Maatelugu-2017

TAL Serving Telugu Community Serving Telugu TAL

‘Ó\T>∑Tyê] ùde˝À ‘ê˝Ÿ ùde˝À ‘Ó\T>∑Tyê] TAL Action in the last 12 months

Every Saturday Y ‘·÷s¡TŒ eT]j·TT |ü•ÃeT \+&ÉHé˝À ‘ê˝Ÿ ø£\Ãs¡˝Ÿ ôd+≥sY‡ ìs¡«Vü≤D Running TAL Cultural Centres in both East and West London

March 2016 Y ñ>±~ dü+ãsê\T ` Ugadi Celebrations Y ≈£L∫|üP&ç •ø£åD •_s¡+`1 ` Kuchipudi workshop 1

May - August 2016 Y ‘ê˝Ÿ Á|”$Tj·TsY ©>¥ ÁøÏ¬ø{Ÿ {Às¡ïyÓT+{Ÿ ` TAL Premier League Cricket Tournament

October 2016 Y \+&ÉHé Á{≤|òü\ZsY ùdÿ«sY˝À BbÕe[ dü+ãsê\T Diwali On Trafalgar Square, London Y ≈£L∫|üP&ç •ø£åD •_s¡+`2 ` Kuchipudi workshop 2

November 2016 Y u≤\\ ~H√‘·‡e+ dü+ãsê\T ` Children's Day Celebrations

December 2016 Y ÁøÏdüàdt dü+ãsê\T ` Christmas Celebrations

January 2017 Y dü+Áø±+‹ dü+ãsê\T ` Sankranthi Celebrations Y ‘ê´>∑sêj·T Äsê<ÛäH√‘·‡e+ ` Tyagaraya Aradhanosthav

February 2017 Y yê©u≤˝Ÿ {Às¡ïyÓT+{Ÿ ` Volleyball Tournament

March 2017 Y u≤&çà+≥Hé {Às¡ïyÓT+{Ÿ ` Badminton Tournament Telugu Association of London - TAL ‘Ó\T>∑T nk˛dæj˚TwüHé Ä|òt \+&ÉHé ` ‘ê˝Ÿ 2017 l ùV≤eﬁ¯+_HêeT dü+e‘·‡s¡ ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£

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$wüj·Tdü÷∫ø£ 1. TAL Committee - Board of Trustees 5 2. #ÛÓ’s¡àHé dü+<˚X¯eTT 7 3. Messages 9`21 4. Editorial 23 5. Message from TAL Adivisory Board 25 6. ‘ê˝Ÿ kÕ+düÿè‹ø£ πø+Á<ä+ ` ‘ê˝Ÿ ø£\Ãs¡˝Ÿ ôd+≥sY ` ìs¡à\ <Ûäeﬁ¯ 27 MAA TELUGU 7. TAL Cultural Centre - 2016 28 8. Guests - Actress Pranitha Subhash 29-33 8th April 2017 TAL AGM - 2016 TAL Ugadi Celebrations Souvenir 9. 35 10. ‘ê˝Ÿ ñ>±~ y˚&ÉTø£\T ` 2016 37 Editor 11. TAL being part in Diwali in London at Trafalgar Square 38 HEMA MACHERLA 12. ÁøÏdüàdt y˚&ÉTø£\T ` 2016 40 Assistance 13. ‘ê˝Ÿ dü+Áø±+‹ dü+ãsê\T ` 2017 41 SRIDHAR SOMISETTY 14. kÕ«‘·+Á‘·´ ~H√‘·‡e dü+ãsê\˝À ‘ê˝Ÿ 42 15. ‘ê´>∑sê» Äsê<ÛäH√‘·‡yê\T ` 2017 43 Cover Design 16. TAL Volleyball Tournament - 2017 44 Sita Ponnapalli 17. TAL Premier League Cricket - 2016 46 Souvenir Layout 18. TAL Convener's Message 53 Sita Ponnapalli 19. ø=qkÕ>∑T‘·Tqï ‘ê˝Ÿ dü+düÿèr, yÓ’uÛÑe+ ` uÛ≤s¡‹ ø£+<äT≈£L] 54 Akshara Creators 20. X¯XÊ+ø£ j·TX¯X¯Ã+Á~ø£ ` &Üˆˆ y√˝Ò{Ï bÕs¡«rX¯+ 57 AG-2, Hyderguda, Hyderabad-500 029 Remembering Saint Tyagaraja - Surya Kandukuri Telangana, India. Phone: 91-40-23244088 21. 62 Email: [email protected] 22. á ø£$‘·≈£î ù|s¡T ˝Ò<äT, ˇø£ J$‘·+ n+‘˚ ` e+o ø£\T>√≥¢ 64 Souvenir Printing 23. \+&ÉHé eTj·TdüuÛÑ, neTà` ø£$‘·\T ` sêCÒwt ‘√˝Ò{Ï 65 Arunodaya Printpack Pvt. Ltd. 24. H˚qT y˚s¡T ` &Üˆˆ eT÷]Ô C§qï\>∑&É¶ 66 Plot No 48, Apparel Park, 25. <Ûäs¡àsêE eT∞¢ |ü⁄{≤º&ÉT ` ø£<∏ä ` &Üˆˆ $y˚ø±q+<äeT÷]Ô 67 Gundla Pochampally Village, Medchal 26. ø±\>∑eTq+ ` ø£$‘· ` e+o ø£\T>√≥¢ 69 Hyderabad, Telangana-500014. www.arunodayaprintpack.com 27. <˚e‘·, Á|üj·÷D+, J$‘·|ü⁄ n+#·T\˝À`ø£$‘·` |æ.ÄsY. ne<Ûëì 70 28. dü÷Œ¤]Ô<ëj·Tø£ eTVæ≤ﬁ¯ leT‹ ne<Ûëì $»j·T\øÏÎ 71 29. Warning - Loneliness can kill you! - Gouri Srinivasan 72 30. British Indian Clinical and Academic Partnership - A Real Opportunity to Give Back to the Society - Venu Kavarthapu 73 31. ◊ ùV≤{Ÿ yÓTÆ ˝…’|òt ` ø£<∏ä ` kÕsTTÁãVü‰àq+<ä+ >=]Ô 75 32. A New Year's Eve Story - Constance J. Brown 79 33. ÄÁø£+<äq, r|æ C≤„|üø£+ ` ø£$‘·\T ` eTDÏ<ÛäsY ø£q\ 80 34. dæìe÷ ø£cÕº\T ` ø£<∏ä ` |üeHé ≈£îe÷sY 81 35. On Eating - Dr. M. Vani Manohar 84 36. Mr. Balaraj and his charity work - Mrs. Dayamani Balraj 85 37. Au BarFrancias - Frances Gordon 86 38. Á|üe*¢ø£ ìs¡íj·T+ ` ø£<∏ä ` •e k˛eTj·÷E\ 87 39. ìØø£åD ` ø£$‘· ` e÷~q sêeTø£èwüí 91 40. A versatile violinist - Dr. Jyotsna Srikanth An outstanding Kuchipudi Artist - Arunima Kumar 92 41. z ø£*øÏ yÓ‘· ` ø£$‘· ` ñcÕ øÏs¡DY 93 42. ˇø£ ‘êsêÿD+ ` ø£$‘· ` e+o eTTì>∑+{Ï 93 43. eT+∫ |ü⁄düÔø£+ ` |ü]#·j·T+ ` _. sêe÷Hêj·TT&ÉT 94 44. $+<äT uÛÀ»q+ ‘êj·÷sY ` øö+&çq´ (s¡y˚Twt ø£\e\) 95 45. ìyê[ ` >±q >∑+<Ûäs¡T«&ÉT u≤\eTTs¡[ ` kÕsTTÁãVü‰àq+<ä+ >=]Ô 97 46. ìyê[ ` |ü+&ç‘·T&ÉT &Üˆˆ >∑÷{≤\ ø£èwüíeT÷]Ô` _. sêe÷Hêj·TT&ÉT 101 47. ø±\#·Áø£+ ` ø£<∏ä ` \ø£åàDY ø£ìø£s¡+ 103 48. Youth Section 108`112 ‘Ó\T>∑Tyê] ùde˝À ‘ê˝Ÿ e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017 ` 5

