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Squash Courts, Wrestling Mats, and Fencing Strips on the Horizon Q&A
THE NATION'S OLDEST ON THE WEB: COUNTRY DAY SCHOOL www.pingry.org/ NEWSPAPER record VOLUME CXLII, NUMBER 1 The Pingry School, Basking Ridge, New Jersey OCTOBER 13, 2015 Squash Courts, Wrestling Mats, Q&A with New Dean That’sJake what you Ross remember the By ALLY PYNE (IV) AP: What are you most excited most, the connections you have At the end of September, I sat for? with people. and Fencing Strips on the Horizon down with the new Dean of Stu- JR: The whole thing. It’s fun dent Life, Mr. Jake Ross. Below, of having the groundbreaking excited for his fellow team being back with older students. AP: What would you say is the By HALEY PARK (VI) Mr. Ross shares his favorite Pingry ceremony. Mr. Bugliari then members and the promising There’s an energy that’s fantastic, biggest difference from when you memories, goals for the year and just in the last week. And I’m ex- were at school to now? After finally reaching 80% expressed his gratitude and for future of Pingry squash. advice for students. cited to be involved in more than JR: It’s tough to say any one being able to call Pingry home Mr. Ramsay Vehslage, head of the funds necessary to break just teaching. thing, but I think the biggest differ- ground, the much-anticipat- since 1942. coach of the varsity squash ence is just being on the other side ed athletics center has now Following the speakers’ re- team, was extremely excit- Ally Pyne: What would you AP: Is it true that you went to of the desk. -
Thrill of Loving Service
THRILL OF LOVING SERVICE by Pato Banton duly expelled at age 14. Although I never returned, I always yearned for the day when After 15 years of recording and I could fi nd the time for an academic qualifi cation. So when my spirit guide pointed the touring with the Reggae Revolution, I way, my fi rst thought was that it was time to achieve a long-cherished desire. My album was growing weary of a corrupt music Life Is a Miracle (2000) had just been nominated for a Grammy and Peter Gabriel’s industry, mismanagement and band World of Music, Art and Dance WOMAD organization invited me to headline a world politics. I had been contemplating a tour with many great artists, asking if I would be interested in doing music workshops for change, something that would allow me young people in the various countries. to spend more quality time with my family The workshops gave me a chance to interact with a wide range and give me an opportunity to get back in of people on a personal level. I would talk about my chosen art touch with the community. I had enjoyed form, global issues, spirituality and what had inspired me to a very successful career, felt fulfi lled and play reggae music. I answered questions and got members of needed a new challenge. the crowd to join the band and me in a jam session. The tour At every crossroad on my journey took us from England to the Canary Islands, Singapore, through life I have learned that guidance Malaysia and Australia. -
Top 200 Most Requested Songs
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2013 RANK ARTIST SONG 1 Journey Don't Stop Believin' 2 Cupid Cupid Shuffle 3 Black Eyed Peas I Gotta Feeling 4 Lmfao Sexy And I Know It 5 Bon Jovi Livin' On A Prayer 6 AC/DC You Shook Me All Night Long 7 Morrison, Van Brown Eyed Girl 8 Psy Gangnam Style 9 DJ Casper Cha Cha Slide 10 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 11 B-52's Love Shack 12 Beyonce Single Ladies (Put A Ring On It) 13 Maroon 5 Feat. Christina Aguilera Moves Like Jagger 14 Jepsen, Carly Rae Call Me Maybe 15 V.I.C. Wobble 16 Def Leppard Pour Some Sugar On Me 17 Beatles Twist And Shout 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Macklemore & Ryan Lewis Feat. Wanz Thrift Shop 20 Jackson, Michael Billie Jean 21 Rihanna Feat. Calvin Harris We Found Love 22 Lmfao Feat. Lauren Bennett And Goon Rock Party Rock Anthem 23 Pink Raise Your Glass 24 Outkast Hey Ya! 25 Isley Brothers Shout 26 Sir Mix-A-Lot Baby Got Back 27 Lynyrd Skynyrd Sweet Home Alabama 28 Mars, Bruno Marry You 29 Timberlake, Justin Sexyback 30 Brooks, Garth Friends In Low Places 31 Lumineers Ho Hey 32 Lady Gaga Feat. Colby O'donis Just Dance 33 Sinatra, Frank The Way You Look Tonight 34 Sister Sledge We Are Family 35 Clapton, Eric Wonderful Tonight 36 Temptations My Girl 37 Loggins, Kenny Footloose 38 Train Marry Me 39 Kool & The Gang Celebration 40 Daft Punk Feat. -
