Books, Maps, Manuscripts & Historical Photographs

Total Page:16

File Type:pdf, Size:1020Kb

Books, Maps, Manuscripts & Historical Photographs Books, Maps, Manuscripts & Historical Photographs Tuesday 19 March 2013 at 2pm Knightsbridge, London 4 | Bonhams Books, Maps, Manuscripts & Historical Photographs Tuesday 19 March 2013 at 2pm Knightsbridge, London Bonhams Enquiries Please see back of catalogue Please see back of catalogue Montpelier Street London for important notice to bidders for Notice to Bidders Knightsbridge Matthew Haley London SW7 1HH Luke Batterham New bidders must also provide proof bonhams.com Simon Roberts Illustrations of identity when submitting bids. Francesca Spickernell Front cover: Lot 107 Failure to do this may result in your Viewing +44 (0)20 7393 3828 Back cover: Lot 12 bids not being processed. Friday 15 March 9am to 4.30pm +44 (0)20 7393 3834 Inside front & back cover: Lot 104 Sunday 17 March 11am to 3pm +44 (0)20 7393 3879 fax Bidding by telephone will only be Monday 18 March 9am to 4.30pm [email protected] accepted on a lot with a lower Day of Sale 9am to 12pm estimate in excess of £400. Carole Park Live online bidding is Bids +44 (0)20 7393 3810 available for this sale +44 (0) 20 7447 7448 Please email [email protected] +44 (0) 20 7447 7401 fax with “Live bidding” in the To bid via the internet Consultant subject line 48 hours before please visit www.bonhams.com John Collins the auction to register for +44 (0)20 7393 3828 this service. Please provide details of the lots on which you wish to place bids Oxford at least 24 hours prior to the sale. John Walwyn-Jones Lydia Wilkinson New bidders must also provide +44 (0)1865 853 647 proof of identity when submitting bids. Failure to do this may result Shipping and Collections in your bids not being processed. Leor Cohen +44 (0) 20 7393 3841 Bidding by telephone will only be +44 (0) 7968 798 420 mobile accepted on a lot with a lower estimate in excess of £400. Customer Services Monday to Friday 8.30am to 6pm Sale Number: 20751 +44 (0) 20 7447 7447 Catalogue: £18 Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Important Notices For explanation of any asterisked symbols that may appear in catalogues, please see the notice entitled ‘VAT’ at the end of the catalogue. Please note that lots comprising printed books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium. Lots are sold with all faults, imperfections and errors of description, but if on collation any described printed book in this catalogue is found to lack text or illustrations, the same may be returned to Bonhams within 21 days of the sale; the unstated defect to be detailed in writing. This shall not apply in the case of un-named items, blanks, half-titles or advertisements, nor to damage to bindings, stains, tears or other defects unless these result in loss to text or illustration. Atlases, maps and prints are sold not subject to return, as are items sold as collections, association and extra-illustrated copies, or as bindings. Photographs and Prints Unlike Books, Manuscripts and Maps, but following the general convention, descriptions of photographs, related albums and prints do not contain any particular indicators of condition or faults. A subjective opinion on such matters can be sought from the Book Department. The names of photographers given at the head of lots represent our opinion at the time of going to press. These may, or may not, be supported by factual information elsewhere in the description. For further important notices relating to lots offered in this sale see notices at the end of this catalogue. Illustrations in the catalogue are for the purpose of identification only. Bidders should be wary of using illustrations as indicators of tone or contrast. In some cases (for example mounted and framed items) catalogue illustrations may not include full margins. Items indicated in the catalogue as ‘framed and glazed’ have not been examined out-of-frame, unless specifically stated. The measurements given for framed items are those of the image-to-view, although the actual image may be larger. Collection and Storage Buyers’ accounts are due for settlement at the end of each sale and it our hope that clients will collect at the same time or certainly within 48 hours of the sale finishing. All other sold lots will remain in Bonhams Knightsbridge Books department for 21 days. Any items not collected after 21 days may be removed to