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FESTIVAL INFO 2019 Photo: Rob Humm Photo: VILLAGE GREEN STAGE Our Beautiful Saddlespan Stage Is Back!
FESTIVAL INFO 2019 Photo: Rob Humm VILLAGE GREEN STAGE Our beautiful Saddlespan Stage is back! 11:20-11:50 14:40-15:10 18:20-19:20 THE BIG SING BECKIE MARGARET FUN LOVIN’ CRIMINALS This massive choir have performed “Beckie Margaret combines the mystic Led by Huey Morgan, Fun Lovin’ Criminals are alongside Ellie Goulding, London Community beauty of Kate Bush with Dusty Springfield’s still the finest and only purveyors of Gospel Choir, Jamie Oliver & Leona Lewis. sombre reflections” - The Line Of Best Fit cinematic hip-hop, rock ’n’ roll, blues-jazz, Winners of BBC Songs of Praise Gospel Latino soul vibes. Choir of the Year Competition in 2017. 15:30-16:10 ASYLUMS 20:00-21:00 12:10-12:40 “What Southend quartet Asylums have BUSTED KILLATRIX delivered with ‘Alien Human Emotions’ is a Formed in Southend-on-Sea in 2000, Busted A unique hybrid of party-rock-electronica. soundtrack to the modern age.” - Kerrang! have had four UK number-one singles, won As selected to play by the Village Green KKKK two Brit awards and have released four studio Industry panel . albums, selling in excess of five million records. 16:50-17:40 Metal are hugely excited to have secured 13:00-13:30 SNOWBOY Busted to close the popular Village Green Stage KATY FOR KINGS & THE LATIN SECTION as the sun goes down on the festival! “Luck struck” Back by popular demand! - Europe’s leading Katy For Kings is making waves at 18, and is Afro-Cuban Jazz group. From their debut MIDDLE AGE SPREAD showing no signs of slowing down. -
Coventry & Warwickshire Cover
Worcestershire Cover July 2017 .qxp_Worcestershire Cover 26/06/2017 20:37 Page 1 DAME SARAH CONNOLLY AT Your FREE essential entertainment guide for the Midlands THREE CHOIRS FESTIVAL WORCESTERSHIRE WHAT’S ON JULY 2017 ON JULY WHAT’S WORCESTERSHIRE Worcestershire ISSUE 379 JULY 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onworcestershirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide theMISS heat isSAIGON on as smash-hit musical lands in the Midlands TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: AmericanSEASICK blues STEVE star headlines Bromyard Festival FACEBOOK: @WHATSONWORCESTER LivingVIKING History WEEKEND experience comes to Arley Arboretum WORCESTERSHIREWHATSON.CO.UK (IFC) Shrops.qxp_Layout 1 26/06/2017 18:24 Page 1 MEETING POINT: corner of Colmore Row & Waterloo Street, Victoria Square TOUR TIMES: 10.30am, 12.30pm & 2.30pm CONTACT: 0121 427 2555 / 07805 115 998 [email protected] AVAILABLE FOR PRIVATE HIRE THROUGHOUT THE YEAR Contents July Warwicks_Worcs.qxp_Layout 1 26/06/2017 15:02 Page 2 July 2017 Contents The Darkness - back in the UK to headline Godiva Festival more line-up info on page 19 Fusion The Mikado Summer Fun the list theatre, dance and music on the all-male version of Gilbert & Places to visit and things to do Your 16-page streets of Bromsgrove Sullivan’s classic in Malvern during the school holidays... week-by-week listings guide page 4 page 30 page 40 page 51 inside: 4. First Word 11. Food 15. -
To Headline This Is Tomorrow Festival 2019
WWW.NEVOLUME.CO.UK STEREOPHONICS TO HEADLINE THIS IS TOMORROW FESTIVAL 2019 WRITE FESTIVAL, SOUTH SHIELDS! WE’RE WOMEN ARE MINT AT COBALT STUDIOS! LISTENING! ISSUE #44 ARTIST SPOTLIGHT: SMOOTH & TURRELL! MAY 2019 WE SPEAK WITH THE BLINDERS! FOLLOW NE VOLUME WE REVIEW THE SHAKIN’ NIGHTMARES IN MIDDLESBROUGH! SUICIDE IN MUSIC ON SOCIAL MEDIA WE REVIEW MICHAEL GALLAGHER’S NEW EP! VINYL: LONG PLAY IN STOCKTON! PICK UP OUR FREE NORTH EAST MUSIC/CULTURE MAGAZINE! TO NE VOLUME MAGAZINE WELCOME ISSUE #44! Thank you so much for picking up NE Volume magazine - the magazine produced by local music CONTENTS and culture fans, for local music and culture fans. Those eagle-eyed NEWS readers among you may notice that there’s PG.5 Songs From Northern Britain! a piece of artwork in this edition announcing PG.10 Consett