £19.99

An evaluation of Jacques Rancière’s contribution to literary scholarship

Description The Editors With the increasingly rapid translation of Rancière’s writing into English, the Grace Hellyer is completing her question of what this philosopher has to offer to the study of literature has doctorate at the University of New become pressing. This collection of high-quality original commissioned essays South Wales where she teaches both engages with Rancière’s accounts of literature from across his body of undergraduate courses on the history work, and puts his conceptual apparatus to work in acts of literary criticism. of the novel. From Rancière’s archival investigations of the literary efforts of 19th century workers to his engagements with specific novelists and poets, from his concept Julian Murphet is Professor in Modern of 'literarity' to his central positioning of the novel in his account of the three Film and Literature at the University of 'regimes' of literary practice – this collection seeks to unearth, to consolidate, New South Wales, Australia. to evaluate, and to critique this influential thinker’s work on and with literature. Series Critical Connections Readership Upper-level undergraduates, postgraduates and academics working in Continental philosophy and literary criticism.

Philosophy The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Critical Luxury Studies Art, Design, Media

Edited by John Armitage and Joanne Roberts

May 2016 Hb • 978 1 4744 0261 3 • £75.00 BIC: ACX, HPN 256 pp 234 x 156 mm 4 colour illustrations, 16 b&w illustrations Alternative Formats: Eb (PDF) • 978 1 4744 0262 0 • £75.00 Eb (epub) • 978 1 4744 0487 7 • £75.00

A guide to appreciating the new field of critical luxury studies incorporating key case studies

Description The Editors Critical Luxury Studies: Art, Design, Media is a critical approach to contemporary John Armitage is Professor of luxury studies focusing on aesthetic, design-led and media practices. Media Arts and Co-Director of the Winchester Luxury Research Group at Assembling the foremost scholars in this innovative, distinctive, and expanding Winchester School of Art, University of subject, internationally well-known critical theorists John Armitage and Joanne Southampton. Roberts present a ground-breaking aesthetic, design-led, and media-related examination of the relations between historical and, crucially, contemporary Joanne Roberts is Professor in Arts and ideas of luxury. Cultural Management and Director of the Winchester Luxury Research Group This book offers a technoculturally inspired survey of the mediated arts and at Winchester School of Art, University design, as well as a means of comprehending the socio-economic order with of Southampton. novel philosophical tools and critical methods of interrogation that are re- defining the concept of luxury in the 21st century. Series Case Studies Technicities Hiroshi Sugimoto’s Silk Shiki for Hermès The plain white t-shirt Louis Vuitton Moët Hennessy (LMVH) Readership The architecture of Las Vegas Postgraduate students and researchers working in fashion, art and fine art, design, media studies, critical theory and philosophy. Rearchers (particularly Part I), undergraduate 2nd and 3rd year) and postgraduate students (MA, MSc, PhD) (particularly Part II).

Philosophy The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com French Philosophy Today New Figures of the Human in Badiou, Meillassoux, Malabou, Serres and Latour

Christopher Watkin

May 2016 Hb • 978 1 4744 1473 9 • £75.00 BIC: HPJ, HPS

304 pp 234 x 156 mm Alternative Formats: Eb (PDF) • 978 1 4744 1474 6 • £75.00 Eb (epub) • 978 1 4744 1475 3 • £75.00

A comparative critique of five of the most influential and best-known French thinkers writing today: Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour

Description The Author A new generation of French philosophers are seeking to move away from Christopher Watkin is Senior Lecturer in accounts of reality that put the human being at its centre. Such a move is French Studies at Monash University. necessary, they argue, in the light of advances in contemporary science and technology, and in the face of threats both economic and ecological. However, Readership this task of transforming the human is much more difficult than they have yet acknowledged. MA students, postgraduates and academics working in contemporary Christopher Watkin draws out both the promises and perils inherent in the European thought and within the current attempts to rethink humanity’s relation to ‘nature’ and ‘culture’, to the emerging field of New Materialism. objects that surround us, to the possibility of social and political change, to ecology and even to our own brains, arguing that the stakes of this project are high for our technologically advanced but socially atomised and ecologically vulnerable society. Key Features • Bursts through the political and tribal partitions which often prevent these 5 thinkers from being considered in productive dialogue. • Offers the reader an overview of different contemporary French approaches to the question of the human, facilitating an appreciation not only of the benefits and problems of one particular approach but the important similarities and differences between them. • Assesses the different ways in which philosophers are both charting and spearheading the transformation of the human today, in dialogue with problems and advances in mathematics, neuroscience and ecology Philosophy The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Assemblage Theory Manuel DeLanda

May 2016 Pb • 978 1 4744 1363 3 • £19.99 BIC: HPJ, HPS

216 pp 234 x 156 mm

Alternative Formats: Hb • 978 1 4744 1362 6 • £85.00 Eb (PDF) • 978 1 4744 1364 0 • £85.00 Eb (epub) • 978 1 4744 1365 7 • £19.99

Clarifies and systematises the concepts and presuppositions behind the influential new field of assemblage theory

Description The Author Assemblage theory has injected new life into materialism. Now, Manuel Manuel DeLanda is an internationally DeLanda analyses the different formulations of the concept of 'assemblage recognised philosopher. He is Professor theory'. He shows how it has been applied in many disciplines – sociology, of Contemporary Philosophy and linguistics, military organisations and science – opening up the area so that Science at the European Graduate future researchers can rigorously deploy the concept in their own fields. School and Adjunct Professor of Architecture at Princeton University. Key Features Series • Critically connects DeLanda with more recent theoretical turns in speculative realism Speculative Realism • Makes sense of the fragmentary discussions of assemblage theory in the work of Deleuze and Guattari Readership Upper-level undergraduates, Selling Points postgraduates and researchers • Broad interdisciplinary audience across continental philosophy, science working in contemporary philosophy, studies, media studies, literary criticism and political theory Deleuze Studies and on Speculative • Part of the bestselling Speculative Realism series Realism. • Publicity will target features on the most-read contemporary philosophy blogs – we will target Critical-Theory.com in particular and we have a certain mention on series editor Graham Harman's popular blog Table of Contents Acknowledgements Series Editor’s Preface Introduction 1. Assemblages and Human History 2. Assemblages and Linguistic Evolution 3. Assemblages and the Weapons of War 4. Assemblages and Scientific Practice Philosophy 5. Assemblages and Virtual Diagrams The Tun – Holyrood Road, 6. Assemblages and Realist Ontology 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ 7. Assemblages as Solutions to Problems tel: +44 (0)131 650 4218 Bibliography fax: +44 (0)131 650 3286 Index [email protected] www.euppublishing.com Imagining the Arabs Arab Identity and the Rise of Islam

Peter Webb

May 2016 Hb • 978 1 4744 0826 4 • £75.00 BIC: HBJF1, HRH, HBJ 384 pp 234 x 156 mm Alternative Formats: Eb (PDF) • 978 1 4744 0827 1 • £75.00 Eb (epub) • 978 1 4744 0828 8 • £75.00

