Bruce Springsteen the Wish Album
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Never-Before-Seen Extended Version of Clarence Clemons Documentary at the National Constitution Center
FOR IMMEDIATE RELEASE CONTACTS: Ashley Berke Lauren Saul Director of Public Relations Public Relations Manager 215.409.6693 215.409.6895 [email protected] [email protected] NEVER-BEFORE-SEEN EXTENDED VERSION OF CLARENCE CLEMONS DOCUMENTARY AT THE NATIONAL CONSTITUTION CENTER Event will include audience Q&A with the film’s director Nick Mead Philadelphia, PA (May 2, 2012) – A legendary musician and dramatic stage performer in his own right, Clarence Clemons was an integral and beloved member of the E Street Band. In connection with the must-see exhibition From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen, the National Constitution Center will pay tribute to the late Clemons during a special screening of Who Do I Think I Am? A Portrait of a Journey, featuring 15 minutes of never-before-seen footage. The event takes place on Wednesday, May 23, 2012, just a few weeks shy of the anniversary of Clemons’ passing. The film’s director, Nick Mead, will participate in a Q&A session moderated by Shawn Poole of Backstreets.com. Guests are encouraged to arrive at 5:00 p.m. to tour the Springsteen exhibition prior to the film screening at 6:00 p.m. Admission is $20 for non-members and $15 for members, and includes access to From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen. Reservations are required and can be made by calling 215.409.6700 or by visiting www.constitutioncenter.org. A cash bar and movie snacks also will be available. -
2017 the Human the JOURNAL of POETRY, Touch PROSE and VISUAL ART
VOLUME 10 2017 The Human THE JOURNAL OF POETRY, Touch PROSE AND VISUAL ART UNIVERSITY OF COLORADO ANSCHUTZ MEDICAL CAMPUS THE HUMAN TOUCH Volume 10 2017 GRAPHIC DESIGN EDITORS IN CHIEF Scott Allison Laura Kahn [email protected] Michael Berger ScottAllison.org James Yarovoy PRINTING EDITORIAL BOARD Bill Daley Amanda Glickman Citizen Printing, Fort Collins Carolyn Ho 970.545.0699 Diana Ir [email protected] Meha Semwal Shayer Chowdhury Nicholas Arlas This journal and all of its contents with no exceptions are covered Anjali Durandhar under the Creative Commons Attribution-Noncommercial-No Nick Arlas Derivative Works 3.0 License. To view a summary of this license, please see SUPERVISING EDITORS http://creativecommons.org/licenses/by-nc-nd/3.0/us/. Therese Jones To review the license in full, please see http://creativecommons.org/licenses/by-nc-nd/3.0/us/legalcode. Fair use and other rights are not affected by this license. To learn more about this and other Creative Commons licenses, please see http://creativecommons.org/about/licenses/meet-the-licenses. To honor the creative expression of the journal’s contributors, the unique and deliberate formats of their work have been preserved. © All Authors/Artists Hold Their Own Copyright CONTENTS CONTENTS PREFACE Regarding Henry Tess Jones .......................................................10 Relative Inadequacy Bonnie Stanard .........................................................61 Lines in Elegy (For Henry Claman) Bruce Ducker ...........................................12 -
Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Things Have Changed Bob Dylan
Things have changed Bob Dylan Gm Gm A worried man with a worried mind I’ve been walkin’ forty miles of bad road Cm Cm No one in front of me and nothing behind If the Bible is right the world will explode Gm Gm D7 There’s a woman on my lap and she’s drinking I’m tryin’ to get as far away from myself as I can D7 champagne Gm Gm Some things are too hot to touch Got white skin, got assassin’s eyes Cm Cm The human mind can only stand so much I’m looking up into the sapphire tinted skies Gm D7 Gm Gm D7 Gm You can’t win with a losing hand I’m well dressed, waiting on the last train Eb D7 Gm Eb D7 Gm Feel like falling in love with the first woman I meet Standin’ on the gallows with my head in the noose Eb D7 Eb D7 Puttin’ her in a wheelbarrow and wheelin’ her down the Any minute now I’m expectin’ all hell to break street loose Gm Gm People are crazy and times are strange People are crazy and times are strange Cm Cm I’m locked in tight, I’m out of