TAL Committee - Board of Trustees

Mr. Satyendra Kumar Pagadala Mr. Sridhar Medichetty Mr. Mallesh Kota Mrs. Bharathi Kandukuri Chairman Vice Chairman Trustee Cultural

Mr. Sridhar Somisetty Mrs. Nirmala Dhavala Mr. Kiran Reddy Kappeta Mr. Srinivasa Rao Kornepati Treasurer Membership & TCC IT & Communications Sports

ADVISORS

Dr. Ramulu DasojuMr. Ramanaidu Boyalla Dr. Venu Kavartapu Mr. Sanjay Bhiraju

Mrs. Dharmavati Nistala Dr. Bapuji Rao Velagapudi Dr. SYPC Prasad Rao

TAL Serving Telugu Community

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Hon'ble Sri Nara Chandrababu Naidu Chief Minister Amaravathi Andhra Pradesh 24th March 2017

MESSAGE "I extend by hearty congratulations to the members of the Telugu Association of London, who are celebrating the 12th anniversary of their noteworthy services for the Telugu speaking community in London. I am thankful to you for inviting me to be the chief guest at the eventful 'Ugadi 2017 and anniversary celebrations'. TAL, which is among the prime Telugu Associations in the world, has been working towards preserving and promoting Telugu culture, literature and fine arts among the new generations of Telugus through weekend schools. Friends, as you are aware, Andhra Pradesh was bifurcated in an unseemly haste to the detriment of the parent State. While we continue to be plagued by the consequent hardships, we are moving forward by converting every challenge into an opportunity, and have achieved remarkable progress on all fronts during the last two and half years. With 'Prosperity with Happiness' as our sole motto, we have evolved a Vision Framework for a total transformation of our State in near future. At this juncture, I want to impress upon you that various Telugu diasporas can contribute in rebuilding their parent State for mutual benefit. I strongly believe that people like you can share unique ideas, insights and perspectives for the benefit of the State. I promise that you will receive the necessary support in this regard and you too will experience a satisfying partnership with our State. I welcome all the Telugu entrepreneurs, investors and professionals from London and from other parts of the world to come forward and take part in the development of the 'Sunrise State of Andhra Pradesh'.

(Nara Chandrababu Naidu)

TAL Serving Telugu Community

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Rt. Hon. Mike Gapes MP Labour and Cooperative Member of Parliament for Ilford South House of Commons London SW1A OAA

27th March 2017

Thank you very much for your kind invitation to attend the 12** TAL Ugadi Celebrations on Saturday, 8 April at Redbridge Town Hall, which I am delighted to accept.

I have taken part in several TAL Ugadi Celebrations and have found them most enjoyable. I am not only impressed with the beautiful cultural programme, which I always enjoy, but would also like to applaud the excellent work undertaken by members and volunteers of TAL to promote education and support the most vulnerable in society.

Happy Ugadi!

Yours Sincerely

Mike Gapes

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Rt. Hon. Stephen Timms MP Labour Member of Parliament for East Ham House of Commons London SW1A OAA

21st March 2017

Sorry that I am unable attend this year, because I know I would have enjoyed the celebration! Please do pass on my apologies, and my best wishes, to all those involved.

I am grateful that an invitation was extended to me The Telugu Association of Lon- don charity has benefited the local community by promoting and preserving the heritage and roots of the Telugu people, and also teaching the children of families living in and around London

Telugu events I have attended always celebrate the importance of culture and community, and are a pleasure to be involved in.

I wish the many artists, leaders and philanthropists coming from India, along with hundreds of families living in and around London a very enjoyable evening

With all best wishes.

Stephen Timms

TAL Serving Telugu Community

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Editorial

ªe÷ ‘Ó\T>∑Tμ bÕsƒ¡≈£î\+<ä]ø° ùV≤eﬁ¯+_ ñ>±~ X¯óuÛ≤ø±+ø£å\T! I wish you all a very happy Ugadi. This year’s Ugadi souvenir, ‘Maa Telugu’ is as beautiful as ever, thanks to all the contributors who kindly sent us their quality work to be included in this magazine. Celebrating festivals give us the opportunity to share happiness. We welcome the New Year, Ugadi, with a blend of bitter Neem florets and sweet jaggery, a reflection of our lives. However, as much as I am looking for- Hema Macharla ward to enjoying the Ugadi, I can’t banish this lingering sadness from my Editor mind about the recent terrorist attacks in London and other places in the Maa Telugu 2017 world. ‘Why…’ I question myself, ‘…is it happening?’ Why do people seg- regate themselves from their fellow human beings in the name of religion, nationality, culture or race? Why can't we respect each other’s culture or way of life and learn from it? I struggle to find answers. Perhaps it is the ideology of supremacy of one’s religion or nation over others that sows the seeds of hatred. But this world is never bereft of exemplary kindness, be it the rescue of a lost Indian child by an Australian couple or the resuscitation of a dying terrorist by the people who he aimed to kill. Can any faith super- sede one’s conscience? New year brings new hopes and we must Congratulate our youngsters on their excellent achievements! It is good to hear that the children are doing well and excelling in their chosen studies. Hope these children make the future world a better place. This year, while we celebrate the 250th birthday anniversary of one of the greatest music composers of all time, Sri Tyagaraja, we sadly miss Sri. Mangalampalli Balamuralikrishna garu, the music maestro, Sri. Gutala Krishnamurty garu, a great scholar, researcher and writer, and Sri. Balaraj garu whose vocation in life seemed to work devotedly for Age-link charity. To all these great people we offer a tearful tribute/Nivaali. May we cherish their immense individual contributions to Society. My heartfelt thanks to Sridhar Somisetty garu for his invaluable help, collecting all the written material and composing the photo pages. Sincere Thanks to B. Rama Naidu garu for his support, suggestions and guidance. To Surya Kandukuri garu for collecting such quality work for the magazine. My immense thanks to TAL team, trustees and advisors for giving me the opportunity to edit this magazine. As always I am ever so grateful to Ponnapalli Sita garu, (Akshara creations) for her patience and tireless hard work in putting this magazine together. Best wishes & Happy reading…

30th March 2017

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Ravi Mocherla, East London co-ordinater for TAL, Congratulating Sakthi Cash & Carry on Grand opening of their new store 639-643 Cranbrook Road Illford, Gaants Hill Phone: 020 3876 7999

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This design and poem created by Vaman Mallipeddi

TAL Serving Telugu Community

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Celebrity Guest Actress PRANITHA SUBHASH

TAL is happy to invite Actress Pranitha Subhash as a Celebrity guest for its 12th TAL Ugadi Celebrations on 8 April 2017. Pranitha Subhash is an Indian film actress, model who predominantly appears in Kannada, Telugu and Tamil films. She was raised in Bangalore and pursued a career in modelling before plunging into films. Pranitha was born 17 October 1992 (age 24 years), Bengaluru, India into a Kannadiga family. Her father Subhash is a physician and her mother Jayashri is a Gynaecologist. She is the only child of her parents. She de- buted as an actor in the 2010 Kannada film, Porki, a remake of Telugu film Pokiri, and in the same year starred in the Telugu film, Em Pillo Em Pillado. Her Tamil debut was with the film Udhayan (2011). She went on to appear in several commercially successful Telugu films like Baava (2010) and Attarintiki Daredi (2013).

