2020–2021 Mtna Competitions National Finals

Total Page:16

File Type:pdf, Size:1020Kb

2020–2021 Mtna Competitions National Finals 2020–2021 MTNA COMPETITIONS NATIONAL FINALS 2021 CONFERENCE 2 2020 MTNA NATIONAL CONFERENCE MTNA would like to offer special thanks to the generous sponsors of the MTNA National Student Competitions. MTNA COMPOSITION COMPETITION • Alfred Music, sponsor of the elementary and junior competitions MTNA JUNIOR PERFORMANCE COMPETITIONS • Kawai America, sponsor of the piano competition • Yamaha Corporation of America, Orchestral Strings Department, sponsor of the string competition • Chopin Foundation of the United States, sponsor of awards for best Chopin performance by Junior Solo Piano MTNA SENIOR PERFORMANCE COMPETITIONS • Yamaha Corporation of America, Piano Division, sponsor of the piano competition • Weekley & Arganbright, sponsors of the piano duet competition • Evelyn Lindblad Folland Endowment Fund, sponsor of the second-place piano award • Chopin Foundation of the United States, sponsor of awards for best Chopin performance by Senior Solo Piano MTNA YOUNG ARTIST PERFORMANCE COMPETITIONS • Steinway & Sons, sponsor of the piano competition MTNA CHAMBER MUSIC PERFORMANCE COMPETITIONS • The Allen I. McHose Scholarship Fund, sponsor of the competitions MTNA–STECHER AND HOROWITZ TWO PIANO COMPETITION • Melvin Stecher and Norman Horowitz, sponsors of the competition Thanks to Our Sponsors Thanks to Our CHICAGO, ILLINOIS 1 2020–2021 MTNA National Competitions MTNA COMPOSITION COMPETITIONS Sponsored by Alfred Music and the MTNA FOUNDATION FUND MTNA-ALFRED MUSIC ELEMENTARY COMPOSITION COMPETITION Jiggley’s Evolution Saadhvi Jayaram (Arizona, Southwest Division) Rosa LoGiudice, teacher MTNA-ALFRED MUSIC JUNIOR COMPOSITION COMPETITION Uncertainty Truman Walker (Idaho, Northwest Division) Suzanne Winegar Clive, teacher MTNA SENIOR COMPOSITION COMPETITION 3 Rhythms Spencer Cha (California, Southwest Division) John Syzygy, teacher MTNA YOUNG ARTIST COMPOSITION COMPETITION Unmanned Aerial Vehicle Chung Hon Michael Cheng (Texas, South Central Division) Ann Witherspoon, teacher CONVENTION SPECIAL: 25% OFF NEW ALFRED Use MTNA2021 at checkout MASTERWORK EDITIONS VOLUME I Mozart MOZART Piano Sonatas Volume 1, K. 279-284; K. 309-311 PIANO SONATAS K. 279–284; K. 309–311 Edited By Stewart Gordon EDITED BY STEWART GORDON This first in a new two-volume critical edition of Mozart’s piano sonatas, edited by Dr. Stewart Gordon, provides all the tools necessary for a stylistic performance. Gordon’s thorough research of the earliest available sources, as well as careful study of all modern editions, has captured the most accurate reflection of the composer’s intent. These newly engraved editions contain helpful fingering suggestions and performance recommendations, as well as extensive scholarly information about the sonatas and their historical context. These editions are essential for the library