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Squash Courts, Wrestling Mats, and Fencing Strips on the Horizon Q&A
THE NATION'S OLDEST ON THE WEB: COUNTRY DAY SCHOOL www.pingry.org/ NEWSPAPER record VOLUME CXLII, NUMBER 1 The Pingry School, Basking Ridge, New Jersey OCTOBER 13, 2015 Squash Courts, Wrestling Mats, Q&A with New Dean That’sJake what you Ross remember the By ALLY PYNE (IV) AP: What are you most excited most, the connections you have At the end of September, I sat for? with people. and Fencing Strips on the Horizon down with the new Dean of Stu- JR: The whole thing. It’s fun dent Life, Mr. Jake Ross. Below, of having the groundbreaking excited for his fellow team being back with older students. AP: What would you say is the By HALEY PARK (VI) Mr. Ross shares his favorite Pingry ceremony. Mr. Bugliari then members and the promising There’s an energy that’s fantastic, biggest difference from when you memories, goals for the year and just in the last week. And I’m ex- were at school to now? After finally reaching 80% expressed his gratitude and for future of Pingry squash. advice for students. cited to be involved in more than JR: It’s tough to say any one being able to call Pingry home Mr. Ramsay Vehslage, head of the funds necessary to break just teaching. thing, but I think the biggest differ- ground, the much-anticipat- since 1942. coach of the varsity squash ence is just being on the other side ed athletics center has now Following the speakers’ re- team, was extremely excit- Ally Pyne: What would you AP: Is it true that you went to of the desk. -
William E. Jones
WILLIAM E. JONES born 1962, Canton, OH lives and works in Los Angeles, CA EDUCATION 1990 MFA, California Institute of the Arts, Valencia, CA 1985 BA, Yale University, New Haven, CT SELECTED SOLO / TWO PERSON EXHIBITIONS, ART (* indicates a publication) 2021 The Modern Institute, Glasgow, Scotland 2020 Screening Room 07: William E. Jones, Galleria Raffaella Cortese, Milan, Italy 2019 Southfield, Detroit, MI Nothing Special, Los Angeles, CA Perverted by Language, Private Places, Portland, OR 2018 Holes in the Historical Record, Galleria Raffaella Cortese, Milan, Italy 2017 Fall into Ruin, microcinema at the 37th Cambridge Film Festival, organized by James Mackay, Heong Gallery, Downing College Cambridge, Cambridge, England Fall into Ruin, David Kordansky Gallery, Los Angeles, CA The Modern Institute, Glasgow, Scotland 2016 The Long Take, curated by Suzy Halajian, Los Angeles Contemporary Archive, Los Angeles, CA 2015 *Model Workers, Wexner Center for the Arts, Columbus, OH Galleria Raffaella Cortese, Milan, Italy 2014 *Heraclitus Fragment 124, Automatically Illustrated, David Kordansky Gallery, Los Angeles, CA [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 2013 The Modern Institute, Glasgow, Scotland William E. Jones: “Killed,” Saint Louis Art Museum, St. Louis, MO *Midcentury, Wexner Center for the Arts, Columbus, OH Two Explosions, 80WSE Gallery, New York, NY 2012 *Inside the White Cube, White Cube, London, England 2011 Upstairs at The Modern Institute, Glasgow, Scotland David Kordansky Gallery, -
Rich Hill, Winner of the Sundance Grand Jury Prize for Best Documentary, Premieres on Independent Lens Monday, January 5 on PBS