In 2012, she starred in a critically acclaimed parallel cinema, Bheema Theera- dalli for which she was nominated for Filmfare award for Best Kannada actress and SIIMA award for Best Kannada actress. Filmography/Movies 2010 Porki - Kannada debut 2014 Angaaraka - Kannada 2010 Em Pillo Em Pillado, Badra Telugu debut 2014 Pandavulu Pandavulu Thummeda - Telugu 2010 Baava - Telugu 2014 Brahma - Kannada 2011 Udhayan - Tamil debut 2014 Rabhasa - Telugu 2011 Jarasandha - Kannada 2015 Masss Anuradha - Tamil 2012 Bheema Theeradalli - Kannada 2015 Dynamite - Telugu 2012 Saguni - Tamil 2015 A 2nd Hand LoverHerself - Kannada 2012 Snehitaru - Kannada 2016 Brahmotsavam - Telugu 2012 Mr. 420 - Kannada 2016 Jaggu Dada - Kannada 2013 Whistle - Kannada 2017 Enakku Vaaitha Adimaigal, Alludu Kanchu 2013 Attarintiki Daredi - Telugu

TAL Serving Telugu Community

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Guests Mallikarjun Cine Playback Singers Gopika Purnima

Music was an innate interest to him. Mallikarjun began singing from the tender age of nine. His professional singing career began with PAADUTHA TEEYAGA - a music competition on EENADU Televison hosted by legendary singer from India Dr.SP Balasubramanyam. Later, Mallikarjun also participated in at least 500 musical competitions across India. Since the year 2000, he, not only became a playback singer, in the South Indian film industry rendering voice to Telugu, Tamil and Kannada songs, but also, lent his voice in more than 1000 private and devotional albums. He participated in various music concerts across the USA, Australia, Newzealand, Malaysia,Kuwait, Soudi Arabia and Canada, Singapore and Dubai. Awards & Achievements: * Won the prestigious NANDI award in 2003 in TV section. * Won awards for Best Playback Singer from various cultural associations. * Performed in more than 200 musical concerts for various social and cultural organisations in India. * Participated as a Judge for a successful music competition "STAR OF AP." In his own words: I sincerely hope this statement conveys to you, the interest and enthusiasm your organisation has gener- ated in me. I hope to musically serve a larger community in your place. Email: [email protected]

Gopika Purnima was born in Vizianagaram. She had her early music lessons from her aunt M.Padma, lecturer in music, later, under the renowned classical artists Smt.Sudha Raghunadhan, Lalitha Sivakumar, Mrs Prabhavathi and Mrs Binny Krishnakumar. Having been inspired by her father, Prof. M.V.V.N. Prasada Rao, a singer and her mother, M. Janaki, a veena artist, Gopika competed in several music competitions and won a lot of awards at national level, including ETV's 'Padutha Theeyaga' hosted by Dr S.P.Balasubrahamanyam in 1996-97. Initiated by the music director Sri Sirpi, Vandemataram Srinivas gave her a chance in the film "Singannna." From then on she has scored in more than 150 Telugu,Tamil & Kannada under the renowned music directors such as M.S. Vishwanadhan, Ilayaraja, A.R.Rahaman. She gave performances in USA, UK, Dubai, Australia & Newzealand along with Smt S.Janaki and Dr SPB. Awards & Achievements: *NANDI (State award) as best playback singer for the year 2003 by the GOVT OF INDIA for ETV serial 'Priyanka'.

TAL Serving Telugu Community

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Guests Adhire Abhi Avinash Kolla

Avinash Kalla is a stand up comedian. He performs in Extra Jabardast as team leader for 'Mass Avinash and Adhire Abhi is latest sensation in Jabardast ETV Telugu Kevvu Karthik' team in ETV, every Friday. He also per- program. He is very well known now in TELANGANA forms in Patas comedy show in ETV Plus on Fridays. & AP For non-stop back to back punches that can roll He accomplished around 1000 stage shows so far and you in laughter.Teamed up with Raising Raju & others, acted in Movies, Shivam, Banthipoola Janaki and Kai Abhi is now a lead comedian in jabardasth. Raja Kai.

ùV≤eﬁ¯+_ ñ>±~ X¯óuÛ≤ø±+ø£å\T!

SUNSAP IT CONSULTING LTD Krishna Kishore Chivukula & Family

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Convener's Message

Dear Friends, A huge amount of effort went into the preparations for this event and I would like to extend my gratitude to everyone who contributed their time, effort and energy. There are many Telugu people in the United Kingdom, and growing numbers; the responsibility lies on us to create a sense of belonging, and togetherness. Thank you for giving me the opportunity to be the convenor for the 12th Ugadi Sambaralu, I am incredibly honoured.

Srinivas Konreddy Convener

TAL Serving Telugu Community 54 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

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TAL Serving Telugu Community 56 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

‘Ó\T>∑Tyê] ùde˝À ‘ê˝Ÿ e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017 ` 57

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TAL Serving Telugu Community 58 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

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Remembering Saint Tyagaraja (4 MAY 1767 - 6 JANUARY 1847) On his 250th Birth Anniversary Year Surya Kandukuri

