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Driving Miss Daisy Flame.Indd
Women’s Health CLINIC FEBRUARY 2014 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE A Hilarious, Heartwarming Must-See FOR OVER THREE DECADES THE FIRESIDE HAS BEEN KNOWN FOR PRODUCING BIG, BRIGHT MUSICAL COMEDIES AND SPECTACULAR MUSICAL REVUES. MUSICAL THEATRE HAS BEEN MY SPECIALTY AND MY PASSION SINCE I SAW MY FIRST BROADWAY MUSICAL AT AGE 6. I TAKE GREAT PRIDE WHENEVER SOMEONE MARVELS AT HOW WE CAN TAKE A BIG BROADWAY MUSICAL AND PUT IT ON OUR SMALL ARENA STAGE WITHOUT LOSING ANY OF ITS WONDER. MUSICALS HAVE BEEN, WITHOUT A DOUBT, THE MAIN DISH ON THE FIRESIDE’S THEATRICAL MENU SINCE WE FIRST OPENED. Then why is it that one of the most I am very excited about directing our popular shows in Fireside history (as well production of this unforgettable play this as in theatrical history) is a three person spring. I have directed DRIVING MISS play about an elderly white woman, her DAISY twice before – once here and aging African American chauffer, and once in a theatre in Ohio and I can her beleaguered middle aged son told honestly say that of all the wonderful simply without a song or a dance in sight. shows I have directed in my 45+ years Is it because we see ourselves and our as a professional director that no other loved ones in this heart-warming tale? Is play has touched my heart more deeply “ Millions of people rank this it because it is hilariously funny without than DAISY. And I am not alone. -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
Bonnie Jo Campbell Starring
Presents Wri*en & Directed by: Haroula Rose Based on the Novel by: Bonnie Jo Campbell Starring: Kenadi DelaCerna, John Ashton (Beverly Hills Cop, Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Indian Horse, Caleb, “Outlander”), Sam Straley (Hala, “The Kids Are Alright,” “Chicago P.D.”), Coburn Goss (Man of Steel, Batman v Superman: Dawn of JusDce, What Women Want), Lindsay Pulsipher (“True Blood,” “JusHfied,” “HaKields & McCoys”), Kenn E. Head (“ER,” Brat 2, “Chicago Fire”) 92 mins // USA // Color // English Website // Facebook // Twi*er // Instagram Publicity Contacts [email protected] | [email protected] Falco Ink. 212-445-7100 FESTIVALS & AWARDS Bentonville Film FesHval - Centerpiece SelecHon, World Premiere Efebo d'Oro, Palermo Italy (internaHonal premiere) - WINNER of the Golden Efebo, WINNER Award presented by League of Women (for portrayal of women in film) Tallgrass Film FesHval - WINNER Stubbornly Independent Award Oxford Film FesHval - WINNER Alice Guy Blache Emerging Female Filmmaker Award Bend Film FesHval - WINNER Best Director Boston Film FesHval - WINNER Best Director Sun Valley Film FesHval - WINNER One In A Million Award MINT ( Montana InternaHonal) - WINNER Best Film, WINNER Special Jury Award for Best AcHng Gallup Film FesHval — WINNER Best Actress; WINNER Best NarraHve Feature Film Will Rogers MoHon Picture Film FesHval - WINNER , Best Indigenous Feature Blow-Up Chicago Arthouse Film FesHval - FINALIST , Stanley Kubrick Award Red NaHon Film -
The Dramatization of the Diary of Anne Frank and Its Influence on American Cultural Perceptions
GOOD AT HEART: THE DRAMATIZATION OF THE DIARY OF ANNE FRANK AND ITS INFLUENCE ON AMERICAN CULTURAL PERCEPTIONS A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Whitney Lewis Stalnaker May, 2016 © Copyright All rights reserved Except for previously published materials Thesis written by Whitney Lewis Stalnaker B.S., Glenville State College, 2011 M.A., Kent State University, 2016 Approved by Dr. Richard Steigmann-Gall , Advisor Dr. Kenneth Bindas , Chair, Department of History Dr. James Blank , Dean, College of Arts and Sciences TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................... iii PREFACE ........................................................................................................................................v ACKNOWLEDGMENTS ............................................................................................................. ix INTRODUCTION ...........................................................................................................................1 Historiography ...............................................................................................................5 Methodology ..................................................................................................................9 Why This Play? ............................................................................................................12 CHAPTERS -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