Festival 2019! the line-up for our 4th anniversary gig. Haven’t CULTURE spotted it yet? Take another look. We’re here to support local artists which is why we’ve put together an all North East line- PG.12 Write Festival, South Shields! up. Anyhow, so here’s what to look out for this month. In this edition, I speak with Stereophonics as they prepare to play This PG.15 Sunderland Shorts Film Festival! is Tomorrow in Newcastle; Tobias Halford provides you with his honest opinion of The Shakin’ Nightmares at Hey Base Camp in SPOTLIGHTS Middlesbrough; we keep you up-to-date with what’s happening in the region this month including Women are Mint at Cobalt PG.22 Artist Spotlight: Smoove & Turrell! Studios in Newcastle, The Membranes at Westgarth Social Club in Middlesbrough and Consett Festival; in our culture section PG.23 Business Spotlight: Parmo Photography! we preview Write Festival in South Shields, and so much more. -
Short Synopsis
"THE EDGE OF LOVE" PRODUCTION NOTES Capitol Films and BBC Films present In association with the Wales Creative IP Fund and Prescience Film Partners 2 A Sarah Radclyffe Production A Rainy Day Films Production A John Maybury Film Keira Knightley Sienna Miller Cillian Murphy Matthew Rhys "The Edge of Love" Casting Director - Nina Gold Hair and Make-Up Designer - Daniel Phillips Costume Designer - April Ferry Music by Angelo Badalamenti Film Editor - Emma E. Hickox ACE Director of Photography - Jonathan Freeman Production Designer - Alan MacDonald Executive Producers David Bergstein, Linda James, Hannah Leader, Joe Oppenheimer, Tim Smith, David M Thompson Co-Producers Huw Penallt Jones Bill Godfrey Line Producer - Lesley Stewart Produced by Rebekah Gilbertson Produced by Sarah Radclyffe Written by Sharman Macdonald Directed by John Maybury SHORT SYNOPSIS Two feisty, free-spirited women are connected by a charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two women. Vera Phillips and Dylan were childhood sweethearts; fast forward ten years and the two reconnect in war- time London. She‟s working as a singer whilst he‟s churning out propaganda scripts for government in aid of the war effort. The two feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship; whilst Caitlin indulges in her own infidelities she knows her husband‟s connection with Vera is something deeper. In Vera‟s life the turmoil continues. She marries her devoted admirer William Killick, but when William is posted abroad on a dangerous assignment behind enemy lines Vera returns with her friends to Wales, where the battle between her heart and head becomes more intense. -
The Football Tourist
The Football Tourist by Stuart Fuller www.ockleybooks.co.uk To the real CMF, twenty-years of great memories....some even featuring both of us. The Football Tourist Contents Page Number Introduction ix Foreword xiii The Cast xvii Chapter One: Welcome to Spakenburg 1 Chapter Two: Stockholm Syndrome 16 Chapter Three: A New Way of Life 26 Chapter Four: A Trip to Pleasure Island 41 Chapter Five: The Seven Deadly Sins 52 Chapter Six: French Resistance 62 Chapter Seven: A Scholar and a Gent 74 Chapter Eight: Bailing out the Euro Zone 86 Chapter Nine: Sex, Drugs and 80p Beer 99 Chapter Ten: On a (Swiss) Roll 112 Chapter Eleven: Red Hot and Chilly 123 Chapter Twelve: Roman Holiday 135 Chapter Thirteen: Slav to the Rhythm 147 The Football Tourist Introduction ix Chapter Fourteen: The Boys from Brazil 161 Chapter Fifteen: Yankee Doodle Dandy 177 Introduction Chapter Sixteen: Good Old Uncle Velbert 190 Chapter Seventeen: How Many Balloons Go By? 203 Chapter Eighteen: Push the Bloody Button! 214 Chapter Nineteen: Silent Night 231 Chapter Twenty: Dundee Derby Day Delight 243 Acknowledgements 256 Tourist: [too-r-ist] noun - A person who travels to and stays in places outside their usual environment for leisure, business and other purposes. x The Football Tourist Introduction xi Modern football is crap. How many times have I heard that full of heroes and villains. throwaway comment in recent years? There have even been Again, modern football is crap, right? a couple of books that eulogise about times gone by and how Again, rubbish. much better the beautiful game was when we only had three TV In searching for a title for this book, David Hartrick and I channels, sand for pitches and steak ‘n’ chips with light ale on threw a number of titles around before deciding on ‘The Football the side for a pre-match meal. -