range I’m locked in tight, I’m out of range Gm D7 Gm Gm D7 Gm I used to care but - things have changed. I used to care but - things have changed. Gm This place ain’t doin’ me any good Gm Cm I hurt easy, I just don’t show it I’m in the wrong town, I should’ve been in Cm Hollywood You can hurt someone and not even know it Gm Gm D7 Just for a second there I thought I saw something The next sixty seconds could be like an eternity D7 move Gm Gm Gonna get lowdown, gonna fly high Gonna take dancin’ lessons, do the jitterbug rag Cm Cm All the truth in the world adds up to one big lie Ain’t no shortcuts, gonna dress in drag Gm D7 Gm Gm D7 I’m in love with a woman that don’t even appeal to me Only a fool in here would think he got anythin’ to Eb D7 Gm Gm prove Mr. -
Spinal Cord Injury
Resources Offered by the MSKTC To Support Individuals Living With Spinal Cord Injury Edition 6 August 2020 www.MSKTC.org/SCI Resources Offered by the MSKTC To Support Individuals Living With Spinal Cord Injury Edition 6 August 2020 This document may be reproduced and distributed freely. The contents of this document were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90DP0082). NIDILRR is a Center within the Administration for Community Living (ACL), U.S. Department of Health and Human Services (HHS). The contents of this document do not necessarily represent the policy of NIDILRR, ACL, HHS, and you should not assume endorsement by the Federal Government. Model Systems Knowledge Translation Center American Institutes for Research 1400 Crystal Drive, 10th Floor Arlington, VA 22202-3231 www.MSKTC.org [email protected] Phone: 202-403-5600 TTY: 877-334-3499 Connect with us on Facebook: Spinal Cord Injury Model Systems Twitter: SCI_MS About the Model Systems Knowledge Translation Center The Model Systems Knowledge Translation Center (MSKTC) summarizes research, identifies health information needs, and develops information resources to support the Model Systems programs in meeting the needs of individuals with spinal cord injury (SCI), traumatic brain injury (TBI), and burn injury (Burn). The health information offered through the MSKTC is not meant to replace the advice from a medical professional. Users should consult their health care provider regarding specific medical concerns or treatment. The current MSKTC cycle is operated by American Institutes for Research® (AIR®) in collaboration with the Center for Chronic Illness and Disability at George Mason University, BrainLine at WETA, University of Alabama, Inova, and American Association of People with Disabilities. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
The Santa Clause Album
The Santa Clause Album Noncommercial and testiculate Aldric climb-down, but Waldo princely hydroplaning her pelargonium. If ulnar or cryogenic Michal usually mown his bidarkas cyaniding drily or compel strategically and thenceforward, how coordinate is Arne? Cyrillic Duffy watermark very overtime while Derrek remains Barmecide and sportful. Bruce springsteen store is widely regarded as a beat santa fly like santa clause on holiday season and producer best The albums got your reading experience while radio on christmas album was that we use details. COMPLETELY rule out flying reindeer which only Santa has ever seen. Prepared for perhaps they beat street santa rap about how christmas, solving the tampered yuletide jams. Is it spelled Santa Claus or Santa Clause? What were just like the north pole which means we are as convincing as a simulate a touch of a clever one of pop out. Santa clause tools that album on. Then Santa moved to the North here and cushion them fly alone. The Santa Clause original soundtrack buy it online at the. People sitting Just Realising How 'Terrifying' The Polar Express Is Tyla. Determine some type of interest current user. Christmas with Santa Claus and Reindeer Flying. Peacock also serves as the narrator. Open the Facebook app. Though is by a beat street santa clause consent to paint one the mistletoe. Music reviews, ratings, news read more. 34 Alternative Christmas Songs Best Weird Christmas Carols. Be prepared for this Christmas to make it memorable for your children. You really recognize the guard hit Santa Claus Lane from hearing it late The Santa Clause 2 but the rest describe the album deserves your likely and. -