Tyagabrahmam or Saint Tyagaraja, also known as Tyagayya Vijayam is in five acts with 45 kritis set in 28 ragas and 138 in Telugu, was one of the greatest composers of Carnatic verses in Telugu. Nauka Charitam is a shorter play in one music. He was a prolific composer and instrumental in the act with 21 kritis set in 13 ragas and 43 verses. The latter is development of the classical music tradition. Tyagaraja com- the most popular of Tyagaraja's operas, and is a creation of posed thousands of devotional compositions, mostly in the composer's own imagination. Telugu and in praise of Lord Rama, many of which remain Tyagaraja who dedicated his life to music made unpar- popular even today alleled contributions to the world of Carnatic music through Saint Tyagaraja was born in 1767 in Tiruvayur, Nadopasana (music with devotion) and introduction of Thanjavur District, Tamil Nadu to Kakarla Ramabrahma and Sangati. Being a legendary Vaggeyakara ( an author of both Sitamma in a Telugu Brahmin family. Tyagaraja was the third music and sahitya/ literature), he has composed many mas- son of his parents. terpieces. Tyagaraja has composed and sang songs in as many He was named Tyagabrahmam/Tyagaraja after the pre- as 212 ragas, and also is said to have invented 66 new ragas siding deity of the temple at tiruvayur, the place of his birth. in his time where as Purandaradas, who is known as the fa- Tyagaraja's paternal grandfather Giriraja Kavi was a poet and ther of Carnatic Music only composed in 25 ragas. Tyagaraja musician. Giriraja was born in Kakarla village, Cumbum introduced Sangati, a musical concept in which a set of varia- taluk in Prakasam district, Andhra Pradesh. He is believed tions on a theme unfold into a musical phrase. to belong to the Mulakanadu or Niyogi sect. Tyagaraja's ma- The Trinity of Carnatic music refer to the outstanding ternal grandfather kalahastayya was a Veena player. trio of composer-musicians of Carnatic music in the 18th Tyagaraja learned playing Veena in his childhood from century, being Tyagaraja, Muthuswami Dikshitar and Syama Kalahastayya. Sastri. Prolific in composition, the Trinity of Carnatic music Tyagaraja began his musical training under Sonti are known for creating a new era in the history of Carnatic Venkata Ramanayya at an early age. He was an ardent devo- music by bringing about a noticeable change in what was the tee of Lord Rama. He regarded music as a way to experi- existing Carnatic music tradition. Compositions of the Trin- ence God's love. His objective while practicing music was ity of Carnatic music are recognised as being distinct in style, purely devotional, as against focusing on the technicalities and original in handling ragas. All three composers were born of classical music. He also showed a flair for composing at Thiruvarur formerly part of Thanjavur District in the 18th music. At the age of thirteen, he composed his first song, century. Tyagaraja also pioneered new musical concepts at 'Namo Namo Raghavayya', a masterpiece in the Desika Todi the same time. Muthuswami Dikshitar mainly composed in ragam and inscribed it on the walls of his house. Later Sonti Sanskrit, while Tyagaraja and Syama Sastri mainly composed Venkataramanayya informed the king of Thanjavur of in Telugu. The Trinity of Carnatic music composed new ragas Tyagaraja's genius. The king sent an invitation, along with and talas, and had a remarkable ability to introduce innova- many rich gifts, inviting Tyagaraja to attend the royal court. tions within the same raga. All of these composers included Tyagaraja, however was not interested in a career at the court a signature, called a mudra, in their compositions. For ex- and rejected the invitation outright, composing another kriti, ample, all songs by Tyagaraja have the word Tyagaraja in 'Nidhi Chala Sukhama' (English: "Does wealth bring happi- them, all songs by Muthuswami Dikshitar have the words ness?") Guruguha in them; songs by Syama Sastri have the words Tyagaraja is supposed to have written nearly twenty Syama Krishna in them; all songs by Purandaradasa (who four thousand compositions out of which only seven hundred composed in Kannada) have the words Purandara Vittala survived. In addition to nearly 700 compositions (kritis), Carnatic music, is a system of music commonly asso- Tyagaraja composed two musical plays in Telugu, 'Prahalada ciated with the southern India including the modern states Bhakti Vijayam' and 'Nauka Charitam.' Prahlada Bhakti Andhra Pradesh, Telangana, Karnataka, Kerala, and Tamil

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Nadu, but also practiced in Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from an- cient Hindu traditions, the other subgenre being Hindustani music, which emerged as a distinct form because of Persian and Islamic influences in northern India. The main empha- sis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in singing style. Carnatic music is usually performed by a small ensemble of musicians, consisting of a principal performer (usually a vocalist), a me- lodic accompaniment (usually a violin), a rhythm accompaniment (usually a mridangam), and a tambura. Other typi- cal instruments used in performances may include the ghatam, kanjira, morsing, venu flute, veena, and chitraveena. Tyagaraja Aradhana, the commemorative music festival is held every year at Thiruvaiyaru in the months of Janu- ary to February in Tyagaraja's honour. This is a week-long festival of music where various Carnatic musicians from all over the world converge at his resting place. On the Pushya Bahula Panchami, thousands of people and hundreds of Carnatic musicians sing the five Pancharatna Kritis in uni- son, with the accompaniment of a large bank of accompa- nists on veenas, violins, flutes, nadasvarams, mridangams and ghatams. The celebrations begin five days earlier with back-to- back concerts that are a form of musical offering. Everyone comes together in a spirit of musical bonhomie and remem- bers the legacy of Tyagaraja with great reverence. On the final day morning, the idol of Tyagaraja enshrined in the Samadhi is offered prayers, like a god would in any temple in south The fourth song, "Kana kana ruchiraa " is in the raga India, with great rituals. Varaali set to Aadi taalam. In this song Tyagaraja describes The term pancharatna in Sanskrit means five gems: The the infinite beauty of Lord Rama. Pancharatnas are known as the five finest gems of Carnatic The fifth pancharatna is " Endaro Mahaanubhaavulu " music. All the Pancharatnas are set to Adi Talam. However, in Sri raaga. It is said that a great musician from Kerala, in the Pancharatnas, Tyagaraja has given full, exhaustive and Shatkala Govinda Maaraar, visited Tygaraja and performed complete treatment as to how to systematically and scien- before him. Tyagaraja was enchanted with his performance tifically develop a raga. and then was born "Endaro Mahanubhavulu", the composi- The first pancharatna is "Jagadaanandakaaraka" , in the tion of unparallelled rhythmic beauty in Carnatic music. raga Nata. It is composed in lucid and poetic Sanskrit. It Other notable compositions by Tyagaraja include praises Lord Rama as the source of all joy in the universe. "Saamajavaragamana" in Hindolam raagam, "Aadamodi- Originally there were only six charanams for the song and galadhe" in Chaarukesi raagam, "Raaju vedale" in Hanu- when the disciples examined the song it contained ninety matodi raagam, "Ninne nammi naanura" in Todi raagam, and names of Lord Rama in mellifluous Sanskrit. The disciples "Nagumomu kanaleni" in Aabheri raagam. requested Tyagaraja to slightly expand the song by adding Among many of the deciples of Tyagaraja was Banga- two charanas containing eighteen more names of Lord Rama. lore Nagaratnamma, a famous musician who hailed from the The saint acceded to the request of the disciples and that is traditional Devadasi community who donated all her life sav- the reason why the song "Jagadaanandakaaraka" contains ings to resurrect the final resting place of Tyagaraja and build two mudras containing the name of Tyagaraja while the other a shrine over it. four songs contain only one mudra each. Nagaratnamma's statue can be seen opposite the The next is "Duduku gala" in the raga Gowla set to Aadi Samadhi in Thiruvayaru. Over the decades, it has been modi- taalam. In this song, Tyagaraja takes the blame upon him- fied with the patronage of generous donors and music lov- self for all the misdeeds of men and ruminates on who would ers. Today it is a pilgrimage site for scores of Carnatic mu- come and save him from this deplorable situation. sic lovers. While no one knows how Tyagaraja exactly The third is " Saadhinchene " in the raga Aarabhi, set looked, we do have several artistic impressions of what he to Aadi taalam. In this song, Tyagaraja lovingly criticises might have looked like. The most celebrated one is the paint- Lord Krishna for his cleverness in getting what he wants to ing by the famous musician and scholar S Rajam that you be done. Saadhinchene is a breathtaking lullaby. can find in every Carnatic musician's home across the world.