Olga Fitzroy She’S Indicative of the Modern Breed of All-Round, Versatile Sound Engineer
CRAFT Olga Fitzroy She’s indicative of the modern breed of all-round, versatile sound engineer. NIGEL JOPSON discusses mixes, monitors and film methods. lga first came to AIR Studios in 2003 on her placement year from the Tonmeister course at Surrey University. After graduating, she returned to work at AIR full time and, ten years later, she’s an example Oof an increasingly rare class of production pro — the versatile recordist: tracking Chris Martin, mixing sound for film, recording and mixing a 50-piece orchestra. She has worked on records for Coldplay, The Foo Fighters, Muse, Keane, Guillemots and Noah & the Whale as well as large-scale orchestral sessions for movies such as Atonement, The Grand Budapest Hotel and My Week With Marilyn. Olga mixed the music for TV series Line of Duty, recorded and mixed Avashaom Caspi’s score for Simon Schama’s epic Jewish history TV series, and recorded and mixed Sky Art’s drama King of the Teds. In 2012 she recorded the music for the closing ceremony of the London Olympics with Jessie J, Ed Sheeran, Ray Davies, David Arnold, Tinie Tempah and Taio Cruz. Resolution caught up with her at AIR studio 1. What have you been working on recently? In May Coldplay’s Ghost Stories album was released, which I had been working on for about a year. Last week I’ve just completed a film with Stephen Warbeck, I’ve also done some theatre sessions as a sound consultant. Do you enjoy running big film sessions, where you have to co-ordinate with a composer, an arranger, conductor and so on? I love those sessions because it’s quite sociable, there’s lots of people involved and I really enjoy that aspect. -
Xxxxx Xxxxxxxx Xxx Romesh Dodangoda
REPORT REVIEWS REVEALED / Cameron Craig: mixing Melua / SSL Origin mixer: a 4k core / Good Morning Britain: Covid-19 news / Tommaso Colliva: Zoom music video / CEDAR DNS 8D: Dante de-noiser / Tim Bran: remote recording guide / Remote production special / AMS Neve 1073® OPX / DJ Hardwell’s Curaçao studio V19.3 | May/June 2020 | FREE The Interview XxxxxRomesh Xxxxxxxx Dodangoda Xxx Genelec RAW Easy on the eye. Easy on the environment. Introducing RAW, an eco-friendly reimagining of our most iconic studio, AV and home audio models. Featuring a distinctive, recycled-aluminium MDE enclosure design, RAW loudspeakers require no painting and less intensive finishing than standard models. The result is a unique design aesthetic that allows the raw beauty of the aluminium to shine through. And because it’s Genelec, you know it will sound as good as it looks – in any setting. We will be donating a percentage of every RAW speaker sold to the Audio Engineering Society’s fundraising initiative – helping this much-loved organisation continue its valuable work throughout the current COVID-19 crisis. For more information visit genelec.com/raw / Contents 28 V19.3 | May/June 2020 News & Analysis 5 Leader 6 News News, studios, appointments 12 New Products 50 A Day In The Life Peter Bailey, location sound mixer for ITV’s Good Morning Britain Columns 14 Business Lockdown boosts music streaming 15 Sound Opinion Michael Stipe and Bono perform new songs about the Romesh Dodangoda lockdown world and both make you cry …but for very different reasons 16 Crosstalk -
Emily Dissertation