Ian Wooldridge Director
Ian Wooldridge Director For details of Ian's freelance productions, and his international work in training and education go to www.ianwooldridge.com Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Theatre Production Company Notes ARTISTIC DIRECTOR, ROYAL LYCEUM THEATRE COMPANY, EDINBURGH, 1984-1993 THE TAMING OF THE SHREW Royal Lyceum Theatre Shakespeare Company, Edinburgh MERLIN Royal Lyceum Theatre Tankred Dorst Company Edinburgh ROMEO AND JULIET Royal Lyceum Theatre Shakespeare Company Edinburgh THE CRUCIBLE Royal Lyceum Theatre Arthur Miller Company Edinburgh THE ODD COUPLE Royal Lyceum Theatre Neil Simon Company Edinburgh JUNO AND THE PAYCOCK Royal Lyceum Theatre Sean O'Casey Company Edinburgh OTHELLO Royal Lyceum Theatre Shakespeare Company Edinburgh United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE HOUSE OF BERNARDA ALBA Royal Lyceum Theatre Federico Garcia Lorca Company Edinburgh HOBSON'S CHOICE Royal Lyceum Theatre Harold Brighouse Company Edinburgh DEATH OF A SALESMAN Royal Lyceum Theatre Arthur Miller Company Edinburgh THE GLASS MENAGERIE Royal Lyceum Theatre Tennessee Williams Company, Edinburgh ALICE IN WONDERLAND Royal Lyceum Theatre Adapted from the novel by Lewis Company, Edinburgh Carroll A MIDSUMMER NIGHT'S DREAM Royal Lyceum Theatre Shakespeare Company Edinburgh A STREETCAR NAMED DESIRE Royal Lyceum Theatre Tennessee Williams Company, Edinburgh THE NUTCRACKER SUITE Royal Lyceum -
Kansas City Repertory Theatre Announces Acclaimed Cast for the Diary of Anne Frank Jan
FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 or 816.213.4355 [email protected] FOR TICKETS: Box Office at 816.235.2700 or www.KCRep.org. Kansas City Repertory Theatre Announces Acclaimed Cast for The Diary of Anne Frank Jan. 29 through Feb. 21, 2016 at newly renovated Spencer Theatre Kansas City, MO (Jan. 5, 2016) – Kansas City Repertory Theatre’s Artistic Director Eric Rosen is pleased to announce the cast of The Diary of Anne Frank, directed by Marissa Wolf, KC Rep’s Director of New Works. The play, based upon Anne Frank: The Diary of a Young Girl, was originally written for the stage by Frances Goodrich and Albert Hackett. In 1997, Wendy Kesselman published a revised version of Goodrich and Hackett’s Pulitzer Prize winning script, which integrated some of the more personal aspects of Anne Frank’s story that remained untold in the original script. Peer into the world of a family in hiding and a gifted young writer who came of age during the horrors of the Holocaust. Through Anne’s eyes, we see the prevailing hopes of a girl who – despite everything – inspired generations with her unwavering faith in humanity. This production begins Friday, Jan. 29 and runs through Sunday, Feb. 21 at KC Rep’s newly renovated Spencer Theatre. Kansas City Repertory Theatre Announces Cast for The Diary of Anne Frank Jan. 29 through Feb. 21 at Spencer Theatre Page 1 “This work by Wendy Kessleman is stunningly lyrical and poetic,” stated Wolf. “My hope is that KC Rep audiences will connect intimately with Anne as a budding young woman and all that goes with a young and emerging heart, in spite of the world looming outside.” The ensemble cast, drawn locally as well as from across the country, includes: Daniel Beeman as Peter Van Daan, Martin Buchanan as Mr. -
The Life and Times of Penny Arcade. Matthew Hes Ridan Ames Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 "I Am Contemporary!": The Life and Times of Penny Arcade. Matthew heS ridan Ames Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ames, Matthew Sheridan, ""I Am Contemporary!": The Life and Times of Penny Arcade." (1996). LSU Historical Dissertations and Theses. 6150. https://digitalcommons.lsu.edu/gradschool_disstheses/6150 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
History of Intiman