of every pianist. (LI/A) .............................. $24.99 $18.75 46908 AN ALFRED MASTERWORK EDITION TO PURCHASE, VISIT ALFRED.COM AND ENTER MTNA2021 AT CHECKOUT. Alfred Music is proud to sponsor the 2021 MTNA Elementary and Junior Composition Competitions. alfred.com 2 2021 MTNA VIRTUAL CONFERENCE 2020–2021 MTNA National Competitions MTNA JUNIOR PERFORMANCE COMPETITIONS MTNA-KAWAI AMERICA JUNIOR PIANO COMPETITION AARON WANG Toccata in E Minor, BWV 914 Johann Sebastian Bach Prelude in D Major, Op. 23, No. 4 Sergei Rachmaninoff Sonata No. 6 in A Major, Op. 82 Sergei Prokofiev IV. Vivace ROXANE PARK Partita No. 6 in E Minor, BWV 830 Johann Sebastian Bach I. Toccata Sonata in E-flat Major, Hob. XVI:49 Franz Joseph Haydn I. Allegro Ballade No. 2 in F Major Op. 38 Frédéric Chopin Etude No. 6 in D Minor, “Omaggio a Domenico Scarlatti” Marc-André Hamelin 2021 MTNA VIRTUAL CONFERENCE 3 2020–2021 MTNA National Competitions NOLAN TU Sonata in F Major, K. 332 Wolfgang Amadeus Mozart III. Allegro assai Barcarolle, Op. 44 Anatoly Liadov Hungarian Rhapsody No. 11 in A Minor Franz Liszt Preludes, Book II Claude Debussy IX. Hommage a S. Pickwick, Esq. P.P.M.P.C. Two Studies Witold Lutoslawski I. Allegro DAVID CHOI St. François de Paule marchant sur les flots Franz Liszt Sonata Henri Dutilleux III. Choral et variations HARUKI TAKEUCHI Sonata in D Major, K. 576 Wolfgang Amadeus Mozart I. Allegro Etude in C Major, Op. 10, No. 1 Frédéric Chopin Ballade No. 4 in F Minor, Op. 52 Frédéric Chopin 8 Morceaux caractéristiques, Op. 36 Moritz Moszkowski IV. En automne Trois movements de Petrouchka Igor Stravinsky I. Danse Russe RYAN WANG Prelude and Fugue in C-sharp Major, WTC I, BWV 848 Johann Sebastian Bach Sonata in F Major, K. 533 Wolfgang Amadeus Mozart I. Allegro Hungarian Rhapsody No. 12 in C-sharp Minor Franz Liszt MATTHEW LIU Sonata in C Major, K. 330 Wolfgang Amadeus Mozart I. Allegro moderato Scherzo No. 1 in B Minor, Op. 20 Frédéric Chopin Un sospiro Franz Liszt MTNA-YAMAHA JUNIOR STRING COMPETITION CORINA DENG (VIOLIN) Sonata No. 1 in G Minor, BWV 1001 Johann Sebastian Bach I. Adagio II. Fuga Tzigane Maurice Ravel AYAAN AHMAD (VIOLIN) Partita No. 3 in E Major, BWV 1006 Johann Sebastian Bach III. Gavotte en Rondeau Romance in F Minor, Op. 11, B. 39 Antonín Dvor˘ák Tzigane Maurice Ravel MATHIS SELDEN (CELLO) Suite No. 3 in C Major, BWV 1009 Johann Sebastian Bach I. Prelude Pezzo Capriccioso, Op. 62 Pytor Ilyich Tchaikovsky Suite in C Minor Gaspar Cassadò I. Preludio-Fantasia 4 2021 MTNA VIRTUAL CONFERENCE 2020–2021 MTNA National Competitions HANNAH JEONG (CELLO) Sonata No. 5 in G Major, Op. 12 Jean-Baptiste Breval I. Allegro giocoso Variations on a Rococo Theme, Op. 33 Pyotr Ilyich Tchaikovsky Theme and Variations 1 through 7 (with internal cuts) JOSHUA KOVAC (CELLO) Suite No. 5 in C Minor, BWV 1011 Johann Sebastian Bach I. Prelude Concerto in B Minor, Op. 104 Antonín Dvor˘ák I. Allegro Polonaise de Concert, Op. 