‘AN INVESTIGATION INTO THE REPRESENTATION AND SCARCITY OF WOMEN IN THE MALE-CENTRIC WORLD OF MUSIC PRODUCTION AND ENGINEERING’ 1 Contents 1. Introduction 3 2. ResearCH StruCture 3 i. Detailed desCription of researCH struCture 3. A brief History of sound reCording 4 i. A brief history of women in sound reCording. 4. BiologiCal aspeCts 5 i. Cognition ii. Hormones 6 iii. The brain and beHavioural differenCes iv. Disadvantages to biologiCal studies 7 5. SoCiologiCal and psyCHologiCal aspeCts 8 i. MotHerHood ii. SoCial attitudes to family roles 9 iii. Upbringing and soCialisation 6. Formal eduCation 10 i. Learning styles Case study 1: Victoria Armstrong ii. LaCk of ConfidenCe 11 iii. SoCial influenCe in young people 12 7. Theories on tHe subConsCious and tHe proteCtion of teCHnology 12 8. Current treatment of women in produCtion and engineering 13 i. Sexism and stereotypes Case study 2: Nina Smith 14 ii. Male preferenCe iii. Visual identity 15 9. The male perspeCtive 16 i. Male studio professionals Case study 3: Yoad Nevo 17 10.Solutions 18 i. Role models Role models in education 2 ii. Women empowering women 19 iii. Organisations 20 International organisations Organisations within the UK 21 iv. AcCessibility 22 11.ConClusion 22 12.BibliograpHy 24 13.AppendiCes 34 3 1. IntroduCtion “Honestly, I think that some women get a little too caught up in the fact that there aren’t many women in the industry.” (Ann Mincieli cited in Massey, 2009, p. 308). The average Brit listens to music for more than a tenth of the time they are awake, fitting in 3500 songs each year (Express, 2017). -
Exploring Haim's Nostalgic New Album Track by Track
SHRILL EXPLORING HAIM’S NOSTALGIC NEW ALBUM TRACK BY TRACK SUMMER 2017 / ISSUE 1 SHRILL: (adjective) high-pitched and piercing sound; with great intensity There are a ton of words out there that are only used to describe women, and let’s face it, they’re not great. When was the last time you heard a man be called feisty? What about sassy? Bossy? Shrill? These words represent a society that constantly obsesses over the way strong, empowered women use their voice. Somewhere over the course of twenty-one centuries, words like ‘bubbly’ and ‘pushy’ have become dirty, misogynistic bullets to aim at women: a way to control just how much, or how little, we speak. ‘Shrill’ in particular is often used to insult powerful women. Case in point: Donald Trump used it to describe Hillary Clinton during the 2016 US presidential race. Yet I don’t see it as a negative term. I want to be loud, intense and passionate. And I definitely want to be heard above all the male voices in the room. This is the essence of Shrill, a new quarterly music magazine for females, by females. Growing up, I never saw music as a gendered thing. I listened to The Beatles and The Boss alongside Britney and Beyoncé. But when I’d show up to school in my band t-shirts with an iPod full of my favourite tunes, I still somehow felt excluded from the club. When I’d chat to fellow fans of bands I liked, most of them men, I’d have to face a series of questions to prove my worth. -
Journal of the Musicians' Union Summer 2019 Themu.Org Music
The Musician Journal of the Musicians’ Union Summer 2019 theMU.org Music And Moral Panic Why UK drill artists are being criminalised for making music Discrimination At Work The negative impact of having children on women’s careers Kaiser Chiefs The Leeds indie rockers on why it’s tough for young musicians Zara McFarlane A singer who is rising through the ranks of the new jazz scene Contacts Union HQ General Secretary Horace Trubridge Deputy General Secretary Naomi Pohl (Music Industry) Assistant General Secretary Nick Forshaw (Finance & Administration) National Organiser Jo Laverty (Orchestras) National Organiser Diane Widdison (Education & Training) National Organiser Phil Kear (Recording & Broadcasting) National Organiser Dave Webster (Live Performance) Head of Communications & Government Relations Isabelle Gutierrez In-House Solicitor Dawn Rodger PR & Marketing Official Keith Ames Recording & Broadcasting Official Michael Sweeney Licensing & Distribution Official Annie Turner Sessions Official Geoff Ellerby Live Performance Official Kelly Wood Equality, Diversity & Inclusion Official John Shortell Orchestras Official Morris Stemp Campaigns & Social Media Official Maddy Radcliff Regional Offices London Regional Organiser: Jamie Pullman 33 Palfrey Place, London SW8 1PE t 020 7840 5504 e [email protected] East & South East England Regional Organiser: Paul Burrows 1a Fentiman Road, London SW8 1LD t 020 7840 5537 e [email protected] Midlands Regional Organiser: Stephen Brown 2 Sovereign Court, Graham Street, Birmingham B1 3JR t 0121 -
