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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Jean Harlow ~ 20 Films
Jean Harlow ~ 20 Films Harlean Harlow Carpenter - later Jean Harlow - was born in Kansas City, Missouri on 3 March 1911. After being signed by director Howard Hughes, Harlow's first major appearance was in Hell's Angels (1930), followed by a series of critically unsuccessful films, before signing with Metro-Goldwyn- Mayer in 1932. Harlow became a leading lady for MGM, starring in a string of hit films including Red Dust (1932), Dinner At Eight (1933), Reckless (1935) and Suzy (1936). Among her frequent co-stars were William Powell, Spencer Tracy and, in six films, Clark Gable. Harlow's popularity rivalled and soon surpassed that of her MGM colleagues Joan Crawford and Norma Shearer. By the late 1930s she had become one of the biggest movie stars in the world, often nicknamed "The Blonde Bombshell" and "The Platinum Blonde" and popular for her "Laughing Vamp" movie persona. She died of uraemic poisoning on 7 June 1937, at the age of 26, during the filming of Saratoga. The film was completed using doubles and released a little over a month after Harlow's death. In her brief life she married and lost three husbands (two divorces, one suicide) and chalked up 22 feature film credits (plus another 21 short / bit-part non-credits, including Chaplin's City Lights). The American Film Institute (damning with faint praise?) ranked her the 22nd greatest female star in Hollywood history. LIBERTY, BACON GRABBERS and NEW YORK NIGHTS (all 1929) (1) Liberty (2) Bacon Grabbers (3) New York Nights (Harlow left-screen) A lucky few aspiring actresses seem to take the giant step from obscurity to the big time in a single bound - Lauren Bacall may be the best example of that - but for many more the road to recognition and riches is long and grinding. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
+- Vimeo Link for ALL of Bruce Jackson's and Diane
Virtual February 9, 2021 (42:2) William A. Wellman: THE PUBLIC ENEMY (1931, 83 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries +- Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The Public Enemy Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Selected for National Film Registry 1998 Directed by William A. Wellman Written by Kubec Glasmon and John Bright Produced by Darryl F. Zanuck which are 1958 Lafayette Escadrille, 1955 Blood Cinematography by Devereaux Jennings Alley, 1954 Track of the Cat, 1954 The High and the Film Editing by Edward M. McDermott Mighty, 1953 Island in the Sky, 1951 Westward the Makeup Department Perc Westmore Women, 1951 It's a Big Country, 1951 Across the Wide Missouri, 1949 Battleground, 1948 Yellow Sky, James Cagney... Tom Powers 1948 The Iron Curtain, 1947 Magic Town, 1945 Story Jean Harlow... Gwen Allen of G.I. Joe, 1945 This Man's Navy, 1944 Buffalo Bill, Edward Woods... Matt Doyle 1943 The Ox-Bow Incident, 1939 The Light That Joan Blondell... Mamie Failed, 1939 Beau Geste, 1938 Men with Wings, 1937 Donald Cook... Mike Powers Nothing Sacred, 1937 A Star Is Born, 1936 Tarzan Leslie Fenton... Nails Nathan Escapes, 1936 Small Town Girl, 1936 Robin Hood of Beryl Mercer.. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Redalyc.Aspectos Socio-Culturales Del Programa De Mano Metro-Goldwyn