A new interpretation of Arab origins and the historical roots of Arab identity

Description The Author Who are the Arabs? When did people begin calling themselves Arabs? And what Peter Webb is British Academy was the Arabs’ role in the rise of Islam? Investigating the core questions about Postdoctoral Fellow (2015–18) at SOAS, Arab identity and history, this book tackles the time-honoured stereotypes that University of London. depict Arabs as ancient Arabian Bedouin, and reveals the stories to be a myth: tales told by Muslims to recreate the past to explain the meaning of Islam and Readership its origins. This book offers the most comprehensive analysis of Arab identity using the widest array of Arabic primary sources to explain why people began MA students and academics in calling themselves ‘Arabs’ in early Islam and to interpret the many meanings of Islamic and Middle Eastern Studies, Arab history. particularly those interested in Early Islamic History, History of Late Antiquity and Identity Formation in the Key Features pre-Modern Period. • The first sustained analysis of Arab identity through the stages of its formation and maintenance in early Islam • Draws upon the full array of available Arabic language sources to illustrate Arab ethnogenesis – poetry, Qur’an, hadith, akhbār history, chronicles, adab, exegesis and grammatical texts

Islamic & Middle Eastern Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Queer Bloomsbury

Edited by Brenda Helt and Madelyn Detloff

May 2016 Pb • 978 1 4744 0170 8 • £24.99 BIC:DQ, DSA, DSB, DSK 288 pp 234 x 156 mm Alternative Formats: Hb • 978 1 4744 0169 2 • £80.00 Eb (PDF) • 978 1 4744 0171 5 • £80.00 Eb (epub) • 978 1 4744 0172 2 • £24.99

The first collection to bring contemporary and classic writings on queer Bloomsbury

Description The Editors This anthology presents important early essays that laid the foundation for Brenda Helt is an Independent queer studies of the Bloomsbury Group together with new essays that build Scholar with a PhD in English and upon this foundation to provide ground-breaking work on Bloomsbury figures Feminist Studies from the University of and cultural achievements. As a whole, Queer Bloomsbury stands alone as Minnesota. a wide-ranging and critical resource that traces the cultural, ideological, and Madelyn Detloffis Associate Professor aesthetic facets of Bloomsbury’s development as a queer intellectual and of English and Women’s, Gender, and aesthetic subculture. Sexuality Studies at Miami University. Key Features Readership • Fifteen wide-ranging readings that trace the cultural, ideological, and Lecturers, postgaduates, aesthetic facets of Bloomsbury’s development as a queer subculture undergraduates, general readers, and • Includes Carolyn Heilbrun’s influential essay on the sexual dissidence of the devotees of Bloomsbury and of Virginia Bloomsbury Group with an introduction by scholar Brenda Silver Woolf. • Moves beyond LGBT studies of Bloomsbury to provide substantive information on the queer philosophical and ethical underpinnings of the Bloomsbury Group • Rarely seen reproductions of Duncan Grant’s work from the Charleston archives as well as Dora Carrington’s work from archives and a private collection

Literary Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Queer Bloomsbury

Edited by Brenda S. Helt and Madelyn Detloff

Table of Contents Editors’ Introduction, Madelyn Detloff and Brenda Helt Part 1: Ground-breaking Essays Introduction to Carolyn Heilbrun’s ‘The Bloomsbury Group’, 1968, Brenda R. Silver The Bloomsbury Group, Carolyn Heilbrun ‘Bloomsbury Bashing’ Revisited – Twenty-five Years On Bloomsbury Bashing: Homophobia and the Politics of Criticism in the Eighties, Christopher Reed ‘Camp Sites’ Revisited – Eighteen Years On Camp Sites: Forster and the Biographies of Queer Bloomsbury, George Piggford ‘Redecorating the International Economy’ Revisited – Seventeen Years On Redecorating the International Economy: Keynes, Grant, and the Queering of Bretton Woods [abridged], Bill Maurer Passionate Debates on ‘Odious Subjects’: Bisexuality and Woolf’s Opposition to Theories of Androgyny and Sexual Identity [abridged], Brenda Helt Part 2: New Essays The Bloomsbury Love Triangle, Regina Marler Duncan Grant and Charleston’s Queer Arcadia, Darren Clarke Nailed: Lytton Strachey’s Jesus Camp, Todd Avery [T]here were so many things I wanted to do & didn’t’: The Queer Potential of Carrington’s Life and Art, Gretchen Holbrook Gerzina Making Sense of Wittgenstein’s Bloomsbury and Bloomsbury’s Wittgenstein, Gaile Pohlhaus, Jr. and Madelyn Detloff Deviant Desires and the Queering of Leonard Woolf, Elyse Blankley Clive Bell, ‘a fathead and a voluptuary’: Conscientious Objection and British Masculinity, Mark Hussey ‘I didn’t know there could be such writing’: The Aesthetic Intimacy of E. M. Forster and T. E. Lawrence, Jodie Medd Virginia Woolf’s Queer Time and Place: Wartime London and a World Aslant, Kimberly Engdahl Coates.

Competition The Cambridge Companion to the Bloomsbury Group, edited by Victoria Rosner (CUP, 230pp, 2014), £17.99. • Essays focusing on various themes such as the Bloomsbury Group's rejection of Victorian values and social mores, their interventions in issues of empire and international politics, their innovations in the literary and visual arts.

These titles below are not competing, but may have a similar readership: • Queer Forster. Ed. Robert K. Martin and George Piggford. Chicago: U of Chicago P, 1997. • The Cambridge Companion to the Bloomsbury Group. Ed. Victoria Rosner. Cambridge: Cambridge UP, 2014. • Bloomsbury Rooms: Modernism, Subculture, and Domesticity. Christopher Reed. New Haven: Yale UP, 2004. • Virginia Woolf in Context. Ed. Bryony Randall and Jane Goldman. Cambridge: Cambridge UP, 2012. • A Great Unrecorded History: A New Life of E.M. Forster. Wendy Moffat. New York: Farrar, 2010. • Bloomsbury’s Outsider: A Life of David Garnett. Sarah Knights. London: Bloomsbury Reader, 2015.

Literary Studies Literary Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Queer Bloomsbury

Edited by Brenda S. Helt and Madelyn Detloff

Courses Modernism, Modernist Literature, The Bloomsbury Group, Modernist Aesthetics, Virginia Woolf, Queer Theory, Literary Criticism, Twentieth-Century Art and Culture Courses on Modernism are offered at every UK University at undergraduate level. There are also option courses on Virginia Woolf (for instance, at King’s College, London; University of Edinburgh, University of Dundee, University of Chicago, Rutgers University, Yale University, Princeton University, Duke University and at the University of Toronto). There is a summer school at the University of Sussex on Virginia Woolf, Writing and Bloomsbury and a course at the University of Miami on The Bloomsbury Group. There are also a wide range of Masters courses, including at: Royal Holloway, University of London (Literatures of Modernity); University of Birmingham (Literature and Modernity); Leeds (Modern and Contemporary Literature), University of Sussex (Modern and Contemporary Literature, Culture and Thought); East Anglia (Culture and Modernity); Glasgow (Modernities); Queen Mary (Writing in the Modern Age); Westminster (Modern and Contemporary Fictions). There are also MA courses on Gender Studies at Leeds University, University of Sheffield, Central European University, Cambridge University, University of Birmingham (Sexuality and Gender Studies), University College London, University of Sussex, LSE, Lancaster University, Manchester University, and the University of Utrecht. There are numerous gender studies programs on offer in the United States.