FOR IMMEDIATE RELEASE CONTACT Lisa Tawil, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ Rich Hill, Winner of the Sundance Grand Jury Prize for Best Documentary, Premieres on Independent Lens Monday, January 5 on PBS (San Francisco, CA) — Produced and directed by Tracy Droz Tragos and Andrew Droz Palermo, Rich Hill goes inside the homes and lives of small town America, where kids confront heartbreaking choices, marginalized parents struggle to survive, and families cling to the promise of equal opportunity and a better life — someday. The film follows three teenage boys, Andrew, Harley, and Appachey, as they struggle with isolation, broken families, and lack of opportunity, providing an immersive and realistic picture of growing up poor in America. Winner of the 2014 Sundance Film Festival Grand Jury Prize for Best Documentary, Rich Hill premieres on Independent Lens on Monday, January 5, 2015,10:00-11:30 PM ET (check local listings) on PBS. Rich Hill, Missouri, population 1393, is seventy miles south of Kansas City and fifteen miles east of the Kansas border. Once a thriving mining town, Rich Hill’s decline began when the coal was mined out shortly after World War II. Today, like many other small towns in America, it has fallen on hard times, as have the families who still call it home. First cousins Tracy Droz Tragos and Andrew Droz Palermo share a deep bond and affection for Rich Hill, the hometown of their parents. -
Camera Operator/ Steadicam Operator
PRINCESTONE ( +44 (0) 208 883 1616 8 [email protected] SIMON BAKER Assoc. BSC / GBCT / ACO Camera Operator/ Steadicam Operator FEATURES: Title Director / DOP Production Co BLITHE SPIRIT Edward Hall / Fred Films / Powderkeg Pictures / B Camera operator / Steadicam Ed Wilde Align Cast: Emilia Fox, Isla Fisher, Judy Dench, Dan Stevens DOWNTON ABBEY Michael Engler / Carnival Films / Focus Features / B Camera operator / Steadicam Ben Smithard Perfect World Pictures Cast: Hugh Bonneville, Matthew Goode, Maggie Smith, Michelle Dockerty,Tuppence Middleton PETER RABBIT 2 (UK Unit) Will Gluck / Sony Pictures / B Camera Operator Peter Menzies Jnr Rose Line Productions Cast: Domhnall Gleeson, Rose Byrne, James Corden HIS HOUSE Remi Weekes / New Regency / BBC Films Camera operator / Steadicam Jo Willems Cast: Sope Dirisu, Munmi Mosaku, Matt Smith FANTASTIC BEASTS: CRIMES OF GRINDLEWALD Stephen Woolfenden / Warner Bros 2nd Unit B camera /Steadicam Jean-Phillippe Gossart A&B camera/ Steadicam on Main Unit David Yates / Phillipe Rousselot Cast: Eddie Redmayne, Johnny Depp ALL THE MONEY IN THE WORLD Ridley Scott / Sony / Tristar / Imperative / B camera operator (2wks reshoots) Darius Wolski Scott Free Productions Cast: Christopher Plummer, Michelle Williams PETER RABBIT (UK Unit) Will Gluck / Columbia Pictures / B camera operator Peter Menzies Jnr Animal Logic Ent. Cast: Domhnall Gleeson, Rose Byrne, James Corden THE MAN WHO INVENTED CHRISTMAS Bharat Nalluri / Thunderbird / Bleeker Street B camera operator / Steadicam Ben Smithard Cast: Dan Stevens, -
Exclusive! See the First Stills of the New Stranger Things Character You Will Fall in Love With
DON’T MISS OUT! STUDENTS GET 10% OFF ALL. YEAR. ROUND. FIND OUT MORE MENU CINEMA & TV Exclusive! See The First Stills Of The New Stranger Things Character You Will Fall In Love With 3rd July 2019 Stranger Things 3 nally launches on Netix tomorrow! The new season promises lots of summer vibes, exciting twists and turns and some brand new characters. One of them is portrayed by Maya Hawke, Uma Thurman and Ethan Hawke’s daughter, and we have some exclusive stills to share of her in the show you’ve seen here rst… Meet Robin, a cool new girl who is Steve Harrington’s colleague at the Scoops Ahoy ice cream parlour in Hawkins’ rst premium shopping centre, the Starcourt Mall. Tune in tomorrow to nd out what she’s all about… Stranger Things 3 is coming to Netix on 4th July 2019. Find out what else to watch on Netix this July… PREVIOUS ARTICLE NEXT ARTICLE RECENT POSTS FEATURED FEATURED CULTURE What’s On Our Topshop 5 Ways to Style The It’s Aquarius Season! Wishlist This Payday Latest Trending Colour Here’s Everything You Green Need To Know TRENDING STORIES CINEMA & TV FEATURED AWARD SEASON The Netix Releases To 5 Simple Things To Do To How, When And Where Watch This January 2020 Start The New Year In The Watch The Oscar Right Way Nominated Films Of 20 GO TO TOPSHOP.COM NEW IN CLOTHING DRESSES JEANS SHOES BAGS & ACCESSORIES TOPSHOP ON THE GO FIND OUT MORE FIND YOUR NEAREST STORE STAY IN THE KNOW TERMS OF USE PRIVACY POLICY SIGN UP TO EMAILS SHOP TOPSHOP.COM. -
Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
The Playwright As Filmmaker: History, Theory and Practice, Summary of a Completed Thesis by Portfolio OTHNIEL SMITH, University of Glamorgan
Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol 1, No 2 (2007) ARTICLE The Playwright as Filmmaker: History, Theory and Practice, Summary of a completed thesis by portfolio OTHNIEL SMITH, University of Glamorgan ABSTRACT This paper summarises my doctoral research into the work of dramatists who became filmmakers – specifically Preston Sturges, Rainer Werner Fassbinder, David Mamet, and Neil Labute. I began with the hypothesis that there is something distinctive about the work of filmmakers who have a background in writing for text-based theatre, an arena where the authorship is, on the whole, not a vexatious issue, as is the case in commercial cinema. Through case studies involving textual and contextual analyses of their films, I found common threads linking their work, in respect both of their working methods and their approach to text and performance. From this, I evolved a theoretical position involving the development of a tentative ‘dogme’ designed to smooth the path between writing plays and making films, and produced short no- budget videos illustrating it. KEYWORDS Theatre/film, Dogme, theoretical practice, Mamet, Fassbinder. Introduction The aim of this project – a thesis by portfolio, completed at the now-defunct Film Academy at the University of Glamorgan – was to contribute to that area within film theory where creativity is taken seriously as a field of study; an attempt to reconcile theory with artistry, without attempting to theorise artistry. The ‘theatrical’ is often characterised as the ‘other’ of the cinematic, within both popular and scholarly discourse. My intention was to examines the interface between the two forms, and isolate those aspects of the theatrical aesthetic which can be profitably employed within cinema, looking at the issue from the perspective of the working dramatist – my background being as a writer for theatre, radio and television. -
David Hare, Surrealism, and the Comics Mona Hadler Brooklyn College and the Graduate Center, CUNY
93 David Hare, Surrealism, and the Comics Mona Hadler Brooklyn College and The Graduate Center, CUNY The history of the comic book in the United States has been closely allied with mass culture debates ranging from Clement Greenberg’s 1939 essay “Avant-Garde and Kitsch” to Fredric Wertham’s attack on the comic book industry in his now infamous 1954 book, Seduction of the Innocent. An alternative history can be constructed, however, by linking the comics to the expatriate Surrealist community in New York in the thirties and early forties with its focus on fantasy, dark humor, the poetics and ethics of evil, transgressive and carnivalesque body images, and restless desire. Surrealist artists are well known for their fascination with black humor, pulp fi ction, and crime novels—in particular the popular series Fantômas. Indeed, the image of the scoundrel in elegant attire holding a bloody dagger, featured in the writings of the Surrealist Robert Desnos (Color Plate 10), epitomized this darkling humor (Desnos 377-79).1 Pictures of Fantômas and articles on the pulp market peppered the pages of Surrealist magazines in Europe and America, from Documents in France (1929-1930) to VVV and View in New York in the early forties. By moving the discussion of the comics away from a Greenbergian or Frankfurt school discourse on mass culture to the debates surrounding Surrealism, other issues come to the fore. The comics become a site for the exploration of mystery, the imagination, criminality, and freedom. The comic book industry originated in the United States in the late thirties and early forties on the heels of a booming pulp fi ction market. -
