Theodore the Studite and Engelbert Mveng on the Particularity and Universality of Christ Oke Marien Robert Gbedolo
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Santa Clara University Scholar Commons Jesuit School of Theology Dissertations Student Scholarship 4-2019 Depicting the Incarnation: Theodore the Studite and Engelbert Mveng on the Particularity and Universality of Christ Oke Marien Robert Gbedolo Follow this and additional works at: https://scholarcommons.scu.edu/jst_dissertations Part of the Religion Commons Recommended Citation Gbedolo, Oke Marien Robert, "Depicting the Incarnation: Theodore the Studite and Engelbert Mveng on the Particularity and Universality of Christ" (2019). Jesuit School of Theology Dissertations. 41. https://scholarcommons.scu.edu/jst_dissertations/41 This Thesis is brought to you for free and open access by the Student Scholarship at Scholar Commons. It has been accepted for inclusion in Jesuit School of Theology Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ACKNOWLEGMENTS This Sacrae Theologiae Licentiatus program has humbled my heart toward God and my sisters, brothers and creation. Thanks to those who, in the first place, missioned me to this school, and nursed my body with ‘bread and wine’, and my spirit with the Bible. These persons are my fellow Jesuits: John McGarry and Martin Connell (Rectors); Kevin O’Brien (Dean); provincials, the members of my community in Berkeley, and my family. My gratitude is great to Professor Thomas Cattoi, who accepts and supervises this thesis. As the Director, he uplifts my apprenticeship to a better level in the Christological debate. Not only does his support help me achieve my project, but also his publications on the broader topic have been valuable resources. To Professor George Griener, the Reader, I might say how salvific our interactions have been for this thesis. His openness to the diversity of cultures and his honest challenges keep my research alive. I owe him a debt (Rom 13:8). For he encourages me at the time of a major Lost in my life this year. My redaction has required the editorial sacrifices of Ms. Laura M. Dunn. She has done a meticulous wonder. May she be blessed! On Editors, there is one more name: Michael Tyrrell, S.J. In his person, God has sent me “The Good Samaritan” throughout these two years. These four academic sponsors symbolize the erudite, diverse, generous and ‘social- avant-gardist’ faculty and staff that constitutes the Jesuit School of Theology and the Graduate Theological Union communities of Berkeley. I have grown within it. Now, I rely on the Eternal Savior, to be my Master of Initiation, and to avail my heart to serve Him and my sisters, brothers and the creation with the same generosity that I was given during this Licentiate in Sacred Theology program. ii TABLE OF CONTENTS ABSTRACT ................................................................................................................... i ACKNOWLEGMENTS ............................................................................................... ii TABLE OF CONTENTS ............................................................................................. iii FIGURES ..................................................................................................................... vi DEDICATION ............................................................................................................ vii GENERAL INTRODUCTION ..................................................................................... 2 CHAPTER I: THE BYZANTINE ICONOCLAST CRISES AND THEIR ECHOES IN CURRENT CHURCH LIFE ............................................................................................. 10 Introduction ............................................................................................................. 10 1.1- The Byzantine iconoclast controversies ...................................................... 11 1.1.1- The political rationale behind iconoclasm at the eighth and ninth centuries 12 1.1.2- The forbidden image ............................................................................ 16 1.1.3- Matter: Image and Prototype ............................................................... 20 1.2- The echo of the Byzantine iconoclasm in the Church’s later life ............... 25 1.2.1- The Reception of the Nicene Acta in the West or the Libri Carolini .. 26 1.2.2- The icon breaking at the Reformation ................................................. 30 1.2.3- The resistance to inculturation of sacred image .................................. 33 Conclusion .............................................................................................................. 37 iii CHAPTER II: THE ICONOPHILE THEOLOGY OF THEODORE THE STUDITE ........................................................................................................................................... 41 Introduction ............................................................................................................. 41 2.1- Genealogy of Theodore the Studite’s theories ............................................ 42 2.1.1- Theodore the Studite’s life and work .................................................. 43 2.1.2- Maximos the Confessor’s Christocentricity ........................................ 47 2.1.3- John Damascene’s defense of the images ............................................ 50 2.2- The iconophile theology of Theodore the Studite....................................... 54 2.2.1- The Christology of Theodore the Studite ............................................ 55 2.2.2- The relationship between the image and the prototype ....................... 60 2.2.3- The role of the icon .............................................................................. 62 Conclusion .............................................................................................................. 64 CHAPTER III: ENGELBERT MVENG’S CHRIST, THE MASTER OF INITIATION ........................................................................................................................................... 66 Introduction ............................................................................................................. 66 3.1- The revolutionary Christology of Mveng ................................................... 67 3.1.1- The life of Mveng ................................................................................ 68 3.1.2- The Christological depictions of Mveng ............................................. 72 3.2- The Master of Initiation or Mveng’s Christological Mask ......................... 80 3.2.1- The origin of the Master of Initiation analogy for Christ .................... 81 iv 3.2.2- The heritage of the concept by Mveng ................................................ 87 Conclusion .............................................................................................................. 90 CHAPTER IV: Mveng’s Master of Initiation Depiction in the light of Theodore the Studite’s Christology ........................................................................................................ 92 Introduction ............................................................................................................. 92 4.1- Through corporeity to the divine ................................................................ 93 4.1.1- The symbolism .................................................................................... 93 4.1.2- The shapes ........................................................................................... 97 4.2- Hekima Christus: Jesus as an Initiatory Master ........................................ 105 4.2.1- Hekima Christus assessment ............................................................. 106 4.2.2- Christological relevance of Hekima Christus: Christ the Mediator for Social Justice ........................................................................................................... 110 Conclusion ............................................................................................................ 115 GENERAL CONCLUSION ..................................................................................... 116 BIBLIOGRAPHY ..................................................................................................... 121 Theodore the Studite ............................................................................................. 121 Engelbert Mveng ................................................................................................... 121 Other important literature ..................................................................................... 122 Secondary literature .............................................................................................. 123 v FIGURES Figure 1. Mveng, The Double Dialectic or The Virgin and the Child, 1964. Cover of L’Art d’Afrique Noire. ........................................................................................................ 1 Figure 3. Mveng, Mural, 1990. Holy Angels Catholic Church in Chicago (USA). ..... 9 Figure 4. Mveng, Nunc Dimittis, 1966. In Lève-Toi, Amie, Viens, V. ........................ 40 Figure 5. Mveng, Dan Mask, 1980. In L’Art et l’Artisanat Africains, 90. ................. 65 Figure 6. Sanon, Social Dynamism of Initiation, 1982. From Enraciner dans l'Evangile, 126..................................................................................................................................... 82 Figure 7. Sanon, Consecration, 1982. In Enraciner dans l'Evangile,