our warehouse in Park Royal where storage charges will apply at the rate of £2 per day per lot, attracting a removal charge estimated at £5 + vat. Buyers can contact the Book Department Stock Manager Leor Cohen to discuss any collection, storage or shipping concerns. Leor Cohen Tel: +44 (0) 20 7393 3841 Mobile: +44 (0) 7968 798 420 Email: [email protected] 47 Contents Lots Books, Maps and Manuscripts 1-96 Historical Photographs 97-113 Artists’ Letters and Drawings 114-135 Modern Literature, Children’s, Illustrated and Private Press 136-235 Property from the Estate of the late Thomas Yoseloff 190-206 Property of a Gentleman 207-235 2 8 | Bonhams Books, Maps, Manuscripts & Historical Photography Tuesday 19 March 2013 at 2pm Please note that this sale is subject to the Conditions of Sale and other Notices at the beginning and end of this catalogue, and any saleroom notices that may be posted. Your attention is drawn to the notices at the beginning of the catalogue regarding the removal of purchases. 1 • ALBIN (ELEAZAR) A Natural History of English Insects. Illustrated with a Hundred Copper Plates, Curiously Engraven from Life: And (for those who desire it) Exactly Coloured by the Author Eleazar Albin, Painter, FIRST EDITIoN, 99 hand- coloured engraved plates after drawings by the author (of 100, lacks plate 21), each with accompanying text leaf by W. Derham, list of subscribers, toning and light spotting throughout, neat early ownership inscription (“CHP: Gnlz Hillier. ex Bib: Edward Green, Chirurgas”), bookplate of William Hillier, 4th Earl of Onslow (1853- 1911, Governor of New Zealand), modern morocco gilt preserving original red morocco spine [Nissen ZBI 58; Freeman 45; Lisney 119], 4to (283 x 228mm.), for the Author, 1720 £800 - 1,200 €930 - 1,400 “Each plate is dedicated to a subscriber or well-known personality, undoubtedly those who acted as patrons or took an interest in Albin’s drawings of insects” (Lisney). Albin was keen to stress that his work was accurate in its depictions as he “observed it as a great fault in those who have gone before... that they either did not look often enough at their Pattern, or affected to make the picture outdo Nature” (Preface). 2 • ALBUM AMICORUM Album Amicorum kept by Carl Wi[l]helm Gödicke at Halle in 1780-81, comprising some fifty entries by John Christian Hendel, Johann Philipp Roth and others, in all, many embellished, six with profile silhouettes, three with watercolours (a stylised city, a rider approaching the coast, and seated soldiers being served at mess), others with music, printed ephemera, etc., c.50 pages plus blanks, Dutch floral marbled endpapers, lower cover stamped ‘1780’ (detached), upper cover lacking, spine worn, oblong 8vo, Halle, 1780-81 £600 - 800 €700 - 930 3 ARCHITECTURAL DRAWINGS Collection of twelve late seventeenth or early eighteenth century architectural drawings, comprising: (i) Front elevation of the west facade of an Italianate church, with statues of pilgrim saints in niches to the side of the entrance and saints with musical instruments on the roof pillars, with a ground-plan of the portico below, on paper, pen-and-ink with grey wash, 520 x 390mm. (ii) Front elevation of a palazzo with eleven bays, swagged arms above the front entrance, ground plan below, on paper, pen-and-ink with grey wash, 400 x 530mm. ( iii) Front elevation of a palazzo, with two side bays and papal arms above the central window, on paper, pen- and-ink with grey wash, 780 x 512mm. (iv) Front elevation of an Roman archway, with four pyramid finials, with ground plan below, on paper, pen- and-ink with grey wash, blue wash surround, 398 x 376mm. (v) Front elevation of a nine-arched colonnade, with ground plan below, on paper, pen-and-ink with grey wash, 350 x 500mm. Books, Maps, Manuscripts & Historical Photography | 9 3 (vi) Front elevation of a palazzo with two side bays, ground plan below, inscribed “Scala di Moduli” over rule, on paper, pen-and-ink with grey wash, browned overall, small worm-holes, etc., 500 x 640mm. (vii) Front elevation of a tempietto with cupula, topped by a statue of Justice, statues in animated posture on central balustrade, ground plan below, on paper, pen-and-ink with grey wash, 560 x 500mm. (viii) Front elevation of an eleven bayed palazzo, of three stories, arms above entranceway, with fourteen statues set on plinths above the rood balustrade, ground plan below, on paper, pen-and-ink with grey wash, 465 x 730mm.