14 David Popper RACHEL GARDNER (VIOLIN) Partita No. 1 in B Minor, BWV 1002 Johann Sebastian Bach IV. Sarabande and Double Variations on an Original Theme, Op. 15 Henryk Wieniawaski Beau soir Claude Debussy arr. Jascha Heifetz ERIC CHEN (VIOLIN) Variations on a Theme by Corelli Giuseppe Tartini Concerto No. 2 in D Minor, Op. 22 Henryk Wieniawski I. Allegro moderato Marche Miniature Viennoise Fritz Kreisler INSPIRE Congratulations to the 2021 MTNA Junior Competition Finalists! We’re proud to partner with you as you bring the art of music-making to life. 2021 MTNA VIRTUAL CONFERENCE 5 VMADM230634_MTNA_2021_Strings.indd 1 1/28/21 10:02 AM 2020–2021 MTNA National Competitions MTNA JUNIOR WOODWIND COMPETITION KATHERINE FANG (FLUTE) Sonata No. 6 in E Major, BWV 1035 Johann Sebastian Bach I. Adagio ma non tanto II. Allegro Fantaisie Pastorale Hongroise, Op. 26 Franz Doppler I. Molto andante III. Allegro Density 21.5 Edgard Varèse LAUREN HUBER (FLUTE) Rondo in D Major, K. 184 Wolfgang Amadeus Mozart Fantaisie Pastorale Hongroise, Op. 26 Franz Doppler REINA SHIN (FLUTE) Caprice No. 5 in A Minor Niccolò Paganini Zigeunerweisen, Op. 20 Pablo de Sarasate arr. Jasmine Choi Concerto Aram Khachaturian III. Allegro vivace trans. Jean-Pierre Rampal GRANT PENG (FLUTE) Concerto, Op. 8 Otar Gordeli Concerto in C Major Ignaz Pleyel II. Adagio III. Rondo HANNAH CHO (OBOE) Concerto in C Major, K. 314/271k Wolfgang Amadeus Mozart I. Allegro aperto Concertino in F Major, Op. 110 Johann Wenzel Kalliwoda III. Vivace LUCY GANNON (FLUTE) Sonata in E Major, BWV 1035 Johann Sebastian Bach I. Adagio ma non tanto II. Allegro Concerto No. 1 in G Major, K. 313 Wolfgang Amadeus Mozart I. Allegro maestoso Andante et Scherzo Louis Ganne 6 2021 MTNA VIRTUAL CONFERENCE 2020–2021 MTNA National Competitions MTNA SENIOR PERFORMANCE COMPETITIONS MTNA SENIOR BRASS COMPETITION LUKE SUAREZ (HORN) Concerto No. 1 in D Major, K. 412 Wolfgang Amadeus Mozart I. Allegro II. Allegro Concerto in C MInor, Op. 8 Franz Strauss I. Allegro moderato II. Andante III. Allegro moderato Sonata Paul Hindemith I. Mässig bewegt II. Ruhig bewegt III. Lebhaft CASSIDY STANHOPE (TUBA) Horn Concerto No. 3 in E-flat Major, K. 447 Wolfgang Amadeus Mozart I. Allegro II. Larghetto III. Allegro Nocturno, Op. 7 Franz Strauss arr. Rudy Emilson Concerto No. 1 Alexey Lebedev AARON JOHNSON (TROMBONE) Sinfonia in F Major Giovanni Battista Pergolesi I. Andante comodo II. Allegro con brio III. Adagio IV. Allegro Romance Carl Maria von Weber Concertino, Op. 4 Ferdinand David I. Allegro maestoso II. Andante, marcia funèbre Bride of Waves Herbert Lincoln Clarke SARAH ROSS (HORN) Concerto in C Major, Op. 8 Franz Strauss II. Andante III. Tempo I II. Caccia Concerto No. 1 in E-flat Major, Op. 11 Richard Strauss I. Allegro Nocturno, Op. 73 Bernhard Müller Meditation Jeffrey Agrell ETHAN KESSLER (TRUMPET) Aria con Variazioni George Frideric Handel Concerto in E-flat Major, Hob. VIIe:1 Franz