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The Early Feminists' Struggle Against Patriarchy and Its Impetus to The
The early feminists’ struggle against patriarchy and its impetus to the nineteenth century american women’s rights movement in henry james’s the bostonians SKRIPSI Submitted as a Partial Fulfillment of Requirements For The Sarjana Degree in English Department By: Dessy Nuraini Anggariningsih NIM. C.0397025 FACULTY OF LETTERS AND FINE ARTS SEBELAS MARET UNIVERSITY SURAKARTA 2003 1 APPROVAL Approved to be examined before The Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret University Thesis Consultant : 1. Dra. Endang Sri Astuti, MS ( ) First Consultant NIP. 130 902 533 2. Dra. Rara Sugiarti, M. Tourism ( ) Second Consultant NIP. 131 918 127 2 Approved by the Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret Universuty On March 27th, 2003 The Board of Examiners: 1. Dra. Hj. Tri Retno Pudyastuti, M.Hum ( ) Chairman NIP. 131 472 639 2. Dra. Zita Rarastesa, MA ( ) Secretary NIP.132 206 593 3. Dra. Endang Sri Astuti, MS ( ) First Examiner NIP.130 902 533 4. Dra. Rara Sugiarti, M.Tourism ( ) Second Examiner NIP 131 918 127 Dean Faculty of Letters and Fine Arts Sebelas Maret University Dr. Maryono Dwi Rahardjo, SU NIP. 130 675 176 3 MOTTO “Verily, along with every hardship is relief. So, when you have finished your occupation, devote yourself for Allah’s worship. And to your Lord Alone tirn all your intention and hopes.” (Surat Al Insyoroh : 6 –7) A thousand miles begins at zero … 4 DEDICATION To my beloved Ibu’ and Bapak 5 ACKNOWLEDGMENT Alhamdulillaahirabbil ‘aalamiin. Nothing else can be uttered after long exhausting struggle have been done to complete this thesis. -
Henry James , Edited by Adrian Poole Frontmatter More Information
Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other Tales, 2 The American 1864–1869 3 Watch and Ward 24 A Passionate -
CURRICULUM VITAE Larry J. Reynolds University Distinguished
CURRICULUM VITAE Larry J. Reynolds University Distinguished Professor Thomas Franklin Mayo Professor of Liberal Arts Department of English Texas A&M University College Station, TX 77843-4227 Education: Duke University, Ph.D. English (American Literature) Ohio State University, M. A. English (American Literature) University of Cincinnati, B.S. Aerospace Engineering Professional Positions: Professor of English, Texas A&M University, 1985---- Founding Director, American Studies Program, Texas A&M, 2001-05 Associate Professor of English, Texas A&M, 1979-1985 Assistant Professor of English, Texas A&M 1974-79 Aerospace Research Engineer, Battelle Laboratories, 1970-71 Aerodynamics Engineer, North American Rockwell, 1966-1970 Honors, Awards and Grants: Faculty Internal Fellowship, Glasscock Center for Humanities Research, 2015-16 Distinguished Research Award from Texas A&M Association of Former Students, 2014 University Distinguished Professorship, 2011 Texas A&M College of Liberal Arts Research Award, 2009 Honors Program Awards for Curriculum Development, 1995, 1998, 2005 Fulbright Senior Lecturer, University of Ghent and Université Libre de Bruxelles, 2001 Fulbright Distinguished Chair in American Studies (Poland), 2001 (declined) American Council of Learned Societies Fellowship, 1998 Scholarly and Creative Activities Grant, Texas A&M University, 1995 Kirby Award, 1992 (for Best Article of the Year in South Central Review) Thomas Franklin Mayo Endowed Professorship, Texas A&M, 1991 Distinguished Teaching Award from Texas A&M Association of -
The Bizarre Child–Parent Relationship in Watch and Ward by Henry James
Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Sayı 17, 2014, Sayfa 45-51 THE BIZARRE CHILD–PARENT RELATIONSHIP IN WATCH AND WARD BY HENRY JAMES Faruk KALAY* Abstract Henry James, who lived in 1900s, is one of the distinctive authors in American Literature. Watch and Ward the author’s first attempt to write novel, remains unsuccessful and tribulation for James and the novel is not regarded as his first novel by both the author himself and the critics. The novel starts with adopting a St. Louisian twelve-year-old girl Nora Lambert whose father suicides because of not taking money he asks from Roger. All Nora's training and education is related to how to be a good wife. In this context, some critics suppose that their connection with each other is immoral and far from ethics. Here, in this study, the relationship between child and parent will be discussed. Key Words: Henry James, Watch and Ward, The Child-Parent Relationship, Roger Lawrence, Nora Lambert. HENRY JAMES’IN WATCH AND WARD ADLI ROMANINDA GARİP ÇOCUK-VASİ İLİŞKİSİ Özet Henry James 1900 yıllarda yaşamış Amerikan Edebiyatının önde gelen temsilcilerinden biridir. Yazarın ilk roman yazma girişimi olan Watch and Ward istediği başarıyı yakalayamamış hem kendisi tarafından hem de eleştirmenlerce ilk eseri olarak addedilmemiştir. Kendisinden para isteyen fakat umduğunu bulamayınca intihar eden St. Louis’li bir adamın kızını evlat edinmesiyle olaylar gelişmeye başlar. Nora'nın tüm eğitim ve öğretimi nasıl ideal bir eş olacağıyla ilgilidir. Bu bağlamda bazı eleştirmenler bu ilişkiyi ahlaksızlık ve edepsizlik olarak değerlendirmiştir. İşte bu çalışmada çocuk vasi ilişkisi üzerinde durulacaktır. -
Fall 2019 Coursebook
SCHOOL COLUMBIA UNIVERSITY OF THE ARTS Fall 2 019 Coursebook Workshops Seminars Lectures Master Classes Updated: August 27, 2019 TABLE OF CONTENTS LIST OF COURSES BY DAY AND TIME WORKSHOPS 1 SEMINARS 2 LECTURES 5 MASTER CLASSES 6 COURSE DESCRIPTIONS SEMINARS 7 LITERARY TRANSLATION WORKSHOP 26 LECTURES 27 MASTER CLASSES 29 SPECIAL PROJECTS WORKSHOP 39 WORKSHOPS FICTION – OPEN (6 points) NONFICTION – OPEN (6 points) Sam Lipsyte Michelle Orange Mon., 10am-1pm Mon., 2pm-5pm Rivka Galchen Brenda Wineapple Mon., 2pm-5pm Tue., 2pm-5pm Brit Bennett Maria Venegas Tue., 10am-1pm Wed., 9:30am-12:30pm Lynn Steger Strong Sarah Perry Tue., 10am-1pm Fri., 2pm-5pm Binnie Kirshenbaum Tue., 2pm-5pm NONFICTION – THESIS (9 points) Joshua Furst Second-Years only Wed., 2pm-5pm Joanna Hershon Leslie Jamison Thu., 10am-1pm Mon., 10am-1pm Paul Beatty Phillip Lopate Thu., 2pm-5pm Mon., 2pm-5pm Nicholas Christopher Wendy S. Walters Thu., 2pm-5pm Tue., 10am-1pm Ben Metcalf Richard Locke Thu., 2pm-5pm Tue., 2pm-5pm Anelise Chen Michael Greenberg Fri., 10am-1pm Wed., 2pm-5pm James Cañón Fri., 2pm-5pm POETRY – OPEN (6 points) Phillip B. Williams Mon., 10am-1pm Timothy Donnelly Wed., 2pm-5pm Shane McCrae Thu., 10am-1pm Lynn Xu Thu., 10am-1pm Emily Skillings Fri., 2pm-5pm 1 SEMINARS ——MONDAY—— ——TUESDAY—— Rivka Galchen (FI) Monica Ferrell (CG) Not Exactly Historical Fiction Word and Image: Reading and Writing Mon., 10am-12pm Contemporary Poetry for Prose Writers Tue., 10am-12pm Lincoln Michel (FI) Structure and Its Discontents Leslie Jamison (NF) Mon., 10am-12pm Archive -
Paper 05; Module 12; E Text
Paper 05; Module 12; E Text (A) Personal Details Role Name Affiliation Principal Investigator Prof. Tutun University of Hyderabad Mukherjee Paper Coordinator Prof. Niladri University of Kalyani, West Chatterjee Bengal. Content Writer/Author Mr. Mamud Hasan University of Hyderabad (CW) Content Reviewer (CR) Prof. Niladri University of Kalyani, West Chatterjee Bengal. Language Editor (LE) Prof. Sharmila University of Kalyani, West Majumdar Bengal. (B) Description of Module Item Description of module Subject Name English Paper name American Literature Module title Henry James: The Bostonians Module ID MODULE 12 About the module: This module deals with the novel The Bostonian by Henry James. It provides a short biographical note on the life of Henry James. It also presents a description of his various types of writings and the involvement in literary activities in various parts of Europe and United States. It offers the study of the novel The Bostonian by presenting various insights like background study of the novels, description of plot, theme and characterization, various techniques used in the novel etc. This module also discusses the writing style and techniques of Henry James in his various writings. The Bostonian by Henry James About the Author: Henry James, an American born British writer, was born in New York City on 15 April 1843 and died in 28 February 1916. He is considered as one of the key figures of 19th century literary realism. James was the son of Henry James, Sr. and the brother of William James and diarist Alice James. The first twenty years of his life he has travelled several times between Europe and America. -