Recommended publications
  • Copyright Statement
    COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii REX WHISTLER (1905 – 1944): PATRONAGE AND ARTISTIC IDENTITY by NIKKI FRATER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities & Performing Arts Faculty of Arts and Humanities September 2014 iii Nikki Frater REX WHISTLER (1905-1944): PATRONAGE AND ARTISTIC IDENTITY Abstract This thesis explores the life and work of Rex Whistler, from his first commissions whilst at the Slade up until the time he enlisted for active service in World War Two. His death in that conflict meant that this was a career that lasted barely twenty years; however it comprised a large range of creative endeavours. Although all these facets of Whistler’s career are touched upon, the main focus is on his work in murals and the fields of advertising and commercial design. The thesis goes beyond the remit of a purely biographical stance and places Whistler’s career in context by looking at the contemporary art world in which he worked, and the private, commercial and public commissions he secured. In doing so, it aims to provide a more comprehensive account of Whistler’s achievement than has been afforded in any of the existing literature or biographies. This deeper examination of the artist’s practice has been made possible by considerable amounts of new factual information derived from the Whistler Archive and other archival sources.
    [Show full text]
  • 2013 CAG Library Index
    Ref Book Name Author B020 (Shire) ANCIENT AGRICULTURAL IMPLEMENTS Sian Rees B015 (Shire) ANCIENT BOATS Sean McGrail B017 (Shire) ANCIENT FARMING Peter J.Reynolds B009 (Shire) ANGLO-SAXON POTTERY D.H.Kenneth B198 (Shire) ANGLO-SAXON SCULPTURE James Lang B011 (Shire) ANIMAL REMAINS IN ARCHAEOLOGY Rosemary Margaret Luff B010 (Shire) ARCHAEOLOGY OF GARDENS Christopher Taylor B268 (Shire) ARCHAEOLOGY OF GARDENS Christopher Taylor B039 (Shire) ARCHAEOLOGY OF THE ENGLISH CIVIL WAR Peter Harrington B276 (Shire) ARCHAEOLOGY OF THE ENGLISH CIVIL WAR Peter Harrington B240 (Shire) AVIATION ARCHAEOLOGY IN BRITAIN Guy de la Bedoyere B014 (Shire) BARROWS IN ENGLAND AND WALES L.V.Grinsell B250 (Shire) BELLFOUNDING Trevor S Jennings B030 (Shire) BOUDICAN REVOLT AGAINST ROME Paul R. Sealey B214 (Shire) BREWING AND BREWERIES Maurice Lovett B003 (Shire) BRICKS & BRICKMAKING M.Hammond B241 (Shire) BROCHS OF SCOTLAND J.N.G. Ritchie B026 (Shire) BRONZE AGE COPPER MINING William O'Brian B245 (Shire) BRONZE AGE COPPER MINING IN BRITAIN AND William O'Brien B230 (Shire) CAVE ART Andrew J. Lawson B035 (Shire) CELTIC COINAGE Philip de Jersey B032 (Shire) CELTIC CROSSES OF BRITAIN AND IRELAND Malcolm Seaborne B205 (Shire) CELTIC WARRIORS W.F. & J.N.G.Ritchie B006 (Shire) CHURCH FONTS Norman Pounds B243 (Shire) CHURCH MEMORIAL BRASSES AND BRASS Leigh Chapman B024 (Shire) CLAY AND COB BUILDINGS John McCann B002 (Shire) CLAY TOBACCO PIPES E.G.Agto B257 (Shire) COMPUTER ARCHAEOLOGY Gary Lock and John Wilcock B007 (Shire) DECORATIVE LEADWORK P.M.Sutton-Goold B029 (Shire) DESERTED VILLAGES Trevor Rowley and John Wood B238 (Shire) DESERTED VILLAGES Trevor Rowley and John Wood B270 (Shire) DRY STONE WALLS Lawrence Garner B018 (Shire) EARLY MEDIEVAL TOWNS IN BRITAIN Jeremy Haslam B244 (Shire) EGYPTIAN PYRAMIDS AND MASTABA TOMBS Philip Watson B027 (Shire) FENGATE Francis Pryor B204 (Shire) GODS OF ROMAN BRITAIN Miranda J.