Joseph Haydn I. Allegro II. Andante Concert Etude Alexander Goedicke Andante et Allegretto Guillaume Balay Rondo for Lifey Leonard Bernstein 2021 MTNA VIRTUAL CONFERENCE 7 2020–2021 MTNA National Competitions MTNA-YAMAHA SENIOR PIANO COMPETITION ALEKS SHAMETI Prelude and Fugue in F Minor, WTC I, BWV 857 Johann Sebastian Bach Sonata in C Major, Op. 53 Ludwig van Beethoven I. Allegro con brio II. Introduzione – Adagio molto Scherzo No. 1 in B Minor, Op. 20 Frédéric Chopin Sarcasms, Op. 17 Sergei Prokofiev I. Tempestoso IV. Smanioso KENNETH HE Sonata in E-flat Major, Hob. XVI:52 Franz Joseph Haydn I. Allegro Mephisto Waltz No. 1 Franz Liszt Gargoyles, Op. 29 Lowell Liebermann I. Presto II. Adagio semplice, ma con molto rubato III. Allegro moderato ADRIAN KING Prelude and Fugue in A Minor, WTC I, BWV 865 Johann Sebastian Bach Sonata in C Major, Op. 2, No. 3 Ludwig van Beethoven IV. Allegro assai Etude in C Major, Op. 10, No. 1 Frédéric Chopin Sonate Henri Dutilleux III. Choral et Variations Troubled Water Margaret Bonds EXCELLENCE Congratulations to the 2021 MTNA Senior Competition Finalists! We’re proud to partner with you as you bring the art of music-making to life. 8 2021 MTNA VIRTUAL CONFERENCE VMADM231511_MTNA_2021_Piano.indd 1 1/28/21 9:57 AM 2020–2021 MTNA National Competitions SHIV YAJNIK Sonata in E-flat Major, Op.
Recommended publications
  • The Flute Music of Yuko Uebayashi
    THE FLUTE MUSIC OF YUKO UEBAYASHI: ANALYTIC STUDY AND DISCUSSION OF SELECTED WORKS by PEI-SAN CHIU Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University July 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Thomas Robertello, Research Director ______________________________________ Don Freund ______________________________________ Kathleen McLean ______________________________________ Linda Strommen June 14, 2016 ii ACKNOWLEDGEMENTS Thanks to my flute professor Thomas Robertello for his guidance as a research director and as mentor during my study in Indiana University. My appreciation and gratitude also expressed to the committee members: Prof. Kathleen McLean, Prof. Linda Strommen and Dr. Don Freund for their time and suggestions. Special thanks to Ms. Yuko Uebayashi for sharing her music and insight, and being cooperative to make this document happen. Thanks to Prof. Emile Naoumoff and Jean Ferrandis for their coaching and share their role in the creation and performance of this study. Also,I would also like to thank the pianists: Mengyi Yang, Li-Ying Chang and Alber Chien. They have all contributed significantly to this project. Thanks to Alex Krawczyk for his kind and patient assistance for the editorial suggestion. Thanks to Satoshi Takagaki for his translation on the program notes. Finally, I would like to thank my parents Wan-Chuan Chiu and Su-Jen Lin for their constant encouragement and financial support, and also my dearest sister, I-Ping Chiu and my other half, Chen-Wei Wei, for everything.