Henry James Frontmatter More Information
Cambridge University Press 978-1-107-00400-9 - The Portrait of a Lady Henry James Frontmatter More information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00400-9 - The Portrait of a Lady Henry James Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00400-9 - The Portrait of a Lady Henry James Frontmatter More information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Griffin, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of California, Irvine Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00400-9 - The Portrait of a Lady Henry James Frontmatter More information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 18 The Ambassadors 2 The American 19 The Golden Bowl 3 Watch and Ward 20 The Outcry 4 The Europeans 21 The Sense of the Past 5 Confidence 22 The Ivory Tower 6 Washington Square 23 A Landscape Painter and -
Henry James and the Well-Made Play
RICE UNIVERSITY Henry James and the Well-Made Play by Vivian Celia Casper A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Texas May 1962 TABLE OP CONTENTS page INTRODUCTION 1 CHAPTER ONE THE WELL-MADE PLAY 12 CHAPTER TV/O EARLY PLAYS 23 CHAPTER THREE LATER PLAYS 73 CONCLUSION 93 FOOTNOTES 98 APPENDICES A. ASIDES AND SOLILOQUIES 104 B. TABLE OP DATES 109 BIBLIOGRAPHY 111 INTRODUCTION Almost every conceivable scholarly approach re¬ lating to Henry James' creative process or imaginative rendering of fictional material has been taken in the last few decades of scholarship and criticism,which has steadily grown since the 1930's when critical interest in James was renewed. In comparison to the studies made concerning his shorter tales and longer novels, however, little has been done on his dramatic canon, which is usually dismissed as occupying a misguided, experimental "middle period" of the author or, more importantly, connected with his dramatic bent as seen in his technique of the novel and short story. For example, of James' effort in dramatizing Daisy Miller F. V/. Dupee says, "His turning to the theatre for a quick and conspicuous success was now, as later in his life, a distress signal";^ and Dupee further speaks of the years devoted to playwriting by p James as critical and "evil." In 1949 Leon Edel edited The Complete Plays of Henry James in which volume are supplied biographical and circumstantial facts connected with the dramas. In Mr. Edel's work, as in several other studies,3 James' debt to Scribe and his disciples is acknowledged; but there has not yet been a systematic study of the dramatic tech¬ nique of the plays of Henry James. -
Jen Bervin Born 1972, Iowa. Lives and Works in Connecticut. Education
Jen Bervin Born 1972, Iowa. Lives and works in Connecticut. Education M.A. Creative Writing / Poetry, University of Denver, Colorado Fellowship B.F.A. Studio Art, School of the Art Institute of Chicago, Presidential Merit Scholar Fellowships Leighton Fellowship, Banff Centre for Arts and Creativity, Banff, Canada 2021 and Awards SETI Institute Artist in Residence, 2016–2019 Provost Fine Arts Fellow, Rhode Island School of Design 2018–2019 Vermont Studio Center Visiting Artists and Writers Program, 2019, 2016 Artist in Residence, Alice Kaplan Institute for the Humanities, hosted by the Block Museum of Art, Northwestern University, 2018 Lambda Literary Award Finalist, 2018 Foundation for Contemporary Art, Emergency Grant, Tbilisi, Georgia, 2017 Asian Cultural Council Mandarin Oriental Arts Fellowship, 2016 Rauschenberg Foundation Residency, 2016 Lucas Artist Residency Program Fellowship, Montalvo Arts Center, 2016 Fitt Artist in Residence, Literary Arts, Brown University, 2015 The University of Arizona Poetry Center, Artist in Residence, 2015 Bogliasco Fellowship, Liguria Study Center, Italy, 2014 Creative Capital Foundation Literature Grant, 2013 The Josef and Anni Albers Foundation Residency, 2009, 2012 Artist in Residence, Book Art and Creative Writing Program, Mills College, 2012 Von Hess Visiting Artist at the Borowsky Center for Publication Arts, 2012 Visual Studies Workshop Residency, 2010 New York Foundation for the Arts Poetry Fellowship, 2007 Camargo Foundation Core Fellowship, France, 2006 MacDowell Colony Residency Fellowship, 2006 Dickinson Research, Mellon Research Grant, Pratt Institute, 2005 Dickinson Research, Mellon Travel Grant, Pratt Institute, 2005 Centrum Arts Residency, Port Townsend, WA, 2004 The Center for Book Arts, Fine Printing and Letterpress Workshop Fellowship, 2003 Academy of American Poets, Edward M. -