    [Show full text]
  • 1948 Amgueddfa 00-02
    Amgueddfa Yearbook of the National Museums & Galleries of Wales, 2000 - 2002 First published in 2002 by National Museums & Galleries of Wales, Cathays Park, Cardiff, CF10 3NP, Wales. © National Museum of Wales ISBN 0 7200 0530 2 Production: Mari Gordon Design: Andrew Griffiths Printed by MWL Print Group Copyright of all images is NMGW unless stated otherwise. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the written permission of the copyright owner(s) and of the publisher. Front cover: Flight exhibition (see page 56) Back cover: Let Paul Robeson Sing! exhibition (see page 52) Amgueddfa Yearbook of the National Museums & Galleries of Wales, 2000 - 2002 Editors: Teresa Darbyshire & Sioned Williams AMGUEDDFEYDD AC ORIELAU CENEDLAETHOL CYMRU NATIONAL MUSEUMS & GALLERIES OF WALES 2 Contents 3 Introduction by Anna Southall 4 List of NMGW Sites Collections & Acquisitions 5 Introduction 6 The British Bryological Society Herbarium (BBSUK) has a permanent home at NMGW 8 Dragons, Zebras and doorstops: NMGW's collection of Welsh computers 10 Beyond yesterday’s scalpel: donation of items from the former Miners’ Rehabilitation Centre at Talygarn House 12 Women in their own words 13 Aluminum Palaces 15 The Welsh Slate Museum clock 16 Distinguished service: Campaign and Gallantry Medals 18 Saving the Jackson Collection of silver 20 The Gilbey Gold Collection Research 21 Introduction 22 Rodrigues International
    [Show full text]
  • Island Thinking Suffolk Stories of Landscape, Militarisation and Identity Sophia Davis Island Thinking
    Island Thinking Suffolk Stories of Landscape, Militarisation and Identity Sophia Davis Island Thinking “In this thoughtful and illuminating book, Sophia Davis asks us to consider the imaginative appeal of what it means to be an island. Taking in the view from the shores of the Sufolk coast, Island Tinking looks at how ideas of nationhood, identity, defence and nature become bound together in place. Tis book uncovers the stories of how this small, seemingly isolated part of England became signifcant to emerging national narratives about Englishness, its rural inheritance and its future military technological prowess.” —Rachel Woodward, Professor of Human Geography, School of Geography, Politics & Sociology, Newcastle University, UK, and author of Military Geographies “Sophia Davis’s Island Tinking ofers a fascinating and compelling account of mid-twentieth-century Englishness, as seen through a rich archipelagic history of one of England’s most peculiar and most iconic counties, Sufolk. Davis leads the reader through the intensely local impacts and afects of profound historical and global change, and reads the landscape wisely and well for what it can tell us about the dramatic transformations of English culture through and after the Second World War.” —Professor John Brannigan, University College Dublin, and author of Archipelagic Modernism: Literature in the Irish and British Isles, 1890–1970 “Trough close scrutiny of Sufolk stories, Sophia Davis ofers a compelling narrative of islandness in England from the mid-twentieth century. Tese accounts of landscape and militarisation, migration and the natural world, show how island thinking invokes both refuge and anxiety, security and fear. In looking back, Island Tinking captures ongoing English preoccupations.” —David Matless, Professor of Cultural Geography, University of Nottingham, and author of In the Nature of Landscape “Island Tinking expertly takes the reader into the secrets of the Sufolk coun- tryside in a way that no other study has.
