Masonic Composers
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Albert-Lortzing-Gesellschaft E. V. Februar 2009
Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Albert-Lortzing-Gesellschaft e. V. gegründet 2001 Lortzings Wohnhaus, die Große Funkenburg, in Leipzig Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 2 Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Liebe Mitglieder, endlich halten Sie wieder einen Rundbrief in den Händen. Ich freue mich, daß auch diesmal zwei Mitglieder unserer Gesellschaft Beiträge verfasst haben, die den wesentlichen Teil dieses Rundbriefes ausmachen. Darüber hinaus finden Sie erneut Original-Rezensionen einiger Aufführungen durch Mitglieder unserer Gesellschaft sowie weitere Informationen, die hoffentlich Ihr Interesse finden. Das wichtigste Ereignis 2009 ist sicherlich das Mitgliedertreffen in Leipzig und die aus diesem Anlass stattfindende Fachtagung der Musikwissenschaftlichen Abteilung der Hochschule für Musik Felix Mendelssohn Bartholdy. Wir danken Herrn Prof. Dr. Schipperges sehr herzlich für die inhaltliche Planung und Organisation dieser Tagung. Ich wünsche allen einen schönen Frühling und freue mich, Sie bei dem Treffen in Leip- zig persönlich begrüßen zu können. Mit herzlichen Grüßen im Namen des ganzen Vorstands Ihre Irmlind Capelle Detmold, Ende Februar 2009 Impressum: Herausgeber: Albert-Lortzing-Gesellschaft e. V. c/o Prof. Dr. Bodo Gotzkowsky, Leipziger Straße 96, D – 36037 Fulda, Tel. 0661 604104 e-Mail: [email protected] Redaktion: Dr. Irmlind Capelle (V.i.S.d.P.) (Namentlich gezeichnete Beiträge müssen nicht unbe- dingt der Meinung des Herausgebers entsprechen.) © Lortzing-Gesellschaft e. V., 2009 Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Rosina Regina Lortzing geb. Ahles Die Suche nach ihrem Grab Ein Bericht von Petra Golbs Regina Rosina (geb. -
103 the Music Library of the Warsaw Theatre in The
A. ŻÓRAWSKA-WITKOWSKA, MUSIC LIBRARY OF THE WARSAW..., ARMUD6 47/1-2 (2016) 103-116 103 THE MUSIC LIBRARY OF THE WARSAW THEATRE IN THE YEARS 1788 AND 1797: AN EXPRESSION OF THE MIGRATION OF EUROPEAN REPERTOIRE ALINA ŻÓRAWSKA-WITKOWSKA UDK / UDC: 78.089.62”17”WARSAW University of Warsaw, Institute of Musicology, Izvorni znanstveni rad / Research Paper ul. Krakowskie Przedmieście 32, Primljeno / Received: 31. 8. 2016. 00-325 WARSAW, Poland Prihvaćeno / Accepted: 29. 9. 2016. Abstract In the Polish–Lithuanian Common- number of works is impressive: it included 245 wealth’s fi rst public theatre, operating in War- staged Italian, French, German, and Polish saw during the reign of Stanislaus Augustus operas and a further 61 operas listed in the cata- Poniatowski, numerous stage works were logues, as well as 106 documented ballets and perform ed in the years 1765-1767 and 1774-1794: another 47 catalogued ones. Amongst operas, Italian, French, German, and Polish operas as Italian ones were most popular with 102 docu- well ballets, while public concerts, organised at mented and 20 archived titles (totalling 122 the Warsaw theatre from the mid-1770s, featured works), followed by Polish (including transla- dozens of instrumental works including sym- tions of foreign works) with 58 and 1 titles phonies, overtures, concertos, variations as well respectively; French with 44 and 34 (totalling 78 as vocal-instrumental works - oratorios, opera compositions), and German operas with 41 and arias and ensembles, cantatas, and so forth. The 6 works, respectively. author analyses the manuscript catalogues of those scores (sheet music did not survive) held Keywords: music library, Warsaw, 18th at the Archiwum Główne Akt Dawnych in War- century, Stanislaus Augustus Poniatowski, saw (Pl-Wagad), in the Archive of Prince Joseph musical repertoire, musical theatre, music mi- Poniatowski and Maria Teresa Tyszkiewicz- gration Poniatowska. -
LIST of PAPERS in ARS QUATUOR CORONATORUM Website: Author 1 – 1886-8 on Some Old Scottish Masonic Customs R.F