There are Queer Theory courses at Leeds University; Sussex University; Central European University, Budapest; UNC, Charlotte; Northwestern University as well as at the institutions listed below:

Queer Studies Courses: Gay Cultures in America – Bowdoin College, Sociology, Instructor: Jeffery Dennis The Body and Society – Staffordsire University, School of Humanities and Social Sciences, Instructor: Karen Stevenson Body Trouble: The Cultural Production of Masculinity – UC Santa Barbara, Instructor: Maurizia Boscagli, English Critical Theories: Gay & Lesbian Literature – Rutgers University, Spring, 1998, Instructor: Louie Crew Ethnographic Approaches to Sexuality and Gender – New School for Social Research, Graduate Seminar, Summer, 1999, Instructor: David Valentine Feminist Perspectives in Research: Interdisciplinary Practice in the Study of Gender – Radcliffe, Spring 1997 Graduate Seminar. Instructors: Prof. Chris Gilmartin, History, Women's Studies, Northeastern University; Prof. Sharlene Hesse-Biber, Sociology, Women's Studies, Boston College; Prof. Robin Lydenberg, English Department, Boston College Gay and Lesbian Literature: The Tradition in English – Texas A & M University, Spring, 1996 - 97, Professor Harriette Andreadis Gay and Lesbian Philosophy – University of Maryland at College Park, Fall 1999, Instructor: Dr. Frederick Suppe Gay and Lesbian Social Issues – Pitzer College (The Claremont Colleges), Fall 1998, Instructor: Peter M. Nardi Gender, Sexuality, and Culture in Latin America & U.S. Latino/a Society – Radcliffe, Fall 1996 Graduate Seminar, Instructor: Lynn Stephen, Associate Professor, Department of Sociology and Anthropology, Northeastern University Lesbian and Gay History, Politics and Culture – Hunter College, Fall 1995, Instructors: Blanche Weisen Cook, Kenneth Sherrill, Alisa Solomon Representations of Chicana Lesbians – UCSB, Spring 1998, Instructor: Catriona Rueda Esquibel Special Topics in American Government and Politics: Lesbian and Gay Politics – UCLA; Instructor: Rob Henning Queer Theory: From Freud to Foucault and Beyond – University of Illinois; Instructor: Tim Dean Que(e)rying Theology – The Church of Saint Luke in the Fields, June 2000, Instructor: Patrick S. Cheng When Worlds Collide: Homosexuality & Public Policy – University of Illinois at Chicago, Instructor: Allen F. Cook, Ed.D

Literary Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com textbook Research Methods for Digitising and Curating Data in the Digital Humanities Edited by Matt Hayler and Gabriele Griffin May 2016 Pb • 978 1 4744 0965 0 • £24.99 BIC: DS, UD, UG 256 pp 234 x 156 mm 35 colour illustrations, 4 b&w illustrations Alternative Formats: Hb • 978 1 4744 0964 3 • £75.00 Eb (PDF) • 978 1 4744 0966 7 • £75.00 Eb (epub) • 978 1 4744 0967 4 • £24.99 The first volume to focus on digitising and curating data online as research methods for Digital Humanities

Description The Editors As all scholars increasingly use digital tools to support their research, and every Matt Hayler is Lecturer in English at the internet user becomes increasingly used to data being available, elucidating, University of Birmingham specialising in and engaging, the creative aspects of Digital Humanities work are coming under Digital and Cyberculture Studies. increasing scrutiny. This volume explores the practice of making new tools, new Gabriele Griffin is Professor of Women’s images, new collections, and new artworks in an academic environment, detailing Studies at the University of York. who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here Series demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being Research Methods for the Arts and Humanities made, even if that’s the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that Readership will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications. Postgraduates, lecturers, upper-level undergraduates. Courses Key Features Digital Humanities courses at Masters level – title of course, institution: • First volume to explore digitisation • 'Digital Humanities' – Australian National University practices as research methods for • 'Digital Humanities' – Loyola, University of Chicago Humanities scholars • 'MA Digital Humanities' – Kings College London • Provides a practical and critical approach • 'M.A. in Humanities Computing' – University of Alberta to issues of digitization • 'MA/MSc in DigitalHumanities' – UCL • Discusses actual digitisation projects on a • HATII provides relevant MAs in 'Information Management and Preservation,' ‘how-to’ basis 'Computer Forensics and E-Discovery' and 'Museum Studies' – University of • Addresses issues such as digital Glasgow photography, multi-spectral imaging, • 'MALS Track in Digital Humanities' – City University of New York rekeying, metadata, online simulation, • 'Digital Humanities' – University of Nottingham artistic practice online • 'Digital Humanities' - Open University • 'Digital Arts and Humanities' – University College Cork Literary Studies • 'Digital Humanities' – University of Sheffield The Tun – Holyrood Road, • 'Digital Humanities' – Universität Trier 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ • 'MA Digital Humanities' – Maynooth University tel: +44 (0)131 650 4218 An extensive list of institutions and centres which off support for DH research can fax: +44 (0)131 650 3286 also be found here: [email protected] http://www.digitalhumanities.ucla.edu/resources/us-dh-academic-programs.html www.euppublishing.com textbook Research Methods for Digitising and Curating Data in the Digital Humanities Edited by Matt Hayler and Gabriele Griffin

Table of Contents 1. Introduction, Matt Hayler and Gabriele Griffin; 2. Choices in Digitization for the Digital Humanities, Simon Tanner, Laura Gibson, Rebecca Kahn and Geoff Laycock; 3. Curating the language of letters: historical linguistic methods in the museum, Mel Evans; 4. Connecting with the past – opportunities and challenges in digital history Thomas Nygren, Zephyr Frank, Nicholas Bauchand Erik Steiner; 5. The object and the event: Time-based digital simulation and illusion in the fine arts, Stephen Hilyard; 6. Data visualisation and the Humanities Lisa Otty and Tara Thomson; 7. Curating Mary Digitally: Digital Methodologies and Representations of Medieval Material Culture, Cecilia Lindhé, Ann- Catrine Eriksson, Jim Robertsson and Mattis Lindmark; 8. Raising language awareness using digital media: methods for revealing linguistic stereotyping, Mats Deutschmann, Anders Steinvall and Anna Lagerström; 9. A world of possibilities: digitisation and the humanities, Marilyn Deegan.

