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1 Bio-Data Name: Dr. Md. Gayasuddin Prof. & Head, Department of Urdu
1 Bio-data Name: Dr. Md. Gayasuddin Prof. & Head, Department of Urdu Dr.Babasaheb Ambedkar Marathwada University Aurangabad- 431004, Maharashtra (India) Academic Qualifications: Ph.D. : 1991 A.M.U. (A Comparative Study of the Problems of Communalism in Urdu and Hindi Short Stories 1948-78) M.Phil. :1988 A.M.U. (A Critical Study of the Short Stories of Krishna Chandra) M.A. :1984 A.M.U. 1st Class 1st Position Gold Medal B.A.(Hons.) :1980 L.N.M.U. 1st Division (Darbhanga) Teaching Experience: : 28 Years Assistant Professor :1988-1998 (10 years)University of Pune, Maharashtra (India) Associate Professor (CAS) :1998-2006 (7 years)University of Pune, Maharashtra (India) Professor (Direct) : 2006 - till date (11 years completed) Dr. Babasaheb Ambedkar Marathwada University, Aurangabad, Maharashtra (India) Teaching Experience Classwise: U.G. 17 Years P.G. 28 Years M.Phil. 08 Years Administrative Experience: 17 years as Head of Departments Research Experience: 28 Years Field of Specialization: Fiction Publications: 2 Books Published:12 01.”Zawal-e- Adam-e- Khaki” (Novel) Pages:388 ISBN No. 978-93-5073-090-4 published from Educational Publishing House Delhi in 2013. 02. “Azab-e-Danish-e-Hazir” (Novel) Pages: 575 ISBN No. 978-93-5073-607-04 published from Educational Publishing House Delhi in 2015 03. “Sohbat-e-Peer Hindi” (Novel) Pages:150 ISBN No. published from Educational Publishing House, Delhi in 2017 04. “Qissa-e- Roz-o-Shab” (Short Stories) Pages: 250 ISBN:978-93-86285 published from Educational Publishing House, Delhi in 2016. 05.”Firqawariyat Aur Urdu Hindi Afsana” (Criticism & Research) Pages:448 ISBN No.81-6232-83-4 published from Educational Publishing House Delhi in 1999. -
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The M. A. Examination in English
UNI * £itSITY O * DELHI SCHELL OF EXAMINATION AND COC O E S OF READING FOR THE M. A. EXAMINATION IN ENGLISH Syllabus applicable for students seeking admission to . the M. A. Course in English in the academic year 2009-10 2 The M.A. English syllabus comprises 16 courses to be taught over 4 semesters and two years. Semester 1 Courses 0101 - 0104 Semester 2 Courses 0201 - 0204 Semester 3 Courses 0301 - 0304 Semester 4 Courses 0401 - 0404 Courses 0104,0203, 0304 and 0403 offer options. Students will be required to opt for one of the two or three optional papers listed under each of these courses. However, the Department of Eng lish reserves the right to withdraw an optional paper at the beginning of the concerned semester. Note: Over and above the courses taught at the department, students will be required to opt courses, one each during the 2nd and 4th semesters, outside the department acrc^ faculties depending on the availability of seats and the eligibility criteria set down by the concerned department. However, in case interdisciplinary courses are no£ a vailable, the number of electives to be chosen for paper 0203 and 04i>3 respectively will be two. SCHEME OF EXAMINATION Students will be evaluated on the basis of a wrL.sn examination at the end of each semester and internal assessment for each course during the semester. Each paper will be of three hours’ d. ,ation, and the maximum marks for each paper will be 70. The internal assessment for each course will be for 30 marks, out of which 25 marks will be for assignments given by the Department and 5 marks ibr tutorials in the respective colleges. -
HUNTING DIRTY MONEY How Enforcement Directorate Used Anti-Money-Laundering Operations to Become India’S Top Crime-Ghting Agency, Even Surpassing the CBI