Chile Puts Heat in Our Hearts Page 15 Art:Indigenizing Our
VOLUME 28 | ISSUE 29 | JULY 18-24, 2019 | FREE 2019 18-24, JULY | 29 | ISSUE 28 VOLUME ILLUSTRATION BY CODY MARVIN CODY BY ILLUSTRATION HART STEBBINS DISCUSSES INDIGENIZING CHILE PUTS HEAT THE KIRTLAND FUEL SPILL OUR HISTORY IN OUR HEARTS NEWS: PAGES 6 AND 8 ART: PAGE 10 FOOD: PAGE 15 PUTTING THE PEDAL TO THE METAL SINCE 1992 SINCE METAL THE TO PUTTING PEDAL THE [ 2] WEEKLY ALIBI JULY 18-24 2019 JULY 18-24, 2019 WEEKLY ALIBI [3] thimerosal. Varicella (chickenpox), inactivated polio (IPV), and pneumococcal conjugate vaccines have also never contained thimerosal.” We are aware that thimerosal was taken out of all alibi childhood vaccinations back in 2001 based on popular fears. The scientific consensus is that Email letters, including author’s name, mailing address and VOLUME 28 | ISSUE 29 | JULY 18-24, 2019 daytime phone number to [email protected]. Letters can these fears are unfounded. Neither the World Health Organization nor the United Nations also be mailed to P.O. Box 81, Albuquerque, N.M., 87103. EDITORIAL Letters—including comments posted on alibi.com—may have recommended banning the compound, and MANAGING EDITOR/ FILM EDITOR: be published in any medium and edited for length and it is widely used outside of the United States in Devin D. O’Leary (ext. 230) [email protected] clarity; owing to the volume of correspondence, we multi-dose vaccines. (Single-dose vaccines do not MUSIC EDITOR/NEWS EDITOR: regrettably can’t respond to every letter. August March (ext. 245) [email protected] require it.) FOOD EDITOR: ’ ’ We also know that Sweden and Japan have Dan Pennington (Ext. -
Rachel Mason
Rachel Mason Basel 2016.qxp_Layout 1 11/1/16 5:49 PM Page 216 RACHEL MASON: UNMASKED In her subversive musical performances, the Los Angeles-based artist takes on Presidents, shady heads of state, and convicted murderers—and her growing fan base can’t get enough. Michael Slenske takes a closer look at the politics of it all. PHOTOGRAPHY BY JEFF VESPA Watch your head,” says Rachel Mason. “I’ve While these grotesque figures might read as man (on Star Trek and 2001: A Space Odyssey) and hit mine so many times down here.” We’re kitschy Pop Art mashups of Greer Lankton’s served as Jim Morrison’s cameraman at UCLA film descending slowly into her new studio—situated creatures and Wayland Flowers’ Madame puppet, school. The Masons later took jobs distributing behind the dusky boiler room of her West Hollywood they function more as panoramic windows looking Hustler for Larry Flynt, which led to them buying out apartment building—but despite Mason’s fair out onto every touchstone of Mason’s multimedia one of their clients in what is now the landmark warning, I narrowly avoid braining myself on a foam- practice, from her days free climbing the eight-story Circus of Books gay erotica store. Mason’s friend, wrapped water pipe and the jamb of the Dickson Art Center at UCLA as an undergrad to her artist John Knuth, later ran the acclaimed Circus three-foot-high, Wonka-esque door leading into this decade-long pursuit of transcendant performance Gallery, showcasing such talents as Dawn Kasper subterranean workspace. -
School of Art 2016–2017
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Art 2016–2017 School of Art 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 1 May 15, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 1 May 15, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.