2017 the Human the JOURNAL of POETRY, Touch PROSE and VISUAL ART
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Secure Messaging1
SoK: Secure Messaging1 Nik Unger∗, Sergej Dechandy Joseph Bonneauzx, Sascha Fahl{, Henning Perl{ Ian Goldberg∗, Matthew Smithy ∗ University of Waterloo, y University of Bonn, z Stanford University, x Electronic Frontier Foundation, { Fraunhofer FKIE Abstract—Motivated by recent revelations of widespread state insecure ways. However, as will become clear over the course surveillance of personal communication, many products now of this paper, the academic research community is also failing claim to offer secure and private messaging. This includes both a to learn some lessons from tools in the wild. large number of new projects and many widely adopted tools that have added security features. The intense pressure in the past two Furthermore, there is a lack of coherent vision for the future years to deliver solutions quickly has resulted in varying threat of secure messaging. Most solutions focus on specific issues models, incomplete objectives, dubious security claims, and a lack and have different goals and threat models. This is com- of broad perspective on the existing cryptographic literature on pounded by differing security vocabularies and the absence of secure communication. a unified evaluation of prior work. Outside of academia, many In this paper, we evaluate and systematize current secure messaging solutions and propose an evaluation framework for products mislead users by advertising with grandiose claims their security, usability, and ease-of-adoption properties. We con- of “military grade encryption” or by promising impossible sider solutions from academia, but also identify innovative and features such as self-destructing messages [7]–[10]. The recent promising approaches used “in the wild” that are not considered EFF Secure Messaging Scorecard evaluated tools for basic by the academic literature. -
Somebody Told Me You Died
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Somebody Told Me You Died Barry E. Maxwell Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Nonfiction Commons Let us know how access to this document benefits ou.y Recommended Citation Maxwell, Barry E., "Somebody Told Me You Died" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11606. https://scholarworks.umt.edu/etd/11606 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. SOMEBODY TOLD ME YOU DIED By BARRY EUGENE MAXWELL Associate of Arts in Creative Writing, Austin Community College, Austin, TX, 2015 Bachelor of Arts with Honors, The University of Texas at Austin, Austin, TX, 2017 Thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Nonfiction The University of Montana Missoula, MT May 2020 Approved by: Scott Whittenburg Dean of The Graduate School Judy Blunt Director, Creative Writing Department of English Kathleen Kane Department of English Mary-Ann Bowman Department of Social Work Maxwell, Barry, Master of Fine Arts, Spring 2020 Creative Writing, Nonfiction Somebody Told Me You Died Chairperson: Judy Blunt Somebody Told Me You Died is a sampling of works exploring the author’s transition from “normal” life to homelessness, his adaptations to that world and its ways, and his eventual efforts to return from it. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Improving Signal's Sealed Sender
Improving Signal’s Sealed Sender Ian Martiny∗, Gabriel Kaptchuky, Adam Avivz, Dan Rochex, Eric Wustrow∗ ∗University of Colorado Boulder, fian.martiny, [email protected] yBoston University, [email protected] zGeorge Washington University, [email protected] xU.S. Naval Avademy, [email protected] Abstract—The Signal messaging service recently deployed a confidential support [25]. In these cases, merely knowing to sealed sender feature that provides sender anonymity by crypto- whom Alice is communicating combined with other contextual graphically hiding a message’s sender from the service provider. information is often enough to infer conversation content with- We demonstrate, both theoretically and empirically, that this out reading the messages themselves. Former NSA and CIA one-sided anonymity is broken when two parties send multiple director Michael Hayden succinctly illustrated this importance messages back