SPECIAL REPORT HATHRAS SHIVRAJ SINGH CHOUHAN WHERE FEAR RULES WE FIGHT TO WIN, ONLY WIN US ELECTION & THE JOURNALISM WITH A HUMAN TOUCH www.theweek.in TheWeekMag TheWeekLive $ 60 INDIAN-AMERICAN VOTE FOREIGN WEED THREATENS WHEAT CROPS McKINSEY (INDIA) CHIEF: MOST SEVERE GDP DECLINE OCTOBER 18, 2020 OCTOBER IN FOUR DECADES HUNTING DIRTY MONEY How Enforcement Directorate used anti-money-laundering operations to become India’s top crime-ghting agency, even surpassing the CBI PLUS Government indulging in smear campaign DAVID GRIFFITHS, AMNESTY INTERNATIONAL ED has become Modi government’s puppet V. NARAYANASAMY, CHIEF MINISTER, PUDUCHERRY VOL. 38 NO. 42 THE WEEK OCTOBER 18 2020 VOL. 38 NO. 42 THE WEEK OCTOBER 18 2020 FOR THE WEEK OCTOBER 12 - OCTOBER 18 FOR THE WEEK OCTOBER 12 - OCTOBER 18 16 42 63 AP SPECIAL REPORT @LEISURE US ELECTION AHLAWAT SANJAY NAIR VISHNU V. Joe Biden and Kamala Harris are There are many offshoots of Most circus companies in India pulling out all stops to woo the the Hathras crime, but in its are reluctant to go online despite Indian-American community root lies fear taking multiple hits 30 COVER STORY 26 MADHYA PRADESH We will win all bypoll COLUMNS seats: Shivraj Singh 13 POWER POINT Chouhan, chief minister, Sachidananda Murthy Madhya Pradesh 19 SOUND BITE 28 COMMUNISM Anita Pratap IN INDIA @100 25 FORTHWRITE India’s first woman Meenakshi Lekhi comrade, Suhasini Chattopadhyay, remains 52 SCHIZO-NATION Anuja Chauhan largely uncelebrated in the country’s 59 DETOUR TARGET LOCKED political ‘his’tory. Shobhaa De ED personnel after 74 LAST WORD raiding jewellery 54 THE WEEK VIP Shashi Tharoor shops in Viviana India’s GDP could Mall, Thane, in con- contract between 9 nection with the and 12 per cent in the PTI Nirav Modi case agriculture. -
Semester: Fall 2015 Office Hours: MW 12-1, PAR 27
UGS 303 Bollywood, India, and After Instructor: Shingavi, S – Cross-lists: N/A [email protected] Flags: N/A Unique #: 61495, 61500, 61505, 61510, 61515, TA: 61520 Computer Instruction: N Semester: Fall 2015 Office Hours: MW 12-1, PAR 27 Description: Bollywood cinema became a global phenomenon sometime after the economic liberalization of India. It became, in many ways, the cultural ambassador for an “India Shining,” the impossible dream of uninterrupted growth, for the rest of the world. But Bollywood’s roots were much grittier, with the social films of the 60s and the “Angry Young Men” films of the 1970s and 1980s, the progressive theater, and more. This long history of Bollywood is also in many ways a reflection of important historical changes that India has undergone: urbanization, globalization, uneven economic development. This class is broken up (more or less) into four historical periods: 1947-1975 (the era of high nationalism); 1975-1991 (the Emergency to the Economic Reforms); 1991-2004 (from Mandir, Masjid, Mandal to “India Shining”); and 2004-present. We will trace representations of India in cinema by looking at three classic landscapes: the country, the city (Bombay), and the slums. The goal of organizing the class in this way is not only to provide a sort of filmic history of India, but also to see how changes in the economy and in the social organization of India affected cultural representations of stock figures (the peasant, the slum dweller, the super-rich urbanite, etc.). We will also be particularly interested in considering representations of women, Muslims, and the lower castes (also called scheduled or backward castes). -
Annual Report 2019-20