Bonnie Jo Campbell Starring
Presents Wri*en & Directed by: Haroula Rose Based on the Novel by: Bonnie Jo Campbell Starring: Kenadi DelaCerna, John Ashton (Beverly Hills Cop, Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Indian Horse, Caleb, “Outlander”), Sam Straley (Hala, “The Kids Are Alright,” “Chicago P.D.”), Coburn Goss (Man of Steel, Batman v Superman: Dawn of JusDce, What Women Want), Lindsay Pulsipher (“True Blood,” “JusHfied,” “HaKields & McCoys”), Kenn E. Head (“ER,” Brat 2, “Chicago Fire”) 92 mins // USA // Color // English Website // Facebook // Twi*er // Instagram Publicity Contacts [email protected] | [email protected] Falco Ink. 212-445-7100 FESTIVALS & AWARDS Bentonville Film FesHval - Centerpiece SelecHon, World Premiere Efebo d'Oro, Palermo Italy (internaHonal premiere) - WINNER of the Golden Efebo, WINNER Award presented by League of Women (for portrayal of women in film) Tallgrass Film FesHval - WINNER Stubbornly Independent Award Oxford Film FesHval - WINNER Alice Guy Blache Emerging Female Filmmaker Award Bend Film FesHval - WINNER Best Director Boston Film FesHval - WINNER Best Director Sun Valley Film FesHval - WINNER One In A Million Award MINT ( Montana InternaHonal) - WINNER Best Film, WINNER Special Jury Award for Best AcHng Gallup Film FesHval — WINNER Best Actress; WINNER Best NarraHve Feature Film Will Rogers MoHon Picture Film FesHval - WINNER , Best Indigenous Feature Blow-Up Chicago Arthouse Film FesHval - FINALIST , Stanley Kubrick Award Red NaHon Film -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
JBSR 4.1.Indd
volume 4 number 1 summer 2017 Journal of Black Sexuality and Relationships james c. wadley, phd, editor Lincoln University jeanine staples, edd, guest editor Penn State University Copyright © 2018 James C. Wadley Th e Journal of Black Sexuality and Relationships (JBSR) is a refereed, interdisciplinary, scholarly inquiry devoted to addressing the epistemological, ontological, and social con- struction of sexual expression and relationships of persons within the African diaspora. Th e journal will be used as a medium to capture the functionality and dysfunctionality of individuals, couples, and families as well as the effi cacy in which relationships are nego- tiated. Th e journal seeks to take into account the transhistorical substrates that subsume behavioral, aff ective, and cognitive functioning of persons of African descent as well as those who educate or clinically serve this important population. For additional informa- tion about the JBSR, you can visit Th eJBSR .com, follow us on twitter @Th eJBSR, like our Facebook page, or review current JBSR trends on LinkedIn. Subscriptions Th e Journal of Black Sexuality and Relationships (ISSN 2334- 2668) is published quarterly by the University of Nebraska Press. For current subscription rates please see our website: www .nebraskapress .unl .edu. If ordering by mail, please make checks payable to the University of Nebraska Press and send to Th e University of Nebraska Press 1111 Lincoln Mall Lincoln, NE 68588- 0630 Telephone: 402- 472- 8536 submissions Manuscripts should be prepared in 12- point Times New Roman with 1- inch margins. Notes and apparatus must conform to the sixth edition of the Publication Manual of the American Psychological Association. -
Rich Hill, Winner of the Sundance Grand Jury Prize for Best Documentary, Premieres on Independent Lens Monday, January 5 on PBS
