Streaming Political News Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Top 1000 Searches in Youtube New Zealand
Top 1000 Searches in YouTube New Zealand https://www.iconicfreelancer.com/top-1000-youtube-new-zealand/ # Keyword Volume 1 pewdiepie 109000 2 music 109000 3 asmr 77000 4 songs 68000 5 fortnite 65000 6 old town road 60000 7 billie eilish 59000 8 pewdiepie vs t series 57000 9 david dobrik 48000 10 baby shark 45000 11 bts 44000 12 james charles 43000 13 dantdm 42000 14 joe rogan 41000 15 peppa pig 40000 16 minecraft 39000 17 norris nuts 36000 18 lazarbeam 34000 19 movies 33000 20 ufc 32000 21 ksi 32000 22 wwe 32000 23 eminem 29000 24 t series 28000 25 jacksepticeye 28000 26 lofi 26000 27 crime patrol 2019 26000 28 senorita 26000 29 ariana grande 25000 30 blippi 25000 31 jake paul 25000 32 tik tok 25000 33 markiplier 25000 34 logan paul 24000 35 roblox 23000 36 song 23000 37 ed sheeran 23000 38 cocomelon 23000 39 nightcore 22000 40 rugby reaction 22000 41 shane dawson 22000 42 try not to laugh 22000 43 gacha life 22000 44 game of thrones 22000 45 jelly 22000 46 mrbeast 21000 47 post malone 21000 48 ssundee 21000 49 taylor swift 21000 50 ace family 20000 51 jre 20000 52 ryan's toy review 20000 53 unspeakable 20000 54 morgz 20000 55 chris brown 20000 56 boy with luv 20000 57 sex 19000 58 rachel maddow 19000 59 sidemen 19000 60 documentary 19000 61 mr beast 18000 62 paw patrol 18000 63 just dance 18000 64 sis vs bro 18000 65 blackpink 18000 66 fgteev 18000 67 bad guy 18000 68 tfue 18000 69 nba 18000 70 study music 17000 71 six60 17000 72 michael jackson 17000 73 trump 17000 74 stephen colbert 17000 75 cardi b 17000 76 slime 17000 77 funny videos -
How to Solve a Crime: Report It to the Police
HOW TO SOLVE A CRIME: REPORT IT TO THE POLICE I apparently wasn’t clear enough about the alleged assault on Steven Crowder on Tuesday to be understood by the people sent over by the right wing noise machine. So let me try to say it very simply. If Crowder was assaulted, by all means let’s prosecute the assailant. My post was intended as a warning that naive local journalists should not rely exclusively on videos from people who have a history of creating firestorms around heavily edited videos launched through Drudge to Fox. There is a long history of James O’Keefe associates just doing that. If the right wants to report events with any credibility, they’d be well served to avoid that route. A number of people–including the NYT–have exposed why Crowder’s original video was problematic. Unfortunately for Mr. Crowder, a look at the video broadcast on the Sean Hannity show appears to show quite clearly that he left out an important section of the footage when he put together his edit. A section of the Fox News broadcast preserved by the Web site Mediaite shows that Mr. Hannity’s producers at Fox News started the clip five seconds earlier than Mr. Crowder did. What the extra footage reveals is the man who punched Mr. Crowder being knocked to the ground seconds before and then getting up and taking a swing at the comedian. But aside from the obvious editing in the Crowder video–possibly hiding that the punch was not the first event in the altercation–I pointed out that Crowder didn’t report the event to any of the 350 cops who were brought in to make sure something like this didn’t happen. -
The Liberty Champion, Volume 21, Issue 5)
Scholars Crossing 2003 -- 2004 Liberty University School Newspaper Fall 10-21-2003 10-21-03 (The Liberty Champion, Volume 21, Issue 5) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_03_04 Recommended Citation "10-21-03 (The Liberty Champion, Volume 21, Issue 5)" (2003). 2003 -- 2004. 5. https://digitalcommons.liberty.edu/paper_03_04/5 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 2003 -- 2004 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Bandaging Best Baptist paper Searching for America's in the land Starlight Liberty Champion wins "Best Overall" Soldiers at student journalism conference . Student's play premieres SEE PAGE 10 SEE PAGE 5 SEE PAGE 4 The Liberty SERVING LIBERTY UNIVERSITY FOR TWENTY YEARS VOL. 21, NO. 5 ion LU graduate to speak OCTOBER 21, 2003 at 1MB fall conference I Have a Dream tour comes to LU By Ricky Haitiison NEWS REPORTER In a time when ministry in the Middle East seems about as dry as that region's climate, one missionary from the area reports that God is bringing about amazing victories in this Mus lim-saturated land. LU graduate Tommy Weir will be sharing some of these optimistic testimonies in next Monday's convocation, Oct. 27, as a part of this year's fall missions conference. "I will be speaking about...the need for aggressive evangelism if we are to have a har vest. It is an exciting time to serve in this part of the world. -