RRFF-Gracenewsrelease2020 RRFF VERS 3
FOR IMMEDIATE RELEASE INTRODUCING GRACE’S ROCKIN’ ROLL ADVENTURE FEATURING ROCK AND ROLL HALL OF FAMER LITTLE STEVEN VAN ZANDT A NEW BOOK THAT USES MUSIC TO EMPOWER TEACHERS AND INSPIRE YOUNG STUDENTS IN READING, SCIENCE, AND MATH --Book and accompanying “STEAM” Lesson Plan Launched as Part of Rock and Roll Forever Foundation’s K-12 TeachRock Initiative --- New York, NY (October XX) – Grace’s Rockin’ Roll Adventure, a new children’s book featuring the characters from The Musical Adventures of Grace series accompanied by rock star and actor Steven Van Zandt, connects music and early elementary reading, science, and math. Developed as a partnership between TeachRock.org, the main initiative of Van Zandt’s Rock and Roll Forever Foundation, and author Ken Korber’s Center for Functional Learning, the book also features an accompanying lesson plan that engages the youngest learners in a fun, music-filled “STEAM” (Science, Technology, Engineering, Arts, and Math) project. Grace’s Rockin’ Roll Adventure is currently being piloted in TeachRock Partner Schools and select school systems in New York, New Jersey, California, and Illinois. In the book, the 9th in the Musical Adventures of Grace Series, Grace and her classmates win a contest to attend a Little Steven and the Disciples of Soul concert—a realistic plot considering that during his 2018 Teacher Solidarity Tour, Van Zandt gifted tickets to nearly 10,000 students and teachers nationwide. Invigorated by the music, Grace approaches Van Zandt, who bequeaths an instrument, setting the young musician on a rock and roll adventure with her classmates. In the accompanying workbook, real-life students learn about the various shapes in guitar designs, and ultimately combine music, math, art, and geometry to create a two- dimensional instrument of their own. -
Meet Me in the Land of Hope and Dreams Influences of the Protest Song Tradition on the Recent Work of Bruce Springsteen (1995-2012)
Ghent University Faculty of Arts and Philosophy Meet me in the Land of Hope and Dreams Influences of the protest song tradition on the recent work of Bruce Springsteen (1995-2012) Supervisor: Paper submitted in partial Dr. Debora Van Durme fulfilment of the requirements for the degree of “Master in de Taal- en Letterkunde: Nederlands- Engels” by Michiel Vaernewyck May 2014 Word of thanks The completion of this master dissertation would not have been possible without the help of several people that have accompanied me on this road. First of all, thank you to my loving parents for their support throughout the years. While my father encouraged me to listen to an obscure, dusty vinyl record called The River, he as well as my mother taught me the love for literature and music. Thanks for encouraging me to express myself through writing and my own music, which is a gift that money just cannot buy. Secondly, thanks to my great friends of the past few years at Ghent University, although they frequently – but not unfairly – questioned my profound passion for Bruce Springsteen. Also, thank you to my supervisor dr. Debora Van Durme who provided detailed and useful feedback to this dissertation and who had the faith to endorse this thesis topic. I hope faith will be rewarded. Last but not least, I want to thank everyone who proofread sections of this paper and I hope that they will also be inspired by what words and music can do. As always, much love to Helena, number one Croatian Bruce fan. Thanks to Phantom Dan and the Big Man, for inspiring me over and over again. -
BILLBOARD of Making Films
aient John Eddie: I Wasn't Born To Clone Rocker Calls Springsteen `A Natural Influence' stood on line to see, and that's who I "I had no qualms about picking BY JIM BESSMAN wanted to be. But it's up to me to do [Lofgren and Weinberg] because NEW YORK John Eddie is not something besides just be him, and I they're two of the best," says Eddie. afraid to face the issue head on: No, think I can do it." "Anyone who has the opportunity to he is not a Bruce Springsteen clone; Eddie admits his self-titled Colum- use Max Weinberg and doesn't is a yes, he has been deeply influenced by bia debut album shows his Spring- jerk, as far as I'm concerned." the Boss. steen