LIST OF PAPERS IN ARS QUATUOR CORONATORUM website: www.quatuorcoronati.com Author 1 – 1886-8 On Some Old Scottish Masonic Customs R.F. Gould The Steinmetz Theory Critically Examined G.W. Speth On an Early Version of the Hiramic Legend Hayter Lewis Freemasonry and Hermeticism A.F.A. Woodford On the Orientation of Temples Warren Connecting Links between Ancient and Modern Freemasonry W.J. Hughan The Religion of Freemasonry Illuminated by the Kabbalah W.W. Westcott The Quatuor Coronati – Arundel MS A.F.A. Woodford English Freemasonry before the Era of Grand Lodges (1717) R.F. Gould The Apostle St Paul, a Mason Tendler The Threefold Division of Temples Simpson Indian Relics Spainhour Unrecognised Lodges & Degrees of Freemasonry before & after 1717 J. Yarker Shall I be a Mason? Tempels Effigy of a Reputed GM of Freemasons in Winchester Cathedral Jacobs Legends of the Compagnonnage – Part I W.H. Rylands Two New Versions of the Old Charges (Wilson, Phillipps, Stanley) G.W. Speth Scottish Freemasonry before the Era of Grand Lodges G.W. Speth The Roman Legend of the Quattro Incoronati Russell Forbes Classification of the Old Charges of the British Masons Begemann Masters’ Lodges Lane The Quatuor Coronati Abroad G.W. Speth Scottish Freemasonry in the Present Era Macbean Relations between Grand Lodges of England & Sweden in Last Century Kupferschmidt 2 – 1889 The Worship of Death Simpson Legends of the Compagnonnage – Part II W.H. Rylands The Foundation of Modern Freemasonry G.W. Speth Freemasonry in Rotterdam 120 Years Ago Vaillant The Origin of Freemasonry Cramer The Grand Lodge at York Whytehead Free and Freemason Schnitger Hogarth’s Picture Night W.H. -
573824 Itunes Lortzing
LORTZING Opera Overtures Der Waffenschmied Undine Der Wildschütz Hans Sachs Malmö Opera Orchestra Jun Märkl Albert Lortzing (1801–1851) though, sketched out a plan for an opera on the subject as wrong Peter. Ivanov hands it to the Tsar, thereby obtaining early as 1845, and he was certainly aware of Lortzing’s the latter’s blessing for his union with Marie. Van Bett was Opera Overtures work. Set in 1517, when Sachs would have been 23 and a yet another of Lortzing’s richly comic bass creations, and Gustav Albert Lortzing was a multifaceted man of the staged work, first produced the evening before his death. young cobbler, Lortzing’s opera centres on Sachs’s Lortzing himself created the tenor role of Peter Ivanov. theatre – actor, singer, librettist, composer and conductor. The relatively brief and sprightly overture sets the scene courtship of his first wife, Kunigunde, daughter of goldsmith Andreas Hofer is, like Der Weihnachtsabend , a one-act Though international currency of his operas has been for a behind-the-scenes one-act piece in the tradition of Steffen (the counterpart of Wagner’s Pogner). Steffen has piece composed in 1832. It features real and imaginary limited, on German stages he was for some 150 years the Cimarosa’s Il maestro di capella , Mozart’s Der offered Kunigunde’s hand as the prize in a singing contest, episodes of the life of the innkeeper and drover who in 1809 most performed composer after Mozart and Verdi. While Schauspieldirektor and similar works. In the castle of a but has arranged that the winner should be Eoban Hesse, led the Tyrolean rebellion against occupation by Bavarian the pace of productions there has slackened over the past Count (another of those comic bass roles), the household an alderman from Augsburg. -
Plenary Lecture