Youtube Report Draft V4
MONDAY, JULY 16 YouTube & News A new kind of visual journalism FOR FUTHER INFORMATION: Tom Rosenstiel, Director, Pew Research Center’s Project for Excellence in Journalism Amy Mitchell, Deputy Director, Pew Research Center’s Project for Excellence in Journalism (202) 419-3650 1515 L St, N.W., Suite 700 Washington, D.C. 20036 www.journalism.org YouTube & News: A New Kind of Visual Journalism Introduction On March 11, 2011, an earthquake registering 9.0 on the Richter scale struck the coast of northeastern Japan, triggering a tsunami that would kill more than 18,000 people and leave an estimated $180 billion in damage. The news media worldwide provided extensive coverage of the disaster and its aftermath, but millions of people also turned to the web to learn about the event on the video sharing website YouTube. 1 In the seven days following the disaster (March 11-18), the 20 most viewed news-related videos on YouTube all focused on the tragedy—and were viewed more than 96 million times. What people saw in these videos also represented a new kind of visual journalism. Most of that footage was recorded by citizen eyewitnesses who found themselves caught in the tragedy. Some of that video was posted by the citizens themselves. Most of this citizen-footage, however, was posted by news organizations incorporating user-generated content into their news offerings. The most watched video of all was shot by what appeared to be fixed closed-circuit surveillance camera at the Sendai airport. Link: http://www.youtube.com/watch?v=-DSSssHxm4Y The disaster in Japan was hardly a unique case. -
Conservative Media's Coverage of Coronavirus On
University of South Carolina Scholar Commons Theses and Dissertations Fall 2020 Conservative Media’s Coverage of Coronavirus on YouTube: A Qualitative Analysis of Media Effects on Consumers Michael J. Layer Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Mass Communication Commons Recommended Citation Layer, M. J.(2020). Conservative Media’s Coverage of Coronavirus on YouTube: A Qualitative Analysis of Media Effects on Consumers. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/ etd/6133 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. CONSERVATIVE MEDIA’S COVERAGE OF CORONAVIRUS ON YOUTUBE: A QUALITATIVE ANALYSIS OF MEDIA EFFECTS ON CONSUMERS by Michael J. Layer Bachelor of Arts Goucher College, 2017 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Mass Communications College of Information and Communications University of South Carolina 2020 Accepted by: Linwan Wu, Director of Thesis Leigh Moscowitz, Reader Anli Xiao, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Michael J. Layer, 2020 All Rights Reserved. ii DEDICATION To the wonderful creators on the internet whose parasocial relationships have taught me so much about the world and myself - namely Olly Thorn, Philosophy Tube; Carlos Maza; Natalie Wynn, Contrapoints; Lindsey Ellis; Bryan David Gilbert; Katy Stoll and Cody Johnson, Some More News; and Robert Evans, Behind the Bastards - thank you. To Dr. Linwan Wu - I am profoundly grateful for your understanding, guidance, and patience. -
Youtube, Multichannel Networks and the Accelerated Evolution of the New Screen Ecology
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Cunningham, Stuart, Craig, David, & Silver, Jon (2016) YouTube, multichannel networks and the accelerated evolution of the new screen ecology. Convergence, 22(4), pp. 376-391. This file was downloaded from: https://eprints.qut.edu.au/98716/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1177/1354856516641620 YouTube, Multichannel Networks and the accelerated evolution of the new screen ecology The concept of ‘connected viewing’ encapsulates deep changes in consumer habit and expectation relating ‘to a larger trend across the media industries to integrate digital technology and socially networked communication with traditional screen media practices’ (Holt & Sanson, 2013: 1). -
Master of Fine Arts Thesis Sunder Shauna Fahley Submitted in Partial