    [Show full text]
  • Angela Cheng Alvin Chow
    SSérieérie DDorothy-Mortonorothy-Morton ppourour aartistesrtistes iinvitésnvités DDorothyorothy MMortonorton VVisitingisiting AArtistsrtists SSerieseries AAngelangela CChengheng AAlvinlvin CChowhow ppianoiano dduouo ****** LLee mmercrediercredi 1111 aavrilvril 22012012 WWednesday,ednesday, AAprilpril 111,1, 22012012 à 1199 h 3300 77:30:30 pp.m..m. SSallealle PollackPollack PPollackollack HHallall CConcertoncert DDansesanses hhongroisesongroises (extraits)(extraits) JOOHANNESHANNES BRRAHMSAHMS HHungarianungarian DDancesances ((excerpts)excerpts) (1833-1897)(1833-1897) no 2 eenn réré mineurmineur / No.No. 2 inin D minorminor no 3 enen fafa majeurmajeur / No.No. 3 inin F majormajor no 4 enen fafa mineurmineur / No.No. 4 inin F minorminor no 5 enen fafa dièsedièse mineurmineur / No.No. 5 inin F-sharpF-sharp minorminor PPetiteetite SuiteSuite CLLAUDEAUDE DEEBUSSYBUSSY EEnn bbateauateau (1862-1918)(1862-1918) CCortegeortege MMenuetenuet BBalletallet DDansesanses sslaves,laves, oopuspus 4646 (extraits)(extraits) ANNTONINTONIN DVVOOŘÁÁKK SSlavoniclavonic DDances,ances, OOp.p. 4466 eexcerpts)xcerpts) (1841-1904)(1841-1904) no 4 enen fafa majeurmajeur / No.No. 4 inin F majormajor no 6 enen lala bémolbémol majeurmajeur / No.No. 6 inin A-A-fl aatt mmajorajor no 8 enen solsol mineurmineur / No.No. 8 inin G minorminor ~ eentractentracte ~ SScaramouchecaramouche DAARIUSRIUS MIILHAUDLHAUD VVifif (1892-1974)(1892-1974) MModéréodéré BBrazileirarazileira EEll SalónSalón MéxicoMéxico AAARONRON COOPLANDPLAND (1900-1990)(1900-1990) aarr.rr. LEEONARDONARD BEERNSTEINRNSTEIN ((1918-1990)1918-1990) LLaa VValsealse MAAURICEURICE RAAVELVEL (1875-1937)(1875-1937) LLee jjeudieudi 1212 avrilavril 22012012 TThursday,hursday, AAprilpril 112,2, 22012012 à 1199 h 3300 77:30:30 pp.m..m. SSallealle TannaTanna SSchulichchulich TannaTanna SSchulichchulich HallHall CCoursours ddee mmaîtreaître ANGELA CHENG & ALVIN CHOW, piano Fantaisie en ut majeur, opus 15 (D. 760) FRANZ SCHUBERT Wanderer Fantasy in C major, Op.
    [Show full text]
  • Activities Overview 2018,2019 Success of Rohm Music Friends
    Activities overview 2019 1 Nishinakamizu-cho, Saiin, Ukyo-ku, Kyoto 615-0044, Japan +81-75-331-7710 +81-75-331-0089 https://micro.rohm.com/en/rmf/ INDEX Objective, Detail of Operation, and Outline of the Foundation ………… 1 Directors, Trustees, Advisors and Members of Selection Committee … 2 Activities 2018 …………………………………………………………………………… 3 2019 …………………………………………………………………………… 9 Success of ROHM Music Friends …………………………………………… 15 (In chronological or alphabetical order.) 2019.9 Objective Directors Our foundation aims to contribute to the dissemination and development of the Japanese musical Chairman Ken Sato Chairman Emeritus ROHM CO., LTD. culture through the implementation of and financial support for music activities, and the provision of Managing Director Akitaka Idei Former Director, Member of the Board ROHM CO., LTD. scholarships for music students. Director Nobuhiro Doi President, Chairman of the Board The Bank of Kyoto, Ltd. Tadanobu Fujiwara President, Detail of Operation Chief Executive Officer ROHM CO., LTD. Yukitoshi Kimura Former Commissioner of the National Tax Agency Board Chairman, Zaikyo 1. Organizing music concerts and providing financial support for music activities Koichi Nishioka Journalist Director, Member of the Board ROHM CO., LTD. 2. Providing scholarships for both Japanese music students studying in Japan or abroad and overseas Seiji Ozawa Conductor music students studying in Japan Yasuhito Tamaki Lawyer Midosuji Legal Profession Corporation 3. Collecting, investigating and analyzing material related to music Mazumi Tanamura Guest Professor Tokyo College of Music Specially Appointed Principal Violist Tokyo Metropolitan Symphony Orchestra 4. Supporting overseas music research Shunichi Uchida Former Commissioner of the Consumer Affairs Agency President Kyoto International Conference Center Yasunori Yamauchi President and Editor in Chief The Kyoto Shimbun Newspaper Co., Ltd.
