April 2009 Issue 315 Jazz
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Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
Neville Brothers -- the first Family of New Orleans Music -- Has Vowed Not to Return to New Orleans
Dec. 15, 2005-- Cyril Neville boarded Amtrak's City of New Orleans train with a full head of steam. He joined singer-songwriter Arlo Guthrie earlier this month for the first leg of a 12-day journey from Chicago to New Orleans, playing concerts along the way to raise funds for victims of Hurricane Katrina. Neville, however, won't be on the train when it rolls into his old hometown. He won't be going home at all. Neville, 56, percussionist-vocalist and youngest member of the Neville Brothers -- the first family of New Orleans music -- has vowed not to return to New Orleans. During a heartfelt conversation before embarking on the train journey, Neville explained he and his wife, Gaynielle, have bought a home in Austin, Texas. Cyril Neville joins his nephew Ivan Neville, as well as the Radiators and the Iguanas as popular New Orleans acts who have settled in Austin. Some even perform in an ad hoc band known as the Texiles. They sing a different song about the promised recovery of New Orleans. "Would I go back to live?" Neville asked. "There's nothing there. And the situation for musicians was a joke. People thought there was a New Orleans music scene -- there wasn't. You worked two times a year: Mardi Gras and Jazz Fest. The only musicians I knew who made a living playing music in New Orleans were Kermit Ruffins and Pete Fountain. Everyone else had to have a day job or go on tour. I have worked more in two months in Austin than I worked in two years in New Orleans. -
TOM MALONEY and TOM HALL a Tribute to Four Important St
TOM MALONEY AND TOM HALL A Tribute to Four Important St. Louisans, BLUESWEEK Review in Pictures, An Essay by Alonzo Townsend, The Application Window Opens for the St. Louis/IBC Road to Memphis, plus: CD Review, Discounts for Members and more... THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY July/August 2014 Number 69 July/August 2014 Number 69 Officers Chairperson BLUESLETTER John May The Bi-Monthly Magazine of the St. Louis Blues Society Vice Chairperson The St. Louis Blues Society is dedicated to preserving and perpetuating blues music in Jeremy Segel-Moss and from St. Louis, while fostering its growth and appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual Treasurer improvement in their field, all for the educational and artistic benefit of the general public. Jerry Minchey Legal Counsel Charley Taylor CELEBRATING 30 YEARS Secretary Lynn Barlar OF SUPPORTING BLUES MUSIC IN ST LOUIS Communications Dear Blues Lovers, Mary Kaye Tönnies Summer is in full swing in St. Louis.Festivals, neighborhood events and patios filled with Board of Directors music are kickin’ all over the City. Bluesweek, over Memorial Day Weekend, was a big hit for Ridgley "Hound Dog" Brown musicians and fans alike. Check out some of the pictures from the weekend on page 11. Thanks to Bernie Hayes everyone who helped make Bluesweek a success! Glenn Howard July means the opening of applications for bands and solo/duo acts who want to be involved Rich Hughes in this year’s International Blues Challenge. Last year we had a fantastic group of bands and solo/ Greg Hunt duo acts competing to go to Memphis. -
Japan Loves New Orleans's Music
University of New Orleans ScholarWorks@UNO Senior Honors Theses Undergraduate Showcase 5-2017 Nihon Wa New Orleans No Ongaku Ga Daisukidesu (Japan Loves New Orleans’s Music): A Look at Japanese Interest in New Orleans Music from the 1940s to 2017 William Archambeault University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/honors_theses Part of the Oral History Commons, and the United States History Commons Recommended Citation Archambeault, William, "Nihon Wa New Orleans No Ongaku Ga Daisukidesu (Japan Loves New Orleans’s Music): A Look at Japanese Interest in New Orleans Music from the 1940s to 2017" (2017). Senior Honors Theses. 94. https://scholarworks.uno.edu/honors_theses/94 This Honors Thesis-Unrestricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Honors Thesis-Unrestricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Honors Thesis-Unrestricted has been accepted for inclusion in Senior Honors Theses by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Nihon Wa New Orleans No Ongaku Ga Daisukidesu (Japan Loves New Orleans’s Music): A Look at Japanese Interest in New Orleans Music from the 1940s to 2017 An Honors Thesis Presented to the Department of Interdisciplinary Studies of the University of New Orleans In Partial Fulfillment of the Requirements for the Degree of Interdisciplinary Studies, with University High Honors and Honors in Interdisciplinary Studies by William Archambeault May 2017 Archambeault i Acknowledgments This undergraduate Honors thesis is dedicated to Travis “Trumpet Black” Hill, a New Orleans trumpeter who died in Tokyo, Japan, on May 4, 2015, while touring Japan. -