Revista Latina de Comunicación Social E-ISSN: 1138-5820 [email protected] Laboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación Social España Willis García-Talavera, James F. Aspectos socio-culturales del programa de mano Metro-Goldwyn-Mayer: la cinefilia Revista Latina de Comunicación Social, vol. 5, núm. 47, febrero, 2002, p. 0 Laboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación Social Canarias, España Disponible en: http://www.redalyc.org/articulo.oa?id=81954712 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Willis García-Talavera, James F., 2002: Aspectos... Página 1 de 3 Revista Latina de Comunicación Social La Laguna (Tenerife) - febrero 2002 - año 5º - número 47 D.L.: TF - 135 - 98 / ISSN: 1138 – 5820 http://www.ull.es/publicaciones/latina Aspectos socio-culturales del programa de mano Metro-Goldwyn-Mayer: la cinefilia Dr. James F. Willis García-Talavera © La Laguna RESUMEN: El programa de mano Metro-Goldwyn-Mayer representó, durante más de cuatro decenios, el reflejo socio-cultural de una etapa de la historia de España, en la que varias generaciones recurrían al séptimo arte como método sencillo de evadirse de una serie de problemas que implicaban a toda una sociedad. Por determinadas circunstancias, este objeto restringido, en principio, a funciones eminentemente publicitarias se convirtió en un auténtico generador de ilusión que, a su vez, fue el origen de verdaderas pasiones coleccionistas y de, lo que es más importante, incondicionales y duraderas aficiones al cine. -
Issssfi Ifisstsl.I
AMUSEMENTS. THE SUNDAY STAR. WASHINGTON, D. C., JUNE 7. 1931—PART FOUR. ’ AMUSEMENTS. 3 Photoplay Attractions PHOTOPLAYS AT WASHINGTON THEATERS THIS WEEK The SMovitig Ticture oAlbum By Robert E. Sherwood. Breese, stage celeb- TURK Sunday Monday Tuesday Wednesday Thursday Friday Saturday and Edmund both - COLUMBlA—'"lndiscreet.” Young Young rites of other days. The picture was • < Loretta Loretta Loretta Young Tallulah Bankhead In JackleCooper and SWANSON'S latest pic- •“ , in , til Chatterton tn Ruth Chatterton In "TarnUhtd LadT.” Robert Coogan In first glance, Hollywood does ! progressive thought directed by R. William Neill. niliunoeauviAmhassador , “Big “Big Ruth Vltaphone i are the leaders of ture for United Artists, “Indis- "Big Business Business Business "Unfaithful.” “Unfaithful. abort ‘•Skippy.” changed Other are * Rd, Girl.” Girl." subject. not appear to have l in the film world. one can feature features Radio Pictures’ 18th Columbia Girl." Serial. Not of them creet,” Is the screen at great Harry Carey much since the days when the be classed as product Broadway. this "Mickey’s Stampede,” starring the V II and Harry Carey and Rtch'd Barthelmess In Rich'd Bartheimess In Conrad Nagel and John Gilbert in Leon Janney and a of Loew's Columbia Theater Mickey McGuire; “Play Ball,” one of Anollo Edwlna Booth Edwlna Booth “The Finger Points." “The Finger Points.” Sydney Fox in “Gentlemen’s Fate.” Lewis Btone In surrounding gaunt hills echoed Not one of them is in any way typical Vltaphone Vltaphone short „ , In In short Vltaphone short “The Bad Sister.” "Father's 8on." AT GLORIAweek. with the words, Hollywood popular Aesop Fables, the R-K-O subject. -
Master of Arts in Liberal Studies July 2014
AMERICA'S PATRIOTIC HYMNAL: SWEET LAND OF LIBERTY, FRUITED PLAINS, AND THE COMING OF THE LORD By Theresa A. Stevens A Thesis Submitted to the Faculty of the Graduate Studies Division of Ohio Dominican University Columbus, Ohio In partial fulfillment of the requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES JULY 2014 2 3 Acknowledgements To Kathleen L. Riley, PhD., for her practical advice as a historian, and her benevolent encouragement as we put this work together. To Stephen R. Thomas, PhD., for his insight, his expertise, and his joy concerning the project. To Ann C. Hall, PhD., for teaching me to become a better writer. To Ronald W. Carstens, PhD., for inspiring me as a student, a parent, and finally a colleague. To Michael Tilghman Stevens, for his support and unwavering commitment. 