    [Show full text]
  • MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), Piano
    MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano PROGRAM JOHN WILLIAMS For New York (b. 1932) (Trans. for band by Paul Lavender) FRANK TICHELI Acadiana (b. 1958) At the Dancehall Meditations on a Cajun Ballad To Lafayette IGOR ST R AVINSKY Concerto for Piano and Wind Instruments (1882–1971) Lento; Allegro Largo Allegro Joseph Mohan (DMA ’21), piano Intermission VITTORIO Symphony No. 3 for Band GIANNINI Allegro energico (1903–1966) Adagio Allegretto Allegro con brio CENTENNIAL NOTE Vittorio Giannini (1903–1966) was an Italian-American composer calls upon the band’s martial associations, with an who joined the Manhattan School of Music faculty in 1944, where he exuberant march somewhat reminiscent of similar taught theory and composition until 1965. Among his students were efforts by Sir William Walton. Along with the sunny John Corigliano, Nicolas Flagello, Ludmila Ulehla, Adolphus Hailstork, disposition and apparent straightforwardness of works Ursula Mamlok, Fredrick Kaufman, David Amram, and John Lewis. like the Second and Third Symphonies, the immediacy MSM founder Janet Daniels Schenck wrote in her memoir, Adventure and durability of their appeal is the result of considerable in Music (1960), that Giannini’s “great ability both as a composer and as subtlety in motivic and harmonic relationships and even a teacher cannot be overestimated. In addition to this, his remarkable in voice leading. personality has made him beloved by all.” In addition to his Symphony No.
    [Show full text]
  • Download Booklet
    552127-28bk VBO Debussy 10/2/06 8:40 PM Page 8 CD1 1 Nocturnes II. Fêtes . .. 6:56 2 String Quartet No. 1 in G minor, Op. 10 I. Animé et très décidé . 6:11 3 Prélude à l’après-midi d’un faune . 10:29 4 Estampes III. Jardins sous la pluie . 3:43 5 Cello Sonata in D minor I. Prologue . 4:25 6 Suite bergamasque III. Clair de lune . 4:26 7 Violin Sonata in G minor II. Intermède: fantastique et léger . 4:17 8 24 Préludes No. 8. La fille aux cheveux de lin . 2:14 9 La Mer II. Jeux de vagues . 7:29 0 Pelléas et Melisande Act III Scene 1 . 14:22 ! 24 Préludes No. 12. Minstrels . 2:05 @ Rapsodie arabe for Alto Saxophone and Orchestra . 10:50 Total Timing . 78:00 CD2 1 Images II. Iberia . 21:43 2 24 Préludes No. 10. La cathédrale engloutie . 5:47 3 Marche écossaise sur un thème populaire . 6:10 4 Images I I. Reflets dans l’eau . 5:15 5 Rêverie . 3:50 6 L’isle joyeuse . 5:29 7 La Mer I. De l’aube à midi sur la mer . 9:18 8 La plus que lente . 4:44 9 Danse sacrée et danse profane II. Danse profane . 5:16 0 Two Arabesques Arabesque No. 1 . 5:05 ! Children’s Corner VI. Golliwogg’s Cake-walk . 3:09 Total Timing . 76:17 FOR FULL LIST OF DEBUSSY RECORDINGS WITH ARTIST DETAILS AND FOR A GLOSSARY OF MUSICAL TERMS PLEASE GO TO WWW.NAXOS.COM 552127-28bk VBO Debussy 10/2/06 8:40 PM Page 2 CLAUDE DEBUSSY (1862-1918) Children’s Corner VI.
    [Show full text]
  • My Musical Lineage Since the 1600S
    Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent
    [Show full text]
  • We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
    Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible.