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The life and music of Tyagaraja has been a subject of partment released a special stamp in his honour, many de- few films. The best one remains the film 'Thyagayya' made cades ago. The sports complex in New Delhi, Thyagaraj in 1946 by Chittor V Nagaiah. Shot at the original locations Sports Complex, was named after him. A crater on the planet where Tyagaraja lived and moved around, this film has a lot Mercury is named Tyagaraja. of history in it. The film was a huge success all over the south. The Tyagaraja Aradhana is the world's largest gather- The film's greatest contribution however was that it prompted ing of musicians and music practitioners of one genre at any the formation of several Thyagaraja Sabhas. Nagaiah gen- point of time. It doesn't happen in Hindustani music or erously donated to start the first music school named after Dhrupad or Jazz, or Pop or Western Classical music any- Tyagaraja in Thiruvayaru besides founding Thyaga Brahma where else in the world! In no other genre is a composer Gana Sabha in Madras. He also constructed an auditorium, deified and worshipped as a saint like Tyagaraja is in Carnatic Vani Mahal which continues to function till date. music. For as long as Carnatic music is sung, Tyagaraja will To celebrate Tyagaraja, the Govt of India's postal de- be remembered. b

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TAL Serving Telugu Community 68 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

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eTVæ≤fi≤ ~H√‘·‡e dü+<äs¡“¤+>±... dü÷Œ¤]Ô<ëj·Tø£ eTVæ≤fi¯ ` bÂs√Væ≤‘·Tsê\T leT‹ ne<Ûëì $»j·T\øÏåà eTVæ≤fi¯\T nìïs¡+>±˝À¢q÷ eTT+<ä+» y˚düTÔHêï ªÅd”Ôμ bÂs√ ‘·qHÓes¡T ø±<äHêï, n~ |ü⁄s¡Twüß\πø |ü]$T‘·eTì m+‘·eT+~ Væ≤‘·T\qT >∑T]+∫ #ê˝≤ ns¡T<äT>± $+≥T+{≤eTT. Ä ns¡T e´‹πsøÏ+∫Hê, kÕVü≤dæ+∫ Ä‘·àã\+‘√ eTT+<ä&ÉT>∑T y˚kÕs¡T.. <Ó’q eTVæ≤fi¯ ÁoeT‹ ne<Ûëì $»j·T\øÏåà >±s¡T. ÄHê&ÉT, <ë<ë|ü⁄ eTTô|ÌŒ¤ nsTT<˚fi¯¢ÁøÏ‘·+ ∫qï |üP» #˚sTT+ áyÓT ‹\<˚es¡|ü*¢ y˚+ø£≥ øÏwüHésêe⁄>±s¡T eT]j·TT #·&É+‘√ e∫Ãq s¡÷bÕsTTqïs¡ ‘·q bÕ|ü≈£î bÕ\&Éu≤“ ø=q&ÜìøÏ Hê>∑s¡‘·ïeTà>±]øÏ eT÷&√ dü+‘êq+>± q˝§Z+&É õ˝≤¢ Äs¡÷sY |üìø=∫Ã+~. n˝≤ yÓTT<ä\Tô|{Ïº áHê&ÉT ø±y˚s¡eTàù|≥ - Á>±eT+˝À »ìà+#ês¡T. uÛ≤s¡‘·<˚XÊìøÏ »&ÓÃs¡¢˝À @¬ø’ø£ bÂs√Væ≤‘·Tsê*>± ˇø£fÒ dü«‘·+Á‘·+ e∫Ãq ø=~› ø±˝≤ìπø »ìà+ $T{Ï, >∑èVü≤Á|üy˚XÊ\T, ô|[¢fi¯ó¢, eT¬sH√ï #ês¡T ø±e⁄q M] ‘·+Á&ç>±s¡T $»j·T #˚sTTdü÷Ô, neTà>±s¡T nì |æ*|æ+#· >±+~Û CÀ´‹ nì HêeTø£s¡D+ #˚kÕs¡T. ã&ÉT‘·÷, m+‘√ >ös¡e eTsê´<ä\+<äT ø±˙ Ä ‘·sê«‘· n‘·Ôyê]+{À¢ ÄyÓT ≈£î+≥THêïs¡T. Ä }fiÀ¢ me]ì n&ç–Hê ù|s¡TqT $»j·T\øÏÎ>± e÷sêÃs¡T. neTà>±s¡T m|ü&É÷ &çe÷+&é ñqï‘· ≈£î≥T+ã+˝À, Ç+{Ï #Ój·T´s¡T. ù|<äyêfi¯¢ <ä>∑Zs¡ ndü\T &ÉãT“ ì+&Ü |ü⁄düÔø£ uÛ≤+&Ü>±sê\ eT<Ûä´ rdüTø√s¡T. ìsê&É+ã s¡+>±, ìs¡à\+>± n˝≤¢s¡TeTT<äT›>± ô|]–Hê, |ü~ùV≤&˚fi¯¢ e⁄+&ç e÷ n+<ä]øÏ eTTK´+>± Åd”Ô\≈£î ÁbÕj·T+˝ÀH˚ ‘·+Á&ç>±] Vü≤sƒê‘Y m+‘√ n+&É>± e⁄+&ç, ˇø£ øöì‡\s¡T>± eTs¡D+ e÷qdæø£+>± Ä]∆ø£+>± yê] ≈£L&Ü eT+∫ dü\Vü‰\T ÇdüTÔ+{≤s¡ì, ≈£î≥T+u≤ìï Á≈£î+>∑Bdæ+~. dü+e ne÷àsTT\qT ô|<ä›#·<äTe⁄\T #·~ ‘·‡s¡+ ˝À|ü\ ô|[¢ #˚ùdÔ ‘·+Á&ç>±]øÏ $+#ê\ì, me] MT<ä Ä<Ûës¡ |ü&É ø£Hê´<ëq |òü\+ <ä≈£îÿ‘·T+<äH˚ qeTà ≈£î+&Ü ‘·eT ø±fi¯¢ MT<ä ‘êeTT ì\ã&˚ ø£+‘√ ã+<ÛäTe⁄\T ‘=+<äs¡ ô|≥º&É+‘√, $<Ûä+>± ‘·*¢ ‘·+Á&ÉT\T r]Ã~<ë›\ì |ü<Ó∆ì$T<äe @≥H˚ »&ÉÃs¡¢ yêdüÔe⁄´\T ne<Ûëì Áoìyêdt>±]‘√ #Ó|ü⁄Ô+{≤s¡T. ne÷àsTT\T Ä‘·à $XÊ«dü+ ø£*– ñ+&Ü\ì $yêVü≤+ »]–+~. n+<äT≈£î düe÷»+ ≈£L&Ü ‘√&ÉŒ&Ü \ì n+{≤s¡T, nì #Ó|ü⁄‘·÷ #ê˝≤ ô|<ä› ñeTà&ç ≈£î≥T+ã+. uÛÑs¡Ô #˚ùd eékÕj·T+, ñ+{≤s¡T. e÷eT>±s¡T #˚ùd bÂs√Væ≤‘·+ e\¢ e#˚Ã Ä]∆ø£ sêã&ç n+‘·+‘· $»j·T\øÏÎ>±s¡T ø£esTTÁ‹, s¡#·sTTÁ‹ ≈£L&Ü. ne<Ûëì e÷Á‘·+>±H˚ dü]b˛j˚T~. ∫qïø√&É\T ø±e&É+ e\¢ @ dü«‘·+Á‘·+ $»j·T\øÏÎ ù|s¡T‘√ ø=ìï ø£$‘·\T, ø£<∏ä\T, yês¡|üÁ‹ø£˝À¢ Á|ü#·T ˝Òø£b˛sTTHê u≤<Ûä´‘·\qT e÷Á‘·+ yÓ÷j·Tø£ ‘·|üŒ˝Ò<äT. ˇø£ bÕ|ü ]+|üã&Ü¶sTT. |ü⁄{Ïº+‘·sê«‘· e÷eT>±s¡T ø±\+ #˚ùddü]øÏ, Ä ø=+#Ó+ sêã&ç |ü]dæú‘·T\≈£î ~>∑C≤]b˛≈£î+&Ü, <ÛÓ’s¡´+>± m<äTs=ÿì ≈£L&Ü ˝Òø£ n]úø£+>± #ê˝≤ Çã“+~ |ü&Ü˝§‡∫Ã+~. Äø£*‘√ XÊ+‘·+>± Ä˝À∫ùdÔ @ düeTdü´¬ø’Hê |ü]cÕÿs¡+ <=s¡ø£ø£b˛<äT. @&ç#˚ |æ\¢\≈£î bÕ\T ≈£L&Ü ø=q˝Òì |ü]dæú‹. n|ü&˚ ÄyÓT˝À me] MT<ë Ä<Ûës¡|ü&É≈£î+&Ü Ä‘·àôdÌús¡´+‘√ eTH√ã\+‘√ ˇø£s¡ø£yÓTÆq ‘Ó–+|ü⁄ y=∫Ã+~. @ s¡ø£yÓTÆq &çÁ^\T ˝Òø£b˛sTTHê eTT+<ä&ÉT>∑T y˚dæqHê&ÉT Åd”Ô X¯øÏÔ ìs¡÷|æ+#·ã&ÉT‘·T+~.μμ Ç<˚ ∫qï|ü&ÉT $ì e÷Á‘·y˚T H˚s¡TÃ≈£îqï bÂs√Væ≤‘·+ >∑Ts=Ô∫Ã+~. ÄyÓT ne÷àsTT\≈£î Ç#˚Ã dü+<˚X¯+. b

