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Noa Bar.Book UNIVERSITY OF CALIFORNIA Los Angeles Contemporary Mizrahi Authors and the Limits of the Postsecular “Masorti” Response to Jewish National Sovereignty A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Noa Bar 2018 © Copyright by Noa Bar 2018 ABSTRACT OF THE DISSERTATION Contemporary Mizrahi Authors and the Limits of the Postsecular “Masorti” Response to Jewish National Sovereignty by Noa Bar Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2018 Professor Gil Hochberg, Co-Chair Professor David W. MacFadyen, Co-Chair This dissertation demonstrates how the work of three contemporary Mizrahi authors (Haviva Pedaya, Albert Swissa, and Dvir Tzur) challenges the postsecular framing of Mizrahi Jewish practice as masortiyut (“traditionism”), which refers to the flexible form of Jewish observance associated with Arab-Jews in Israel/Palestine. Postsecular critics have mobilized this position to challenge the terms of Jewish national sovereignty. This study claims that, while these writers refuse “masortiyut” as a coherent subject position, they extend certain of its challenges by reconsidering the interaction of the secular and the theological within the nationalist narrative of Shivat Tzion (“the return to Zion”). By means of an allusive engagement with mystical texts, these ii authors reconceive of exile as a reparative condition rather than as a defective state. They replace a notion of static “return” with a “Wandering East” which opens up possibilities to reorient Jewish presence in the Middle East away from a relationship of strict identity with the geopolitical territory of Israel. iii The dissertation of Noa Bar is approved. Daniel Boyarin Ra'anan S. Boustan Gil Hochberg, Committee Co-Chair David W. MacFadyen, Committee Co-Chair University of California, Los Angeles 2018 iv For my aunt, Shoshana Gabay v TABLE OF CONTENTS Acknowledgments ........................................................................................................................ vii Vita............................................................................................................................................... viii Introduction: The Exile-Within: Albert Swissa, Dvir Tzur, Haviva Pedaya and the Reconsideration of “Mizrahi Tradition” ..........................................................................................1 1. Albert Swissa’s Aqud: Blaspheming the Secular State and Challenging “Masorti” Reclaiming ..............................................................................................23 2. Dvir Tzur and the Redemption of Textile ..................................................................................55 3. Haviva Pedaya, “Kabbalistic Cultural Criticism,” and the “Wandering East” ..........................94 Works Cited .................................................................................................................................118 vi ACKNOWLEDGEMENTS I would like to thank my dissertation committee for their thoughtful suggestions and guidance. My co-advisors Gil Hochberg and David MacFadyen assisted me greatly in developing the broader relevance of this project. I thank Ra’anan Boustan for emphasizing the distinction between curation and criticism. I am grateful to Daniel Boyarin for his guidance in Rabbinic texts and insightful comments. I extend a sincere thank you to Jessika Herrera and Sandy Richmond for their tremendous administrative support. I have been extremely lucky to have the support by the following friends, colleagues, and teachers throughout this process: Michelle Lee, Myrna Douzjian, Ben Lempert, Simon Porzak, Eyal Bassan, Kfir Cohen, Callie Maidhof, Julie Napolin, Jerilyn Sambrooke, Shaul Setter, Raphael Magarik, Yosefa Raz, Hanna Tzuker-Seltzer, Yael Segalovitz, Taylor Johnson, Oren Wilkins Yirmiya, Ella Ben-Hagai, Ana Raquel Minian, Rachel Napolin, Marilyn Heiss, Rachael Evans, Alan Freedman, Camille Imbert, Zoey McCloskey, Anthony Hernandez, Z. Jenerik, Jim Lively, and Aggie Ebrahimi-Bazaz. Thank you to Dvir Tzur and Albert Swissa for their thoroughness in answering my many queries. I thank Caroline Knapp for her superb editorial assistance. I am grateful to Mike J. Moss for being there through every iteration. I am especially grateful for the unflagging support of my parents, Miriam and Avraham. vii Noa Bar CURRICULUM VITAE Teaching Experience at UCLA Winter 2010 The Holocaust in Film and Literature (section leader) Fall 2009 Modern Metropolis: Berlin (section leader) Spring 2009 Great Figures of the German World (section leader) Teaching Experience at UC Berkeley Spring 2014 Comparative Literature 1B, instructor of record, Revolution and Revision Fall 2013 Approaches to the Study of