First Steps with the Drum Set a Play Along Approach to Learning the Drums
First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know. -
The Washington Blues Society and Lee Oskar Harmonicas Present
In Th s Issue... From the IBC in Memphis: Rum Boogie! From the IBC in Memphis: Sun Studio Jim Valley (Photo by Eric Steiner) (Photo by Eric Steiner) (Photo by ML Sutton) Letter from the President 2 March Blues Bash Preview 6 Report from Memphis 12 Letter from the Editor 3 Valentine’s Day Blues Bash 7 Membership Opportunities 14 Offic s and Directors 4 Street Team Report: Rocky Nelson 10 Walla Walla Festival Preview 14 On the Cover 4 Street Team Report 12 File Gumbo 30th Anniversary 15 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, purchase of tickets. You can also purchase tickets start at 5:00 PM, and we wrap up at 8:00 PM so at the door! So save the date Sunday, April 9th and you can still get home in plenty of time to get a full The Best of the Blues due date for the final ballot make your plans to come to the Best of the Blues night’s sleep before work on Monday! It’s a one of is creeping up on us! Please be sure that you have Award show and the after party! Please see the ad those must do deals! See the ad in this issue of the your ballot to us by Tuesday, March 14th. in this edition of the Bluesletter! Bluesletter for this month’s show lineup! You can mail it in to our PO Box address (WBS, The International Blues Challenge was this past Festival season is coming up quickly! We kick off PO Box 70604, Seattle, WA 98127); give it to any month and our band (Polly O’Keary & the Rhythm the year with the Coeur de Alene Blues Festival in current Board of Director before March 14th, scan Method), our solo/duo -
Was Ist Der FRH? HHTW001 FRH 001 - Was Ist Der FRH? HHTW001
FRH 001 - Was ist der FRH? HHTW001 FRH 001 - Was ist der FRH? HHTW001 Nr Titel Label MasterNr. Jahr Nr Titel Jahr CW RB USA GB BRD 03 HELLO STRANGER (BARBARA LEWIS) ATLANTIC 2148 1963 03 HELLO STRANGER (BARBARA LEWIS) 1963- 1 3 - - 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) UA 715 1964 05 A QUIET PLACE (GARNETT MIMMS & THE ENCHANTERS) 1964- 78 78 - - C 07 ON BROADWAY (DRIFTERS) ATLANTIC 2182 1963 07 ON BROADWAY (DRIFTERS) 1963- 7 9 - - D 08 STAND BY ME (N) (SPYDER TURNER) MGM 13617 1967 08 STAND BY ME (N) (SPYDER TURNER) 1967- 3 12 - - 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) CAPITOL 3205 1955 10 HELLO (MIT JINGLE)* (PAUL WILLIAMS) 1955- - - - - - 11 CRAZY CRAZY PARTY (CUES) PREP 104 1957 11 CRAZY CRAZY PARTY (CUES) 1957- - - - - L 13 TIPPETY TOP (RAYS) CHESS 1613 1956 13 TIPPETY TOP (RAYS) 1956- - - - - a 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER CLASS 228 1958 15 HEY BOY HEY GIRL (OSCAR MC LOLLIE & JEANETTE BAKER) 1958- - - - - y 17 WHEN I FOUND YOU (JERRY REED) CAPITOL 3429 1956 17 WHEN I FOUND YOU (JERRY REED) 1956- - - - - o 18 THREE ALLEY CATS (ROY HALL) DECCA 30060 1956 18 THREE ALLEY CATS (ROY HALL) 1956- - - - - u 20 TEENAGE QUEEN (LONNIE BARRON) SAGE 45-230 1956 20 TEENAGE QUEEN (LONNIE BARRON) 1956- - - - - t 21 SAY YEAH (SAMMY SALVO) RCA 47-7097 1958 21 SAY YEAH (SAMMY SALVO) 1958- - - - - 23 DEEP SEA BALL (CLYDE MC PHATTER) ATLANTIC 2060 1958 23 DEEP SEA BALL (CLYDE MC PHATTER) 1958- - - - - - 24 SHE LOVES TO ROCK (FLAIRS) ABC-PARAM. -
2)GEORGE PORTER Jr Di Massimo Luna.Pdf
Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana. -
Peter Novelli Peternovelli.Com
