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Ruth Bader Ginsberg
NEW YORK UNIVERSITY SCHOOL OF LAW – INSTITUTE OF JUDICIAL ADMINISTRATIO N (IJA) Oral History of Distinguished American Judges HON. RUTH BADER GINSBURG JUSTICE, U.S. SUPREME COURT An Interview with Trevor W. Morrison, Dean and Eric M. and Laurie B. Roth Professor of Law New York University School of Law July 5, 2016 All rights in this oral history interview belong to New York University. Quoting or excerpting of this oral history interview is permitted as long as the quot ation or excerpt is limited to fair use as defined by law. For quotations or excerpts that exceed fair use, permission must be obtained from the Institute of Judicial Administration (IJA) at Wilf Hall, 139 Macdougal Street, Room 420, New York 10012, or [email protected], and should identify the specific passages to be quoted, intended use, and identification of the user. Any permission granted will comply with agreements made with the interviewees and/or interviewers who participated in this oral history. All permitted uses must cite and give proper credit to: IJA Oral History of Distinguished American Judges, Institute of Judicial Administration, NYU School of Law, Justice Ruth Bader Ginsburg: An Interview with Trevor W. Morrison, 2016. *The transcript shall control over the video for any permitted use in accordance with the above paragraph. Any differences in the transcript from the video reflect post-interview clarifications made by the participants and IJA. The footnotes were added by IJA solely for the reader’s information; no representation is made as to the accuracy or completeness of any of such footnotes. -
Northwestern University Bienen School of Music Fanfare Fall 2018
HENRY AND LEIGH BIENEN SCHOOL OF MUSIC FALL 2018 152461.indd 1 9/17/18 2:54 PM first chair A MESSAGE FROM THE DEAN In spring 2008 Northwestern’s School Fellowships, research prizes, publication awards, major com- of Music was named in honor of retiring missions, teaching honors, and significant grants. Alumni have University president Henry S. Bienen secured positions as performers, administrators, and educa- and his wife, Leigh. We continue to be tors in leading arts and educational institutions throughout profoundly grateful for the privilege of the world. representing the excellence of Henry This past spring, the school achieved a new milestone— Bienen’s leadership. our first-ever Asia tour. From March 23 through April 1, the During the intervening decade, Northwestern University Symphony Orchestra gave concerts in the Bienen School’s many impressive Beijing, Shanghai, and Hong Kong, thrilling Chinese audiences achievements have included the unveiling of a strategic plan, and Northwestern alumni and friends with its professional cal- the establishment of the Institute for New Music as a hub for iber. For the 87 student musicians, the tour was an immensely study and performance of 20th- and 21st-century music, and valuable experience—participants have described it as the inauguration of the Skyline Piano Artists Series and the “life-changing” and “unforgettable”—with incalculable long- Robert M. and Maya L. Tichio Vocal Master Class Series. We term benefits for their professional careers. Throughout the have celebrated the 20th season of our Winter Chamber Music tour, the students were excellent representatives of Festival and the 25th season of the Segovia Classical Guitar Northwestern. -
Agenda Setting Theory and the Influence of Celebrity Endorsement on Brand Attitude of Middle Class Consumers in Lagos, Nigeria
AGENDA SETTING THEORY AND THE INFLUENCE OF CELEBRITY ENDORSEMENT ON BRAND ATTITUDE OF MIDDLE CLASS CONSUMERS IN LAGOS, NIGERIA BY AKASHORO GANIYU OLALEKAN MATRIC. NO: 959009055 B. Sc. (Mass Comm., UNILAG), M. Sc. (Mass Comm., UNILAG) Department of Mass Communication, School of Postgraduate Studies, University of Lagos, Lagos, Nigeria May, 2013 1 AGENDA SETTING THEORY AND THE INFLUENCE OF CELEBRITY ENDORSEMENT ON BRAND ATTITUDE OF MIDDLE CLASS CONSUMERS IN LAGOS, NIGERA BY AKASHORO GANIYU OLALEKAN MATRIC. NO: 959009055 B. Sc. (Mass Comm., UNILAG), M. Sc. (Mass Comm., UNILAG) Department of Mass Communication, University of Lagos, Lagos, Nigeria THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, UNIVERSITY OF LAGOS, IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D) IN MASS COMMUNICATION MAY, 2013 2 DECLARATION I declare that this Ph.D thesis was written by me. I also declare that this thesis is the result of painstaking efforts. It is original and it is not copied. ………………………………………………………………. Ganiyu Olalekan Akashoro (Mr) Department of Mass Communication Faculty of Social Sciences, University of Lagos, Lagos State, Nigeria. [email protected] [email protected] Date:………………………………… 3 CERTIFICATION This Ph. D thesis has been examined and found acceptable in meeting the requirements of the postgraduate School of the University of Lagos, Akoka, Lagos State, Nigeria. …………………………………… Dr. Abayomi C. Daramola Supervisor ………………………………………….. Dr. Abigail O. Ogwezzy-Ndisika Supervisor …………………………………. Dr Victor Ayedun-Aluma Departmental PG Coordinator …………………………………… …………………… Dr. Abayomi C. Daramola Date. Acting Head of Department 4 DEDICATION This work is dedicated first and foremost to Allah, most gracious, most merciful (God Almighty), the only source of true knowledge, understanding, as well as the bestower of true and authentic wisdom. -
Viral Spiral Also by David Bollier
VIRAL SPIRAL ALSO BY DAVID BOLLIER Brand Name Bullies Silent Theft Aiming Higher Sophisticated Sabotage (with co-authors Thomas O. McGarity and Sidney Shapiro) The Great Hartford Circus Fire (with co-author Henry S. Cohn) Freedom from Harm (with co-author Joan Claybrook) VIRAL SPIRAL How the Commoners Built a Digital Republic of Their Own David Bollier To Norman Lear, dear friend and intrepid explorer of the frontiers of democratic practice © 2008 by David Bollier All rights reserved. No part of this book may be reproduced, in any form, without written permission from the publisher. The author has made an online version of the book available under a Creative Commons Attribution-NonCommercial license. It can be accessed at http://www.viralspiral.cc and http://www.onthecommons.org. Requests for permission to reproduce selections from this book should be mailed to: Permissions Department, The New Press, 38 Greene Street, New York,NY 10013. Published in the United States by The New Press, New York,2008 Distributed by W.W.Norton & Company,Inc., New York ISBN 978-1-59558-396-3 (hc.) CIP data available The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press operates in the public interest rather than for private gain, and is committed to publishing, in innovative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. www.thenewpress.com A Caravan book. For more information, visit www.caravanbooks.org. Composition by dix! This book was set in Bembo Printed in the United States of America 10987654321 CONTENTS Acknowledgments vii Introduction 1 Part I: Harbingers of the Sharing Economy 21 1. -
Naeto C Ft Asa
Naeto c ft asa click here to download It's the start of the Super C Season! Peep Naeto C's New Single featuring Asa titled “Share My Blessings” (leaked off the “Super C. Storm in the Building. Its a New year,and the track we have been waiting for so Long is here. Share My blessing ft Asa. The best song to start. Share My Blessings. Artist: Naeto C Feat. Asa. www.doorway.ru MB · Share My Blessings. Artist: Naeto C Feat. Asa. www.doorway.ru Naeto Super C and ASA on a very nice collabo, one of the best in , if you believe you have been blessed this year to share, Download this. We're kicking off in grand style with a brand new single from Naeto C featuring Asa titled “Share My Blessings“. In , Naeto C released. Share my blessings - Naeto C ft. Asa Download - Cerious Muzik & Storm from forthcoming super season C Verse 1 (Naeto C) All white kaftan. Naeto C - Share My Blessings ft ASA Submitted by Obi A. for Storm Verse 1 (Naeto C) All white kaftan like the stripe on a tom tom See how. Moesha Tate Events offers fruit display, cocktails and venue decor services in London and environ. Stream Naeto C ft. Asa - Share My Blessings by evans_9ja from desktop or your mobile device. Listen to Naeto C featuring Asa – Share My Blessings [audio:www.doorway.ru Naeto C feat. Asa - Share My Blessings Lyrics. Verse 1: www.doorway.ru All white Kaftan, like the stripe on a tom tom. See how we gat famous, where we come from. -
Download Magazine
UCLA LAW The Magazine of UCLA School of Law Box 951476 Los Angeles, CA 90095-1476 VOLUME 31 VOLUME | NUMBER 1 NOW IS UCLA THEUCLA SCHOOL TIME OF LAW ALUMNI AND FRIENDS LAW GIVING BACK AND BREAKING RECORDS! ASTOUNDING RESULTS IN 2008 FOR PRIVATE FUNDRAISING Thanks to momentum built up over the past few years for the $100 MILLION CAMPAIGN FOR UCLA SCHOOL OF LAW: UCLA Law closed biggest fundraising year ever in 2008 – BRINGING IN MORE THAN $30 MILLION IN PRIVATE SUPPORT FROM ALUMNI AND FRIENDS. UCLA Law has MORE THAN DOUBLED THE NUMBER OF ENDOWED CHAIRS to recruit and retain faculty. The ALUMNI PARTICIPATION RATE for alumni giving back has exploded – UP FROM 16 PERCENT F SIX YEARS AGO TO 31 PERCENT THIS YEAR! This puts UCLA Law alumni in the top five of all ALL 2008 American law schools for generosity in giving back. Law Firm Challenge leads the way in alumni giving. Number of firms reaches record-breaking 76 firms with 75 percent overall alumni giving participation rate. 32 FIRMS WORLDWIDE REACH EXTRAORDINARY 100 PERCENT ALUMNI GIVING. 205275_Cover_r3.indd 1 9/10/2008 11:06:17 AM 100% The worldwide community of UCLA School of Law alumni has rallied to provide its alma mater with unprecedented philanthropic support during the fiscal year that ended June 30. An astonishing 75 percent of alumni participating in the 2008 Law Firm Challenge made gifts to the school, with the firms listed here—27 of the 68 Challenge firms—achieving 100 percent participation in giving. GROUP I (30+ UCLA LAW ALUMNI) GROUP II (11-29 UCLA LAW ALUMNI) PARTICIPATION: 86% PARTICIPATION: 66% Cox Castle & Nicholson LLP - 34 alumni Christensen, Glaser, Fink, Jacobs, Weil UCLA LAW UCLA Law Board of Advisors UCLA Law Alumni Association Tamar C. -
An Appraisal of the State of Professional Songwriting
AN APPRAISAL OF THE STATE OF PROFESSIONAL SONGWRITING ON THE NIGERIAN MUSIC INDUSTRY CHAPTER ONE INTRODUCTION 1.0 Introduction Nelson (2010), making reference to a Music quote by Henry Giles, mentioned that “A song will outlive all sermons in the memory”. “Every song is like a painting”, Dale (2013) and every picture tells a story. Also, “Great music is that which penetrates the ear with facility and leaves the memory with difficulty because Magical music never leaves the memory”, Beecham (2015). Songwriting may mean different things to different songwriters and at different times. Songwriting, like any other creative endeavor, can be meaningful in a variety of ways. So while there are some objective ways to determine “good” or “bad” when it comes to songwriting, it is also a creative space open to a myriad of options. “A Creative mind has the ability to make discoveries and create innovations”, Rivera, (2014). 1.1 Background to the Study The American Heritage Dictionary of English language, 5thEdition, (2013) defines a songwriter as one who writes lyrics or tunes (or both). They are often referred to as ballad makers, tunesmiths, composers - someone who writes the lyrics and usually the Music of Songs. To some extent a songwriter is much like a storyteller and the listeners are his captive audience. Most songs revolve around a central theme such as love, friendship, struggle, triumph, or other forms of experiences, etc. Every song tells a different story while each song usually contains an atom or 1 atoms of uniqueness which makes them differ from the works of other composers and songwriters. -
FREE to BE RUTH BADER GINSBURG the STORY of WOMEN and LAW Ruth Bader Ginsburg As a College Senior in 1954
FREE TO BE RUTH BADER GINSBURG THE STORY OF WOMEN AND LAW Ruth Bader Ginsburg as a college senior in 1954. 1 ONE LAWYER’S BEGINNINGS Nathan Bader was born in 1896 in a shtetl near Odessa in the Russian Empire, the kind of village immortalized in the work of Yiddish writer Sholem Aleichem and the musical Fiddler on the Roof. It was a place where life had continued unchanged for generations, where Jews—while sharing a village with Gentiles— largely governed themselves and lived separate lives. Nathan was nine years old when a violent series of pogroms broke out in the region, leaving thousands of Jews dead and many more homeless. That same year, the Baders decided there was no future for them in Imperial Russia. Nathan’s father left frst, journeying to the United States to earn passage for the rest of the family. Four years later, the rest of the family joined him, becoming part of the great migration that brought one and a half million Jews from Eastern Europe to America. They settled in New York’s Lower East Side, a crowded and gritty district packed with tenement buildings, synagogues, libraries, shops, department stores, and grocery stores. Known as a “notorious slum,”1 the capital of Jewish America, almost everything was Jewish-owned and Jewish-run—banks, shops, grocery stores, even the garment factories and department stores. By the time the Baders arrived, the district was packed with more than seven hundred people per acre, making it one of the most crowded neighborhoods in the world. -
Producer James Ginsburg Engineer Bill Maylone Recorded August 24–26 and October 5, 2015 Anne & Howard Gottlieb Hall at T
Producer James Ginsburg Engineer Bill Maylone Recorded August 24–26 and October 5, 2015 Anne & Howard Gottlieb Hall at the Merit School of Music, Chicago, Illinois Publishers CLARKE Trio for violin, violoncello, and piano ©1928 Boosey & Hawkes BABAJANIAN Piano Trio in F-Sharp Minor ©1952 Edition Silvertrust MARTIN Trio sur les mélodies populaires irlandaises ©1925 Verlag Gebrüder Hug & Co. Graphic Design Nancy Bieschke Cedille Records is a trademark of Cedillo Chicago, NFP. a not-for-profit organization devoted to promoting the finest musicians and ensembles in the Chicago area. Cedille Chicago’s activities are supported in part by rontributions and grants from individuals, foundations, corporations, and government agencies including Mesirow Financial, The MacArthur Fund for Arts and Culture at Prince, The National Endowment for the Arts, The Negaunee Foundation, Sage Foundation, Irving Harris Foundation, NIB Foundation, and the Illinois Arts Council, a state agency. The project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events. CONTRIBUTIONS TO CEDILLE CHICAGO MAY BE MADE AT CEDILLERECORDS.ORG OR 773-989-2515. CEDILLE RECORDS trademark of Cedille Chicago 1205 W. Balmoral Ave. Chicago, IL 60640, USA 773.989.2515 tel - 773.989.2517 fax WWW.CEDILLERECORDS.ORG CDR 90000 165 P & C 2016 Cedille Records All Rights Reserved. Made in U.S.A Lincoln Trio TRIOS FROM OUR HOMELANDS Desirée Ruhstrat, violin David Cunliffe, cello REBECCA CLARKE Marta Aznavoorian, piano ARNO BABAJANIAN FRANK MARTIN Trio for violin, violoncello, and piano (24:33) Piano Trio in F-Sharp Minor (23:21) Trio sur des mélodies populaires irlandaises (16:00) 1 I. -
Download BHM Guide to Public Relations
BHM Guide to Public Relations BHM Guide to Public Relations Copyright © 2016 All rights reserved. First Published, in Nigeria by No part of this book may be reproduced, distributed, stored in a retrieval system or transmitted, in any form or by any means, recording or otherwise without prior permission in writing to the Publisher. For information about permission to reproduce selections from this book, write to [email protected] Layout & Design Lucid Creative Services BlackHouse Media 32 Community Road, Off Allen Avenue, Ikeja, Lagos www.bhmng.com +2347098741356 or +2348093438614 [email protected] 3 BHM Guide to Public Relations For Public Relations practitioners, enthusiasts and students. 4 BHM Guide to Public Relations Introduction To be honest, I almost didn’t write this. Of course, as everyone insisted, I had to be the one to write an introduction to this collection of our thoughts on (INSERT COVER IMAGE) how to do PR in this age. But, I wasn’t sure. Should I meme the entire thing? Hey everyone in PR. This is for you. A gift from all of us @bhmng on our 10th Should I make it into a thread? Perhaps I should dig out the tweeter in me birthday. Please download from bhmng.com or netshop.ng. It is possible. and do a 140 character intro? #BHMNGat10 Our curator Enitan loves Snapchat and Facebook Live, so I wondered for a minute if to switch my iPhone into selfie mode and do a quick two minute video. Why write such long prose if you’re trying to show the world that things have changed and people actually now consume much more images than text? So I composed a tweet: So for our 10th anniversary, we put together a cool book to help everyone in PR. -
SPRING 2021 Fanfare
HENRY AND LEIGH BIENEN SCHOOL OF MUSIC SPRING 2021 fanfare 200202.indd 1 3/25/21 1:27 AM first chair A MESSAGE FROM THE DEAN Over the past several months, faculty regarding the importance of representation and visibility in have shared with me many examples of classical music. We must work as a community to incorporate the excellent achievements of Bienen more voices and contributions of diverse groups into our music School students during the COVID-19 curricula and public events—a goal I have pursued throughout pandemic. I applaud our students for my tenure as dean. their extraordinary efforts through We have already made progress at the Bienen School in these uncertain times. the musicology area, which launched a new undergraduate The pandemic has brought chal- core curriculum in fall 2019. One goal of the revised curriculum lenges to all of us. Students are experi- is to provide students with a more inclusive and more diverse encing the loss of regular participation in ensembles and representation of classical music. The musicology faculty concerts. Performance faculty and alumni—including mem - will regularly update these courses, which have been well bers of professional orchestras and ensembles—are left with received by students. fewer outlets to share their talents with audience members. A school-wide project during the current academic year Music scholars have limited opportunities to conduct research involves creating videos featuring art songs and chamber due to travel restrictions and safety precautions that limit music by Black composers. Voice students will perform the in-person collaborations. Yet despite many difficulties, our songs, and musicologists and guest presenters will provide community has demonstrated remarkable flexibility and resil- scholarly background information on the works and compos- ience. -
READ- 3Rd Edition.Pdf
…A BI-MONTHLY PUBLICATION FROM I-EXCEL (ISSUE 3, 2013) too easy to get off track and achieve nothing. Define your goals in terms of height, weight, Naira, inches, or hours. Then measure your progress until you achieve your desired outcome. You might need to ask if someone else Smart can measure whether or not you achieved your goal. If the answer is no, your goal is not measurable. Students Set A is for Attainable Sad as it may be, some things are not attainable. A four feet tall lad with poor hand-eye coordination should know that a basketball career in the NBA is probably out of S.M.A.R.T reach. However, it is important to focus on goals that are attainable with little or minimal effort so you can watch your confidence build as you accomplish them. Define your sub-goals or steps to achieving the 'big' goal and define your tasks which are the simple things to achieve the sub-goals Goals It is important to set goals that are achievable because it How to set and achieve your goals this year… gets your juices flowing, gets you up in the morning, and keeps you going all day long! R is for Reason “If you don't design your own life plan, R is the most important letter in the word SMART. For a chances are you'll fall into someone else's plan. goal to be reached you must have a strong reason to want Guess what they may have planned for you? Not much!” to reach it.