4 Introduction It is the dawn of the Fourth of July in a small town in Ohio. Although nearly everyone has the day off, people are up early--there is a parade coming. Outside the flag-bedecked homes and the manicured lawns, the driveways are lined with the cars of the many guests who have returned to town for this special day. In front of the houses, horses have arrived in their trailers from outside the city, snorting, impatiently waiting as their owners groom them and decorate their manes with ribbons of red, white, and blue. Cell phone ringtones and the whistles of stray bottle rockets mingle with equine whinnies in an unlikely cacophony, as the aroma of coffee coming through the front screen doors mixes with the smells from the barnyard. -
Download the List of Censored Film Titles That Appear in Letter to The
Carlos Garaicoa Letter to the Censors, 2003 List of censored film titles ALGERIA · Luss (1989) Dir. Rachid Benhadj. Algeria · Bab-el-Oued City (1994) Dir. Merzak Allouache. Algeria BRAZIL · Rio 40 gráus (1955) Dir. Nelson Pereira dos Santos. Brazil · Barravento (1962) Dir. Glauber Rocha. Brazil · Of Cafajestes (1962) Dir. Rui Guerra. Brazil · Cinco vêzes favelas (1962) Leon Hirszman. Brazil · Garrincha, alegraia do povo (1962) Dir. Joaquim Pedro de Andrade. Brazil · Vidas Secas (1963) Dir. Nelson Pereira dos Santos. Brazil · Ganga Zumbi, o rei dos Palmares (1963) Dir. Carlos Diegues. Brazil · Deus e o Diabo na terra do Sol (1964) Dir. Glauber Rocha. Brazil · Os fuzis (1964) Dir. Rui Guerra. Brazil · Cabra marcado para morrer (1964) Dir. Eduardo Coutinho. Brazil · O desafio (1965) Dir. Paulo César Saraceni. Brazil · Menino do engenho (1965) Dir. Walter Lima. Brazil · Terra em transe (1967) Dir. Glauber Rocha. Brazil · Cara a cara (1967) Dir. Julio Bressane. Brazil · Fome de amor (1968) Dir. Nelson Pereira dos Santos. Brazil · Cáncer (1968) Dir. Glauber Rocha. Brazil · Antonio das mortes (1968) Dir. Glauber Rocha. Brazil · Jardim de guerra (1968) Dir. Neville d’ Almeida. Brazil · Macumaina (1969) Dir. Joaquim Pedro de Andrade. Brazil · Der leone have sept cabeças (1970) Dir. Glauber Rocha. Brazil · Como era gostoso o meus francês (1970) Dir. Nelson Pereira dos Santos. Brazil · Orgia ou o homen que deu cria (1970) Dir. Joao Silverio Trevisan. Brazil · Os Herdeiros (1970) Dir. Carlos Diegues. Brazil · Iracema (1974) Dir. Jorge Bodanzky. Brazil · Ao sul do meu corpo (1981) Dir. Paulo César Saraceni. Brazil BULGARIA · Neveroyatna istoria (1962) Dir. Vladimir Yanchev. Bulgaria · Privurzaniyet balon (1967) Dir. -
A Study of the Conspiracy Behind John Brown's Raid. Jeffery S
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1974 The secret six : a study of the conspiracy behind John Brown's raid. Jeffery S. Rossbach University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Rossbach, Jeffery S., "The es cret six : a study of the conspiracy behind John Brown's raid." (1974). Doctoral Dissertations 1896 - February 2014. 