TAL Serving Telugu Community 72 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

Warning - Loneliness can kill you! Do something Now! Gouri Srinivasan

Would you like to help? Not me, not someone else. But ceptions and makes us see everything in a negative way. We actually believe that people around us don't care much about help yourself? Well, you can help yourself to be free of the us. These twisted perceptions make us feel undesirable to symptoms of high blood pressure, lower immunity and in- others, we feel like a loser and start hating ourselves and creased depression that can eventually make you go crazy, pushing away the very people who want to help us. This leading you to suffer premature death. There is no melo- irrational domino effect can utterly drain us out of our self- drama here. I'm talking about Loneliness. esteem. And low self-esteem can make us feel lonelier. It is Most Britons now are suffering from the utmost ter- a vicious circle indeed. rible poverty, that of Loneliness - the feeling of being un- How do we break this circle? How can we pull our- wanted. Mother Teresa once said, "The biggest disease in selves out of this miserable state? How can we develop self- the west today is not cancer, but rather the feeling of being esteem? Do something - anything. Just do it. Talk to some- unwanted, uncared for and deserted by everybody. There one, anyone. You could contact a friend who you haven't are many in the world who are dying for a piece of bread, talked to, for many years. Make a decisive effort to reach but there are many more dying for a little love." How true out to your friends, even when the gloom and doom of your this is, especially with regards to the older people! depression are telling you not to. Get busy. Find a job or Loneliness is killing us! The shocking consequences volunteer to do a job that you're interested in. Go to the of loneliness are physically and mentally crippling us, re- library and find a hobby that suits you. Join a group that sulting in flawed cognition, psychological stress and seri- interests you - bird watching, knitting, hiking, jogging, paint- ous mental health problems. Each and every one of us should ing, yoga, sports, fishing… the list is endless. have someone to turn to. Most importantly, as Booker T. Washington says, "If Most of us relate loneliness to old age. But the fright- you want to lift yourself up, lift up someone else." No mat- ful fact is that the recent research shows that the younger ter how down you feel, you can always help someone else. generation are more likely to feel lonely than the over 60s. Talk to someone and reach out to this person who you know There can be many reasons. Women with babies, who have is lonely. Forget about poor me, and dedicate yourself to left their jobs, feel as if they've lost their social contacts and poor you. Volunteer to share your skills with a group. Get the fun times they used to get, from work. There are also involved actively. Build a connection with people, by learn- teenagers who are shy, don't talk and feel left out. But they ing more about their feelings and opinions about different don't want to admit it. There are people suffering from health aspects of life. It can be very difficult to start with, but once issues which prevent them from going out and enjoying them- you get started you'll be thanking the stars that this closely selves. There could be a recent loss of a loved one, which bonded connection is the best thing that's ever happened to turns from sadness to withdrawal to deep depression, which you. then leads to loneliness. Resolve to push your comfort zone little by little by Do not confuse being alone with being lonely. Being trying a new social experience from time to time, building alone is a physical state while being lonely is an emotional up momentum with each new experience. And keep remind- state, and also a negative one. In fact, most people want to ing yourself over and over again, that there are others who be alone at some point during the day, so they can reflect on feel lonely too, and they also need someone to help them. their thoughts, meditate or focus. For some, creativity flour- These thoughts will propel you to build new friendships, ishes in solitude. creating a positive and dynamic energy that pumps up your The sorrowful fact is that some people can still feel self-esteem making you feel on top of the world. And you emotionally disconnected and lonely despite being sur- will finally take that leap of faith that will liberate you once rounded by friends and family. Loneliness warps our per- and for all, from this quagmire of loneliness. b

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British Indian Clinical and Academic Partnership A Real Opportunity to Give Back to the Society Venu Kavarthapu

The secondary and tertiary healthcare organisations in In- healthcare delivering organisations and individuals are moni- dia have seen marked improvements over the last decade. tored against certain criteria thereby enforcing minimum This is largely due to the expansion of private sector and the acceptable standards. These bodies should be transparent, introduction of the state sponsored health insurance schemes robust and lead by example by adhering to the highest pos- in some regions, driven by the desire of some healthcare sible benchmarks in their own self-regulation. Such valuable providers to raise the standards in order to catch up with the systems are inadequate in Indian healthcare and as a result it rest of advanced economies and the increased expectations is quite common that marked variations in the individual and from patients and public. However, it has been widely known organisational delivery of healthcare are present. that several gaps exist within the Indian healthcare and it is Even though there are a few centres in India indeed now time to take serious and specific measures to address maintain high standards of care, predominantly driven by the this critical issue. self-imposed excellence that exceed most western countries, It has been universally accepted that the standard of it is obvious that the Indian healthcare has suboptimal stan- healthcare in any country is a reflection of several aspects dards with marked variation compared to the UK. It how- of healthcare delivery, including the quality of training of the ever has noticeable advantage over the UK in a few areas healthcare providers, the robustness of the healthcare sys- such as provision of affordable healthcare and relatively tems and the strength and purposefulness of the healthcare easier access to the secondary or tertiary care. The Indian regulatory bodies. To understand and analyse the status of government and its various organisations have introduced a healthcare in India, we naturally try and compare it against number of reforms recently in order to raise the minimum what we have in the UK. The importance of structured medi- standards. However, there is still a lot be achieved, and the cal training and identification of the essential components persisting concern is that the speed of changes have been of such training have been constantly researched, resulting painfully slow, particularly due to poor and inconsistent in adaptation of the proven systems and continuous review quality of medical training, lack of robust healthcare systems for further improvements through out. UK has been at the and suboptimal function of healthcare regulatory bodies. Of forefront in this area. The training curriculum in UK has con- note, even some popular chains of hospitals do not practice stantly been updated every few years and in comparison, some universal protocols that are routinely practiced in most India has not seen such formal updates for a very long pe- western countries. riod. The medical training is also uniform through out UK Several speciality areas in healthcare would benefit and a large portion of expenditure on the NHS is in this im- from improvements in India; one example is the poly-trauma portant area; where as it clearly is not the case in India. Ro- management. A recent study done by my trainee highlighted bust and uniform healthcare systems are essential to make the marked difference in the survival rates in UK and India sure that the delivering organisations can constantly improve following road traffic accidents. This study reviewed the most the provision of healthcare. Such robust systems are not recent year for which data was available for both countries currently present in the Indian healthcare and certainly the (2011) where there were 142,485 RTA deaths in India and ones that are present are not centrally driven. It is unfortu- 1901 in the UK. The population of India is over 19 times nate that several longstanding and well-proven protocols that that of the UK. Extrapolating from the 1901 observed deaths promote optimal healthcare are still not followed. Healthcare in the UK, we would expect approximately 36,000 deaths in regulatory bodies are fundamental to make sure that the a country with the population the size of India, but what we