Competition • Richard Rogers, Digital Methods, MIT Press, 2013 - £22.00 Focuses on a particular sociological methodology. • Peter Burdick et al, Digital_Humanities, MIT, 2012 - £17.95 Discussion of field in the abstract, definition etc. • Brett Hirsch, Digital Humanities Pedagogy: Practices, Principles and Politics, Open Book, 2012 - £14.95 Primarily focusses on politics of DH as a discipline and pedagogical issues. • Susan Schreibman et al, A Companion to Digital Humanities, Wiley and Sons, 2008 - £38.50 Starting to age, many methods not considered. • Melissa Terras et al, Defining Digital Humanities: A Reader, Ashgate, 2013 - £23.26 Focussed on defining the field. • Paul Longley Arthur, Advancing Digital Humanities, Palgrave, 2014 - £19.99 Focus on state of discipline and how to further it rather than current methodology that might function as examples for those new to the field, i.e. not introductory. • David Berry, Understanding Digital Humanities, Palgrave, 2012 - £19.99 Theoretical rather than methodological focus for the most part. • Claire Warwick et al, Digital Humanities in Practice, Facet, 2012 - £47.41 Focus on UCL context. Discussion of DH as a discipline and its institutional issues form large component of discussion as opposed to focus on methods. • Matthew K. Gold, Debates in the Digital Humanities, University of Minnesota Press, 2012 - £26.00 Focus on theory and politics of DH rather than practice.

May 2016 Pb • 978 1 4744 1068 7 • £24.99 BIC: DQ, DS, HBT, JPF, JPW 320 pp 234 x 156 mm Alternative Formats: Hb • 978 1 4744 1066 3 • £90.00 Eb (PDF) • 978 1 4744 1067 0 • £90.00 Eb (epub) • 978 1 4744 1069 4 • £24.99

The writings of Ireland’s greatest left-wing and anti-imperialist activist

Description The Editor James Connolly, the greatest Marxist and socialist thinker, organiser and leader Conor McCarthy is Lecturer in English Ireland ever produced, was also a great internationalist and anti-imperialist at Maynooth University. writer and campaigner. This anthology will bring his writings – as pertinent in Ireland and the postcolonial world a century after his execution for leadership Series of the 1916 Easter Rising against British rule in Ireland as in his own lifetime – to a new global and Irish readership. It will be a vital and inspiring resource for Key Texts in Anti-Colonial Thought students, scholars and activists seeking to understand the tumultuous history of early-twentieth century Ireland in both its local and imperial contexts, and Readership looking for the tools to understand the inequities of our globalised world today. Academics, researchers, postgraduates, upper-level undergraduates, some Key Features general readership with interests in • Introduces a powerful but often neglected Irish anti-imperialist writer, History and Politics. organiser and revolutionary • Offers an account of his life and locates his work in the contexts of Irish, imperial and global history • Stresses the complex and rich dialectic in his work between socialism and Marxism, and nationalism • Demonstrates Connolly’s internationalist and anti-imperialist world-view • Locates Connolly’s work in the context of Irish nationalist and republican revolutionary thought, and international Marxism and anti-imperialism Table of Contents Introduction Further Reading 1. The Early Years and the Irish Socialist Republican Party 2. America and the International Workers of the World Literary Studies 3. Labour in Irish History The Tun – Holyrood Road, 4. Empire and Revolution 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ 5. The Lock-Out, the First World War, and the Rising tel: +44 (0)131 650 4218 Coda: Connolly’s Afterlives. fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com The Revolutionary and Anti- Imperialist Writings of James Connolly, 1893-1916 Edited by Conor McCarthy

Competition The primary competition for this book would be the collections of Connolly’s writings published by Pluto Press, and those edited by Donal Nevin for the Services Industrial Professional and Technical Union (SIPTU), Ireland’s largest trades union. The Pluto collections – edited by Aindrias O Cathasaigh and Peter Berresford-Ellis – have been important in keeping Connolly available and in print for contemporary audiences, but they date from the middle-1990 and are outdated now. They do not include a proper scholarly apparatus of annotation, and they make little effort to bring Connolly to readerships beyond the British and Irish left. Berresford-Ellis’s collection came out 1997, and is 256 pages long. It is now out of print. There is a widespread secondhand market in this volume. The O Cathasaigh collection is a selection of Connolly’s journalism only, now superseded in scope by the Nevin collections. O Cathasaigh’s collection also is 256 pages long and came out in 1997. It too is out of print, but available online secondhand. Pluto clearly brought out the Berresford-Ellis and the O Cathasaigh volumes as a pair. In 2008, Red and Black Publishers, a small American anarchist press based in Florida, brought out a volume entitled Socialism and the Irish Rebellion: Writings of James Connolly. This collection is essentially an amateur publication, and is now out of print. The main current volumes of Connolly are those edited by Donal Nevin. Nevin, a former general secretary of the Irish Congress of Trades Unions, was also Connolly’s most serious recent biographer, having brought out James Connolly: A Full Life in 2005. His anthologies of Connolly’s writings published in 2011 – Writings of James Connolly Volume I: Political Writings 1893-1916, and Writings of James Connolly Volume II: Collected Works – have the strength of being more recent, and more comprehensive. However, published by and for the Irish union movement (a good thing in itself), they are not designed for or marketed to international audiences – they appear not to be available on Amazon, for example – and they make no attempt, whether by annotation or introduction, to show Connolly’s relevance for the most up-to-date theoretical and political discussions and work. This anthology will successfully fill that gap in the market.

Courses Within the UK and Ireland, the book will be used and read by students and scholars of Politics, History, Labour History, Political Theory, Irish Studies, Irish Politics, Postcolonial Studies, Subaltern History, History of Marxism, History of Socialism. The book will answer to the same market in the United States, Canada, Australia and New Zealand. Because of Connolly’s fame, and because of the interest in his work in postcolonial contexts, the anthology will be of interest in South Asia and other formerly colonised regions.

Edited by David Lloyd

May 2016 Pb • 978 1 4744 1532 • £16.99 BIC: DS, DSC, DSG, DSK 224pp 234 x 156 mm

The writings of Ireland’s greatest left-wing and anti-imperialist activist

Description The Editor Irish Experimental Poetry showcases a distinctive and vital body of poetry David Lloyd is Distinguished Professor produced in contemporary Ireland which is modernist and innovative in style, of English at the University of and internationalist in outlook. The volume contains original poems by Maurice California, Riverside. Scully, Trevor Joyce, Catherine Walsh, Billy Mills, Fergal Gaynor, and Sarah Hayden, and twelve new essays which explore and elucidate this hidden history Series of experimental poetry in Ireland. Irish University Review Special Issue

