11Th Grade American Literature
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Reading Group Guide Spotlight
Spotlight on: Reading Group Guide Revolutionary Road Author: Richard Yates Born February 3, 926, in Yonkers, NY; died of Name: Richard Yates emphysema and complications from minor Born: 926 surgery, November 7, 992, in Birmingham, AL; son of Vincent M. (a sales executive) and Ruth (Maurer) Yates; married Sheila Bryant, 948 (divorced, 959); married Martha Speer, 968 (divorced, 974); children: Sharon, Monica, Gina. Military/Wartime Service: U.S. Army, 944-46. Career: United Press Association, New York City, financial reporter, 946- 48; Remington Rand, Inc., New York City, publicity writer, 948-50; freelance public relations writer, 953-60; New School for Social Research, New York City, teacher of creative writing, 959-62; Columbia University, New York City, teacher of creative writing, 960-62; United Artists, Hollywood, screenwriter, 962; U.S. Attorney General Robert Kennedy, Washington, DC, speech writer, 963; University of Iowa, Iowa City, lecturer, 964-65, assistant professor of English, 966- 92; Columbia Pictures, Hollywood, screenwriter, 965-66; Wichita State University, writer in residence, 97-72; taught at Harvard Extension, Columbia University, and Boston University. Awards: Atlantic Firsts award, 953; National Book Award nomination for Revolutionary Road; Guggenheim fellowship, 962, 98; American Academy Grant, 963; National Institute of Arts and Letters grant, 963 and 975; Creative Arts Award, Brandeis University, 964; National Endowment for the Arts grant, 966, and award, 984; Rockefeller grant, 967; Rosenthal Foundation award, 976; National Magazine Award for Fiction, 978, for “Oh, Joseph, I’m So Tired.” Writings: Novels: Revolutionary Road, Atlantic-Little, Brown, 96. A Special Providence, Knopf, 969. Disturbing the Peace, Delacorte, 975. -
James Baldwin As a Writer of Short Fiction: an Evaluation
JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction. -
Daniel Green
DANIEL GREEN 2 TABLE OF CONTENTS RADICAL REALISTS “Like Life: Radical Realism and the Fiction of Sam Pink” (5) “Reinforcing Hard Reality: Stephen Dixon” (14) “Sincerity and the Surface: On Nicholson Baker” (19) “Not Somewhere or Anywhere” (Ottessa Moshfegh) (26) “Entering Cross River” (Rion Amilcar Scott) (30) “Contextualized Naturalism: The Artfulness of Russell Banks's Affliction” (36) “Sleights of Hand” (Philip Roth) (46) REGRESSIVE REALISTS “Richard Powers I: Forsaking Illusions” (50) “Lost in the Woods: Richard Powers, The Overstory” (58) “Safely Familiar” (Denis Johnson) (63) “Getting At The Thing Itself” (Kent Haruf” (66) “Endless Talk” (Richard Ford) (71) “Killing the Joke” (Lorrie Moore) (80) “Until the Movie Comes Out” (Richard Russo) (84) “Illusions of Substance” (Charles Baxter) (89) 3 PREFACE The underlying assumption of most of my critical writing has been that, far from representing a tangential, eccentric practice (as much of current literary culture would have it), “experimental” fiction in fact provides an indispensable service in helping to keep the literary resources of fiction refreshed. Often this entails contrasting such fiction with a conventionalized or exhausted realism, which despite the interventions of fabulists and postmodernists (not to mention the efforts of many genre writers) remains more or less the default preference in both American fiction and general-interest literary criticism. But the problem with a blanket critique of realism, especially from the years after World War II, and even more especially -
Texas Review of & Sports
Texas Review of Entertainment & Sports Law Volume 15 Fall 2013 Number 1 Finding a Solution: Getting Professional Basketball Players Paid Overseas Steven Olenick, Jenna Kochen, and Jason Sosnovsky Analyzing the United States - Japanese Player Contract Agreement: Is this Agreement in the best interest of Major League Baseball players and if not, should the MLB Players Association challenge the legality of Agreement as a violation of federal law? Robert J Romano All Quiet on the Digital Front: The NCAAs Wide Discretion in Regulating Social Media Aaron Hernandez Get with the Times: Why Defamation Law Must be Reformed in Order to Protect Athletes and Celebrities from Media Attacks Matthew T Poorman TRESL Symposium 2013 Panel Discussion: "Asking the Audience for Help: Crowdfunding as a Means of Control" September 13, 2013 - The University of Texas at Austin Published by The University of Texas School of Law Texas Review of Volume 15 Issue 1 Entertainment Fall2013 & Sports Law CONTENTS ARTICLES FINDING A SOLUTION: GETTING PROFESSIONAL BASKETBALL PLAYERS PAID O V ER SEAS ....................................................................................................... 1 Steven Olenick, Jenna Kochen, and Jason Sosnovsky ANALYZING THE UNITED STATES - JAPANESE PLAYER CONTRACT AGREEMENT: IS THIS AGREEMENT IN THE BEST INTEREST OF MAJOR LEAGUE BASEBALL PLAYERS AND IF NOT, SHOULD THE MLB PLAYERS ASSOCIATION CHALLENGE THE LEGALITY OF THE AGREEMENT AS A VIOLATION OF FEDERAL LAW?..... .. 19 Robert J. Romano NOTES ALL QUIET ON THE DIGITAL FRONT: THE -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
How Bigger Was Born Anew