TAL Serving Telugu Community 74 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017 actually observe is a figure nearly 4 times this. The reasons UK for their contribution in promoting this good cause. for this disparity are clearly multifactorial but are likely to Some of these members are national and international include the differences in the timing and effectiveness of experts in their respected healthcare subspecialties. trauma care in the post injury period. The clinical and academic deliver of BICAP will be King's College Hospital NHS Trust (KCH) is well through several facets- predominantly in the areas of clini- recognised for its excellence in several areas, in particular, cal excellence, training and education. This ranges from es- major trauma care, liver transplant surgery, neuro sciences, tablishing or improving departments in hospitals, introduc- haematology, cardiac and diabetic foot care. Following the ing or improving patient pathways / protocols or establish- UK visit by the Indian Prime Minister, Shri Narendra Modi ing clinical governance and other mandatory and desirable in Nov 2015, it was agreed to establish a major healthcare quality improvement systems. In collaboration with selected collaboration between UK and India, and as a result about Indian colleagues, various subspecialty committees will be 11 NHS hospitals would be build in India to establish and formed that are responsible for establishing the best possible share the NHS standards in the Indian healthcare. KCH had clinical academic standards covering all aspects of healthcare agreed to establish the clinical and academic standards in a delivery in these hospitals. BICAP will also establish national substantial number of these hospitals. King's College Hos- training institutes that provides formal training events rang- pital Amaravathi would probably be the first such facility. ing from generic mandatory courses to the most advanced Thanks to the extraordinary leadership with great attention topic specific ones in all subspecialities. To name a few more, to detail exhibited by the Chief Minister of AP, Shri Chandra the group's other activities include supporting / establishing Babu Naidu, we have witnessed the most smooth beginning advanced health delivery camps or charity events. This large and swift progression of this project at such a rapid pace. group of think tank will also act as the body accessible to Other confirmed places include Chandigarh, Nagpur, the lawmakers and healthcare agencies in the country for any Haryana and Hyderabad. The rest of the projects will be advise on healthcare related policies / matters. BICAP will finalised soon. KCH will be responsible for hospital plan- also provide a common platform to deliver large-scale medi- ning, setting up the departments and systems and maintain- cal charity work in India. ing similar standards to its UK centre for 15 years before I feel that this is an immense opportunity for all of us handing over. It is a monumental task to set up such services that cannot be missed. These projects will provide an im- in such a major scale and it was felt that a separate large group mense opportunity in not only establishing these desired stan- of medical think tank, with representation from all medical dards, but also bringing the much-needed uniformity of these fields, called 'British Indian Clinical and Academic Partner- standards across all the chain of hospitals, and there by pro- ship' would be formed to establish the systems and depart- viding a much needed stimulus to being this uniformity across ments in the new King's College Hospitals in India. British the whole Indian Healthcare. Can you imagine, a large chain Indian Clinical and Academic Partnership (BICAP) was then of hospitals in India with robust systems in place, delivering established for this purpose. high quality of care, following the same established proto- BICAP will provide the necessary platform for all cols and adhering to similar regulatory standards as those medical professionals interested in contributing to the seen in best NHS trusts? In combination with the current modernisation and betterment of Indian healthcare. The criti- advantages in the Indian healthcare- better health econom- cal component of these projects is to make sure that clinical ics, ease of access to the secondary care and less interfer- standards founded are similar to a best NHS hospital in the ence from the management; it is conceivable to establish the UK. These cannot be established by the investors, managers best possible healthcare suitable for the Indian population. or the politicians involved in these India UK healthcare ven- I feel extremely privileged to have been part of this tures. This can solely be delivered by the visionaries, lead- exciting mission from the beginning and even more honoured ers and individuals in the healthcare profession practicing to be able to lead through BICAP. This is just the beginning in the UK. This requires a vast contribution from the doc- of this very long operation on improving and standardising tors and other medical professionals, and we are fortunate the Indian Healthcare in a small way that may hopefully have to have seen an unprecedented response from the doctors in a huge impact. b

Mr. Venu Kavarthapu, FRCS (Tr&Orth), Consultant Orthopaedic Surgeon, King's College Hospital Honorary Senior Lecturer King's College London; Training Programme Director SE London; Chairman of British Indian Clinical and Academic Partnership

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TAL Serving Telugu Community 78 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

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ø√qd”eT˝Àì neT˝≤|ü⁄s¡+˝À |ü⁄{Ïºq >=]Ô kÕsTTÁãVü‰àq+<ä+ yÓTT<ä{Ï ø£<∏ä bÕ|ü+ düTu≤“sêe⁄. <ë<ë|ü⁄ j·÷uÛ…’øÏ ô|’>± ø£<∏ä\T sêXÊs¡T. nH˚ø£ Hê≥ø±\T sêXÊs¡T, Á|ü<ä]Ù+#ês¡T. dü]Vü≤<äT› ø£<∏ëdü+ø£\q+, n+‘·s¡®«\q qe\ Á|ü#·T]+#ês¡T. eè‹ÔØ‘ê´ ø£+|üP´≥sY Ç+»˙sY. ìyêdü+ ø±*bò˛]ïj·÷˝Àì ≈£î´|ü]ºH√. [email protected]