1333. https://scholarworks.umass.edu/dissertations_1/1333 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE SECRET SIX: A STUDY OF THE CONSPIRACY BEHIND JOHN BROWN'S PAID A Dissertation Presented By JEFFERY STUART ROSSBACH Submitted to the Graduate School of the University of Massachusetts In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY May 19 74 History Jeffery Stuart Rossbach All Rights Reserved THE SECRET SIX: A STUDY OF THE CONSPIRACY BEHIND JOHN BROWN'S RAID A Dissertation By JEFFERY STUART ROSSBACH Approved as to style and content by: Stephen B. Oates, Chairman of Committee Gerald W. McFarland, Member A. W. Plumsted, Member Robert H. McNeal, Chairman Department of History May 1974 The Secret Six: A Study of the Conspiracy Behind John Brown's Raid (May 1974) Jeffery Stuart Rossbach, B.A. , Providence College M.A. , Providence College Directed by: Stephen B. Oates A few days after New Year's in 1857 on a windy, bitter cold afternoon in Boston, a gaunt somber-faced man named John Brown appeared at the Bromfield Street offices of the Massachusetts Kansas Aid Committee. -
This Month on Tcm Showcases
WEEKLY THIS MONTH ON TCM SHOWCASES 1 31 DAYS OF OSCAR® 8 SJEAN HARLOW 14 PEMPLOYEE PICKS 19 STARRING MAUREEN O’SULLIVAN 26 STARRING JOAN CRAWFORD THE ESSENTIALS The Emperor Waltz (’48) Red-Headed Woman (’32) The Inn of the Sixth Happiness (’58) Hannah and Her Sisters (’86) Mildred Pierce (’45) Must-See Classics All About Eve (’50) Three Wise Girls (’32) Monica Neal Tarzan, the Ape Man (’32) Daisy Kenyon (’47) Saturdays at 8:00pm (ET) 5:00pm (PT) Cabaret (’72) Riffraff (’36) The Man from Laramie (’55) The Devil Doll (’36) This Woman Is Dangerous (’52) Cool Hand Luke (’67) Somebody Up There Likes Me (’56) Suzy (’36) Richard Steiner The Tall T (’57) Goodbye, My Fancy (’51) Love Me Tonight (’32) Yesterday, Today and Tomorrow (’63) City Lights (’31) Strangers on a Train (’51) Holly Hadesty The Voice of Bugle Ann (’36) The Damned Don’t Cry (’50) Hannah and Her Sisters (’86) The Graduate (’67) Fernando Salinas Never Too Late (’65) Mildred Pierce (’45) 2 31 DAYS OF OSCAR® 9 SECRETARY SCHOOL 27 AFFAIRS TO REMEMBER—LOVE S East of Eden (’55) Ask Any Girl (’59) 15 JEAN HARLOW 20 STARRING GEORGE MURPHY STORIES TOLD IN FLASHBACK TCM UNDERGROUND Around the World in 80 Days (’56) More Than a Secretary (’36) The Public Enemy (’31) Public Menace (’35) The Way We Were (’73) Cult Classics Greystoke: The Legend of Tarzan (’84) This Could Be the Night (’57) Bombshell (’33) The Women Men Marry (’37) Accident (‘67) Fridays at 2:00am (ET) 11:00pm (PT) Obsession (’76) She’s Got Everything (’38) Libeled Lady (’36) Broadway Melody of 1940 (’40) Road Games (’81) -
PRICES REALIZED DETAIL - Morris Everett, Jr
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Morris Everett, Jr. - Poster Auction - Part 1 Auction 76, Auction Date: 6/29/2015 LOT ITEM PRICE PREMIUM 1 CABIRIA ORIGINAL HALF-SHEET POSTER. $2,500 $500 2 MACISTE IN HELL (2) LOBBY CARDS, INCLUDING TITLE-LOBBY CARD. $600 $120 3 THE PIT AND THE PENDULUM (2) LOBBY CARDS. $750 $150 4 UNDINE (7) VERTICAL LOBBY CARDS FOR THE FIRST KNOWN MERMAID $1,900 $380 FANTASY FILM. 5 DIRECTOR WILLIS O’BRIEN LOBBY CARD FOR THE GHOST OF SLUMBER $4,000 $800 MOUNTAIN. 6 PAUL WEGENER LOBBY CARD FOR THE GOLEM. $5,500 $1,100 7 CONRAD VEIDT LOBBY CARD FOR THE CABINET OF DR. CALIGARI. $5,000 $1,000 8 JOHN BARRYMORE LOBBY CARD FOR DR. JEKYLL AND MR. HYDE. $1,000 $200 9 DR. JEKYLL AND MR. HYDE LOBBY CARD. $400 $80 10 A MESSAGE FROM MARS (3) LOBBY CARDS. $425 $85 11 THE MISTRESS OF THE WORLD (4) LOBBY CARDS. $400 $80 12 WALLACE REID INSERT POSTER FOR THE GHOST BREAKER. $400 $80 13 DIRECTOR MAURICE TOURNEUR (6) LOBBY CARDS FOR THE BRASS BOTTLE, $650 $130 INCLUDING TITLE-LOBBY CARD. 14 QUO VADIS TITLE-LOBBY CARD. $1,000 $200 15 THE WIZARD OF OZ LOBBY CARD. $9,000 $1,800 16 SHE TITLE-LOBBY CARD. $750 $150 Page 1 of 70 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Morris Everett, Jr. - Poster Auction - Part 1 Auction 76, Auction Date: 6/29/2015 LOT ITEM PRICE PREMIUM 18 SHE (3) LOBBY CARDS.