Master of Fine Arts Thesis Sunder Shauna Fahley Submitted in partial satisfaction of the requirement for the degree of Master of Fine Arts, School of Art and Design Division of Ceramic Art New York State College of Ceramics at Alfred University Alfred, New York 2021 Signature Shauna Fahley, MFA Thesis Advisors : John Gill, Johnathan Hopp, Matt Kelleher, Walter McConnell, Linda Sikora, Meghan Smythe, Adero Willard Abstract The horse and the brick were both fundamental in the development of civilization. My work embodies the intersection of the two, compounding material and subject. It is not my goal to illustrate the romantic or heroic image of the horse. Instead I am reconfiguring the equestrian monument without the question of who holds the power. I am dissecting the monument as a symbol in culture while bringing my understanding and experience with the horse as a sentient animal. I am not merely pursuing a fixed image of the horse. I am exploring how movement is experienced over time with ceramics materiality and using archaic visual language. I want viewers to engage with kinetic materiality through my sculptures. In spending time with these objects, viewers are invited to transcend the static and investigate embodiment, change, the third space, ephemerality, empathy, and the gigantic. Acknowledgments I would like to take a moment to show my appreciation to everyone who supported my growth as an artist, academic, and person during my time at Alfred University. Thank you to all my advisors and committee members. A warm thanks to all my colleagues. Lastly, big thank you to my parents and friends. -
Set Your Settings on Private? Copyright in Era of Social Media Usage Maddie Wagner
Cybaris® Volume 9 | Issue 1 Article 3 2018 Set Your Settings on Private? Copyright in Era of Social Media Usage Maddie Wagner Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Intellectual Property Law Commons Recommended Citation Wagner, Maddie (2018) "Set Your Settings on Private? Copyright in Era of Social Media Usage," Cybaris®: Vol. 9 : Iss. 1 , Article 3. Available at: https://open.mitchellhamline.edu/cybaris/vol9/iss1/3 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law 57 CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW SET YOUR SETTINGS ON PRIVATE? COPYRIGHT IN ERA OF SOCIAL MEDIA USAGE BY MADDIE WAGNER TABLE OF CONTENTS INTRODUCTION……………………………………………………..58 I. WHAT IS COPYRIGHT?....................................................................59 A. Defining Copyright Law………………………………...59 B. Examples of Copyright Law…………………………….59 1. Social Media Platforms as Service Providers…...60 2. Safe Harbors Under the DMCA…………….…...61 II. THE BASICS OF SOCIAL MEDIA & COPYRIGHT…………………...62 A. Copyright Under YouTube……………………………....63 B. Copyright Under Facebook………………………...…...64 C. Copyright Under Twitter………………………………..65 D. Photos & Copyright – Instagram and Pinterest…………65 E. Copyright Policies on Social Media Platforms………….66 III. COPYRIGHT INFRINGEMENT AND SOCIAL MEDIA………………..68 A. Copyright Infringement on YouTube……………………68 B. Copyright Infringement on Facebook…………………...71 C. Copyright Infringement on Twitter……………………...72 D. Copyright Infringement on Instagram…………..............73 E. Copyright Infringement on Pinterest…………………….75 F. -
How Email Has Been Pushed Aside by Social Networks
Tuesday, 6 Feb. 26, 2013 Technology The Streamy Awards demonstrate the changing nature of entertainment As web series and youtube channels become more popular, the Streamys gain popularity BY SAMANTHA ANDROSKY Senior Staff Writer and over 750 million people have viewed his YouTube channel. Before hitting YouTube stardom, Dawson says his The audience for online videos and web series is living conditions were less than ideal. growing, and the burgeoning community of online “Before all of this, I was practically homeless, and media creators was awarded for its work at the third my mom was out of a job,” Dawson said. “We were annual Streamy Awards in mid-February. really struggling, so [success] changed my life in that The award show recognized the creators and pro- way, which I think made me more grateful, and I want ducers of exceptional web media, giving awards in 36 to work really, really hard so I never have to get back categories ranging from best drama series to best cin- to that place.” ematography. With more and more vloggers posting every day, The Streamys have grown in response to the in- there are more talented candidates working towards crease in the number of