    [Show full text]
  • Focus on Marie Samuelsson Armas Järnefelt
    HIGHLIGHTS NORDIC 4/2018 NEWSLETTER FROM GEHRMANS MUSIKFÖRLAG & FENNICA GEHRMAN Focus on Marie Samuelsson Armas Järnefelt – an all-round Romantic NEWS Joonas Kokkonen centenary 2021 Mats Larsson Gothe awarded Th e major Christ Johnson Prize has been awarded to Th e year 2021 will mark the centenary of the Mats Larsson Gothe for his …de Blanche et Marie…– Jesper Lindgren Photo: birth of Joonas Kokkonen. More and more Symphony No. 3. Th e jury’s motivation is as follows: music by him has been fi nding its way back into ”With a personal musical language, an unerring feeling concert programmes in the past few years, and for form, brilliant orchestration and an impressive craft his opera Viimeiset kiusaukset (Th e Last Temp- of composition, Larsson Gothe passes on with a sure tations) is still one of the Finnish operas hand the great symphonic tradition of our time.” Th e most often performed. Fennica Gehrman has symphony is based on motifs from his acclaimed published a new version of the impressive Requi- opera Blanche and Marie and was premiered by em he composed in 1981 in memory of his wife. the Royal Stockholm Philharmonic during their Th e arrangement by Jouko Linjama is for organ, Composer Weekend Festival 2016. mixed choir and soloists. Th e Cello Concerto has also found an established place in the rep- ertoire; it was heard most recently in the Finals Söderqvist at the Nobel Prize of the International Paulo Cello Competition in Concert October 2018. Ann-Sofi Söder- Photo: Maarit Kytöharju Photo: qvist’s Movements Photo: Pelle Piano Pelle Photo: opens this year’s Finland Vuorjoki/Music Saara Photo: Nobel Prize Con- cert in Stockholm on 9 December.
    [Show full text]
  • 1J131J Alexander Boggs Ryan,, Jr., B
    omit THE PIANO STYLE OF CLAUDE DEBUSSY THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC by 1J131J Alexander Boggs Ryan,, Jr., B. M. Longview, Texas June, 1951 19139 TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS . , . iv Chapter I. THE DEVELOPMENT OF THE PIANO AS AN INFLUENCE ON STYLE . , . , . , . , . , . ., , , 1 II. DEBUSSY'S GENERAL MUSICAL STYLE . IS Melody Harmony Non--Harmonic Tones Rhythm III. INFLUENCES ON DEBUSSY'S PIANO WORKS . 56 APPENDIX (CHRONOLOGICAL LIST 0F DEBUSSY'S COMPLETE WORKS FOR PIANO) . , , 9 9 0 , 0 , 9 , , 9 ,9 71 BIBLIOGRAPHY *0 * * 0* '. * 9 9 9 9 9 9 9 9 9 9 .9 76 111 LIST OF ILLUSTRATIONS Figure Page 1. Range of the piano . 2 2. Range of Beethoven Sonata 10, No.*. 3 . 9 3. Range of Beethoven Sonata .2. 111 . , . 9 4. Beethoven PR. 110, first movement, mm, 25-27 . 10 5. Chopin Nocturne in D Flat,._. 27,, No. 2 . 11 6. Field Nocturne No. 5 in B FlatMjodr . #.. 12 7. Chopin Nocturne,-Pp. 32, No. 2 . 13 8. Chopin Andante Spianato,,O . 22, mm. 41-42 . 13 9. An example of "thick technique" as found in the Chopin Fantaisie in F minor, 2. 49, mm. 99-101 -0 --9 -- 0 - 0 - .0 .. 0 . 15 10. Debussy Clair de lune, mm. 1-4. 23 11. Chopin Berceuse, OR. 51, mm. 1-4 . 24 12., Debussy La terrasse des audiences du clair de lune, mm. 32-34 . 25 13, Wagner Tristan und Isolde, Prelude to Act I, .