    [Show full text]
  • Visualizing the Past/Peopling the Past CIS 106 / ANTH 258
    August 29, 2018 Visualizing the Past/Peopling the Past CIS 106 / ANTH 258 Fall Semester 2018 MWF 11am-noon Room 401B, 3401 Walnut Street Dr. Norman Badler, Rachleff Professor of Computer and Information Science: [email protected] Dr. Clark Erickson, Professor of Anthropology and Curator, Penn Museum: [email protected] TA Myles Al Yafei: [email protected] TA Josh Nadel: [email protected] TA Spencer Webster-Bass: [email protected] TA Yanfei Li: [email protected] DESCRIPTION CIS 106 / ANTH 258 is a highly interdisciplinary course that approaches fundamental issues in Anthropology and Computer Science. Using an anthropological perspective, this course focuses on the history, theory, and methods of how archaeology and visualizations of the past are created, presented and used in scholarly media (e.g., traditional publications, conference papers, and project databases), and popular culture (e.g., artist’s reconstructions, movies, TV documentaries, museum exhibits, games, the internet, and art), and contemporary computer technology (e.g., 3D modeling, animation, virtual reality, and simulation). From the computer science perspective, the challenge becomes how we [can best] transform known and often incomplete information into engaging digital models and plausible of a past culture and its people. They also learn to use modern 3D modeling tools (such as Audodesk Maya© and MotionBuilder©) and animation engines (such as Unreal Game Engine©). The course assignments include writing essays critiquing popular media depictions of the past, in-class oral presentations with visual aids, programming labs, 3D model development, and a final project that utilizes contemporary computational tools to explain and visualize culturally relevant questions, knowledge, or hypotheses.
    [Show full text]
  • Contents a Warm Welcome to This 8Th Issue of Epistula, the Twice-Yearly Newsletter from the Roman Society
    Issue VIII Winter 2014 Welcome visit to the storerooms led by the curator, Dr Rob Symmons. Contents A warm welcome to this 8th issue of Epistula, the twice-yearly newsletter from the Roman Society. An important Welcome feature of this issue is the report about events part-sponsored by the Roman Society through the Archaeology Committee, fostering links with local Society News societies to bring Roman Studies to an even wider audience. Keep your eye on the Roman Society website for more Research events, and do come along to any near you. Society members at Fishbourne From the Field We are also pleased to expand the newsletter beyond Archaeology, with Three conferences have taken place. The first was held in Malton on The Romans Conferences & the help of Emma Buckley and Neville Morley. This has led to the inclusion of in Ryedale and Beyond, and you can read Meetings notes on recent research in literature a write-up by the organiser, Dr Pete and history. Wilson on page 10. Learning This newsletter relies on you for The second was our annual joint information which you think will conference in collaboration with the Books interest your fellow Romanists, Association for Roman Archaeology, this whether archaeology, art, ancient year on the topic, Augustus: First Emperor of Rome, to mark the Contribute & history, literature or any other aspect of the Roman world, so please do send bimillennium of his death. Over 220 filled Subscribe in your news on recent research, the BP Lecture at the British Museum to upcoming talks or new publications for hear lectures by Susan Walker (The the next edition.