Table of Contents 1. Trevor Joyce, Michael Smith: a brief tribute 2. Michael Smith, Translation & Reality: A Letter To The Poet Trevor Joyce 3. David Lloyd, Introduction 4. Frank Hutton-Williams, Against Irish Modernism: Towards an Analysis of Experimental Irish Poetry 5. Geoff Squires Modernism, Empiricism And Rationalism 6. J.C. C. Mays, The Third Walker 7. Alex Davis, Paper & Place: The Poetry of Billy Mills 8. Claire Bracken, Nomadic Ethics: Gender and Class in Catherine Walsh’s City West 9. Kit Fryatt, The Poetics of Elegy in Maurice Scully’s Humming 10. Romana Huk, “Out Past / Self-Dramatization”: Maurice Scully’s Several Dances 11. Niamh O’Mahony, “Releasing the Chaos of Energies”: Communicating the Concurrences in Trevor Joyce’s Appropriative Poems 12. Marthine Satris, Codex Vitae: The Material Poetics of Randolph Healy’s ‘Arbor Vitae’ 13. Kenneth Keating, Repetition and Alterity: Geoffrey Squires’s ‘texts for screen’ 14. James Cummins, ‘“The history of Ireland he knew before he went to school”: The Irish Tom Raworth’ 15. Rachel Warriner, “Image and witness in Maggie O’Sullivan’s A Natural History in 3 Incomplete Parts and POINT.BLANK.RANGE” Literary Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Roland Penrose The Life of a Surrealist

James King

May 2016 Hb • 978 1 4744 1450 0 • £30.00 BIC: ACX, BG, DSB 552 pp 234 x 156 mm 66 b&w illustrations, 23 colour illustrations Alternative Formats: Eb (PDF) • 978 1 4744 1451 7 • £30.00 Eb (epub) • 978 1 4744 1452 4 • £30.00

The first biography of Roland Penrose, one of the great English-born practitioners of modernism in the 20th century

Description The Editors As an artist, an impresario, a biographer and a collector, Roland Penrose (1900– James King is Professor in the 1984) is a key figure in the study of art in England from 1920 to 1984. In the first Department of English and Cultural biography of Penrose, acclaimed biographer James King explores the intricacies Studies, McMaster University. of Penrose’s life and work tracing the profound effects of his upbringing in a Quaker household on his values, the early influence of Roger Fry, his friendships Readership with Max Ernst, André Breton and other surrealists, especially Paul Éluard, his organisation of the landmark International Surrealist Exhibition in the summer General readers of Biography. of 1936, his conflicted relationship with Pablo Picasso and his tireless promotion Academics, postgraduates and upper- of surrealism as well as the production of his own surrealist art. With a deftness of level students with interestes in touch, King traces Penrose’s complex professional and personal lives, including Modernism, Modern Art, Surrealism, his pacifism, his work as a biographer – including his outstanding life of Picasso Picasso, French Culture, Modern as well as those of Miró, Man Ray and Tapiès – and as an art historian, as well as Collecting and Art History. his unconventionality, especially in his two marriages – including that to Lee Miller –and his numerous love affairs.

Key Features • The first biography of Roland Penrose and his role in the development of surrealism • Evaluates Penrose as an artist in his own right • Presents Penrose in the context of a rural modernist environment • Points to a deep divide in Penrose between his career as a modernist painter and his work as a promoter of modernism, a chasm central to Penrose’s existence Literary Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Reference The Major Realist Film Theorists A Critical Anthology

Edited by Ian Aitken May 2016 Hb • 978 1 4744 0221 7 • £75.00 BIC: APFA, APFB, APFN 240 pp 234 x 156 mm

Alternative Formats: Eb (PDF) • 978 1 4744 0222 4 • £75.00 Eb (epub) • 978 1 4744 1371 8 • £75.00

A critical re-examination of four major realist film theorists

Description The Editor From the 1910s to the emergence of structuralism and post-structuralism in Ian Aitken is Professor in the the 1960s, the writings of John Grierson, Siegfried Kracauer, André Bazin and Department of Cinema and TV at Hong Georg Lukács dominated realist film theory. In this critical anthology, the first Kong Baptist University. collection to address their work in one volume, a wide range of international scholars explore the interconnections between their ideas and help generate Readership new understandings of this important, if neglected, field. Challenging preconceptions about ‘classical’ theory and the nature of realist representation, Advanced undergraduate, postgradute and in the process demonstrating how this body of work can be seen as a students, Film scholars interested in cohesive theoretical model, this invaluable collection will help return the realist Film Theory. paradigm of film theory to the forefront of academic enquiry. List of Contributors Ian Aitken, Hong Kong Baptist University Scott Anthony, Nanyang Technological University, Singapore Gary Evans, University of Ottawa Tara Forrest, University of Technology, Sydney Ramona Fotiade, University of Glasgow Angelos Koutsourakis, University of Queensland Henry K. Miller, Cambridge University Seung-hoon Jeong, New York University, Abu Dhabi Pierre Sorlin, Sorbonne University, Paris Temenuga Trifonova, York University, Toronto Tyson Wils, RMIT University, Melbourne, Australia Xu Yaping, China University of Political Science and Law Film Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Patrick Nelson

May 2016 Hb • 978 1 4744 0301 6 • £70.00 BIC: APFA, APFB, APFN

224 pp 234 x 156 mm

Alternative Formats: Eb (PDF) • 978 1 4744 0302 3 • £70.00 Eb (epub) • 978 1 4744 1370 1 • £70.00

New essays on the life and work of veteran Hollywood filmmaker Delmer Daves

Description The Editors From Destination Tokyo (1943) to The Battle of the Villa Fiorita (1965), Delmer Matthew Carter is Senior Lecturer in Daves was responsible for a unique body of work, but few filmmakers have Film, Television and Cultural Studies at been as critically overlooked in existing scholarly literature. Often regarded as Manchester Metropolitan University. an embodiment of the self-effacing craftsmanship of classical and post-War Andrew Patrick Nelson is Assistant Hollywood, films such as Broken Arrow (1950) and 3:10 to Yuma (1957) reveal a Professor of Film History and Critical filmmaker concerned with style as much as sociocultural significance. As the first Studies at Montana State University. comprehensive study of Daves’s career, this collection of essays seeks to deepen our understanding of his work, and also to problematise existing conceptions of him as a competent, conventional and even naïve studio man. Series ReFocus: The American Directors Series Key Features • The first and only detailed study of this important American screenwriter, Readership producer and director Students and scholars in film studies, • An international collection of original essays examining Daves’s films, especially those with an interest in including Broken Arrow, 3:10 to Yuma, Task Force and Spencer’s Mountain American films and/or Westerns.

Film Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon

Stephen Monteiro May 2016 Hb • 978 1 4744 0337 5 • £75.00 BIC: AF, APFA, APFN 240 pp 234 x 156 mm 60 b&w illustrations Alternative Formats: Eb (PDF) • 978 1 4744 0338 2 • £75.00 Eb (epub) • 978 1 4744 1180 6 • £75.00

Explores the intersections of film, popular media and art since the 1950s

Description The Author Screen Presence explores the intersections of film, popular media and Stephen Monteiro is Associate contemporary art through the examples of four internationally celebrated Professor of Global Communications at artists. It demonstrates the impact of diverse forms of cinema – from peep the American University of Paris. shows and the drive-ins to home movies and widescreen formats – on some of the best-known works of Andy Warhol, Robert Rauschenberg, Mona Hatoum Series and Douglas Gordon. Relying on untapped historical sources, including mass-circulation magazines and technical guides, this book offers a fresh Edinburgh Studies in Film and Intermediality understanding of these artists, their careers, and the enduring influence of everyday media on how we make and view art. Readership Suitable for postgraduate students and Key Features researchers in Film Studies, Art History • Concentrates on four major artists: Andy Warhol, Robert Rauschenberg, Mona and Intermediality. Hatoum and Douglas Gordon • Provides in-depth studies of selected works by these artists • Includes significant research on under-valued yet common popular cinema cultures (peep shows, drive-ins, home movies and CinemaScope)

Film Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Sex for Sale in Scotland Prostitution in Edinburgh and Glasgow, 1900-1939

Louise Settle

May 2016 Hb • 978 1 4744 0000 8 • £70.00 BIC: HBJ, LK, LNT 224 pp 234 x 156 mm 33 b&w illustrations, 2 b&w tables, 9 b&w halftones Alternative Formats: Eb (PDF) • 978 1 4744 0001 5 • £70.00 Eb (epub) • 978 1 4744 1428 9 • £70.00

A social history of prostitution in Scotland that focuses on the realities of women’s lives

Description The Author Sex for Sale in Scotland examines the various formal and informal methods that Louise Settle is Postdoctoral Researcher were used to police female prostitution in Edinburgh and Glasgow between at the University of Edinburgh. 1900 and 1939 and explores how these policies influenced women’s lives. The book examines both indoor and outdoor prostitution and the relationships that Readership developed among the wide range of people who profited from commercial sex. Particular emphasis is placed on the experiences of the women involved in Undergraduate and postgraduate prostitution, highlighting the poverty, exploitation and abuse they faced, but students and historians of crime, also the ways in which they negotiated these dangers. gender, women, sexuality in Britain and Scotland. It will also be relevant This social history of prostitution maps how the organisation, policing to students and scholars of sociology, and experiences of prostitution developed in an ever-changing urban social policy, criminology and law. landscape during a period of extraordinary developments in technology and entertainment, alongside the wider socio-economic changes brought about by the First World War. Key Features • First study on the history of prostitution in Scotland during the early 20th century • Focuses on the lives and experiences of women involved in prostitution • Includes cases studies on individual women’s lives • Examines the policing of prostitution and collaborations between the police, probation service and voluntary organisations

Scottish Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Northern Scotland Volume 7, Issue 1

Alaistair Macdonald and Jim MacPherson

May 2016 Pb • 978 1 4744 1517 • £25.99 BIC: JD1, TB 128pp 244 x 172 mm

Considers historical, cultural, economic, political and geographical themes relating to Northern Scotland

Description The Authors Northern Scotland is an annual peer-reviewed international journal that Alistair MacDonald is Mackie Lecturer addresses historical, cultural, economic, political and geographical themes in History at the University of relating to the Highlands and Islands and north-east of Scotland. Aberdeen.

Jim Macpherson is Programme Leader for MLitt British Studies, Postgraduate Research Co-Ordinator and Lecturer in History at The Centre for History, University of the Highlands and Islands

Series Northern Scotland Books

Scottish Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Global Migrations The Scottish Diaspora since 1600

Edited byAngela McCarthy and John M. MacKenzie

May 2016 Hb • 978 1 4744 1004 5 • £70.00 BIC: HBJ, HBTQ

288 pp 234 x 156 mm 20 b&w illustrations Alternative Formats: Eb (PDF) • 978 1 4744 1005 2 • £70.00 Eb (epub) • 978 1 4744 1006 9 • £70.00

Explores the impact of Scottish migration since 1600 at home and abroad

Description The Editors From the 17th century to the current day, more than 2.5 million Scots have sought Angela McCarthy is Professor of new lives elsewhere. This book of essays from established and emerging scholars Scottish and Irish History at the examines the impact since 1600 of out migration from Scotland on the homeland, University of Otago, New Zealand. the migrants and the destinations in which they settled, and their descendants John M. MacKenzie is Emeritus and ‘affinity’ Scots. It does so through a focus on the under-researched themes Professor of Imperial History at of slavery, cross-cultural encounters, economics, war, tourism, and the modern Lancaster University and holds diaspora since 1945. It spans diverse destinations including Europe, the USA, honorary professorships at Aberdeen Canada, New Zealand, Australia, South Africa, Ceylon (now Sri Lanka), Hong Kong, and St Andrews universities. Guyana and the British World more broadly. A key objective is to consider whether the Scottish factor mattered. Readership List of Contributors Undergraduates and postgraduates in • Stuart Allan is Principal Curator of Scottish Late Modern Collections in the Scottish History and Diaspora Studies; Department of Scottish History and Archaeology, National Museums Scotland Students and specialists in the field • David Alston is an independent researcher of modern Scotland and the Scottish • Ann Curthoys is an honorary professor at the University of Sydney diaspora. Students studying migration • Colin G. Calloway is the John Kimball Jr. 1943 Professor of History and and ethnicity. Professor of Native American Studies at Dartmouth College • David Fitzpatrick is Professor of Modern History at Trinity College, Dublin • David Forsyth is Principal Curator, Medieval-Early Modern Collections in the Department of Scottish History and Archaeology, National Museums Scotland • Erin Grant is a Research Analyst with the Government of British Columbia in Canada • David Hesse is a journalist who writes for a leading Swiss newspaper • John M. MacKenzie is Emeritus Professor of Imperial History at Lancaster University • Andrew Mackillop is Senior Lecturer in the School of Divinity, History and Philosophy at the University of Aberdeen Scottish Studies • Angela McCarthy is Professor of Scottish and Irish History at the University of Otago The Tun – Holyrood Road, • Tawny Paul is Lecturer in History at Northumbria University 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ • Eric Richards is Emeritus Professor of History at Flinders University in Adelaide tel: +44 (0)131 650 4218 • Iain Watson is a PhD student in the School of History, Classics and Archaeology fax: +44 (0)131 650 3286 at the University of Edinburgh [email protected] www.euppublishing.com Edinburgh University Press Series

Edinburgh Studies in Film and Intermediality Series Editors: Martine Beugnet, Université Paris Diderot and Kriss Ravetto, University of California Davis Founding Editor: John Orr, University of Edinburgh

A series of scholarly research intended to challenge and expand on the various approaches to film studies, bringing together film theory and film aesthetics with the emerging intermedial aspects of the field. The volumes combine critical theoretical interventions with a consideration of specific contexts, aesthetic qualities, and a strong sense of the medium's ability to appropriate current technological developments in its practice and form as well as in its distribution. www.euppublishing.com/series/esif