    [Show full text]
  • Improvisation: an Integral Step in Piano Pedagogy Lauren French Trinity University
    Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-17-2005 Improvisation: An Integral Step in Piano Pedagogy Lauren French Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation French, Lauren, "Improvisation: An Integral Step in Piano Pedagogy" (2005). Music Honors Theses. 1. http://digitalcommons.trinity.edu/music_honors/1 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Improvisation: An Integral Step In Piano Pedagogy by Lauren Ann French A department honors thesis submitted to the Department of Music at Trinity University in partial fulfillments of the requirements for graduation with departmental honors 20 April 2005 ____________________________ _____________________________ Thesis Advisor Department Chair Associate Vice-President for Academic Affairs, Curriculum and Student Issues This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc-nd/2.0/> or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Table of Contents Abstract Acknowledgments Improvisation Contextualized Improvisation vs. Composition Improvisation in Keyboard Pedagogy Teaching Philosophy of Robert Pace Improvisation in Current Piano Method Books Keyboard Reading Approaches Method Book Review Frances Clark and the Music Tree Faber and Piano Adventures The Hal Leonard Student Piano Library Robert Pace and Musicfor Piano Application of Improvisation in Advanced Repertoire Mozart's Piano Sonata K.
    [Show full text]
  • Alla Zingarese August 5 and 6
    Concert Program V: Alla Zingarese August 5 and 6 Friday, August 5 F RANZ JOSEph HAYDN (1732–1809) 8:00 p.m., Stent Family Hall, Menlo School Rondo all’ongarese (Gypsy Rondo) from Piano Trio in G Major, Hob. XV: 25 (1795) S Jon Kimura Parker, piano; Elmar Oliveira, violin; David Finckel, cello Saturday, August 6 8:00 p.m., The Center for Performing Arts at Menlo-Atherton HErmaNN SchULENBURG (1886–1959) AM Puszta-Märchen (Gypsy Romance and Czardas) (1936) PROgram OVERVIEW CharlES ROBERT VALDEZ A lifelong fascination with popular music of all kinds—espe- Serenade du Tzigane (Gypsy Serenade) cially the Gypsy folk music that Hungarian refugees brought to Germany in the 1840s—resulted in some of Brahms’s most ANONYMOUS cap tivating works. The music Brahms composed alla zinga- The Canary rese—in the Gypsy style—constitutes a vital dimension of his Wu Han, piano; Paul Neubauer, viola creative identity. Concert Program V surrounds Brahms’s lusty Hungarian Dances with other examples of compos- JOHANNES BrahmS (1833–1897) PROGR ERT ers drawing from Eastern European folk idioms, including Selected Hungarian Dances, WoO 1, Book 1 (1868–1869) C Hungarian Dance no. 1 in g minor; Hungarian Dance no. 6 in D-flat Major; the famous rondo “in the Gypsy style” from Joseph Haydn’s Hungarian Dance no. 5 in f-sharp minor G Major Piano Trio; the Slavonic Dances of Brahms’s pro- Wu Han, Jon Kimura Parker, piano ON tégé Antonín Dvorˇák; and Maurice Ravel’s Tzigane, a paean C to the Hun garian violin virtuoso Jelly d’Arányi.
    [Show full text]
  • Teaching Music with Keyboard Improvisation: a Pedagogical Journey Involving Four Older Adults
    Teaching Music with Keyboard Improvisation: A Pedagogical Journey Involving Four Older Adults by Lisa Tahara A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Lisa Tahara 2015 Teaching Music with Keyboard Improvisation: A Pedagogical Journey Involving Four Older Adults Lisa Tahara Doctor of Musical Arts Faculty of Music University of Toronto 2015 Abstract The life expectancy of individuals has risen in the twentieth-century, due largely to improvements in health, technology, and nutrition. Accordingly, the older adult population has been increasing rapidly and, as a result, there is a need for greater attention and emphasis to be placed on their wellbeing. Research has shown that the older adult population is interested in music learning programs where they may be given the opportunity to actively create music in group settings. However, music programs have traditionally been based on notation and reading, and this approach may not be optimal for a student entering a music learning program later in life. This research study began as an exploration of how music instruction with improvisation may impact the wellbeing, enjoyment, and confidence levels of older adults. Four older adults between the ages of 83 and 90 participated in a music learning program involving a basic curriculum and improvisation over a period of three months. Qualitative data was collected in the form of audiovisual materials, individual interviews, and through focus group sessions. Quantitative data was gathered using pre and post-test surveys to examine differences in quality of life, musical aptitude, and mood.
    [Show full text]