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Land of Horses 2020
LAND OF HORSES 2020 « Far back, far back in our dark soul the horse prances… The horse, the horse! The symbol of surging potency and power of movement, of action in man! D.H. Lawrence EDITORIAL With its rich equine heritage, Normandy is the very definition of an area of equine excellence. From the Norman cavalry that enabled William the Conqueror to accede to the throne of England to the current champions who are winning equestrian sports events and races throughout the world, this historical and living heritage is closely connected to the distinctive features of Normandy, to its history, its culture and to its specific way of life. Whether you are attending emblematic events, visiting historical sites or heading through the gates of a stud farm, discovering the world of Horses in « Normandy is an opportunity to explore an authentic, dynamic and passionate region! Laurence MEUNIER Normandy Horse Council President SOMMAIRE > HORSE IN NORMANDY P. 5-13 • normandy the world’s stables • légendary horses • horse vocabulary INSPIRATIONS P. 14-21 • the fantastic five • athletes in action • les chevaux font le show IIDEAS FOR STAYS P. 22-29 • 24h in deauville • in the heart of the stud farm • from the meadow to the tracks, 100% racing • hooves and manes in le perche • seashells and equines DESTINATIONS P. 30-55 • deauville • cabourg and pays d’auge • le pin stud farm • le perche • saint-lô and cotentin • mont-saint-michel’s bay • rouen SADDLE UP ! < P. 56-60 CABOURG AND LE PIN PAYS D’AUGE STUD P. 36-39 FARM DEAUVILLE P. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Newsletter 22/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 22/06 DIGITAL EDITION Nr. 193 - Oktober 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 22/06 (Nr. 193) Oktober 2006 editorial Hallo Laserdisc- und DVD-Fans, diesem Sinne sind wir guten Mutes, unse- liebe Filmfreunde! ren Festivalbericht in einem der kommen- Kennen Sie das auch? Da macht man be- den Newsletter nachzureichen. reits während der Fertigstellung des einen Newsletters große Pläne für den darauf Aber jetzt zu einem viel wichtigeren The- folgenden nächsten Newsletter und prompt ma. Denn wer von uns in den vergangenen wird einem ein Strich durch die Rechnung Wochen bereits die limitierte Steelbook- gemacht. So in unserem Fall. Der für die Edition der SCANNERS-Trilogie erwor- jetzt vorliegende Ausgabe 193 vorgesehene ben hat, der darf seinen ursprünglichen Bericht über das Karlsruher Todd-AO- Ärger über Teil 2 der Trilogie rasch ver- Festival musste kurzerhand wieder auf Eis gessen. Hersteller Black Hill ließ Folgen- gelegt werden. Und dafür gibt es viele gute des verlautbaren: Gründe. Da ist zunächst das Platzproblem. Im wahrsten Sinne des Wortes ”platzt” der ”Käufer der Verleih-Fassung der Scanners neue Newsletter wieder aus allen Nähten. Box haben sicherlich bemerkt, dass der Wenn Sie also bislang zu jenen Unglückli- 59 prall gefüllte Seiten - und das nur mit zweite Teil um circa 100 Sekunden gekürzt chen gehören, die SCANNERS 2 nur in anstehenden amerikanischen Releases! Des ist. -
Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19
WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P. -
April 20–28, 2015
APRIL 20–28, 2015 One of the preeminent French cultural events in the U.S. and the largest French Film Festival worldwide, City of Lights, City of Angels (COLCOA) will celebrate its 19th anniversary in the prestigious theaters of the Directors Guild of America, from April 20 to April 28, 2015. With a program of 61 films – including World, International and U.S. Premieres – 20,000 attendees and the support of major media outlets, 2014 was the best year so far. COLCOA 2015 will top several years of sustained growth with the addition of a full day of screenings, offering new opportunities and new visibilities for films, as we will welcome our 170,000th visitor and premiere our 600th French film in Hollywood. More than 90 screenings and panels will be scheduled including 15 press screenings. 80 journalists and critics will be accredited and more than 50 films, including shorts, will compete for the COLCOA Awards. For American distributors, COLCOA has become a highly visible platform in Los Angeles, which is also national and international in scope: They can use the event to launch and promote their upcoming film. They can also test films shown to an audience, which is mainly American (74%), before an acquisition. You will find in this presentation all you need to know about COLCOA, including how you can benefit from presenting your film at the festival. We hope to have the opportunity to support your film(s) soon and remain at your entire disposal. Very sincerely, Francois Truffart Sandrine De Clercq Executive Producer & Programmer Associate -