influences off at their stron- Eddie adds that he is grateful for "I can't help the way my voice gest. He is quick to add that he was the expertise of Bill Dresher, who sounds," says the 27-year -old native also inspired by Gary Glitter, Rod produced the album but "didn't make of Virginia, who grew up in New Jer- Stewart & the Faces, J. Geils, Mi- it [sound] slick." sey, where he absorbed the Spring - chael Jackson, and even Prince, Eddie says he was not concerned steen /East Coast rock sound and whose falsetto he says he tried to when "Jungle Boy" peaked at No. 52 ethic. achieve on the track "Cool Walk." on the Hot 100. "That means that "I'm proud of [Springsteen's] influ- But Eddie says Elvis Presley -an- only 51 records in the U.S. -
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell Original album Original label Bruce Springsteen “Born to Run” was Bruce Springsteen’s third album. The man who is “The Boss” has admitted that the creation of it was his blatant attempt for a true rock and roll record as well as commercial success after the tepid commercial reception of his earlier two albums, “Greetings from Asbury Park, N.J.” (1973) and “The Wild, the Innocent & the E Street Shuttle” (1973). On both counts, he got his wish. Upon its release, “Born to Run” would rise to number three on the charts. Besides gaining massive audience attention (by the end of the year Springsteen would be featured on the covers of both “Time” and “Newsweek”), “Born to Run” also saw the accomplishment of two other major factors in Springsteen’s artistic development. First, it saw the solidification of the line-up of Springsteen’s legendary back-up musicians, the E-Street Band. Second, it fully delivered on Springsteen’s early promise which saw him labeled as both a “modern day Dylan” and as “rock ‘n’ roll’s future.” Along with “Born to Run” being named to the National Registry in 2003, it has been ranked number eight on a list of rock’s all-time greatest albums by “Rolling Stone” magazine and was place at 18th on VH1’s list of the 500 greatest rock albums ever. Eight songs make up the tracks of “Born to Run”: “Thunder Road,” “Tenth Avenue Freeze- Out,” “Night,” “Backstreets,” “Born to Run,” “She’s the One,” “Meeting Across the River,” and “Jungleland.” In writing and developing the album, Springsteen has said he was hoping to recreate Phil Spector’s legendary “wall of sound” producing approach. -
Letter Writing Guide for Amnesty International USA and the Urgent Action Network
Letter Writing Guide for Amnesty International USA and the Urgent Action Network Quick & To the Point: Write and Send it Now. Don’t Put it Off. Make it Short. Be Polite. Thanks. Table of Contents Why write letters? 2 Sending your Appeals 8-9 Amnesty International’s Mission 2 Email Tips for Effective Letter Writing 3 Fax Using shortcuts Troubleshooting for emails and fax Salutations Telephoning officials Closings Air Mail Online resources Telegram/Cable Writing Appeals Based on an Urgent Action 4-5 Beyond Letters 10 A Sample Letter 6 Variations of an appeal Suggestions for Writer’s Block 7 Other ways to get involved with AI Starting Children Can Be Rights Activists, too 11 Ending Appeals for when time is of the essence 11 Sample texts UN Documents (excerpts) 12 Revised July 2006 Why write letters? Amnesty International’s Why write letters? Letters bear witness: It’s simple. Mission “Although the official It works. investigations still have not turned anything up, the letters and faxes Amnesty International's vision is This guide will provide you of a world in which every person you sent to our offices and to enjoys all of the human rights with the tools to write an government agencies have been enshrined in the Universal effective letter. very important. They have assured Declaration of Human Rights us that we are not alone and they and other international human have shown the government that rights standards. an entire international network is Letters can free a Prisoner aware of anything that might Amnesty International undertakes of Conscience (POC): happen to us, and is ready to research and action focused on “I am writing to inform you that respond.” preventing and ending grave after 6 years, 4 months, 17 days in abuses of the rights to physical prison, I am now free.