    [Show full text]
  • F16 Art Titles - August 2016 Page 1
    Art Titles Fall 2016 {IPG} Death and Memory Soane and the Architecture of Legacy Helen Dorey, Tom Drysdale, Susan Palmer, Frances S... Summary This book of essays is published to coincide with an exhibition of the same title at Sir John Soane's Museum, Lincoln's Inn Fields, London (October 23, 2015–March 26, 2016) commemorating the 200th anniversary of Soane's beloved wife Eliza's death on November 22, 1815. Its relevance to Soane studies, is, however, much broader, with essays shedding new light on the architecture of legacy in Sir John Soane's Museum; Soane's preoccupation with memorialization as revealed in the design process for the Soane family tomb; the legacy of his drawings collection; and Soane's Pimpernel Press attempt shortly before his death to sustain future interest in his collections by creating a series of 9780993204111 time capsules. The essays, written by the curatorial team at Sir John Soane's Museum, are Pub Date: 9/28/16 accompanied by 39 illustrations in full color, some of them published for the first time. Ship Date: 9/28/16 $16.95/$33.95 Can. Contributor Bio Discount Code: LON Trade Paperback Helen Dorey is Deputy Director and Inspectress of Sir John Soane’s Museum. Tom Drysdale was the Museum's Soane Drawings Cataloguer and now works for Historic Royal Palaces. Susan Palmer is 48 Pages Archivist and Head of Library Services at Sir John Soane's Museum. Dr. Frances Sands is Catalogue Carton Qty: 70 Editor of the Adam Drawings Project, Sir John Soane's Museum. Architecture / Historic Preservation ARC014000 11 in H | 8.5 in W | 0.2 in T | 0.6 lb Wt A Whakapapa of Tradition One Hundred Years of Ngato Porou Carving, 1830-1930 Ngarino Ellis, Natalie Robertson Summary From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930.
    [Show full text]
  • A Study of Winifred Knights, 1915-1933
    A Study of Winifred Knights, 1915-1933 Rosanna Eckersley Department of Art History and World Art Studies University of East Anglia A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any formation derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Winifred Knights, 1899-1947, was a student at the Slade School of Art from 1915, where she developed a decorative manner of rhythmic, repetitive forms, one form of cautious modernism. In 1920 she was the first woman to win the Rome Prize in Decorative Painting. The award was for three years at the British School at Rome. Knights often chose to base her paintings on biblical subjects, or the lives of saints. She was not religious and I argue that these stories, which were well-known in Britain at the time, were vehicles to represent the lives of women and families in the unsettled years during and after WWI. Many women artists have depicted domestic scenes, but Knights chose the exterior and multi-figure compositions, including many self-portraits. She used these compositions to explore women‟s vulnerability, rebellion against male control, maternity and the self-sufficiency of a women‟s community. Personal material is present in all her work and much of it deals with the traumas she suffered.
    [Show full text]
  • The Great War As Recorded Through the Fine and Popular Arts
    The Great War As Recorded through the Fine and Popular Arts Edited by Sacha Llewellyn & Paul Liss L I S S F I N E A R T This catalogue is published on the occasion of the exhibition: The Great War As Recorded through the Fine and Popular Arts Morley Gallery Morley College, 61 Westminster Bridge Road, London, SE1 7HT September 5 - October 2, 2014 Organised by: L I S S F I N E A R T With the participation of David Cohen Fine Art The Great War As Recorded through the Fine and Popular Arts Edited by Sacha Llewellyn & Paul Liss L I S S F I N E A R T René Georges Hermann-Paul (1864-1940) 148 – Août 1914 from Calendrier de la Guerre (1ère année – août 1914-juillet 1915), 1916, Coloured woodcuts, 17 3/4 x 13 3/4 in. (45 x 35cm) each, published by Librarie Lutetia [A. Ciavarri, Directeur] Two soldiers from different units who are preparing to embark for the Front, embrace during a chance encounter on a railway platform. The soldier in blue is decorated with flowers, momentoes from women who have bid him adieu. The first months of the war were by far the most bloody, and these friends may never meet again. (see pages 170-173) A C K N O W L E D G E M E N T S We are especially grateful to Ela Piotrowska (Principal), Nick Rampley (Vice-Principal) and Jane Hartwell (Gallery Manager) of Morley College for giving us the opportunity to stage this exhibition, and also the Imperial War Museum for allowing this project to be part of a wider series of IWM-led FirstWorld War Centenary Initiatives.