HALL I 09.00 — po.00 PLENARY LECTURE The first Capital cornerstone laying: Masonry, Alexandria, the nation, and the world, c. 1791 PROFESSOR STEVEN C. BULLOCK The 1791 ceremony laying the first boundary marker of District of Columbia was not a particularly impressive event. It attracted no famous figures. Even the stone itself was soon replaced. But the seemingly unremarkable ritual that took place almost exactly 220 years ago in Alexandria, just a few miles from the conference site, provides a means of examining some of the most significant elements of Masonry during those years. An examination of the ceremony and the brothers who participated in it highlights the connections that tied them and their town together, that linked them to the new nation and to its growing national economy, and that allowed them to participate in a transatlantic cultural world. Besides participating in these relationships, the fraternity also built and sustained them--allowing its members to fulfill the goal of a much more recent slogan, thinking globally while acting locally. 1111 HA _L" 10.30 —12 NOON SESSION I: MOZART AND FREEMASONRY CHAIR — HARRIET SANDVALL, UK Paper Ia: Mozart: The contrapuntal temple in the last symphony Neva Krysteva, Bulgaria If we discuss the "classical aspect" of Mozart's nature and "recognize" the same Masonic idea in the Requiem and in The Magic Flute, we think in the categories of humanity and universalism. The same can be said in other terms: Mozart is a representative of more than one meaning of the word Masonry: operative meaning ("Kunste," or "Arbeit") and speculative ("Klugheit,") aspects. -
Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A. -
Dezember 2004 Albert-Lortzing-Gesellschaft E
Rundbrief Nr. 2 Albert-Lortzing-Gesellschaft e. V. Dezember 2004 Albert-Lortzing-Gesellschaft e. V. gegründet 2001 Albert Lortzing Rolands Knappen oder Das ersehnte Glück (1849) Rundbrief Nr. 2 Albert-Lortzing-Gesellschaft e. V. Dezember 2004 Rundbrief Nr. 2 Albert-Lortzing-Gesellschaft e. V. Dezember 2004 — 2 Liebe Mitglieder! Leider ist jetzt doch fast ein Jahr vergangen, bis Sie einen zweiten Rund- brief in den Händen halten. Dabei waren die Reaktionen auf den ersten durchaus positiv und ermunternd. Doch hatte mich im Herbst die Redaktion der ersten Buch-Publikation (s. S. 15) so fest im Griff, daß ich beim besten Willen zu nichts anderem gekommen bin. Dem Wunsch, den Rundbrief zu einem Forum der Mitglieder zu machen, konn- ten wir bei Nr. 2 bereits etwas näher kommen. Wir bitten auch weiterhin alle Mitglieder, uns Berichte von Aufführungen etc. zu schicken. Vielleicht ist auch jemand interessiert, CD-Rezensionen zu schreiben? Wir wünschen allen Mitgliedern eine schöne Vorweihnachtszeit und alles Gute zum neuen Jahr, in dem wir uns hoffentlich zahlreich wiedersehen werden. Detmold, im Dezember 2004 Im Auftrag des Vorstands: Irmlind Capelle Impressum: Herausgeber: Albert-Lortzing-Gesellschaft e. V. c/o Prof. Dr. Bodo Gotzkowsky, Leipziger Straße 96, D – 36037 Fulda Tel. 0661 604104 e-Mail: [email protected] Redaktion: Dr. Irmlind Capelle (V.i.S.d.P.) (Namentlich gezeichnete Beiträge müssen nicht unbedingt der Meinung des Herausgebers entsprechen.) © Lortzing-Gesellschaft e. V., 2004 Rundbrief Nr. 2 Albert-Lortzing-Gesellschaft e. V. Dezember 2004 Rundbrief Nr. 2 Albert-Lortzing-Gesellschaft e. V. Dezember 2004 — 2 Rolands Knappen oder: Das ersehnte Glück Komisch-romantische Zauberoper in drei Akten, nach Musäus‘ gleichnami- gem Märchen frei bearbeitet von G. -
Zar Und Zimmermann Zar Und Zimmermann Von Albert Lortzing
BIOGRABIOGRAFFFFIENIENIENIEN:::: Premiere Zar und Zimmermann von Albert Lortzing / 222222.22 ...00006666.... Iris Ini Gerath (Inszenierung(Inszenierung)))) wurde in Düsseldorf geboren und studierte zunächst in Frankfurt und Berlin Germanistik, Philosophie, Theater-, Film- und Fernsehwissenschaften sowie Komparatistik. An der Oper Frankfurt – zur Zeit der Gielen/Zehelein-Ära – war sie Mitarbeiterin der Dramaturgie. Anschließend ging sie als Regieassistentin an das Hessische Staatstheater Wiesbaden, zunächst im Bereich Schauspiel, später im Bereich Oper. In Wiesbaden hat sie als erste Spielleiterin über 50 Produktionen betreut. In den letzten Jahren war sie als Gast- Regisseurin an verschiedenen deutschen Theatern engagiert. Neben ihren