people watching media on winning a Streamy of their own. However, some veter- video hosting sites like Hulu and YouTube. In response an web series creators and actors criticized the 2013 Streamys for taking on too much of an “Oscar feel”. entirely web-based series, House of Cards. “My impression is it’s almost like a red carpet for to“Soon a growing they’re audience, gonna forget Netflix which recently box released they’re watch a new- old media,” web series creator Felicia Day told LA ing,” Jane Espenson, creator of the successful web se- Weekly in regards this year’s awards black tie fashion ries Husbands, told LA Weekly regarding the changes and pre-show red carpet. -
Style-Shifting in Vlogging: an Acoustic Analysis of “Youtube Voice”
Volume 3, Issue 1 Article 4 2017 Style-Shifting in Vlogging: An Acoustic Analysis of “YouTube Voice” Sarah Lee [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v3i1.2017.1826 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ Style-Shifting in Vlogging: An Acoustic Analysis of “YouTube Voice” Sarah Lee This article demonstrates evidence of context-related style-shifting on YouTube. This was achieved by comparing the vowels of vlogger Phil Lester in multiple contexts (a solo vlog, collaborative vlog, gaming video, and live video). A mixed-model regression found significant differences between the more scripted solo vlog context and the less scripted gaming and live videos: in the former, Lester’s FOOT/STRUT merger was reduced, and in the latter he showed considerable variability in his employment of the TRAP/BATH split. It is argued that this results from greater attention paid to level aspects of his Northern accent for an international audience. 1 Introduction Past sociolinguistic research on language use online revolved around the use of text-based communication, compensating for the “limited presence […] of spoken language” on the Internet (Crystal 2001:9). Much of this research examines the construction of identity, as the Web’s anonymous nature provides near-complete freedom in how users present themselves online (Rheingold 2000). As multimedia websites such as YouTube have become more popular, acoustic data on the Internet have also become more accessible. This side of the Internet represents a new context for investigating sociolinguistic theories such as intraspeaker variation. -
Mufdi Colostate 0053A 11227.Pdf
DISSERTATION CONSTRUCTING THE COLLECTIVE EXPERIENCE OF BEING ARAB AMERICAN IN POST-9/11 AMERICA Submitted by Jamillah L. Mufdi School of Education In partial fulfillment of the requirements For the Degree of Doctor of Philosophy Colorado State University Fort Collins, Colorado Summer 2012 Doctoral Committee: Advisor: James Banning Ellyn Dickmann William Timpson Roe Bubar Copyright by Jamillah L. Mufdi 2012 All Rights Reserved ABSTRACT CONSTRUCTING THE COLLECTIVE EXPERIENCE OF BEING ARAB AMERICAN IN POST-9/11 AMERICA The events of September 11, 2001 dramatically changed the lives of Arab Americans. Some lost loved ones in the attacks while others Arab Americans became targets of discrimination and differential treatment because they had names and faces similar to the hijackers or they shared the same religion. Arab Americans defended themselves against accusations of being sympathetic to the hijackers and experienced treatment that indicated Arab citizens were not completely American. Like all Americans, those of Arab descent experienced fear, anger and grief in response to the attacks. Unlike other Americans, Arab Americans experienced fear that blame for the attacks would be place on them and shame that other Arabs committed such atrocities. America came together after the attacks and united as a people. Unfortunately, this unification process seemed to exclude Arab and Muslim Americans. Reports of hate crimes, discrimination and differential treatment climbed sharply and public opinion of Arabs declined steadily. This study examined the experience of navigating post-9/11 America as an Arab American. Findings confirmed that Arab Americans experience differential treatment on a regular basis and that there are commonalities in how the othering occurs. -
An Interdisciplinary Journal
FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISMFast Capitalism FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM ISSNFAST XXX-XXXX CAPITALISM FAST Volume 1 • Issue 1 • 2005 CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM