Grace Potter &The Nocturnals Launch

Total Page:16

File Type:pdf, Size:1020Kb

Grace Potter &The Nocturnals Launch GRACE POTTER &THE NOCTURNALS LAUNCH VAULTURNAL: HIGH-QUALITY LIVE RECORDINGS FROM THE BAND’S VAST ARCHIVES FIRST RELEASE IS A COMPLETE HEADLINING SHOW RECORDED AT TANGLEWOOD (LOS ANGELES - Nov. 25, 2014) Critically acclaimed rock band and touring powerhouse Grace Potter & the Nocturnals have announced the launch of Vaulturnal. Vaulturnal will offer fans fully mixed and mastered soundboard recordings of live performances from the band’s ever-growing live archives. Initially, GPN plans to release several shows per year as high-quality digital downloads and on compact disc. “We’ve been talking for a long time about launching a live site for fans to access our music, and we have a fanbase that really does feed off the live-music experience,” Grace says of her band’s motivation for undertaking this ongoing project. GPN drummer and co-founder Matt Burr added, “We’re excited to handpick shows that we’re really passionate about and get them out there.” The flagship release, now available at http://www.vaulturnal.com, documents in full the band’s show at the Koussevitsky Music Shed in the famed Tanglewood Music Center in Lenox, MA, on the night of Aug. 19, 2013. The performance was “a barn-burner from start to finish,” according to Grace, comprising selections from each of the band’s albums, including spirited takes on fan favorites like “Medicine,” “Apologies,” “Stars,” “Paris (Ooh La La)”, and the 22-song set also features three covers — an acoustic interpretation of the Junior Parker-penned Elvis classic “Mystery Train”; Heart’s “Crazy On You,” a frequently performed crowd- pleaser during the tour; and a one-off work-up of Pink Floyd’s “Time,” which took shape spontaneously in the middle of show closer “The Lion The Beast The Beat.” As for future releases, the possibilities are endless, according to Grace. “Now it’s just a matter of developing Vaulturnal into something that’s viable and self-sustaining until we can build an expanded platform and get a little crazier with it,” she says. “Because we spend most of our time on the road, and have a deep well of archives dating back to 2003, when my dad was recording our early shows as a trio.” Vaulturnal can be accessed at http:/www.vaulturnal.com. Vaulturnal Volume 1: August 19, 2013 Tanglewood, Lenox, MA DISC ONE 1. Medicine 2. Never Go Back 3. Low Road 4. Apologies 5. Timekeeper 6. Keepsake 7. Treat Me Right 8. Stop The Bus 9. One Short Night 10. Falling Or Flying 11. Mystery Train (Junior Parker cover) 12. Benny's Interlude 13. Crazy on You (Heart cover) DISC TWO 1. Turntable 2. The Divide 3. Nothing But The Water I 4. Nothing But The Water II 5. Paris (Ooh La La) 6. Stars 7. The Lion The Beast The Beat 8. Time (Pink Floyd cover) 9. The Lion The Beast The Beat Outro # # # Press Contact: Sharrin Summers Hollywood Records publicity department Ph. 818-560-5787 e-mail: [email protected] .
Recommended publications
  • Grace Potter Announces First Leg of the 2016 Midnight Tour
    GRACE POTTER ANNOUNCES FIRST LEG OF THE 2016 MIDNIGHT TOUR Photo credit: Rich Gastwirt “Midnight’s shift towards pop is nervy and refreshing… Potter retains enough bite to satisfy even diehard rock purists.” TIME “…a successful artistic gambit…for those adventurous enough to follow her.” USA TODAY “One of the greatest living voices in rock today has returned for a well-deserved moment in the spotlight.” SPIN “..her first solo album Midnight, pop rock gets a real kick in the cherry-red pants….With its songs about sex and dancing, self-confidence and risk, Midnight is a mid-career turn for Potter that proves genuinely freeing.” NPR Grace Potter and her backing band the Magical Midnight Roadshow have announced the first leg of their 2016 Midnight tour. Kicking off in January, the U.S. headlining dates will take the band across the country in support of Potter’s solo album, Midnight, released this past August. Potter will also travel to Australia to play the Byron Bay Bluesfest and New Zealand for the inaugural Auckland City Limits festival in March. Presale tickets will be available to the fan club Tuesday, November 10th at 10am ET/ 7am PT at http://www.gracepotter.com/#tour. To sign up for presale access click MEMBERS. Tickets go on sale to the general public starting Friday, November 13. Heralded as one of today’s best live performers, Grace Potter has played every major music festival from Coachella and Lollapalooza to Bonnaroo and Rock in Rio. She’s had the honor of sharing the stage with artists such as The Rolling Stones, Robert Plant, the Allman Brothers, Neil Young, Mavis Staples, Kenny Chesney, The Flaming Lips, and The Roots to name just a few.
    [Show full text]
  • Body As Evidence
    Chapter 1 Pop Goes Democracy Mediating Race, Gender, and Nation on American Idol Parallels between presidential elections and the hit TV series are not hard to make. Indeed, they had become punch lines in comedyAmerican routines: Idol from Comedy Central’s Stephen Colbert complaining that it took too long to determine the next American Idol (in a gag that had audiences assuming he was referring to the next U.S. president) to ABC’s Jimmy Kimmel quipping that, after watching the vice presidential debate during the U.S. presidential campaign in 2008, he “voted four times for Sarah Palin and six times for David Archuleta,” in reference to the popular Republican vice presidential candidate and frontrunner contestant that year. Interestingly, movie critic RogerAmerican Ebert Idol’s mounted criticism against Palin for being “the American Idol candidate,” in which he argued the following: I think I might be able to explain some of Sarah Palin’s appeal. She’s the “American Idol” candidate. Consider. What defines an “American Idol” finalist? They’re good‑looking, work well on television, have a sunny personality, are fierce competitors, and so talented, why, they’re darned near the real thing. There’s a reason “American Idol” gets such high ratings. People identify with the contestants. They think, Hey, that could be me up there on that show! . My problem is, I don’t want to be up there. I don’t want a vice president who is darned near good enough. I want a vice president who is better, wiser, well‑traveled, has met world leaders, who three months ago had an opinion on Iraq.
    [Show full text]
  • Harry Connick, Jr
    Harry Connick, Jr. Music From The Motion Picture When Harry Met Sally… Recorded: RCA Studio B, New York City; June 6, 12 & 19, 1989 Label: Columbia/CBS Records Producers: Marc Shaiman & Harry Connick, Jr. Chief Recording and Mixing Engineer: Tim Geelan Release date: July 25, 1989 As we close out the year and are in the midst of the holiday season, it is fitting to discuss a film (and its timeless soundtrack) whose story spans the relationship of its characters over many seasons and holidays. On July 21, 1989, When Harry Met Sally opened at theatres. Unlike most romantic comedies with the traditional sappy storyline, the witty dialogue and observational humor throughout the characters’ romantic miseries is both candid and heartfelt. Though this review is on the music and soundtrack, it is difficult to discuss most soundtracks without briefly discussing the movie itself. The choice of music for any great film is a function of the storyline. For those not familiar with the movie (one of my all-time favorites) When Harry Met Sally looks at all the common relational struggles and miseries between men and women - dating, marriage, loneliness, sex without love, and simply trying to understand and communicate with the opposite sex. It stars Billy Crystal (Harry Burns) and Meg Ryan (Sally Albright) in the title roles. Harry and Sally first meet as recent graduates at the University of Chicago. They drive together to New York to begin their careers, instigating a basic antagonism/attraction based on their conflicting personalities and outlooks on life. Sally has the fresh-faced sunny disposition, always trying to see things in the best light.
    [Show full text]
  • Adam Lambert's Identification and Division Strategies in His American Idol Performances
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 The Rhetoric of Camp: Adam Lambert's Identification and Division Strategies in His American Idol Performances Isabelle Lanthier University of Central Florida Part of the Rhetoric and Composition Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lanthier, Isabelle, "The Rhetoric of Camp: Adam Lambert's Identification and Division Strategies in His American Idol Performances" (2019). Electronic Theses and Dissertations, 2004-2019. 6442. https://stars.library.ucf.edu/etd/6442 THE RHETORIC OF CAMP: ADAM LAMBERT’S IDENTIFICATION AND DIVISION STRATEGIES IN HIS AMERICAN IDOL PERFORMANCES by ISABELLE VIVIANE LANTHIER H.B.A., University of Toronto, 2014 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Writing and Rhetoric in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2019 Major Professor: Angela Rounsaville © 2019 Isabelle Viviane Lanthier ii ABSTRACT This study analyzes camp style as a rhetorical strategy for Burkean rhetorical identification. Through a case study of Adam Lambert’s use of this style on American Idol in 2009, this study produced a rhetorical theory of camp that challenges the typically dialectical relationship between identification and its opposite: division.
    [Show full text]
  • Song Name Artist
    Sheet1 Song Name Artist Somethin' Hot The Afghan Whigs Crazy The Afghan Whigs Uptown Again The Afghan Whigs Sweet Son Of A Bitch The Afghan Whigs 66 The Afghan Whigs Cito Soleil The Afghan Whigs John The Baptist The Afghan Whigs The Slide Song The Afghan Whigs Neglekted The Afghan Whigs Omerta The Afghan Whigs The Vampire Lanois The Afghan Whigs Saor/Free/News from Nowhere Afro Celt Sound System Whirl-Y-Reel 1 Afro Celt Sound System Inion/Daughter Afro Celt Sound System Sure-As-Not/Sure-As-Knot Afro Celt Sound System Nu Cead Againn Dul Abhaile/We Cannot Go... Afro Celt Sound System Dark Moon, High Tide Afro Celt Sound System Whirl-Y-Reel 2 Afro Celt Sound System House Of The Ancestors Afro Celt Sound System Eistigh Liomsa Sealad/Listen To Me/Saor Reprise Afro Celt Sound System Amor Verdadero Afro-Cuban All Stars Alto Songo Afro-Cuban All Stars Habana del Este Afro-Cuban All Stars A Toda Cuba le Gusta Afro-Cuban All Stars Fiesta de la Rumba Afro-Cuban All Stars Los Sitio' Asere Afro-Cuban All Stars Pío Mentiroso Afro-Cuban All Stars Maria Caracoles Afro-Cuban All Stars Clasiqueando con Rubén Afro-Cuban All Stars Elube Chango Afro-Cuban All Stars Two of Us Aimee Mann & Michael Penn Tired of Being Alone Al Green Call Me (Come Back Home) Al Green I'm Still in Love With You Al Green Here I Am (Come and Take Me) Al Green Love and Happiness Al Green Let's Stay Together Al Green I Can't Get Next to You Al Green You Ought to Be With Me Al Green Look What You Done for Me Al Green Let's Get Married Al Green Livin' for You [*] Al Green Sha-La-La
    [Show full text]
  • How American Idol Constructs Celebrity, Collective Identity, and American Discourses
    AMERICAN IDEAL: HOW AMERICAN IDOL CONSTRUCTS CELEBRITY, COLLECTIVE IDENTITY, AND AMERICAN DISCOURSES A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Amanda Scheiner McClain May, 2010 i © Copyright 2010 by Amanda Scheiner McClain All Rights Reserved ii ABSTRACT This dissertation is a three-pronged study examining American themes, celebrity, and collective identity associated with the television program American Idol. The study includes discourse analyses of the first seven seasons of the program, of the season seven official American Idol message boards, and of the 2002 and 2008 show press coverage. The American themes included a rags-to-riches narrative, archetypes, and celebrity. The discourse-formed archetypes indicate which archetypes people of varied races may inhabit, who may be sexual, and what kinds of sexuality are permitted. On the show emotional exhibitions, archetypal resonance, and talent create a seemingly authentic celebrity while discourse positioning confirms this celebrity. The show also fostered a complication-free national American collective identity through the show discourse, while the online message boards facilitated the formation of two types of collective identities: a large group of American Idol fans and smaller contestant-affiliated fan groups. Finally, the press coverage study found two overtones present in the 2002 coverage, derision and awe, which were absent in the 2008 coverage. The primary reasons for this absence may be reluctance to criticize an immensely popular show and that the American Idol success was no longer surprising by 2008. By 2008, American Idol was so ingrained within American culture that to deride it was to critique America itself.
    [Show full text]
  • Rethinking <I>L'exception Culturelle</I> in French Music Then
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2016 Rethinking l'exception culturelle in French Music Then and Now: Language, Memory, and Political Order Melanie Ann LaFoy University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Audio Arts and Acoustics Commons, Ethnomusicology Commons, French and Francophone Language and Literature Commons, Musicology Commons, Music Performance Commons, and the Music Practice Commons Recommended Citation LaFoy, Melanie Ann, "Rethinking l'exception culturelle in French Music Then and Now: Language, Memory, and Political Order. " Master's Thesis, University of Tennessee, 2016. https://trace.tennessee.edu/utk_gradthes/4050 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Melanie Ann LaFoy entitled "Rethinking l'exception culturelle in French Music Then and Now: Language, Memory, and Political Order." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in French. Anne-Hélène
    [Show full text]
  • Vol 2 Issue 1
    UpstateLIVE Issue #5 Jan 15-Feb 28, 2009 New York State Music Guide layout/ads/distribution IN THIS ISSUE Herby Vaughn * Barrett All Tattoo Ink & Drink contributing writers * Jason Netherton of Misery Index Alex Suskind, Tabitha Clancy, Jed Metzger, Aimee Leigh, * Caustic 12 Step Suicide Marisa Connelly, Nick Martinson, Holly, KRiS, Grant Michaels, * Rubblebucket Orchestra Willie Clark, Melissa M. Hart, * Bach Choy Tyler Whitbeck, Jon McNamara, Joe Koch, Jim Gonzalez * David Byrne photography * Grace Potter & The Nocturnals Kim Stock, Erin Flynn, Kate Zogby * Odetta Holmes street team * John Cole Blues Band Herby, Holly, Krit, DeVito, Sarah E, Rudebob, Tabitha, Billy T, Marisa, Wille Clark, Luke PMT, * Emartransformo Groovin’ Lumens, Buda & Steph, Joe Urge, Ty, Grant, Aaron Williams, Jon McNamara, Zee, Tim & Martha, Marie Soldato, Jeff Kraus, www.UpstateLIVE.net www.myspace.com/upstatelivenet ------------------------------------------------------------ UpstateLIVE Music Guide is published by GOLDSTAR Entertainment PO Box 565 - Baldwinsville, NY 13027 [email protected] UpstateLIVE Music Guide Volume 2 - Issue 1 Welcome to UpstateLIVE Music Guide. For those of you who are picking it up for the first time, UpstateLIVE was created in 2008 as a LIVE MUSIC networking tool for all of Upstate NY. It is printed 8 times per year, and is distributed statewide throughout the Upstate NY region (from Jamestown to Plattsburgh to Peekskill). UpstateLIVE features interviews, band profiles, CD reviews and show reviews for local, regional and national bands. UpstateLIVE also highlights the state’s finest venues, festivals, concerts series and music sponsors (music stores, record labels, sound engineers, etc). UpstateLIVE is also available on the internet. Downloadable and printable copies are available at our website : www.UpstateLIVE.net.
    [Show full text]
  • To Search This List, Hit CTRL+F to "Find" Any Song Or Artist Song Artist
    To Search this list, hit CTRL+F to "Find" any song or artist Song Artist Length Peaches & Cream 112 3:13 U Already Know 112 3:18 All Mixed Up 311 3:00 Amber 311 3:27 Come Original 311 3:43 Love Song 311 3:29 Work 1,2,3 3:39 Dinosaurs 16bit 5:00 No Lie Featuring Drake 2 Chainz 3:58 2 Live Blues 2 Live Crew 5:15 Bad A.. B...h 2 Live Crew 4:04 Break It on Down 2 Live Crew 4:00 C'mon Babe 2 Live Crew 4:44 Coolin' 2 Live Crew 5:03 D.K. Almighty 2 Live Crew 4:53 Dirty Nursery Rhymes 2 Live Crew 3:08 Fraternity Record 2 Live Crew 4:47 Get Loose Now 2 Live Crew 4:36 Hoochie Mama 2 Live Crew 3:01 If You Believe in Having Sex 2 Live Crew 3:52 Me So Horny 2 Live Crew 4:36 Mega Mixx III 2 Live Crew 5:45 My Seven Bizzos 2 Live Crew 4:19 Put Her in the Buck 2 Live Crew 3:57 Reggae Joint 2 Live Crew 4:14 The F--k Shop 2 Live Crew 3:25 Tootsie Roll 2 Live Crew 4:16 Get Ready For This 2 Unlimited 3:43 Smooth Criminal 2CELLOS (Sulic & Hauser) 4:06 Baby Don't Cry 2Pac 4:22 California Love 2Pac 4:01 Changes 2Pac 4:29 Dear Mama 2Pac 4:40 I Ain't Mad At Cha 2Pac 4:54 Life Goes On 2Pac 5:03 Thug Passion 2Pac 5:08 Troublesome '96 2Pac 4:37 Until The End Of Time 2Pac 4:27 To Search this list, hit CTRL+F to "Find" any song or artist Ghetto Gospel 2Pac Feat.