Peter Novelli peternovelli.com Guitarist / singer / songwriter Peter Novelli is based in New Orleans. The Peter Novelli Band plays Louisiana roots and blues, a blend of blues-rock-R&B-funk with some zydeco-cajun influences. Novelli’s CD Louisiana Roots & Blues (June 12 release) with his core rhythm section Darryl White (drums, formerly w/ Tab Benoit and Chris Thomas King), Chris Chew (bass, North Mississippi Allstars), Joe Krown (B3 and piano, formerly w/ late Gatemouth Brown), and special guests Chubby Carrier (Grammy-winning zydeco accordionist), Chris Thomas King (lap slide guitar, Grammy “Oh Brother, Where Art Thou”), Shamarr Allen (trumpet) and Elaine and Lisa Foster on vocals. Novelli’s debut CD, produced by bassist David Hyde, hit the charts within a month of release and gathered widespread critical acclaim. His originals, with a few selected covers, made a journey through Louisiana-American blues-roots music. Guests include Dr. John, Paul Barrere, Augie Meyers, the late Gatemouth Brown’s rhythm section, and top Lousiana musicians. The CD includes an historical Tribute To Slim Harpo, with members of Harpo’s band including James Johnson, and interviews with Johnson, the late Raful Neal and “Big” Johnny Thomassie. Novelli started violin at age 6, picked up guitar at 14 after hearing a BB King record. The intensity, passion and raw emotional content of some of the blues masters (black and white, American and British) stuck in his ear and that is what drives him to this day. He likes to combine this feel with harmonic ideas of jazz, the relentless groove of zydeco, and just about any cool and unusual style of music or rhythm that works. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 43 – Diciembre 2014 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Índice Directorio PORTADA Mississippi Heat: Warning Shot (1) ……………….….…….… 1 Cultura Blues. La revista electrónica Fotos: Cortesía Pierre Lacocque: Press Kit Mississippi Heat “Un concepto distinto del blues y algo más…” ÍNDICE-DIRECTORIO ……..……………………………………………..…..… 2 www.culturablues.com EDITORIAL Fin de año ¿Felices fiestas? (2) …………………………..…. 3 Año 3 Núm. 43 – diciembre de 2014 Derechos Reservados 04 – 2013 – 042911362800 – 203 BLUES A LA CARTA Registro ante INDAUTOR Pierre Lacocque - Mississippi Heat - Warning Shot (2) ………………….... 5 POR SEGURIDAD DE LOS USUARIOS Director general y editor: Al vacío (3) ……………………….……………………….…………………………………. 10 José Luis García Fernández CORTANDO RÁBANOS De tradición y nuevas rolas (4) ……… 15 Subdirector general: José Alfredo Reyes Palacios HUELLA AZUL Entrevista a los Hot Tamales (5, 6 y 7) …………… 17 SESIONES DESDE LA CABINA Programación y diseño: Blue rondo a la Brubeck (8) ………………………………………..………….……. 21 José Luis García Vázquez Aida Castillo Arroyo CULTURA BLUES de visita en… Biblioteca Benjamín Franklin Consejo Editorial: Casa de Cultura Iztaccíhuatl Mario Martínez Valdez Blues Club Ruta 61 María Luisa Méndez Flores Casa de Cultura de Azcapotzalco (2) ……………………………...………….. 23 Colaboradores en este número: DE COLECCIÓN El retorno de Cat Stevens/Yusuf Islam. Segunda parte 1. José Luis García Vázquez 120 discos de blues publicados en 2014 (2) ………………………..…..…... 28 2. José Luis García Fernández 3. José Alfredo Reyes Palacios COLABORACIÓN ESPECIAL 1 ¿Blues en español? (10) ..... 38 4. Frino 5. María Luisa Méndez Flores COLABORACIÓN ESPECIAL 2 In Memoriam (2 y 7) …........ 40 6. Fernando Monroy Estrada 7. Félix Fernando Franco Frías -Q.E.P.D.- UNA EXPERIENCIA 8. Yonathan Amador Gómez Jambalaya. -
P32 Layout 1
TV PROGRAMS THURSDAY, JUNE 26, 2014 05:40 Extreme Makeover: Home 05:15 The Chase Edition 06:05 Dancing On Ice 17:45 Liv And Maddie 07:00 What Not To Wear 06:20 Extreme Makeover: Home 07:30 Breathless 18:10 Jessie 07:50 Say Yes To The Dress – Edition 08:25 The Syndicate 18:30 Austin & Ally Bridesmaids 00:45 Human Prey 07:40 Bargain Hunt 09:20 Take On The Twisters 18:55 Mako Mermaids 08:40 Something Borrowed, 01:35 Untamed & Uncut 08:25 Marbella Mansions 10:15 Murdoch Mysteries 19:20 Violetta Something New 20:05 Liv And Maddie 02:25 Shamwari: A Wild Life 09:10 Lorraine’s Fast, Fresh And 11:10 Emmerdale 09:30 Toddlers & Tiaras 20:50 Dog With A Blog 10:20 Say Yes To The Dress 03:15 World’s Wildest Cities: Easy Food 12:00 Coronation Street 21:15 Mako Mermaids 10:45 Say Yes To The Dress Manaus 09:35 Tareq Taylor’s Nordic Cookery 12:30 The Chase 21:40 Austin & Ally 11:10 Cake Boss 04:05 Wildest Indochina 10:00 The Restaurant UK 13:20 Dancing On Ice 22:00 Shake It Up 11:35 Jon & Kate Plus 8 04:55 Animal Cops Houston 10:55 Extreme Makeover: Home 14:45 Murdoch Mysteries Edition 15:35 Take On The Twisters 22:25 A.N.T. Farm 12:00 Little People, Big World 05:45 Dog Rescuers 22:50 Good Luck Charlie 12:25 Oprah: Behind The Scenes 06:10 Dog Rescuers 12:25 Extreme Makeover: Home 16:30 Big Star’s Little Star Edition 17:25 The Hungry Sailors 23:10 Wolfblood 13:15 Secret Eaters 06:35 Breed All About It 23:35 Wolfblood 14:05 Iyanla, Fix My Life 07:00 Animal Airport 13:10 Bargain Hunt 18:20 Murdoch Mysteries 19:10 Coronation Street 14:55 Extreme Couponing