Forthcoming Available The Incurable-Image American Independent Cinema Romantics and Modernists in Curating Post-Mexican Film and Media Arts Rites of Passage and the Crisis Image British Cinema Tarek Elhaik Anna Backman Rogers John Orr Hb 978 1 4744 0335 1 £70.00 Hb 978 0 7486 9360 3 £75.00 Pb 978 0 7486 4937 2 £20.99 February 2016 June 2015 February 2012 Hb 978 0 7486 4014 0 £85.00 Screen Presence The Feel Bad Film April 2010 Cinema Culture and the Art of Warhol, Nikolaj Lübecker Rauschenberg, Hatoum and Gordon Pb 978 0 7486 9799 1 £24.99 Stephen Monteiro Hb 978 0 7486 9797 7 £70.00 Hb 978 1 4744 0337 5 £75.00 May 2015 May 2016 Drawn From Life The Sense of Film Narration Issues and Themes in Animated Ian Garwood Documentary Cinema Pb 978 1 4744 0278 1 £19.99 Edited by Jonathan Murray and Nea Ehrlich March 2015 Hb 978 0 7486 9411 2 £70.00 Hb 978 0 7486 4072 0 £70.00 September 2016 July 2013 Velvet Curtains and Gilded Frames Framing Pictures: Film and the Visual The Art of Early European Cinema Arts Vito Adriaensens Steven Jacobs Hb 978 1 4744 0698 7 £75.00 Pb 978 0 7486 6876 2 £19.99 October 2016 August 2012 Theatre Through the Camera Eye Hb 978 0 7486 4017 1 £65.00 An Intermedial Encounter June 2011 Laura Sava Hb 978 0 7486 9747 2 £70.00 November 2016 Edinburgh University Press Series

New Series ReFocus: The American Directors Series Series Editor: Gary D. Rhodes, Queen's University Belfast and Robert Singer, CUNY Graduate Center

Dozens of critically relevant American directors, whose works are taught on film history and film genre courses, are under represented in the scholarly literature. This series aims to produce new critical volumes from an interdisciplinary perspective which brings these film directors to the attention of a new audience of scholars and students in both Film Studies and American Studies. www.euppublishing.com/series/refoc

Forthcoming Available ReFocus: The Films of Amy Heckerling ReFocus: The Films of Preston Sturges Edited by Frances Smith and Timothy Shary Edited by Jeff Jaeckle and Sarah Kozloff Hb 978 1 4744 0461 7 £70.00 Hb 978 1 4744 0655 0 £70.00 February 2016 October 2015 ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Patrick Nelson Hb 978 1 4744 0301 6 £70.00 May 2016 Edinburgh University Press Series

Research Methods for the Arts and Humanities Series Editor: Gabriele Griffin, University of York

Designed to serve postgraduate students and academics teaching research methods, this series provides discipline-specific volumes that explore the possibilities and limitations of a range of research methods applicable to the subject in question. Praise for the series: ‘Research Methods for English Studies is essential … it is the most important theoretical book in English literary studies that I have read so far in this decade. No postgraduate student should prepare a thesis without reading it.’ – European English Messenger ‘Research Methods for Cultural Studies is a brilliant book. It is inspiring, challenging, stroppy, provocative and well written. It has punch and passion… This is the best book that has been written on cultural studies methods.’ – Times Higher Education www.euppublishing.com/series/rmah

Forthcoming Available Research Methods for Reading Digital Data in the Digital Research Methods for English Studies Humanities 2nd Edition Edited by Matt Hayler and Gabriele Griffin Edited by Gabriele Griffin Pb 978 1 4744 0961 2 £24.99 Pb 978 0 7486 8343 7 £24.99 Hb 978 1 4744 0960 5 £75.00 September 2013 February 2016 Research Methods for Memory Studies Research Methods for Digitising and Curating Data in Edited by Emily Keightley and Michael Pickering the Digital Humanities Pb 978 0 7486 4595 4 £24.99 Edited by Matt Hayler and Gabriele Griffin Hb 978 0 7486 4596 1 £75.00 Pb 978 1 4744 0965 0 £24.99 July 2013 Hb 978 1 4744 0964 3 £75.00 May 2016 Research Methods for History Edited by Simon Gunn and Lucy Faire Research Methods for History Pb 978 0 7486 4204 5 £26.99 2nd Edition Hb 978 0 7486 4205 2 £85.00 Edited by Simon Gunn and Lucy Faire November 2011 Pb 978 1 4744 0876 9 £26.99 Research Methods in Theatre and Performance Hb 978 1 4744 0873 8 £80.00 Edited by Baz Kershaw and Helen Nicholson June 2016 Pb 978 0 7486 4157 4 £24.99 Hb 978 0 7486 4158 1 £85.00 April 2011 Practice-led Research, Research-led Practice in the Creative Arts Edited by Hazel Smith and Roger T. Dean Pb 978 0 7486 3629 7 £26.99 Hb 978 0 7486 3628 0 £105.00 June 2009 Edinburgh University Press Series

Research Methods for the Arts and Humanities Series Editor: Gabriele Griffin, University of York

Available Research Methods for Cultural Studies Edited by Michael Pickering Pb 978 0 7486 2578 9 £20.99 Hb 978 0 7486 2577 2 £85.00 February 2008 Research Methods for Law Edited by Mike McConville and Wing Hong (Eric) Chui Pb 978 0 7486 3358 6 £26.99 Hb 978 0 7486 3357 9 £95.00 July 2007 Edinburgh University Press Series

New Series Key Texts in Anti-Colonial Thought Series Editor: David Johnson, The Open University

Collects more than 60 foundational documents from student protest from the frontlines of revolution

Few people know that student protest emerged in Latin America decades before the infamous student movements of Western Europe and the U.S. in the 1960s. Even fewer people know that Central American university students authored colonial agendas and anti-colonial critiques. In fact, Central American students were key actors in shaping ideas of nation, empire, and global exchange. Bridging a half-century of student protest from 1929 to 1979, this source reader contains more than 60 texts from Guatemala, Nicaragua, Honduras, El Salvador and Costa Rica, including cartoons, photographs, editorials, speeches and pamphlets. Available for the first time in English, these rich texts help scholars and popular audiences alike to rethink their preconceptions of student protest and revolution. The texts also illuminate key issues confronting social movements today: global capitalism, dispossession, privatization, development, and state violence. www.euppublishing.com/series/ktact

Forthcoming The Revolutionary and Anti-Imperialist Writings of James Connolly, 1893–1916 Conor McCarthy Pb 978 1 4744 1068 7 £24.99 Hb 978 1 4744 1066 3 £90.00 May 2016

African American Anti Colonial Thought, 1917–1937 Cathy Bergin Pb 978 1 4744 0957 5 £24.99 Hb 978 1 4744 0968 1 £90.00 July 2016 Edinburgh University Press Series

New Series Irish University Review Special Issue Series Editor: John Brannigan, University College Dublin

The Irish University Review is the leading global journal of Irish literary studies. Founded in 1970, and published on behalf of the International Association for the Study of Irish literatures, the Review publishes work on all aspects of Irish literature in the English language. This series highlights special, themed issues of the journal that are also published in book format. www.euppublishing.com/series/iursi

Forthcoming Irish Experimental Poetry Irish University Review Volume 46, Issue 1 David Lloyd Pb 978 1 4744 1532 3 £16.99 May 2016 Edinburgh University Press Series