Tätigkeiten am Theater veranstaltet sie eigene Lesungen und kümmert sich intensiv um die Ausbildung von Studierenden. So ist sie seit Herbst 2003 Dozentin für Szenischen Unterricht an der Wiesbadener Musikakademie. Am Theater Lüneburg inszenierte Iris Ini Gerath in der Spielzeit 2010/2011 bereits das Musical Aida sowie zuletzt 2012/2013 Die Fledermaus . Barbara Bloch (Ausstattung) stammt aus München und studierte Bühnen- und Kostümbild am Salzburger Mozarteum, an der Hochschule für Musik und Darstellende Kunst, bei den Professoren H. B. Gallee und H. Kapplmüller. Während ihres Studiums sammelte sie erste Erfahrungen im Bereich Bühnen- und Kostümbild an den Münchner Kammerspielen und bei den Salzburger Festspielen und realisierte erste eigene Entwürfe für ein Projekt mit George Tabori in Zusammenarbeit mit der Oper Leipzig. Es folgten Arbeiten für die Kreuzgangspiele Feuchtwangen unter Imo Moszkowicz. Seit 1995 ist Barbara Bloch für das Theater Lüneburg in den Sparten Schauspiel, Ballett und Musiktheater als Bühnen- und Kostümbildnerin tätig und leitet die künstlerischen Werkstätten. Darüber hinaus führten sie seit 2000 Arbeiten zu den Burgfestpielen Jagsthausen, ans Theater Lübeck, Theater Regensburg, Stadttheater Bremerhaven sowie ans Theater Chemnitz. -
Freemasons' Magazine Masonic Mirror
TT. AUDI, VIDE , TACE. THE FREEMASONS' MAGAZINE AND MASONIC MIRROR. VOL. XVIII. (NEW SEBIES ) JANTJiET TO JUNE , 1868. LONDON : PUBLISHED FOR THE FREEMASONS' MAGAZINE COMPANY, LIMITED, AT THE OFFICE- OF THE SAID COMPANY, No. 19, SALISBURY STREET, STRAND, W.C. 1868. LONDON : PRINTED BY THE FREEMASONS' MAGAZINE COMPANY, LIMITED, AT THE " SCIENTIFIC PRESS," 3, RUSSELL COURT, BRYDGES STREET, COVENT GARDEN, W.C. THE FREEMASONS' MAGAZINE AND MASONIC MIEEOE. ADDRESS TO OUR READERS. IN accordance with " time-honoured custom," the completion of the 18fch Vol. of the New Series of the FREEMASONS' MAGAZINE AND MASONIC MIEROE is now availed of to address our readers. "With a view to carry out the proposal some time ago started for enabling the publishing price of the MAGAZINE to be reduced, and its circulation greatly increased, the preliminary steps have been taken,' and" it now only remains for our friends and the well wishers of the MAGAZINE to come forward and aid us in completing the project, in the successful carrying out of which, all the members of the Masonic fraternity, whether holding under the English, Scottish, or Irish constitutions, are interested to a much greater extent than those who have hitherto been connected with the MAGAZINE as a property. Now that the course of transferring the future publication of the MAGAZINE to a Joint Stock Company with " Limited Liability" has been determined upon, we earnestly invite the co-operation of its friends and supporters ; and, as it is not thought desirable to parade our Order and its only recognised Organ before the public, and as it is not believed to be necessary to appeal to the public to take shares in the Company, it is not proposed to issue any advertisements or public announcements ; it is therefore hoped that any application further a field for the remainder of the capital required, will be unnecessary. -
Freemasonry & Israelitism
TABLE OF CONTENTS of Darius was in the year 507 B.C., and, if Then, there is the promised glory of PAGE we go hack a thousand years from this Jerusalem : Israel and Judah have come FREEMASONRY AND ISRAELITISH 435 & 436 ROYAL MASONIC I NSTITUTION FOR BOYS— period, we are brought to that of the mis- out of the north country to Mount Zion, the Summer FSte 436 & 437 sion of Moses, who, in Deut. xxxiii. 5, is glory of which covers the earth— ROYAL MASONIC BENEVOLENT I NSTITUTION .. 437 said to have been " King in Jeshurun (that "A hall stands brighter than the sun, PROV. GRAND LODGE OF CORNWALL 437, 43S, & 439 Covered in gold, in Gimle. IRST ISTRICT RAND ODGE OF when the heads of the people THE F D G L is Israel), There virtuous people will dwell, EWFOUNDLAND N 439 and the tribes of Israel were gathered ¦And for ages enjoy every good." MASONIC FESTIVITIES — " xviii. This I Picnic at Sunderland .. ... ... ... 