and forth; that is, the promise of sealed sender of metadata when he said the US government “kill[s] people does not compose over a conversation of messages. Our attack is in the family of Statistical Disclosure Attacks (SDAs), and is made based on metadata” [29]. particularly effective by delivery receipts that inform the sender Signal’s recent sealed sender feature aims to conceal this that a message has been successfully delivered, which are enabled metadata by hiding the message sender’s identity. Instead of by default on Signal. We show using theoretical and simulation- based models that Signal could link sealed sender users in as seeing a message from Alice to Bob, Signal instead observes few as 5 messages. Our attack goes beyond tracking users via a message to Bob from an anonymous sender. -
Issue 4 October 1, 2019
WELCOME! Issue 4 October 1, 2019 Welcome to Fleas on the Dog! We’re a no frills brown bag BYOW(eed) online lit rag. (We like to think we’re underground with our heads sticking out.). We don’t care about pretty pictures or fancy layouts. We’re interested in one thing and one thing only: GOOD WRITING. Our sole mandate is quality which means if your mother likes your writing we probably won’t. With this issue we are introducing 2 new categories. The first is Poetry. We were deluged with it even though we only call for short fiction and nonfiction. Apart from the obscene sonnets we carved into washroom walls, we don’t know a heck of a lot about it. (The Wasteland is an album by U2, right?) So we coerced, no, invited, bardo-bard Hezekiah Scretch to abase himself as our Poetry Editor. The fact that he despises verse of any kind is only important if you’re a nitpicker. And so the dude quintet has become the dude sextet. The other new category is Plays (Drama). Since all six of us agreed that Shakespeare’s Death of a Salesman is our all-time favourite comedy, we knew we were on the right track. Besides, what Streetcar wouldn’t Desire such a category? So if your name’s Sam Shepard or David Mamet (and even if it isn’t) you’re welcome to submit your play, previously performed or perennially rejected. We’re proud to announce two writers are making their publishing debut in Issue 4. -
AVMA Guidelines for the Depopulation of Animals: 2019 Edition
AVMA Guidelines for the Depopulation of Animals: 2019 Edition Members of the Panel on Animal Depopulation Steven Leary, DVM, DACLAM (Chair); Fidelis Pharmaceuticals, High Ridge, Missouri Raymond Anthony, PhD (Ethicist); University of Alaska Anchorage, Anchorage, Alaska Sharon Gwaltney-Brant, DVM, PhD, DABVT, DABT (Lead, Companion Animals Working Group); Veterinary Information Network, Mahomet, Illinois Samuel Cartner, DVM, PhD, DACLAM (Lead, Laboratory Animals Working Group); University of Alabama at Birmingham, Birmingham, Alabama Renee Dewell, DVM, MS (Lead, Bovine Working Group); Iowa State University, Ames, Iowa Patrick Webb, DVM (Lead, Swine Working Group); National Pork Board, Des Moines, Iowa Paul J. Plummer, DVM, DACVIM-LA (Lead, Small Ruminant Working Group); Iowa State University, Ames, Iowa Donald E. Hoenig, VMD (Lead, Poultry Working Group); American Humane Association, Belfast, Maine William Moyer, DVM, DACVSMR (Lead, Equine Working Group); Texas A&M University College of Veterinary Medicine, Billings, Montana Stephen A. Smith, DVM, PhD (Lead, Aquatics Working Group); Virginia-Maryland College of Veterinary Medicine, Blacksburg, Virginia Andrea Goodnight, DVM (Lead, Zoo and Wildlife Working Group); The Living Desert Zoo and Gardens, Palm Desert, California P. Gary Egrie, VMD (nonvoting observing member); USDA APHIS Veterinary Services, Riverdale, Maryland Axel Wolff, DVM, MS (nonvoting observing member); Office of Laboratory Animal Welfare (OLAW), Bethesda, Maryland AVMA Staff Consultants Cia L. Johnson, DVM, MS, MSc; Director, Animal Welfare Division Emily Patterson-Kane, PhD; Animal Welfare Scientist, Animal Welfare Division The following individuals contributed substantively through their participation in the Panel’s Working Groups, and their assistance is sincerely appreciated. Companion Animals—Yvonne Bellay, DVM, MS; Allan Drusys, DVM, MVPHMgt; William Folger, DVM, MS, DABVP; Stephanie Janeczko, DVM, MS, DABVP, CAWA; Ellie Karlsson, DVM, DACLAM; Michael R. -