TESIS DOCTORAL El Inmigrante Y Las Políticas De
Universidad Pablo de Olavide (Sevilla) TESIS DOCTORAL El inmigrante y las políticas de inmigración en el cine. Autora: MªConcepción López-Campos Bodineau Director: Manuel Herrero Sánchez Departamento de Geografía, Historia y Filosofía. Sevilla, 2015 1 2 Índice. 0. Introducción. 0.1. Objetivos. 0.2. Metodología. 0.3. Estado de la cuestión. PRIMERA PARTE: CASOS DE NUESTRO ESTUDIO. 1. Los directores y sus obras. 1.1. Philippe Lioret. 1.2. Denis Chouinard. 1.3. Welcome. 1.4. Ficha técnica Welcome. 1.5. L’ange de Goudron. 1.6. Ficha Técnica L’Ange de Goudron. 2. Personajes principales de las películas. 2.1. Welcome. 2.2. L’ange de goudron. SEGUNDA PARTE: EL CINE, PERSPECTIVAS TEÓRICAS E HISTÓRICAS. 1. Introducción. 1.1. El cine como arte: los inicios. 1.2. El cine como lenguaje: el formalismo ruso y el estructuralismo. 1.3. El cine como industria: la escuela de Fráncfort. 3 1.4. El cine como reflejo de la sociedad: el realismo y el neorrealismo. 1.5. El cine actual: la teoría digital. 2. El ámbito cinematográfico. 2.1. El cine en Francia. 2.1.1. La Nouvelle Vague. 2.1.2. Mayo de 1968 y la generación post-soixante-huitarde. 2.1.3. Años 1980. 2.1.4. Años 1990. 2.1.5. Años 2000. 2.2 Cine Quebequés. 2.2.1. Hasta los años 60. 2.2.2. Años 1960-1970. 2.2.3. Años 1970 – 1980. 2.2.4. Años 1980 – 1990. 2.2.5. Años 2000. TERCERA PARTE REPRESENTACION SOCIAL Y CINE. 1. El concepto de representación social. -
Liste Alphabétique Des DVD Du Club Vidéo De La Bibliothèque
Liste alphabétique des DVD du club vidéo de la bibliothèque Merci à nos donateurs : Fonds de développement du collège Édouard-Montpetit (FDCEM) Librairie coopérative Édouard-Montpetit Formation continue – ÉNA Conseil de vie étudiante (CVE) – ÉNA septembre 2013 A 791.4372F251sd 2 fast 2 furious / directed by John Singleton A 791.4372 D487pd 2 Frogs dans l'Ouest [enregistrement vidéo] = 2 Frogs in the West / réalisation, Dany Papineau. A 791.4372 T845hd Les 3 p'tits cochons [enregistrement vidéo] = The 3 little pigs / réalisation, Patrick Huard . A 791.4372 F216asd Les 4 fantastiques et le surfer d'argent [enregistrement vidéo] = Fantastic 4. Rise of the silver surfer / réalisation, Tim Story. A 791.4372 Z587fd 007 Quantum [enregistrement vidéo] = Quantum of solace / réalisation, Marc Forster. A 791.4372 H911od 8 femmes [enregistrement vidéo] / réalisation, François Ozon. A 791.4372E34hd 8 Mile / directed by Curtis Hanson A 791.4372N714nd 9/11 / directed by James Hanlon, Gédéon Naudet, Jules Naudet A 791.4372 D619pd 10 1/2 [enregistrement vidéo] / réalisation, Daniel Grou (Podz). A 791.4372O59bd 11'09''01-September 11 / produit par Alain Brigand A 791.4372T447wd 13 going on 30 / directed by Gary Winick A 791.4372 Q7fd 15 février 1839 [enregistrement vidéo] / scénario et réalisation, Pierre Falardeau. A 791.4372 S625dd 16 rues [enregistrement vidéo] = 16 blocks / réalisation, Richard Donner. A 791.4372D619sd 18 ans après / scénario et réalisation, Coline Serreau A 791.4372V784ed 20 h 17, rue Darling / scénario et réalisation, Bernard Émond A 791.4372T971gad 21 grams / directed by Alejandro Gonzalez Inarritu ©Cégep Édouard-Montpetit – Bibliothèque de l’École nationale d'aérotechnique - Mise à jour : 30 septembre 2013 Page 1 A 791.4372 T971Ld 21 Jump Street [enregistrement vidéo] / réalisation, Phil Lord, Christopher Miller. -
35 Shots of Rum (35 Rhums) 2008 12A Runtime: 100 Mins Director: Claire Denis