Fall 2020 29 ow Bier as Born new datation Reuration and Double Consciousness in Nambi E elle’s Native Son Isaiah Matthew Wooden This essay analyzes Nambi E. Kelley’s stage adaptation of Native Son to consider the ways tt Aicn Aeicn is itlie by n constitte to cts o etion t sharpens particular focus on how Kelley reinvigorates Wright’s novel’s searing social and cil cities by ctiely ein te oisin etpo o oble consciosness n iin ne o, enin, n se to te etpo, elleys Native Son extends the debates about “the problem of the color line” that Du Bois’s writing helped engender at te beinnin o te tentiet centy into te tentyst n, in so oin, opens citicl space to reckon with the persistent and pernicious problem of anti-Black racism. ewords adaptation, refguration, double consciousness, Native Son, Nambi E. Kelley This essay takes as a central point of departure the claim that African American drama is vitalized by and, indeed, constituted through acts of refguration. It is such acts that endow the remarkably capacious genre with any sense or semblance of coherence. Retion is notably a word with multiple signifcations. It calls to mind processes of representation and recalculation. It also points to matters of meaning-making and modifcation. The pref re does important work here, suggesting change, alteration, or even improvement. For the purposes of this essay, I use etion to refer to the strategies, practices, methods, and techniques that African American dramatists deploy to transform or give new meaning to certain ideas, concepts, artifacts, and histories, thereby opening up fresh interpretive and defnitional possibilities and, when appropriate, prompting much-needed reckonings. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Commencement
WAKE FOREST UNIVERSITY Commencement THE GRADUATION EXERCISES MONDAY, MAY THE TWENTY-FIRST TwO THOUSAND AND TWELVE T HE GRADU A T ION EXE R C ISE S MONDAY, MAY THE TWEN T YFIRST TWO THO U SAND AND TWEL VE N INE O’C LOCK IN THE M ORNING T H O M AS K. HE ARN, JR. PLAZA THE CARILLON: “Preludium VII” ....................................................... Matthias Van den Gheyn Lauren Bradley Mellick (’05), University Carillonneur THE PROCESSIONAL ....................................................................e Brass Ensemble THE WELCOME ........................................................................... Nathan O. Hatch President GREETINGS FROM THE CLASS OF 2012 ..................................................Nilam A. Patel (’12) Student Body President THE PRAYER OF INVOCATION ..............................................e Reverend Timothy L. Auman University Chaplain THE ADDRESS: “A Little Fatherly Advice” .....................................................Charles W. Ergen Chairman, DISH Network and EchoStar Communications THE CONFERRING OF HONORARY DEGREES ..................................................Mark E. Welker Interim Provost Charles W. Ergen, Doctor of Laws Sponsor: Bernard Beatty, Associate Professor of Management, Schools of Business Elizabeth B. Lacy, Doctor of Laws Sponsor: Blake Morant, Dean, School of Law Willie E. May, Doctor of Science Sponsor: Lorna Moore, Dean, Graduate School of Arts and Sciences Jonathan T.M. Reckford, Doctor of Humane Letters Sponsor: Julie Wayne, Associate Professor, Schools of Business Eric C. Wiseman, Doctor of Laws Sponsor: Steve Reinemund, Dean, Schools of Business REMARKS TO THE GRADUATES ............................................................President Hatch THE HONORING OF RETIRING FACULTY FROM THE BOWMAN GRAY CAMPUS Patricia L. Adams, M.D., Professor Emerita of Internal Medicine - Nephrology Vardaman M. Buckalew, Jr., M.D., Professor Emeritus of Internal Medicine - Nephrology John R. Crouse III, M.D., Professor Emeritus of Internal Medicine - Endocrinology and Metabolism Robert G. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Read a Pulitzer Prize-Winning Book
September 2020 Reading Challenge: Read a Pulitzer Prize-Winning Book Key for on which services the books are located: A = Axis 360 C = CloudLibrary H = Hoopla L = Libby O = Overdrive P = Print LP = Large Print eAudio = AudioCD = CD March by Geraldine Brooks (fiction) P, LP In a story inspired by the father character in "Little Women" and drawn from the journals and letters of Louisa May Alcott's father, a man leaves behind his family to serve in the Civil War and finds his beliefs challenged by his experiences. The Gulf: The Making of an American Sea by Jack E. Davis (non-fiction) P, C H A comprehensive history of the Gulf of Mexico and its identity as a region marked by hurricanes, oil fields, and debates about population growth and the environment demonstrates how its picturesque ecosystems have inspired and reflected key historical events. The Brief Wondrous Life of Oscar Wao by Junot Diaz (fiction) P, LT, O, L, O L Living with an old-world mother and rebellious sister, an urban New Jersey misfit dreams of becoming the next J. R. R. Tolkien and believes that a long-standing family curse is thwarting his efforts to find love and happiness. Late Wife by Claudia Emerson (poetry) P In Late Wife, a woman explores her disappearance from one life and reappearance in another as she addresses her former husband, herself, and her new husband in a series of epistolary poems. Though not satisfied in her first marriage, she laments vanishing from the life she and her husband shared for years. -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P.