FOR IMMEDIATE RELEASE CONTACT Lisa Tawil, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ Rich Hill, Winner of the Sundance Grand Jury Prize for Best Documentary, Premieres on Independent Lens Monday, January 5 on PBS (San Francisco, CA) — Produced and directed by Tracy Droz Tragos and Andrew Droz Palermo, Rich Hill goes inside the homes and lives of small town America, where kids confront heartbreaking choices, marginalized parents struggle to survive, and families cling to the promise of equal opportunity and a better life — someday. The film follows three teenage boys, Andrew, Harley, and Appachey, as they struggle with isolation, broken families, and lack of opportunity, providing an immersive and realistic picture of growing up poor in America. Winner of the 2014 Sundance Film Festival Grand Jury Prize for Best Documentary, Rich Hill premieres on Independent Lens on Monday, January 5, 2015,10:00-11:30 PM ET (check local listings) on PBS. Rich Hill, Missouri, population 1393, is seventy miles south of Kansas City and fifteen miles east of the Kansas border. Once a thriving mining town, Rich Hill’s decline began when the coal was mined out shortly after World War II. Today, like many other small towns in America, it has fallen on hard times, as have the families who still call it home. First cousins Tracy Droz Tragos and Andrew Droz Palermo share a deep bond and affection for Rich Hill, the hometown of their parents. -
Can You Predict a Hit?
CAN YOU PREDICT A HIT? FINDING POTENTIAL HIT SONGS THROUGH LAST.FM PREDICTORS BACHELOR THESIS MARVIN SMIT (0720798) DEPARTMENT OF ARTIFICIAL INTELLIGENCE RADBOUD UNIVERSITEIT NIJMEGEN SUPERVISORS: DR. L.G. VUURPIJL DR. F. GROOTJEN Abstract In the field of Music Information Retrieval, studies on Hit Song Science are becoming more and more popular. The concept of predicting whether a song has the potential to become a hit song is an interesting challenge. This paper describes my research on how hit song predictors can be utilized to predict hit songs. Three subject groups of predictors were gathered from the Last.fm service, based on a selection of past hit songs from the record charts. By gathering new data from these predictors and using a term frequency-inversed document frequency algorithm on their listened tracks, I was able to determine which songs had the potential to become a hit song. The results showed that the predictors have a better sense on listening to potential hit songs in comparison to their corresponding control groups. TABLE OF CONTENTS 1 INTRODUCTION........................................................................................................................................... 1 2 BACKGROUND ............................................................................................................................................ 2 2.1 MUSIC INFORMATION RETRIEVAL ................................................................................................. 2 2.2 HIT SONG SCIENCE ........................................................................................................................... -
Pour It up Rhiannon 3 Star Term 6 2019
Pour It Up – Rhiannon 3 STAR Term 6 2019 Chori by Sammy C Throw it up, throw it up Back to pole, right arm up left arm up Watch it all fall out Turn face the pole Pour it up, pour it up Candle legs That's how we ball out (ball out) Throw it up, throw it up Right arm up left arm up Watch it all fall out Pour it up, pour it up Candle legs That's how we ball out Strip clubs and dollar bills Pivot back to pole I still got my money clap legs together and open Patron shots. Can I get a refill? Left leg through right leg turn to face pole I still got my money Sit with pole between legs Strippers goin' up and down that Spin around 1 and half times to left pole side of pole And I still got my money Sit on left hip Four o'clock and we ain't going Lift right leg up home 'Cause I still got my money Roll over on tummy and to right hip Money make the world go round Fan lead with left leg I still got my money Turn onto tummy Bands make your girl go down Body roll down, lead with chest I still got my money Lift bum up Lot more where that came from Tap right to left I still got my money Slide up to knees The look in yo eyes I know you Stripper legs down want some I still got my money Oh oh oh Left leg lunge and right leg lunge All I see is signs Hip rolls All I see is dollar signs Hip roll and knees together Oh oh oh Bend and up, turn back to pole Money on my mind Hand up leg and fingers together Money, money on my mind Head roll Throw it, throw it up Turn to face pole Watch it fall off from the sky Climb head roll Throw it up, throw it up Star gazer -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.