439 together (see Gen. 13—27). No one, I think, can read this extra- THE FREEMASONS ' LIFE BOAT 439 take to be a most remarkable fact, which ordinary poem, extravagant as, upon the BIRTHS, MARRIAGES, AND DEATHS 440 should not he lightly estimated. But to whole, it seems to be, without seeing evi- ANSWERS TO CORRESPONDENTS ... 440 AMERICAN AND BRITISH MASONRY ... 440 & 441 proceed. 'The authors to whom I have dences of Israelitish traditions in it; and MULTUM IN PARVO 441 & 442 referred , evidently knew very little about the notion once entertained ; that the ORIGINAL CORRESPONDENCE 442 this people, but they all concur in finding people -
Heredom, Volumes 1–26, 1992–2018 Prepared by S
Combined Index Heredom, Volumes 1–26, 1992–2018 Prepared by S. Brent Morris, 33°, G\C\ Numbers 29°. See Kt of St Andrew Sprengseysen (1788) 9:259 1°. See Entered Apprentice Degree 30°. See Kt Kadosh Abi, Abif, Abiff. See Hiram Abif. 2°. See Fellow Craft Degree 31°. See Inspector Inquisitor Abiathar, priest of Israel 25:448, 450, 3°. See Master Mason Degree 32°. See Master of the Royal Secret 456 4°. See Secret Master Degree 33°. See Inspector General, 33° Abiram (Abhiram, Abyram), password, 5°. See Perfect Master Degree (Sacred 43°, Sup Coun. See Forty-third Degree, Elect of Pérignan 2:93 Fire, NMJ) Sup Coun Abiram (Abhiram, Abyram, Akirop), 6°. See Confidential Secretary Degree assassin of Hiram Abif 1:69; (Master of the Brazen Serpent, A 72–74; 2:90, 92, 95n5; 3:38, 43, 45; NMJ) A and G, letters, interlaced 3:29, 33, 36; 4:113, 118; 6:153, 164; 25:492; 26:230, 7°. See Provost and Judge Degree 26:251 232. See also “Masonic Assassina- 8°. See Intendant of the Building Degree “A’ The Airts The Wind Can Blaw, Of,” tion of Akirop” (David and Solomon, NMJ) R. Burns 26:62 assassination of by Joabert 12:58, 60 9°. See Élu of the Nine Degree (Master Aachen Cathedral, Eye of Providence killed in cave under burning bush of the Temple, NMJ) 20:187 3:40 10,000 Famous Freemasons, W. Denslow AAONMS. See Shriners meaning and variations of name (1957) 23:115 Aaron (brother of Moses) 1:79n; 2:95n5; 3:46; 4:119 10°. -
The String Quartet from 1750 to 1870: from the Private to the Public Sphere
INTERNATIONAL CONFERENCE THE STRING QUARTET FROM 1750 TO 1870: FROM THE PRIVATE TO THE PUBLIC SPHERE 29 November – 1 December 2013 Lucca, Complesso monumentale di San Micheletto PROGRAMME ORGANIZED BY CENTRO STUDI OPERA OMNIA LUIGI BOCCHERINI www.luigiboccherini.org THE STRING QUARTET FROM 1750 TO 1870: FROM THE PRIVATE TO THE PUBLIC SPHERE International Conference 29 November – 1 December 2013 Lucca, Complesso monumentale di San Micheletto Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane - Centre de musique romantique française, Venice In association with Italian National Edition of Luigi Boccherini’s Complete Works Ad Parnassum Journal ef SCIENTIFIC COMMITEE Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini) Étienne Jardin (Palazzetto Bru Zane - Centre de musique romantique française) Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini) Luca Lévi Sala (Université de Poitiers) Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini) Christian Speck (Universität Koblenz-Landau) ef KEYNOTE SPEAKERS Cliff Eisen (King’s College, London) Christian Speck (Universität Koblenz-Landau) FRIDAY 29 NOVEMBER 9.00-10.00: Welcome and Registration 10.00-10.30: Opening • MASSIMILIANO SALA (President Centro Studi Opera Omnia Luigi Boccherini) • ÉTIENNE JARDIN (Scientific Coordinator Palazzetto Bru Zane) • CHRIstIAN SPECK (President Italian National Edition of Boccherini’s Complete Works) Room 1 – Beethoven and the String Quartet (Chair: Rohan H. Stewart-MacDonald, Cheltenham, UK) 10.30-12.30 • Nancy