Religion Spring 2013 Rhetoric 1A, Revolution and Revision (co-taught) Fall 2012 The Origins of Western Civilization Spring 2012 Introduction to Critical Theory Fall 2011 Rhetoric 1A, Literatures of Hybrid Identity Spring 2011 Rhetoric 1B, Clues and Signs in Detective Fiction Fall 2010 Rhetoric 1B, Neoliberalism and the University (co-taught) Fellowships Summer 2010 Graduate Summer Research Mentorship, UCLA Summer 2009 Mellon Grant for Research related to the Holocaust Summer 2008 Graduate Summer Research Mentorship, UCLA Conference Presentations and Invited Lectures Fall 2016, “Orientalism in ‘Israeli Culture’” Pop-up Exhibition Lecture, Magnes Musem, Berkeley Spring 2014 “Melancholia and The Jewish Departure from Baghdad in Ali Bader’s The Tobacco Keeper and Shimon Ballas’s “Iya” (ACLA annual meeting) Spring 2009 “Text as Totem: Shooting, Weeping and Separatist Reflection in Waltz with Bashir and S. Yizhar’s Khirbet Khizah” (Columbia University, Department of Anthropology) viii INTRODUCTION: THE EXILE-WITHIN: ALBERT SWISSA, DVIR TZUR, HAVIVA PEDAYA AND THE RECONSIDERATION OF “MIZRAHI TRADITION” Masortiyut (or “traditionism”) is a postsecular framing of Mizrahi Jewish practice and outlook, initiated in the late 1990s. It is both a political initiative of the philosopher Meir Buzglo (called “Tikkun”) and a theoretical response to the consequences of Jewish national sovereignty in Israel/Palestine.1,2, 3 This dissertation examines the work of three contemporary Mizrahi Hebrew authors (Albert Swissa, Dvir Tzur, and Haviva Pedaya) in light of the claims of this postsecular articulation of masortiyut to subvert secular-nationalist constructs. My analysis will demonstrate how these authors complicate the subject position of the masorti (or traditionist) as an identity produced within secularist colonial processes. 1. “Mizrahi,” which means literally “the Eastern Ones” or “Orientals,” is a term coined by Zionist officials to describe Jews from the Middle East, North Africa, and parts of the Eastern Mediterranean. These disparate populations did not have a unified identity before the large-scale immigration of Jews from Arab lands and Mediterranean countries to Israel in the 1950s. Because of the European hegemony of Zionist culture and dis- course, Mizrahim were underrepresented culturally (though this has shifted somewhat, as this study will dis- cuss). There is considerable slippage between the terms “Mizrahim,” “Arab Jews,” and “Sephardim.” Though “Mizrahi” is an imperfect term, I have retained it because it is the most widely self-ascriptive one and avoids the potential anachronism of “Arab Jews” (for a discussion of the ahistorical issue with this term see Lital Levy, “Historicizing the Concept of Arab Jews in the Mashriq,” The Jewish Quarterly Review 98, no. 4 (Fall 2008): 452–69). I occasionally use “Arab Jew” in the context of discussing the postcolonial theory which uses this term. I use “Sephardi” in instances which pertain to Sephardi custom and nusah (liturgical style). 2. I use the construction “Israel/Palestine” to suggest an as yet unrealized binational option. At other points I use “Israel.” With this usage, I in no way intend to erase the memory, history, identity, and territorial claims of Pal- estinians. Rather, there are certain cultural trends or geopolitics which occur within a space which does not include a Palestinian presence. This is, in fact, an aspect of my critique. 3. “Masortiyut” derives from “masoret,” the Hebrew word for “tradition.” This term has been accurately but somewhat cumbersomely translated by other scholars as “traditionism” and in some cases as “traditionalism.” I have retained the Hebrew throughout to avoid the awkwardness and potentially conservative connotations of these translations. 1 My readings of the contemporary Hebrew novels in the following chapters will show how these authors refuse postsecular “masortiyut” as a coherent subject position. Their work thereby rejects the interpellation of this stance within a Zionist framework, which constructs the “traditionist” as truncated from the Islamic world in which it developed. However, these writers nonetheless extend some of the claims of masortiyut to challenge Jewish national sovereignty. In particular, their narratives suggest the ongoing persistence of the theological within an only apparently secularized Zionist nationalism. Postcolonial scholars such as Ella Shohat, Yehouda Shenhav, Hannan Hever largely conceive of tradition as a symptom of the colonial encounter. While in no way contesting the production of a Mizrahi religious identity as an effect of colonialism, the narratives of Swissa, Tzur, and Pedaya demonstrate that expressions of tradition can be a generative
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