    [Show full text]
  • August 2016 Orinda News Web.Indd
    THE ORINDA NEWS Gratis Published by The Orinda Association 12 Issues Annually Volume 31, Number 8 Delivered to 9,000 Households and Businesses in Orinda August 2016 Glorietta Neighbors Raise Objections This Year’s Instagram Winner to District’s Proposed Solar Panels By BILL O’BRIAN Solutions, Inc., an education consultation Staff Writer and service firm, presented a Facilities Master Plan Update to OUSD trustees. It sually the installation of solar panels included a recommendation from energy Umakes people feel good: the satisfac- engineering consultants Newcomb, An- tion of creating green energy, saving money derson & McCormick that, “the district from PG&E payments and doing one’s part consider the installation of photovoltaic for the planet. Not so for some of the neigh- systems to offset the remaining campus bors on Martha Road near Glorietta El- electric load.” In October 2014, the district ementary School in Orinda. Many of them held a series of community meetings to help are unhappy, not just with the solar panels establish priorities for district construction recently installed there, but with how they projects. According to the district website, were treated by the Orinda Union School “Solar energy for our schools was among CONTRIBUTED PHOTO Congratulations to this year’s winner of the 4th of July Instagram contest. The beauty in this photo BILL O’BRIAN (she prefers to remain anonymous!) went all out to celebrate Independence Day. This front view of Glorietta Elementary School shows one of two locations of new solar panels. Panels are also located in the upper parking lot. District (OUSD) Board of Trustees.
    [Show full text]
  • Millennials Killed the Video Star Amanda Ann Klein
    MILLENNIALS MTV’s Transition to Reality Programming KILLED THE VIDEO STAR AMANDA ANN KLEIN MILLENNIALS KILLED THE VIDEO STAR AMANDA ANN KLEIN DUKE UNIVERSITY PRESS Durham and London 2021 MILLENNIALS KILLED THE VIDEO STAR MTV’S TRANSITION TO REALITY PROGRAMMING © 2021 Duke University Press. All rights reserved Printed in the United States of America on acid- free paper ∞ Cover designed by Aimee C. Harrison and Drew Sisk Text designed by Aimee C. Harrison Typeset in Minion Pro and Univers lt Std by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Klein, Amanda Ann, [date] author. Title: Millennials killed the video star : mtv’s transition to reality programming / Amanda Ann Klein. Description: Durham : Duke University Press, 2021. | Includes bibliographical references and index. Identifiers:lccn 2020024439 (print) lccn 2020024440 (ebook) isbn 9781478010265 (hardcover) isbn 9781478011309 (paperback) isbn 9781478012870 (ebook) Subjects: lcsh: mtv Networks. | mtv Networks—History. | Music videos. | Generation Y. | Popular culture—United States. Classification:lcc pn1992.8.m87 k545 2021 (print) | lcc pn1992.8.m87 (ebook) | ddc 791.450973—dc23 lc record available at https://lccn.loc.gov/2020024439 lc ebook record available at https://lccn.loc.gov/2020024440 Cover art: Stills from Laguna Beach, “A Black & White Affair,” season 1, episode 1 (mtv, September 28, 2004); The Real World: San Francisco, season 3 (mtv, 1994); The Real World: Seattle, season 7 (mtv, 1998); and “Video Killed the Radio Star,” the Buggles, music video (first aired onmtv , August 21, 1981). CONTENTS Acknowledgments vii Introduction. What Killed the Video Star? 1 ONE “It’s Videos, Fool”: A Targeted History of MTV (1981 – 2004) 24 TWO “This Is the True Story .
    [Show full text]
  • Right Arm Resource Update
    RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 6/17/2015 JJ Grey & Mofro “Light A Candle” The second single from Ol’ Glory, going for adds on Monday Added early at WDST, KMMS, WFIV, WMWV, WOCM, KCLC, WJCU, KDBB and KVNA Clean version on PlayMPE ““Ol’ Glory is a reminder of the otherwise forgotten glory of a uniquely American hybrid, one that’s been all but buried in the swell of contemporary trends and oddball artists that have forsaken what remains of their roots and gone headfirst into realms that have little regard for feelings and finesse.” - PopMatters August tour with Big Head Todd & G. Love Alessia Cara “Here” The first single from Know It All New: WXPN, KRSH, WCNR, KSLU Early: WFUV, KCMP, CIDR, WYMS, WCBE, KVNA #1 Spotify Viral chart for over two weeks, now 7MM+ streams! Video nearing 2MM views, now on MTV2 and MTVHits “An anthem for the outsider — the person who feels alone and out of place in a room full of partygoers. Cara’s phrasing, the relatability of her words and the coolness of the production help make this track instantly likable and universal. If not the song of the summer, “Here” is likely to at least rank among the most memorable.” - NPR Songs We Love ZZ Ward “Love 3X” (read as Love Three Times) The first single from This Means War, in stores September 18 First week at KINK, WMMM, KPND, WCOO, KFMU, KSPN, WCBE, KROK, KUNC, KSNO, KZYR, KDEC Early: KGSR, WRLT, KCSN, KLRR, WFIV, WOCM, KCLC, WJCU, KVNA, WUKY Headline tour Aug-Oct
    [Show full text]