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SAKARI ORAMO CHIEF CONDUCTOR CONCERTS 2018–19 bbc.co.uk/symphonyorchestra SAKARI ORAMO CHIEF CONDUCTOR CONCERTS 2018–19 FEBRUARYJANUARY – –APRIL MAY WEDNESDAYFRIDAY 18 JANUARY SATURDAYFRIDAY 8 FEBRUARY 2 MARCH WEDNESDAYSATURDAY 2 MARCH SATURDAYWEDNESDAY 11 MAY BEETHOVEN13 FEBRUARY TOTALTHOMAS IMMERSION: LARCHER TOTAL17 APRIL IMMERSION: AUGUSTA17 APRIL READ THOMAS PĒTERISViolin Concerto VASKS GYÖRGYAlle Tage LIGETIUK premiere TIPPETTGYÖRGY LIGETI TIPPETTRadiant Circles Cantabile for Strings The Rose Lake TheUK premiere Rose Lake SCHOENBERG BEETHOVENSpend a day exploring the Spend a day exploring the GAVINPelleas HIGGINSund Melisande Symphonymany moods No. of Ligeti. 7 SZYMANOWSKImany moods of Ligeti. SZYMANOWSKIOSVALDO GOLIIJOV Book of Miracles Explore this enigmatic ViolinExplore Concerto this enigmatic No. 1 ViolinOceana Concerto No. 1 Lothar Koenigs Karina Canellakis (trombone concerto) composer in fi lm, a talk composer in fi lm, a talk UK premiere conductor conductor DEBUSSY, arr. DEBUSSY, arr. BBC commission: and concerts, featuring a and concerts, featuring a James Ehnes violin Thomas Oliemans Alain Altinoglu AlainJOHN Altinoglu ADAMS world premiere performance by Grammy performance by Grammy baritone Pelléas et Mélisande – PelléasNaïve and et MélisandeSentimental – SHOSTAKOVICH Award-winning violinist suiteAward-winning UK premiere violinist suiteMusic UK premiere Symphony No. 4 Augustin Hadelich. Augustin Hadelich. WEDNESDAY Sir Andrew Davis SirJoana Andrew Carneiro Davis Alexander23 JANUARY Vedernikov WEDNESDAY conductor conductor RICHARDconductor CAUSTON SATURDAY13 FEBRUARY 6 APRIL SATURDAYLisa Batiashvili 6 APRILviolin LisaNora Batiashvili Fischer singer violin Helen Vollam trombone BBC Symphony Chorus Ik zeg: NU (I say: NOW) TOTALPĒTERIS IMMERSION: VASKS TOTAL IMMERSION: ROBERT SCHUMANN LILICantabile AND NADIA for Strings LILI AND NADIA Cello Concerto BOULANGERGAVIN HIGGINS BOULANGERFRIDAY 26 APRIL FRIDAY 26 APRIL FRIDAY 22 FEBRUARY Book of Miracles ELGAR ELGARWEDNESDAY 15 MAY BRAHMS Symphony No. 3 Two sisters; two Two sisters; two THOMAS LARCHER BBC commission: Violin Concerto RAYMONDViolin Concerto YIU extraordinary musical extraordinary musical NocturneSakari Oramo – Insomnia conductor world premiere The London Citizen lives. Discover the DVOŘÁKlives. Discover the DVOŘÁK Steven Isserlis cello Exceedingly Injured MOZART SHOSTAKOVICHworld and music of the Symphonyworld and music No. 7 of the Symphony No. 7 Symphony No. 35, SymphonyBoulanger sisters No. 4 in this Boulanger sisters in this BRITTEN Serenade for Sakari Oramo conductor Sakari Oramo conductor ‘ H a ff n e ’ r day of concerts and events, day of concerts and events, Tenor, Horn and Strings Alexander Vedernikov Nicola Benedetti violin Nicola Benedetti violin SATURDAY including a performance including a performance MAHLER conductor SHOSTAKOVICH 2 FEBRUARY of Lili Boulanger’s cantata of Lili Boulanger’s cantata Das Lied der Erde Helen Vollam trombone Symphony No. 1 J. S. BACH Faust et Hélène. Faust et Hélène. MassSakari in Oramo B minor conductor FRIDAY 3 MAY David Robertson Elisabeth Kulman STRAVINSKY conductor mezzo-sopranoJohn Butt conductor WEDNESDAYFRIDAY 22 FEBRUARY WEDNESDAYFuneral Song Anthony Gregory tenor StuartJoanne Skelton Lunn soprano tenor Martin Owen horn 10 APRILTHOMAS LARCHER SHOSTAKOVICH10 APRIL Mary Bevan soprano Nocturne – Insomnia Alex Potter counter- SHOSTAKOVICH SHOSTAKOVICHViolin Concerto No. 1 tenor PianoMOZART Concerto No. 2 Piano Concerto No. 2 STRAVINSKY FRIDAY 24 MAY Samuel Boden tenor VariationsSymphony onNo. a 35,Theme TheVariations Rite of on Spring a Theme Edward Grint bass- by‘ H aGlinka ff n e ’ r (for piano) by Glinka (for piano) THOMAS LARCHER conductor baritone MAHLERSymphony No. 11, SymphonySakari Oramo No. 11, Chiasma UK premiere