    [Show full text]
  • Select Correspondence of Ronald Syme, 1927–1939 Edited by Anthony R
    Select Correspondence of Ronald Syme, ����–���� Edited by Anthony R. Birley HCS History of Classical Scholarship Supplementary Volume 1 History of Classical Scholarship Editors Lorenzo CALVELLI (Venezia) Federico SANTANGELO (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) Select Correspondence of Ronald Syme, 1927–1939 Edited by Anthony R. Birley Published by History of Classical Scholarship Newcastle upon Tyne and Venice Posted online at hcsjournal.org in April 2020 The publication of this volume has been co-funded by the Department of Humanities of the Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Submissions undergo a double-blind peer-review process This work is licensed under a Creative Commons Attribution 4.0 International Licence Any part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission provided that the source is fully credited ISBN 978-1-8380018-0-3 © 2020 Anthony R. Birley History of Classical Scholarship Edited by Lorenzo Calvelli and Federico Santangelo SUPPLEMENTARY VOLUMES 1. Select Correspondence of Ronald Syme, 1927–1939 Edited by Anthony R. Birley (2020) Informal queries and new proposals may be sent to [email protected] or [email protected].
    [Show full text]
  • ALAN SORRELL the Man Who Created Roman Britain The
    ROMAN BRITAIN BOOKS & SPECIAL OFFERS FROM ALAN SORRELL The Man who Created Roman Britain By Julia Sorrell & Mark Sorrell Alan Sorrell’s archaeological reconstruction drawings and paintings remain some of the best, most accurate and most accomplished paintings of their genre that continue to inform our understanding and appreciation of historic buildings and monuments in Europe, the Near East and throughout the UK. His famously stormy and smoky townscapes, especially those of Roman Britain, were based on meticulous attention to detail borne of detailed research in collaboration with archaeologists such as Sir Mortimer Wheeler, Sir Cyril Fox and Sir Barry Cunliffe. In this affectionate but objective account, Sorrell’s children, both also artists, present a brief pictorial biography followed by more detailed descriptions of the genesis, £29.99 research and production of illustrations that demonstrate the artist’s £22.50 integrity and vision. 9781785707407 | PAPERBACK | 192 PAGES | OXBOW BOOKS THE roMAN AMPHITHeatre OF CHESTER VOLUME 1 The Prehistoric and Roman Archaeology By Tony Wilmott & Dan Garner This is the first of two volumes dealing with the major research excavations on the Chester Amphitheatre in 2004–2006. The amphitheatre was discovered in 1929 and partially excavated in the 1970s, after which the northern half was laid out as a public monument. Subsequent questions about the future of the site and the original interpretation prompted the recent work which was part funded by English Heritage and the (then) Chester City Council. This fully integrated volume tells the story of the site from the Mesolithic to the end of the life of the amphitheatre.
    [Show full text]
  • The Times , 1974, UK, English
    Friday December 27 1974 No 59,279 Sheila Black’s guide to the Price eight pence THE TIMES January sales, page 6 Deal with Stonehouse tells Greek Australians junta men 6 suspected From Mario Modiano was blackmailed’ Athens, Dec 26 Many Greeks suspect that the Mr John Stonehouse, the missing military junta which surren¬ Mr Stonehouse, who disappeared dered power to the professional Labour MP, was reunited with his from Miami on November 20, said politicians last summer has wife in Melbourne last night. somehow managed to survive he had been blackmailed and had tJmI res,oration of democracy. He had been ordered to be detained What encourages these suspi¬ set out to create a new identity cions is that some army offi¬ for seven days as a suspected cers suspended provisionally as tinder a dead man's name. On an administrative sanction for illegal immigrant, but Mr Clyde Christmas Eve he sent a telegram alleged direct involvement in Cameron. Minister of Immigration, ve i;ouPs" in torrures, or in to Mr Wilson apologizing for the the Cyprus misadventure, have said that Mr Stonehouse may prove been recently pardoned and trouble he had caused his colleagues, taaciy reinstated. to be exempt from the Immigration and indicating that he wished to A. case in point is thar of Act as a British MP. Major Athanoasios Perdilds, stay in Australia. the former assistant military attache in London, and trusted member of the loannidis junta. He was suspended from active service for 12 months in Sep¬ Remand on immigration charge tember with 35 other officers.
    [Show full text]