keswick film 35 shots of rum Autumn club Season 2009 a world of cinema (35 rhums) Review by Peter Bradshaw, the Guardian: This outstanding new film from Claire Denis, the director of Beau Travail and Vendredi Soir, demonstrates her fluency and mastery in the kind of movie-language that is rich, quietly complex and subtle - and very un-Hollywood in its refusal to cross the "t"s and dot the "i"s. Its theme is the bond between father and daughter, whose intensity speaks poignantly and paradoxically of loss and absence. (There is a similarity here with Abdel Kechiche's 2007 movie Couscous.) Alex Descas is Lionel, a calm and dignified widower who is a train driver in Paris. His daughter, Jo, played by Mati Diop, is a student who lives with him in affectionate, if rather emotionally fraught domestic intimacy. Both Lionel and Jo have a friendship, which is something more than friendship, with their neighbour Gabrielle, played by Nicole Dogué. She was once Lionel's lover when Jo was a child and appears to yearn, still, for a place in his heart, and to be a mother to Jo. Grégoire Colin plays their moody upstairs neighbour, called Noé, who appears also to have feelings for Lionel's daughter, but seems reluctant to change his chaotic home life and is temperamentally unable to commit himself. And in any case, Jo is being wooed by a charming fellow student. Lionel's own life is brought to a submerged crisis when one of his colleagues retires, and Lionel, a shrewd observer of his fellow males, instantly sees that not having a job is a catastrophe for this man, like the most appalling bereavement. -
The Music of Relationality in the Cinema of Claire Denis
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. -
Uk / 2018 / 1.66 / 5.1
HIGH LIFE 110 min / Germany – France – USA – Poland – UK / 2018 / 1.66 / 5.1 EVA DIEDERIX [email protected] SILVIA SIMONUTTI [email protected] FANNY BEAUVILLE [email protected] OLPHA BEN SALAH [email protected] PHOTOS AND PRESS KIT CAN BE DOWNLOADED FROM https://www.wildbunch.biz/movie/high-life/ Deep space. Monte and his daughter Willow live together aboard a spacecraft, in complete isolation. A man whose strict self-discipline is a shield against desire, Monte fathered her against his will. His sperm was used to inseminate the young woman who gave birth to her. They were members of a crew of prisoners – death row inmates. Guinea pigs sent on a mission. Now only Monte and Willow remain. Through his daughter, he experiences the birth of an all-powerful love. Together, father and daughter approach their destination – the black hole in which time and space cease to exist. How did High Life come about? A while back, an English producer asked me if I wanted to participate in a collection of films called Femmes Fatales. At first, I wasn’t that interested, but after thinking it over, I agreed. The project took ages to get off the ground. There was no money. It took 6 or 7 years to hammer out a coproduction: France, Germany, Poland and eventually America. During that time, I went to England and the States to meet with actors. The actor I dreamed of for the lead role of Monte was Philip Seymour Hoffman, because of his age, his weariness – but he died mid- route. -
11 Donne a Parigi (Sous Les Jupes Des Filles) Di Audrey Dana
11 donne a Parigi (Sous les jupes des filles) di Audrey Dana. Con Isabelle Adjani, Alice Belaïdi, Laetitia Casta, Audrey Dana, Julie Ferrier Francia 2014 Jo (Dana) è a letto con il raffreddore e le mestruazioni ed ha disperato bisogno di sesso. Ysis (Geraldine Nakache), dopo aver accompagnato i quattro figli a scuola, porta di corsa la borsa che il marito (Gouillaume Gouix) ha dimenticato dalla stilista Lili (Adjani), dalla quale lui lavora. Lì ci sono anche Sophie (Audrey Fleurot), una donna sicura di sé ma – scopriremo – con una grande difficoltà a godere e l’occhialuta Ines (Marina Hands), moglie cornutissima – tutti sanno che il marito Jacques (Alex Lutz) ha una relazione con Jo, che è vicina di casa di Sophie, tranne lei – che sta per affrontare un intervento oculistico per correggere la forte miopia. La sorella di Lili, la ginecologa Sam (Sylvie Testud), passa un periodo di forte tensione nervosa, per placarla fa l’amore con robusti giovanotti ma è sempre in allarme; la sorella, a sua volta, teme che lei le dia la pillola alla figlia adolescente (Clara Joly): la figlia che comincia a fare sesso sarebbe per lei un segno del temutissimo arrivo dell’ età matura. Il marito di Ysis ha avuto una piccola storia con Adeline (Belaidi), segretaria-stagista-vittima della manager Rose (Vanessa Paradis), a capo della più importante società francese di sondaggi, la quale durante un intervista-scontro con un funzionario delle assicurazioni (Rodolphe Dana) si accorge di non avere amiche e incarica Adeline di rintracciargliene una. La segretaria, poco dopo, soccorre Fanny (Ferrier) – autista di autobus piena di tic con una piatta routine con il marito (Nicolas Briancon) – che, a seguito di una violenta testata ad un palo, comincia a mostrare segni di un insaziabile appetito sessuale.