Bringing Nanda Forward, Or Acting Your Age in the Awkward Age
Bringing Nanda forward, or acting your age in The Awkward Age Article (Accepted Version) Thurschwell, Pamela (2016) Bringing Nanda forward, or acting your age in The Awkward Age. Critical Quarterly, 58 (2). pp. 72-90. ISSN 0011-1562 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/58508/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk JOBNAME: No Job Name PAGE: 1 SESS: 10 OUTPUT: Tue Oct 27 16:04:19 2015 SUM: 732190A8 /Xpp84_Wiley/wiley_journal_C/CRIQ/criq_v0_i0/criq_12233 Toppan Best-set Premedia Limitedbs_bs_query Journal Code: CRIQ Proofreader: Mony Article No: CRIQ12233 Delivery date: 26 Oct 2015 Page Extent: 18 1bs_bs_query 1 bs_bs_query Pamela Thurschwell 2bs_bs_query 3bs_bs_query Bringing Nanda forward, or 4bs_bs_query 5bs_bs_query acting your age in The Awkward Age 6bs_bs_query 7bs_bs_query ‘. -
Contexts for Reading Gertrude Stein's the Making of Americans
Contexts for Reading Gertrude Stein’s The Making of Americans Lucy Jane Daniel Thesis submitted to the University of London for the degree of Doctor of Philosophy University College^ London February 2002 ProQuest Number: U642307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642307 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis provides a contextualizing approach to Gertrude Stein’s The Making of Americans (1903-1911), using her notebooks, correspondence and college compositions dating from the 1890s, as well as the more well-known Femhurst, QED, and ‘Melanctha’; the study ends in 1911. Each chapter discusses representative texts with which Stein was familiar, and which had a discernible effect on the themes and style of the novel. In view of a critical tradition which has often obscured her nineteenth-century contexts, this reading provides a clearer definition of the social and intellectual environment which shaped her literary experiment. In chapter 1 I consider the influence of Charlotte Perkins Gilman’s Women and Economics (1898). Stein’s college themes and the speech, ‘The Value of College Education for Women’ (1898), reveal her feelings about the possibility of female creativity. -
SPRING 2019 Coursebook
SCHOOL COLUMBIA UNIVERSITY OF THE ARTS SPRING 2019 Coursebook Workshops Seminars Lectures Master Classes Updated: February 13, 2019 TABLE OF CONTENTS LIST OF COURSES BY DAY AND TIME WORKSHOPS 1 SEMINARS 2 LECTURES 5 MASTER CLASSES 6 COURSE DESCRIPTIONS SEMINARS 7 Translations Workshops 24 Hybrid Forms Lab 26 LECTURES 27 MASTER CLASSES 31 SPECIAL PROJECTS WORKSHOP 41 WORKSHOPS FICTION – OPEN (6 points) FICTION – THESIS (9 points)* Lynn Steger Strong Sam Lipsyte Tue., 10am-1pm Mon., 12:05pm-3:05pm Charles Bock Joshua Furst Tue., 12:05pm-3:05pm Mon., 3:10pm-6:10pm Paul La Farge Rivka Galchen Tue., 5:15pm-8:15pm Mon., 3:10pm-6:10pm Eli Gottlieb Ben Marcus Wed., 12:35pm-3:35pm Tue., 1:05pm-4:05pm Gary Shteyngart Binnie Kirshenbaum Wed., 3:40pm-6:40pm Wed., 3:40pm-6:40pm Anelise Chen Paul Beatty Fri., 10am-1pm Thu., 1:05pm-4:05pm Elissa Schappell Thu., 1:35pm-4:35pm Ben Metcalf Thu., 4:40pm-7:40pm POETRY – OPEN (6 points) NONFICTION – OPEN (6 points) Lynn Melnick Leslie Jamison Mon., 12:05pm-3:05pm Mon., 10am-1pm Major Jackson Morgan Jerkins Tue., 10am-1pm Mon., 10am-1pm Mark Bibbins Phillip Lopate Fri., 1:10pm-4:10pm Mon, 1:05pm-4:05pm Lis Harris POETRY – THESIS (9 points)* Tue., 1:05pm-4:05pm Richard Locke Alan Gilbert Tue., 2:10pm-5:10pm Tue., 4:30pm-7:30pm Michael Greenberg Dorothea Lasky Tue., 4:15pm-7:15pm Tue., 4:30pm-7:30pm Meghan Daum Timothy Donnelly Wed., 12:35pm-3:35pm Thu., 4:10pm-7:10pm Mitchell Jackson Shane McCrae Thu., 10am-1pm Thu., 10am-1pm *Second-Years only SEMINARS ——MONDAY—— ——TUESDAY—— Rob Spillman (FI) Monica Ferrell