GOVERNMENTOFINDIA MINISTRYOFHOMEAFFAIRS AnnualReport 2019-20 AnnualReport2019-20 CONTENTS Chapter-1 1-5 MandateandOrganisationalStructureoftheMinistryofHome Affairs Chapter-2 6-28 InternalSecurity Chapter-3 29-48 BorderManagement Chapter-4 49-53 Centre-StateRelations Chapter-5 54-61 CrimeScenariointheCountry Chapter-6 62-69 HumanRightsandNationalIntegration Chapter-7 70-113 Union Territories Chapter-8 PoliceForces 114-152 Chapter-9 153-179 OtherPoliceOrganizationsandInstitutions Chapter-10 180-200 DisasterManagement Chapter-11 201-214 InternationalCooperation Chapter-12 215-236 MajorInitiativesandSchemes Chapter-13 237-256 Foreigners,FreedomFighters’ PensionandRehabilitation Chapter-14 257-273 WomenSafety Chapter-15 274-289 Jammu,KashmirandLadakh Affairs Chapter-16 290-306 RegistrarGeneralandCensusCommissioner,India Chapter-17 307-321 MiscellaneousIssues Annexures (I-XIX) 323-363 MANDATEANDORGANISATIONALSTRUCTUREOF Chapter-1 THEMINISTRYOFHOMEAFFAIRS 1.1 The Ministry of Home Affairs (MHA) 1.3 The list of existing Divisions/ discharges multifarious responsibilities, the Department of the Ministry of Home Affairs important among them being - internal security, indicating major areas of their responsibility border management, Centre-State relations, are as below: administration of Union Territories, Administration Division management of Central Armed Police Forces, disaster management, etc. Though in terms of 1.4 The Administration Division is Entries 1 and 2 of List II – 'State List' – in the responsible for handling all administrative and Seventh Schedule to the Constitution of India, vigilance matters and allocation of work 'public order' and 'police' are the responsibilities among various Divisions of the Ministry. of States, Article 355 of the Constitution enjoins Administration Division is also the Nodal the Union to protect every State against external Division for matters relating to Right to aggression and internal disturbance and to Information Act, 2005. -
Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
DOCTORAL DISSERTATIO Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the ‘Muslim’ Courtesan (tawaif) in Hindustani cinema Farhad Khoyratty Supervised by Dr. Felicity Hand Departament de Filologia Anglesa i Germanística Universitat Autònoma de Barcelona 2015 Table of Contents Acknowledgements iv 1. Introduction 1 2. Methodology & Literature Review 5 2.1 Methodology 5 2.2 Towards Defining Hindustani Cinema and Bollywood 9 2.3 Gender 23 2.3.1 Feminism: the Three Waves 23 2.4 Feminist Film Theory and Laura Mulvey 30 2.5 Queer Theory and Judith Butler 41 2.6 Discursive Models for the Tawaif 46 2.7 Conclusion 55 3. The Becoming of the Tawaif 59 3.1 The Argument 59 3.2 The Red Dupatta 59 3.3 The Historical Tawaif – the Past’s Present and the Present’s Past 72 3.4 Geisha and Tawaif 91 4. The Courtesan in the Popular Hindustani cinema: Mapping the Ethico-Ideological and Mythopoeic Space She Occupies 103 4.1 The Argument 103 4.2 Mythopoeic Functions of the Tawaif 103 4.3 The ‘Muslim’ Courtesan 120 4.4 Agency of the Tawaif 133 ii 4.5 Conclusion 147 5. Hindustani cinema Herself: the Protean Body of Hindustani cinema 151 5.1 The Argument 151 5.2 Binary Narratives 151 5.3 The Politics of Kissing in Hindustani Cinema 187 5.4 Hindustani Cinema, the Tawaif Who Seeks Respectability 197 Conclusion 209 Bibliography 223 Filmography 249 Webography 257 Photography 261 iii Dedicated to My Late Father Sulliman For his unwavering faith in all my endeavours It is customary to thank one’s supervisor and sadly this has become such an automatic tradition that I am lost for words fit enough to thank Dr. -