violin Das‘The Lied Year der 1905’ Erde ‘TheIgor YuzefovichYear 1905’ MAHLER Symphony No. 7 SakariSemyon Oramo Bychkov conductor Semyon Bychkov Elisabethconductor Kulman conductor Sakari Oramo conductor Alexeimezzo-soprano Volodin piano Alexei Volodin piano Stuart Skelton tenor For full details of all our events, visit bbc.co.uk/symphonyorchestra BOOK NOW: 020 7638 8891 barbican.org.uk www.brittensinfonia.com OCTAVIAN STORED® THE ULTIMATE FINE WINES FINER, SAFER, MORE VALUABLE When you entrust your fine wine to Octavian we do more than simply store it for you. Your wine is nurtured in the exact environment required to reach its full potential, protected against physical and financial risk. We give you back wine the whole world wants. 2018-19 SERIES The ultimate fine wine. NOW ON SALE, FEATURING: MAKE A SMALL CHANGE WITH A BIG DIFFERENCE. SIR MARK ELDER IESTYN DAVIES BRAD MEHLDAU MOVE YOUR WINE TO OCTAVIAN. THOMAS ADÈS ALLAN CLAYTON NATALIE MURRAY BEALE Octavian offers its bespoke Octavian Vaults service for private collectors and investors. NICO MUHLY SOPHIE BEVAN CLARK RUNDELL For more information call +44 (0)1225 818714 or email [email protected] octavian.co.uk MAIN ORCHESTRA 2019 | SAKARI ORAMO CHIEF CONDUCTOR Spring Concert Programme features FRIDAY 22 FEBRUARY 2019 RIMSKY-KORSAKOV 7.30pm, BARBICAN HALL Scheherazade Sunday 14 April | 3pm The Anvil Basingstoke WOLFGANG AMADEUS MOZART Symphony No. 35 in D major, K385 ‘Haffner’ 20’ Book Now www.anvilarts.org.uk THOMAS LARCHER Nocturne – Insomnia 15’ 01256 844 244 INTERVAL: 20 MINUTES GUSTAV MAHLER Das Lied von der Erde 64’ Elisabeth Kulman mezzo-soprano Stuart Skelton tenor Sakari Oramo conductor Broadcast live by BBC Radio 3 in Radio 3 in Concert (weekdays, 7.30pm) and available to stream or download for 30 days after broadcast via BBC Sounds, where you can also find podcasts and music mixes. Keep in touch with the BBC Symphony Orchestra. To find out more about upcoming events, broadcasts and the latest BBC SO news, visit bbc.co.uk/symphonyorchestra. facebook.com/BBCSO Twitter: @BBCSO Instagram: @bbcsymphonyorchestra WELCOME PROGRAMME NOTES WOLFGANG AMADEUS MOZART (1756–91) Symphony No. 35 in D major, K385 ‘Haffner’ (1782) 1 Allegro con spirito Tonight’s concert puts the majestic city of Vienna on display in a pair 2 Andante 3 Menuetto and Trio of works that represent the dual high points of its music, one from its 4 Presto pomp as the Imperial Habsburg capital and one from the final flowering of its magnificence, shortly before the First World War changed the face of Europe. When, in June 1781, Mozart left the That Mozart himself was aware of the new service of the Prince-Archbishop of direction his music was taking is clear from Salzburg to begin a freelance career a piece such as the ‘Haffner’ Symphony, a Mozart’s ‘Haffner’ Symphony was the first he wrote as a freelance as a composer, performer and teacher Viennese work but one that consciously composer in Vienna, newly liberated from his stifling Salzburg upbringing in Vienna, the effects were more far- looks back to the brilliant, plain-speaking and out from under his overbearing father’s nose. It is music of celebration, reaching than even he could have orchestral style of the Salzburg years. It did compositional wizardry and characteristic Mozartian high jinks. imagined. The imperial capital offered him so with good reason. In July 1782 Mozart the kind of independence and cultured received a letter from his father, Leopold, musical milieu he had not enjoyed back asking for a symphony to celebrate the Mahler’s Das Lied von der Erde sets a series of poems translated from in Salzburg, and his response was to ennoblement of a family friend, Sigmund the Chinese, picking up on the vogue at the time for all things oriental. compose music of growing emotional Haffner. Mozart duly provided one, posting Tonight the BBC Symphony Orchestra is joined by tenor Stuart Skelton and intellectual reach which, along with it to Salzburg in instalments accompanied the music of his friend Haydn, was to by a correspondence which could not hide and, to sing the final, wistful ‘Farewell’, mezzo Elisabeth Kulman. help define the sophisticated and subtle his irritation at the kind of paternal demand expressiveness of the High Classical style. from which he must have thought he had In between, a recent work by Thomas Larcher, who studied in Vienna freed himself. He sent the final package but preferred to base himself in the comparative solitude of the Tyrol. The theatre could on 7 August, adding, ‘I only hope that all will reach you in good time, and be to Nocturne – Insomnia is music of febrile, Expressionist introspection not have been more your taste.’ and is presented tonight as the second of three works by Larcher to crowded and … every be performed by the BBC Symphony Orchestra this season. box was full. But what In its original form the symphony started with a march, and may well have had an pleased me most of all extra minuet as well, thus making it similar was that His Majesty the to the type of multi-movement orchestral serenade that was popular in Austria at Emperor was present that time for grand public occasions. It and, goodness! – how was not uncommon, however, for these delighted he was and serenades to be subsequently cut down to Please try to restrain coughing until the normal breaks in the performance. If you have a form four-movement symphonies, and this mobile phone or digital watch, please ensure that it is turned off during the performance. In accordance with the requirements of the licensing authority, sitting or standing in how he applauded me! is precisely what Mozart did when, having any gangway is not permitted. No cameras, tape recorders or other types of recording got Leopold
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  • Digital Concert Hall

    Digital Concert Hall

    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
  • 18-02 Jeremy Denk.Qxp Britsinf

    18-02 Jeremy Denk.Qxp Britsinf

    RHAPSODY IN BLUE WITH JEREMY DENK JEREMY DENK piano JACQUELINE SHAVE leader/director THOMAS HANCOX flute BYRD/DUFAY/BACH/MOZART/MONTEVERDI Suite 14 mins STRAVINSKY Concerto for piano and winds 20 mins INTERVAL 20 mins A selection of piano solos 10 mins MILHAUD La création du monde 16 mins GERSHWIN Rhapsody in Blue (original jazz band version) 17 mins LONDON MILTON COURT CONCERT HALL Tuesday 27 February 2018 – 7.30pm Broadcast live on BBC Radio 3 NORWICH ST ANDREW’S HALL Friday 2 March 2018 – 7.30pm PRE-CONCERT TALK – 6.30PM Jeremy Denk discusses tonight’s programme. BURY ST EDMUNDS THE APEX Monday 5 March 2018 – 7.30pm If you have a mobile phone, please ensure that it is turned off during the performance. In accordance with the requirements of the licensing authority, persons shall not be permitted to stand or sit in any of the gangways. No camera, tape recorder, other types of recording apparatus, food or drink may be brought into the auditorium. It is illegal to record any performance unless prior arrangements have been made with Britten Sinfonia. Large print versions of our programmes are available upon prior request by calling 01223 300795. www.brittensinfonia.com • @brittensinfonia • /brittensinf WELCOME We’re thrilled to be working New York in the early 1920s and his jazz-infused ballet again with pianist Jeremy score reflects the music he heard in some of the Harlem Denk, who is such a natural dance halls. If that were not enough, Jeremy will perform and inspiring collaborator and a selection of piano solos, and a continuous suite of programmer, and also Artist- rhythmically intricate works from Bach, Mozart, Byrd, in-Residence at Milton Court Dufay and Monteverdi.