Improving Signal's Sealed Sender
Improving Signal’s Sealed Sender Ian Martiny∗, Gabriel Kaptchuky, Adam Avivz, Dan Rochex, Eric Wustrow∗ ∗University of Colorado Boulder, fian.martiny, [email protected] yBoston University, [email protected] zGeorge Washington University, [email protected] xU.S. Naval Avademy, [email protected] Abstract—The Signal messaging service recently deployed a confidential support [25]. In these cases, merely knowing to sealed sender feature that provides sender anonymity by crypto- whom Alice is communicating combined with other contextual graphically hiding a message’s sender from the service provider. information is often enough to infer conversation content with- We demonstrate, both theoretically and empirically, that this out reading the messages themselves. Former NSA and CIA one-sided anonymity is broken when two parties send multiple director Michael Hayden succinctly illustrated this importance messages back and forth; that is, the promise of sealed sender of metadata when he said the US government “kill[s] people does not compose over a conversation of messages. Our attack is in the family of Statistical Disclosure Attacks (SDAs), and is made based on metadata” [29]. particularly effective by delivery receipts that inform the sender Signal’s recent sealed sender feature aims to conceal this that a message has been successfully delivered, which are enabled metadata by hiding the message sender’s identity. Instead of by default on Signal. We show using theoretical and simulation- based models that Signal could link sealed sender users in as seeing a message from Alice to Bob, Signal instead observes few as 5 messages. Our attack goes beyond tracking users via a message to Bob from an anonymous sender. -
Easy Guitar Songbook
EASY GUITAR SONGBOOK Produced by Alfred Music Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9399-1 ISBN-13: 978-0-7390-9399-3 Photos: Danny Clinch CONTENTS Title Release Page 4th of July, Asbury Park (Sandy) . The Wild, the Innocent & the E Street Shuffle . .8 Atlantic City . Nebraska . .12 Badlands . Darkness on the Edge of Town . .3 Better Days . Lucky Town . .16 Blinded by the Light . Greetings from Asbury Park, N .J . .19 Born in the U .S .A . Born in the U .S .A . .24 Born to Run . Born to Run . .26 Brilliant Disguise . Tunnel of Love . .32 Dancing in the Dark . Born in the U .S .A . .35 Glory Days . Born in the U .S .A . .64 Human Touch . Human Touch . .38 Hungry Heart . The River . .44 Lucky Town . Lucky Town . .46 My City of Ruins . The Rising . .50 My Hometown . Born in the U .S .A . .53 Pink Cadillac . B-side of “Dancing in the Dark” single . .56 Prove It All Night . Darkness on the Edge of Town . .60 The Rising . The Rising . .75 The River . The River . .78 Secret Garden . Greatest Hits . .67 Streets of Philadelphia . Philadelphia soundtrack . .70 Tenth Avenue Freeze-Out . -
Runaway American Dream, Hope and Disillusion in the Early Work
Runaway American Dream HOPE AND DISILLUSION IN THE EARLY WORK OF BRUCE SPRINGSTEEN Two young Mexican immigrants who risk their lives trying to cross the border; thousands of factory workers losing their jobs when the Ohio steel industry collapsed; a Vietnam veteran who returns to his hometown, only to discover that he has none anymore; and young lovers learning the hard way that romance is a luxury they cannot afford. All of these people have two things in common. First, they are all disappointed that, for them, the American dream has failed. Rather, it has become a bitter nightmare from which there is no waking up. Secondly, their stories have all been documented by the same artist – a poet of the poor as it were – from New Jersey. Over the span of his 43-year career, Bruce Springsteen has captured the very essence of what it means to dream, fight and fail in America. That journey, from dreaming of success to accepting one’s sour destiny, will be the main subject of this paper. While the majority of themes have remained present in Springsteen’s work up until today, the way in which they have been treated has varied dramatically in the course of those more than forty years. It is this evolution that I will demonstrate in the following chapters. But before looking at something as extensive as a life-long career, one should first try to create some order in the large bulk of material. Many critics have tried to categorize Springsteen’s work in numerous ‘phases’. Some of them have reasonable arguments, but most of them made the mistake of creating strict chronological boundaries between relatively short periods of time1, unfortunately failing to see the numerous connections between chronologically remote works2 and the continuity that Springsteen himself has pointed out repeatedly. -