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RNI Regn. No. CHHENG/2012/42718, Postal Reg. No. - RYP DN/34/2013-2015 &-#.&(*/" . N899:O&(430 ,3$ $3 .3& 6((.(&0;& (1 /1, '$3 + 31+ ,+$(0& &$ /&/,& $/ & ;(</ 3+3&(&=&,; 3110 01&43.8@'0.. ( &,$ 4(&+5/64 45&&6 >9 ?0 ( ! "!+0*12 '*+3 ! "!#$%&' (# )!* '' + P ! $((1 / Singh Chouhan is fielded from also inducted two SP leaders, Dina Patil, who had lost to Lok Sabha seat in 1999 and # the seat. former UP Minister Ram Sakal Somaiya in the 2014 elections. 2014. he BJP has fielded rebel Another probable close Gurjar and ex-MLA Rajendra BJP-Sena together is pitted Commenting on denial of TCongress MLC Dinesh contest is shaping up at the Singh, into the party with against Congress-NCP alliance ticket to Somaiya, BJP Pratap Singh against UPA Kayastha-dominated Patna Union Minister Piyush Goyal in Maharashtra with 48 Lok spokesperson Madhav $ % chairperson Sonia Gandhi Sahib from where the BJP has claiming that their decision Sabha seats. The BJP is con- Bhandari said all decisions &!' from Rae Bareli and well- fielded Union Minister Ravi showed the Narendra Modi testing three out of six seats in related to fielding candidates ( known Bhojpuri actor and Shankar Prasad against whom Government’s all-round Mumbai and sharing rest three are taken by the party’s Central singer Dinesh Lal Yadav, alias “Bihari Babu” Shatrughan acceptability. with the Sena. Parliamentary Board. O$ Nirahua, against Samajwadi Sinha, who quit BJP and like- Kotak’s candidature came “A lot of thought process Party chief Akhilesh Yadav ly to join Congress this week, as a big shock to Somiaya, who goes into selection of a candi- # from Azamgarh as the ruling is to re-contest. -
Mediating Gender: Gender and The
Issue 2002 2 Mediating Gender: Gender and the Media Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As English Department an electronic journal, gender forum offers a free-of- Albertus-Magnus-Platz charge platform for the discussion of gender-related D-50923 Köln/Cologne topics in the fields of literary and cultural production, Germany media and the arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Tel +49-(0)221-470 2284 Inaugurated by Prof. Dr. Beate Neumeier in 2002, the Fax +49-(0)221-470 6725 quarterly issues of the journal have focused on a email: [email protected] multitude of questions from different theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews Editorial Office and occasionally interviews, fictional pieces and poetry Laura-Marie Schnitzler, MA with a gender studies angle. Sarah Youssef, MA Christian Zeitz (General Assistant, Reviews) Opinions expressed in articles published in gender forum are those of individual authors and not necessarily Tel.: +49-(0)221-470 3030/3035 endorsed by the editors of gender forum. email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th Prof. Dr. Mita Banerjee, edition) and should be between 5,000 and 8,000 words in Johannes Gutenberg University Mainz (Germany) length. Please make sure to number your paragraphs Prof. Dr. Nilufer E. -
Curriculum Vitae
CURRICULUM VITAE 1. Name in full : Dr. KARAN SINGH UTWAL 2. Father’s Name : SRI. JEETH SINGH Cell: 9849441956. 3. Email : [email protected] 4. Official Address : Associate Professor & Head, Dept., of Hindi, Maulana Azad National Urdu University, Gachi Bowli, Hyd. Ph. 040 23008303. 5. Religion : Hindu 6. Native Place : Hyderabad. 7. Highest Educational Qualification: PhD Ph.D. Research topic : Hindi Katha Sahitya Ka Natyarupantaran: Ek Vishleshanatmak Adhyayan. 8.Experience S. Name of the Post Period Reason of No. Organizatin Held Leaving From To 1. Hindu College for Hindi 03-10- 29-02-2004 Appointed at Women, Sanathnagar, Hyd Lecturer 1997 R.S.V. Tirupati 2. Dr. B.R.A.O University, Hindi 19-10- 10-04-2004 Appointed at Study centre. Begumpet, Councilor 2003 RSV Tirupati Hyd. 3. St. Franics College for Hindi 06-06- 15-09-1998 Leave Vacancy 1 Women, Begumpet, Hyd. Lecturer 1998 4. St. Francis College for Hindi 07-11- 25-01-2001 Leave Vacancy Women, Begumpet, Hyd Lecturer 2000 5. Geetanjali College for Hindi 10-06- 29-02-2004 Appointed at Women, Punjaguta, Hyd. Lecturer 2001 RSV Tirupati 6. Rashtriya Sanskrit Hindi 21-04- 16-04-2007 Appointed at Vidyapeetha (Deemed Lecturer 2004 MANUU University) Tirupati 7. Maulana Azad National Asst. 17-04- Till Date Urdu University, Professor 2007 Gachibowli, Hyd. 9.Books Publication List. S. Book Title Publisher Year ISBN No 1. Dil jalon ka Mushayara Milind Prakashan 2005 81-7868-049-1 Hyderabad 2. Kahani Ka Rangmanch Jawahar 2008 81-8111-098-6 aur Natyarupantaran Pustakalaya,Mathura 3. Hyderabad ka Rangkosh National Publishing 2012 978-81-214- House,New Delhi 0727-4 4. -