Northern Scotland Books

Northern Scotland is an established scholarly journal that has been in existence since 1972. Initially produced by the University of Aberdeen, and latterly by the UHI Centre for History and Aberdeen University, it is now being relaunched as a fully peer-reviewed publication whose editorial board, contributors, reviewers and referees are drawn from a wide range of experts across the world. While it carries material of a mainly historical nature, from the earliest times to the modern era, it is a cross- disciplinary publication, which also addresses cultural, economic, political and geographical themes relating to the Highlands and Islands and the north-east of Scotland. It contains substantial articles and book reviews, as well as interviews and reports of research projects in progress. www.euppublishing.com/series/nsb

Forthcoming Available Northern Scotland Northern Scotland Volume 7 Volume 4 Edited by Alistair MacDonald and James MacPherson Edited by Marjory Harper and David Worthington Pb 978 1 4744 1517 0 £25.99 Pb 978 0 7486 8237 9 £25.99 May 2016 May 2013

Available Northern Scotland Volume 3 Northern Scotland Edited by Marjory Harper and David Worthington Volume 6 Pb 978 0 7486 4589 3 £25.99 Pb 978 1 4744 0662 8 £25.99 May 2012 May 2015 Northern Scotland Northern Scotland Volume 2 Volume 5 Edited by Marjory Harper and David Worthington Edited by David Worthington and Alistair MacDonald Pb 978 0 7486 4588 6 £25.00 Pb 978 0 7486 9248 4 £25.99 May 2011 May 2014 Northern Scotland Volume 1 Edited by Marjory Harper and James Hunter Pb 978 0 7486 4191 8 £26.99 May 2010 Edinburgh University Press Series

New Series Technicities Series Editors: John Armitage, University of Southampton, Ryan Bishop, University of Southampton and Joanne Roberts,

Technicities is a timely new series offering the latest reflections on the complex technological conditions of contemporary thought and cultural production. It capitalizes on the global interest in the future of technology within the specific context of art, design and media. Volumes will offer a novel understanding of the world of technicity and reference work by key thinkers in this contemporary field, including Jean Baudrillard, Friederich Kittler, Bruno Latour, Jacques Rancière, Gilbert Simondon, Bernard Stiegler and Paul Virilio. This series will appeal to students, academics and researchers as well as art, design and media practitioners.

www.euppublishing.com/series/tech

Forthcoming Lyotard and the Inhuman Condition Reflections on Nihilism, Information and Art Ashley Woodward Hb 978 0 7486 9724 3 £75.00 March 2016

Critical Luxury Studies Art, Design, Media Edited by John Armitage and Joanne Roberts Hb 978 1 4744 0261 3 £75.00 May 2016

Cold War Legacies Systems, Theory, Aesthetics Hb 978 1 4744 0948 3 £75.00 July 2016 Edinburgh University Press Series

Speculative Realism Series Editor: Graham Harman, American University in Cairo

Since its first appearance at a London colloquium in 2007, the speculative realism movement has taken continental philosophy by storm. Opposing the formerly ubiquitous modern dogma that philosophy can speak only of the human-world relation rather than the world itself, speculative realism defends the autonomy of the world from human access, but in a spirit of imaginative audacity. www.euppublishing.com/series/specr

Forthcoming Available Assemblage Theory The End of Phenomenology Manuel DeLanda Metaphysics and the New Realism Pb 978 1 4744 1363 3 £19.99 Tom Sparrow Hb 978 1 4744 1362 6 £85.00 Pb 978 0 7486 8483 0 £19.99 May 2016 Hb 978 0 7486 8482 3 £70.00 June 2014 Romantic Realities Speculative Realism and British Romanticism Adventures in Transcendental Materialism Evan Gottlieb Dialogues with Contemporary Thinkers Pb 978 0 7486 9141 8 £19.99 Adrian Johnston Hb 978 0 7486 9140 1 £70.00 Pb 978 0 7486 7329 2 £24.99 October 2016 Hb 978 0 7486 7328 5 £80.00 March 2014

Available Form and Object Fields of Sense A Treatise on Things A New Realist Ontology Tristan Garcia Markus Gabriel Translated by Mark Allan Ohm and Jon Cogburn Pb 978 0 7486 9289 7 £24.99 Pb 978 0 7486 8150 1 £24.99 Hb 978 0 7486 9288 0 £80.00 Hb 978 0 7486 8149 5 £80.00 January 2015 March 2014

Quentin Meillassoux Onto-Cartography Philosophy in the Making An Ontology of Machines and Media Second Edition Levi R. Bryant Graham Harman Pb 978 0 7486 7997 3 £24.99 Pb 978 0 7486 9345 0 £24.99 Hb 978 0 7486 7996 6 £80.00 Hb 978 0 7486 9995 7 £80.00 March 2014 January 2015 Edinburgh University Press Series

Critical Connections Series Editors: Ian Buchanan, University of Wollongong, and James Williams, University of Dundee

A series of edited collections forging new connections between contemporary critical theorists and a wide range of research areas, such as critical and cultural theory, gender studies, film, literature, music, philosophy and politics. www.euppublishing.com/series/crcs Forthcoming Available Nancy and Visual Culture Latour and the Passage of Law Edited by Carrie Giunta and Adrienne Janus Edited by Kyle McGee Hb 978 1 4744 0749 6 £70.00 Hb 978 0 7486 9790 8 £70.00 April 2016 October 2015 Rancière and Literature Nancy and the Political Edited by Grace Hellyer and Julian Murphet Edited by Sanja Dejanovic Hb 978 1 4744 0257 6 £70.00 Hb 978 0 7486 8317 8 £70.00 May 2016 January 2015 Agamben and Radical Politics Badiou and the Political Condition Edited by Daniel McLoughlin Edited by Marios A. Constantinou Hb 978 1 4744 0263 7 £70.00 Pb 978 0 7486 7880 8 £24.99 June 2016 Hb 978 0 7486 7879 2 £80.00 February 2014 Stiegler and Technics Edited by Christina Howells and Gerald Moore Pb 978 0 7486 7702 3 £24.99 Hb 978 0 7486 7701 6 £80.00 September 2013

Rancière and Film Edited by Paul Bowman Pb 978 0 7486 4735 4 £24.99 Hb 978 0 7486 4736 1 £80.00 July 2013 Edinburgh University Press Series

Critical Connections Series Editors: Ian Buchanan, University of Wollongong, and James Williams, University of Dundee

Available Virilio and Visual Culture Edited by John Armitage and Ryan Bishop Pb 978 0 7486 5444 4 £24.99 Hb 978 0 7486 5445 1 £80.00 January 2013

Laruelle and Non-Philosophy Edited by John Mullarkey and Anthony Paul Smith Pb 978 0 7486 4534 3 £24.99 Hb 978 0 7486 4535 0 £80.00 July 2012

Badiou and Philosophy Edited by Sean Bowden and Simon Duffy Pb 978 0 7486 4351 6 £24.99 Hb 978 0 7486 4352 3 £80.00 June 2012

Agamben and Colonialism Edited by Marcelo Svirsky and Simone Bignall Pb 978 0 7486 4393 6 £24.99 Hb 978 0 7486 4394 3 £80.00 May 2012