Meanings and Measures Taken in Concert Observation of Bruce Springsteen, September 28, 1992, Los Angeles
UNLV Retrospective Theses & Dissertations 1-1-1996 Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles Thomas J Rodak University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Rodak, Thomas J, "Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles" (1996). UNLV Retrospective Theses & Dissertations. 3215. http://dx.doi.org/10.25669/bgs9-fpv1 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality' illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. -
The River Bruce
1 SONGS: NIVEL AVANZADO: THE RIVER: BRUCE SPRINGSTEEN ESCUELA CENTRO DE AUTOAPRENDIZAJE OFICIAL IDIOMA: INGLÉS DE PRÁCTICA: COMPRENSIÓN ORAL IDIOMAS NIVEL: NIVEL AVANZADO OVIEDO MATERIAL: CINTA-CD / CUESTIONARIO / SOLUCIONES TEMA: STORY SONG, WOULD FOR PAST HABITS "The Boss" hit the music industry with the release of his first album Greetings From Asbury Park, N.J., in 1973. His first albums received critical claim with comparisons to Bob Dylan, but did not sell well with the fans. Bruce Springsteen's career had begun. Springsteen was born in Freehold, New Jersey, on September 23, 1949. He grew up in a "normal middle class family" and first started playing around with the guitar in High School. After graduating from High School he moved to New York to try and break into the Folk Music scene. After getting nowhere on this front he returned to, be it reluctantly, to Asbury Park, N.J. and hooked up with a number of bands. With brief stints with such bands as Rogues and Dr. Zoom and the Sonic Boom, Springsteen found himself a place with the E-Street Band, and with them he remained until 1989. Though, this wouldn't be the last time they would play together. The 1973 albums marked the beginning of Springsteen's career and since then, "The Boss" has sold tens of millions of albums and won over legions of loyal fans worldwide in his 30 plus years as a "rock and roll legend". His break came after a tour with the band Chicago. Springsteen captivated the audiences in these live shows, and seeing an opportunity, the singer-songwriter came up with what is called his breakthrough effort Born to Run in 1974. -
Download This Free
ἡ βίβλ ος ἥ σ υ χ ο ς A QUIET BOOK BY DAN BEACHY-QUICK ESSAY PRESS EP SERIES #23 ESSAY PRESS EP SERIES CONTENTS In the Essay Press EP series, we give extended space and time to some of our favorite authors currently Introduction iv developing new book-length projects. A Quiet Book 1 Author Bio 72 Series Editors: Andy Fitch Aimee Harrison Courtney Mandryk Victoria A. Sanz Ryan Spooner Series Assistants: Cristiana Baik Ryan Ikeda Christopher Liek Cover image: Courtney Mandryk ii iii with the barest splinter of oblivion that needs no time at all to be felt. To feel it myself, I keep writing. I try to forget I’m doing it, writing these thoughts, these memories, these concerns, but I don’t know how to INTRODUCTION forget I’m doing it. If I could, I would have stepped into the silence I’m pursuing. But that hasn’t happened yet. I don’t know how to begin forgetting. had been asked to think about a question I feel I uncomfortable considering: the nature of “the creative,” and my approach to it. To do so feels akin to looking in the mirror a long time and asking the face there, “Is this me? Is this face mine?” What should be obvious becomes less so. I thought perhaps I’d fly to the university where I was asked to speak and talk about being “prolific” instead. But even that thought troubled me as I sat down to write. I began to feel as if what made someone prolific wasn’t an overabundance of creative energy, but some other, almost occult property: that what must express itself inside the hundred of pages, the thousands of words, was something wholly unspeakable, something quiet, something calm, something silent.