The Rise of Urdu Economic Thought in Colonial India A
A SCIENCE OF SOCIETY: THE RISE OF URDU ECONOMIC THOUGHT IN COLONIAL INDIA A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Osama Rehan Siddiqui May 2019 © 2019 Osama Rehan Siddiqui A SCIENCE OF SOCIETY: THE RISE OF URDU ECONOMIC THOUGHT IN COLONIAL INDIA Osama Rehan Siddiqui, Ph. D. Cornell University 2019 This dissertation examines the translation and reception of classical political economy in colonial India in the nineteenth century. Drawing on a largely unexplored archive of Urdu- language translations of political economists such as James Mill, John Stuart Mill, Alfred Marshall, and others, the dissertation traces how the works of these thinkers circulated in India in a vernacular idiom. While classical political economy has frequently been seen as inextricably entangled with imperial ideology or as an instrument of colonial governmentality, this dissertation argues instead that it was actively claimed and refashioned by Indians to develop a language of social science and ethical critique. In doing so, the dissertation offers a new case study of how British economic ideas circulated globally in the nineteenth century and how they were transformed in different contexts. The dissertation shows that, far from treating political economy as a hegemonic colonial discourse, Indian intellectuals engaged critically with it and re-made it in their own terms. One of the key ways in which they did so was by interpreting it through existing Indian ideas about wealth and society. In particular, to make sense of one of the central claims of political economy – namely the notion that society was a network of abstract interdependence mediated by relations of production – Indian translators turned to earlier theoretical models of social and civic interdependence. -
Etiquette and Grooming in the Novel Umrao Jaan Ada
ETIQUETTE AND GROOMING IN THE NOVEL UMRAO JAAN ADA DR. D. PARAMESHWARI Asst. Professor Dept of English Nizam College Hyderabad (TS) INDIA The different genres of ‘Islamicate’ films show a variety of clothing that is regarded as appropriate for muslims to wear in the Mughal court, in the Courtesans ‘Kotah’. The Courtesans have a ‘tehzeeb’ (etiquette) to follow and are well groomed to entertain the customers. while the historical drew on historical documents and both drew on art, chromolithography and theatre. INTRODUCTION Muslim men often wear unremarkable clothes such as western style outfits or Kurta- Pyjammas, but may be shown wearing clothing that marks them as Muslims. Some muslim men , like Hindu holy men, intellectuals, baddies and Sikhs wear beards and they may wear small muslim caps as one of the friends in salim langde pe mat ro (1989, dir. Saeed Mirza), who wears a cap and a kurta while the other muslims wear western clothes. For formal occasions, in particular in historical films, Muslim men wear Sherwanis and loose or tight Pyjamas. This was the dress adopted by Nehru and is often regarded as the formal dress in India, as it adapted from courst dress, although the Nehru cap is not a Muslim item. Pathans wear a particular style of turban and embroidered waistcoats, as ‘Pran’ in Zanjeer (1973, dir. Prakash Mehra), While Punjabi Muslims wear a type of salwar khameez. Sometimes clothing is specifically Muslim, even though it would not be realistic. For example, the students wear fezzes in phool (1942, dir. K. Asif), which may have been worn by supporters of the DR.