Xxxxx Xxxxxxxx Xxx Matt Wiggins
REPORT REVIEWS REVEALED / Recording studios: brand building / Waves: Chris Lord-Alge MixHub / Phil Joly: Daft Punk, Lana Del Rey / Test: EIGHT headphones under test / Antelope Audio: Orion 32+ / Podcasting: Rob Speight speaks / AES Dublin report / Upmixing with Schoeps / Broadcast metadata — getting it right V18.D | April 2019 | £5.50 The Interview XxxxxMatt Wiggins Xxxxxxxx Xxx Loud and Clear The S360 combines main monitor performance with compact size, delivering a true reference even at high sound pressure levels. And with our GLM software, the S360 will intelligently adapt to your acoustic environment. So if you need to really feel the energy in your music – or are working with large scale immersive film production – it is no longer a choice between power and precision. Find out more at www.genelec.com/S360 S360_Resolution_245x297.indd 1 14/11/2018 14.51 / Contents 32 V18.D | April 2019 News & Analysis 5 Leader 6 News Conventions, studios, appointments 12 New Products 46 Pro or No? Marcel James, mastering engineer & marketing man Columns 14 Broadcast aside 15 Business Spotify invests in podcasting Matt Wiggins 16 Sound Opinion When the mix is ‘wrong’ but the song feels right 18 Crosstalk How Wall Street came to design recording studios 42 Playlist Motown Records at 60: our favourite funkiest grooves 36 Craft 30 Matt Wiggins Adele, London Grammar, James Bay and The Horrors — the MPG Recording Engineer Of The Year talks projects, producers and equipment 34 Phil Joly The Grammy-winning chief engineer at Electric Lady 18 Studios, NYC, -
Gender Ventriloquism in Studio Production
Gender Ventriloquism in Studio Production Helen Reddington University of East London [email protected] Abstract A process of ventriloquism, with male producers speaking through the mouthpieces of the women they produce, can reinforce gender delineations in pop. After discussing ventriloquism in pop and demonstrating different ways in which this has happened using historical examples, the author’s original interviews with women who record male artists are examined to discover whether a similar process takes place when roles are reversed. The author concludes that aspects of ventriloquism are inherent in production, although some women producers have questioned gender roles during this process. She also notes that as more female mediators enter the profession, we may hear more authentic expressions of women’s identities in popular music. KEYWORDS: ventriloquism, recording, women producers and engineers Introduction At the 2014 Art of Record Production conference in Oslo, the US recording engineer Susan Rogers (who worked with Prince in the 1980s) described me a discussion she had with a group of women engineers about male vocalists, during which she realized that this was the first time she had ever experienced a situation that must have been quite normal in the record industry: that of studio professionals of one gender discussing the aesthetic qualities of the singing voices of the other- including what they found ‘sexy’ (Rogers 2014). This time however, in a reversal of normal practice, the mediators were female, and the vocalists were male. This observation by Rogers threw into relief the implications for female vocalists of the aesthetics of their performances being mediated almost exclusively by male engineers and producers who are positioned as audio gatekeepers, and therefore aesthetic arbiters, of what we listen to in mainstream popular music.