INTIMAN THEATRE PRODUCTION HISTORY 1972-2012 PLAY AUTHOR DIRECTOR 1972-73 Rosmersholm Ibsen (trans. Michael Meyer) Margaret Booker The Creditors Strindberg (trans. Walter Johnson) Margaret Booker The Underpants Carl Sternheim (trans. Eric Bentley) Margaret Booker 1974 Brecht on Brecht George Tabori Andrew Witt Miss Julie Strindberg (trans. Margaret Booker) Margaret Booker Tango Slaw omir Mrozek Margaret Booker Candida George Bernard Shaw Margaret Booker 1975 Uncle Vanya Chekhov (trans. Christopher Hampton) Margaret Booker The Philanderer George Bernard Shaw Margaret Booker Hedda Gabler Ibsen (trans. Margaret Booker) Margaret Booker 1976 Arms and the Man George Bernard Shaw Stephen Rosenfield Elektra Sophocles (trans. David Grene) Margaret Booker Anatol Arthur Schnitzler Margaret Booker Bus Stop William Inge Pat Patton The Northw est Show Barry Pritchard Margaret Booker 1977 Toys in the Attic Lillian Hellman Margaret Booker The Importance of Being Earnest Oscar Wilde Clayton Corzatte Ghosts Ibsen (trans. Margaret Booker) Margaret Booker Playboy of the Western World John Millington Synge Pat Patton A Moon for the Misbegotten Eugene O' Neill Margaret Booker 1978 Henry IV Luigi Pirandello (adapt. John Reich) Margaret Booker The Way of the World William Congreve Anthony Cornish Three Sisters Chekhov Margaret Booker The Country Girl Clifford Odets Stephen Rosenfield The Dance of Death August Strindberg Margaret Booker 1979 The Loves of Cass McGuire Brian Friel Margaret Booker Tartuffe Molière (trans. Richard Wilbur) Stephen Rosenfield Medea Euripides (adapt. Robinson Jeffers) Margaret Booker Heartbreak House George Bernard Shaw Anthony Cornish Design for Living Noë l Cow ard Margaret Booker 1980 Othello William Shakespeare Margaret Booker The Lady's Not for Burning Christopher Fry William Glover Leonce and Lena Georg Bü chner Margaret Booker (trans. -
Through FILMS 70 Years of European History Through Films Is a Product in Erasmus+ Project „70 Years of European History 1945-2015”
through FILMS 70 years of European History through films is a product in Erasmus+ project „70 years of European History 1945-2015”. It was prepared by the teachers and students involved in the project – from: Greece, Czech Republic, Italy, Poland, Portugal, Romania, Spain, Turkey. It’ll be a teaching aid and the source of information about the recent European history. A DANGEROUS METHOD (2011) Director: David Cronenberg Writers: Christopher Hampton, Christopher Hampton Stars: Michael Fassbender, Keira Knightley, Viggo Mortensen Country: UK | GE | Canada | CH Genres: Biography | Drama | Romance | Thriller Trailer In the early twentieth century, Zurich-based Carl Jung is a follower in the new theories of psychoanalysis of Vienna-based Sigmund Freud, who states that all psychological problems are rooted in sex. Jung uses those theories for the first time as part of his treatment of Sabina Spielrein, a young Russian woman bro- ught to his care. She is obviously troubled despite her assertions that she is not crazy. Jung is able to uncover the reasons for Sa- bina’s psychological problems, she who is an aspiring physician herself. In this latter role, Jung employs her to work in his own research, which often includes him and his wife Emma as test subjects. Jung is eventually able to meet Freud himself, they, ba- sed on their enthusiasm, who develop a friendship driven by the- ir lengthy philosophical discussions on psychoanalysis. Actions by Jung based on his discussions with another patient, a fellow psychoanalyst named Otto Gross, lead to fundamental chan- ges in Jung’s relationships with Freud, Sabina and Emma. -
Presenta Un Film Di Gus Van Sant
presenta Milk un film di Gus Van Sant uscita 23 gennaio durata 128 minuti ufficio stampa Federica de Sanctis 339.2476890 [email protected] BIM DISTRIBUZIONE Via Marianna Dionigi 57 00193 ROMA Tel. 06-3231057 Fax 06-3211984 www.bimfilm.com 2 Milk Indice I. Sinossi pag. 3 II. Il contesto storico: cronologia pag. 5 III. Il contesto storico: Milk/Castro pag. 9 IV. Le riprese pag. 10 VI. Location pag. 12 VII. L’eredità di Milk pag. 17 VIII. Il cast artistico pag. 19 IX. Il cast tecnico pag. 32 X. Titoli pag. 43 2 3 Milk Sinossi Attivista del movimento dei diritti degli omosessuali. Amico. Amante. Unificatore. Politico. Combattente. Icona. Ispiratore. Eroe. La sua vita ha cambiato la storia, e il suo coraggio ha cambiato la vita di tante persone. Nel 1977, Harvey Milk è stato eletto supervisor (consigliere comunale) a San Francisco, divenendo il primo omosessuale dichiarato ad avere accesso a una importante carica pubblica in America. La sua vittoria non è stata solo una vittoria per i diritti dei gay, ma ha aperto la strada a coalizioni trasversali nello schieramento politico. Harvey Milk ha incarnato per molti – dagli anziani agli iscritti al sindacato – una nuova figura di militante per i diritti civili; e con la sua morte prematura, avvenuta nel 1978, è diventato un eroe per tutti gli americani. L’attore premio Oscar Sean Penn interpreta Harvey Milk, diretto dal regista candidato all’Oscar Gus Van Sant, in Milk, un film girato a San Francisco, tratto da una sceneggiatura originale di Dustin Lance Black, e prodotto dai premi Oscar Dan Jinks e Bruce Cohen.