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A New Year's Eve Story

Constance J. Brown

It was almost mid-night on New Year's Eve. Hannah didn't rouse, seemingly lost somewhere in a world the nurse couldn't inhabit. "Should Aulde Aquantance be forgot, the tune came Her sister was lying in the mortuary in her wedding- softly from a small radio on the nurses' station. A smile dress, following her suicide, at 28. With her brother-in-law's flashed briefly around Hannah's mouth, as the timeless re- help she pinned her wedding veil on her sister's hair, pain- frain roused her from her drug-induced sleep. fully aware of the line of post mortem stitches around her Gently she murmured the words, comforted by the fa- head. Tenderly she washed her sister's face, engulfed by a miliarity of them. She sighed deeply as memories of happier grief beyond expression, and then kissed her good-bye. days, in Scotland as a child, comforted her. A figure flick- Hannah sighed deeply. ered into sight. Then, gratefully that memory was replaced by the ex- "Is that you…Mum?'' Her voice weak and faltering, citement she remembered when at last in the early morning she peered at the figure that approached her bed. the Flying Scot crossed the border between England and "Hello Hannah. Did you have a nice sleep?'' The nurse Scotland. It was at about that time the porter brought them held out a feeder of cold water and gently pressed the spout tea and biscuits, and happily they watched the scenery pass- to her dry lips. "Here, have a little drink," but the feeder was ing by as they ate the biscuits and drank the tea. pushed away as Hannah tried with difficulty to sit up. Her memories shifted again to the house on the West "Mum is that you…?" She repeated the question with Coast of Scotland where her aunt and uncles lived. It was urgency, her voice rising in distress. The nurse gently helped evening and she sat with Mickey in the upstairs bed-sitting her back into the pillows of the hospital bed. room in the dark, listening with their cousins, to Uncle Bob, "All is well. Rest now, Hannah." telling them blood-curdling ghost stories, the only light be- Exhausted, the elderly lady fell back against her pil- ing the glow from his cigarette end which he moved about lows, and unaware of the departure of the nurse, caught up to outline the story. once again in the flickering shadows around her bed, and her In the next room her Mother sat with the rest of her fam- memories. ily. Laughing uproariously at the endless stories they enter- She was a child again. Holding tightly her mother's tained each other with; past differences forgotten. hand, excitedly, she climbed the steps and onto the Flying Hannah smiled as unstoppable memories cascaded one Scotsman, the overnight train that would take them, her after the other through her mind, at one moment paddling mother and sister, to Scotland for Hogmanay. on Saltcoat's Beach in Scotland; next with their scooters in It was the best time of the year. She remembered the the park. Reading comics in bed…breakfast in bed, some- excitement of, once again, meeting with her aunt, uncles and thing that would never have happened at home. At the thought cousins. of her family home, Hannah called out again. As the train pulled out from Kings Cross Station on its "Mum…Mickey…'' overnight journey to Scotland; she raced with her sister, "Hannah is very agitated tonight," the nurse said to her Mickey, to be first into the top bunk of the sleeper. colleague, 'Let's make her comfortable. She might settle A sudden sound roused Hannah. She became agitated then,'' her assistant nodded and they moved towards Hannah's as she remembered her sister and shook the rails on the side bed. of her hospital bed. But having made her comfortable and lights on the Her last memory of Micky still caused her pain and she ward dimmed Hannah did not go to sleep but groaned in pain tried to blank the picture from her mind. A tear slid down and continued to call out. "Mum. Mickey…Home." her face. She called out, 'Micky….y!' Then suddenly became quiet as her memories returned. The night-nurse hurried to Hannah's bed-side. "You're She was a child and back in Scotland again and 'first-foot- dreaming, Hannah. There is nothing to worry about." But

TAL Serving Telugu Community 80 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

ing' with her Uncle Bob. Clutching a drink given her and "For we're no awa to bide awa, we're no awa to leave unused to drinking alcohol she had poured it into a large pot- ye. We're not away to stay away. Will I come back and see plant. She had wondered for years what had been the out- ye." She tried to sit up. The nurses, astonished at the strength come for the plant. Hannah sighed and exhausted dozed in her voice looked up from their work and then at each other. briefly. Meanwhile the shadows around Hannah's bed took shape she Suddenly awake, once more her memories returned her turned to see her mother and sister standing beside her their to Scotland and to the train that would take them her mother hands held out to her. and sister back to London. They hung out of the train win- "Time to come home, Hannah, time to rest." Her dow for a last wave and goodbye to her Aunt and Uncles, mother seemed to say." Flooded with joy and relief she who stood watching as the train drew away from the plat- clutched their hands tightly and smiled. form. It was at that moment they all started singing an old The nurses approached Hannah's bed and looked down Scottish song, as they always did. It was a song of farewell at her. They looked at each other. Hannah's body was there and a promise to return. but she wasn't. Gently one of the nurses closed her eyes and Hannah started to sing too. the other quietly closed the curtains around her bed. b

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TAL Serving Telugu Community 84 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

On Eating Dr. M. Vani Manohar

nqï+ |üs¡ÁãVü≤à dü«s¡÷|ü+. There are some exceptional people, who prefer to see Annam parabrahma swaroopam. When we talk of eat- that no one is around while they consume a meal. What if ing, it comes to my mind that even after taking a full meal, someone enters the room while they eat? Oh God! That at least a score of Laddoos can be eaten by some. Of course, shouldn't happen. It will almost be suicidal. I am told, one it is beyond doubt that we, humans, normally, are food lov- of our relatives was very strict in maintaining this habit. She ers. used to close all the doors and I think, she used to even lock One can observe many a style of eating. Eating with a the doors from inside, and then she would start eating. prayer, eating with a permission , eating in groups, eating in Now, what should be eaten? As per our scriptures, a silence or eating in seconds etc. There are some who finish standard meal should include 4 types of food: their meals in a couple of minutes, while some take an hour '….Pachamyannam chaturvidham,' …the food should in- or so. One of my maternal uncles used to finish his meal in clude - Bhakshyam, Bhojyam, Choshyam and Lehyam . 2 to 3 minutes only and in my in-law's family, they also con- Bhakshyam: is one that is eaten in pieces sume their lunch within five minutes. Whereas, I, sometimes, (chunchukovadam) like chapatis etc. take full one hour, especially, when eating with close rela- Bhojyam: is one which can be eaten mixing the items tives. There were instances when we completed our meals together, like rice with dall or curries, to form lumps not because our stomachs were full but because the contain- (muddalu or pidchalu). ers were empty. Limit was the food in the dishes before us. Choshyam: is one that can be swallowed in liquid form, Some wouldn't eat until they offer a prayer. Some, when that which can be taken in palm with the help of fingers and under a specific Deeksha, take meals only after someone swallowed it in, making a little sound ( zurradam). Things permits them. If no one is around to grant permission, a pro- like soup, Charu, Dhappalam, pulusu or payasam etc. vision would be there. For example, they could create a Lehyam: is one which can be licked (nanchukovadam), sound striking a steel glass with a spoon, signifying aana was say pickles like avakaya and chutneys like allam pachadi etc. given. Aana means permission. Whether you call it a balanced diet or not, they say that There were days when the poems from dramas like you should include these 4 types of food every time you sit Abhignana Shakuntalam of Kalidasa and from Enugu down for a meal. Laxmana kavi were chanted during the lunch. People do So in all , eating is what keeps you going. So go on not start eating unless all members of family are seated in eating healthy and keep on going healthy. the places meant for them. Nor do they leave for washing Aham Vaishvaanaro Bhutva hands unless all other members finish their meals. You may Praaninaam Dehamaashritha call it discipline in eating which we adhere to even now. Praanaapaana Samaa Yuktaha Pachaamyannam Chatur Vidam Generally we take meals in a group. It is very rare to see us eating alone. It is only that we enjoy it when in com- Om Tat Sat pany. Sometimes some discussions are made to engage our- zyéT ‘·‘Y dü‘Y selves. b

‘Ó\T>∑Tyê] ùde˝À ‘ê˝Ÿ e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017 ` 85

Mr. Balraj and His Charity Work

Mrs. Dayamani Balraj in her own words

A At the request of TAL I am delighted to write a few words He became a member of the Institute of Structural engineers and the American Society of Civil engineers. on my husband, Balraj, who sadly passed away on the 13th I believe what distinguishes Balraj was his compassion. May 2016 after a short illness. And his greatest asset was his earnest desire to help others. Balraj came from a large family in Hyderabad, India. He showed this attribute early in life when he coached fel- His father was a building contractor. As a child Balraj was low students in Matriculation and later in his undergraduate an avid reader who had a desire to learn. His ambition was and postgraduate studies. to pursue higher studies. He lost his father when he was sit- "Manava Seva ye Madhava Seva" was Balaraj's motto. ting for his Matriculation examination. Balraj subsequently He was touched by the loneliness of the elderly in London. graduated at Karnatak University as Bachelor in Civil Engi- Once he told me, how a neighbour had confided in him that neering. she hardly spoke to anyone for days and weeks on end and felt so lonely. Balraj and I met at the 'Inter-varsity' ( a social club for graduates) in London. He was motivated to start the charity AGE LINK in December 1975. We recruited volunteers including drivers, helpers and hosts from IVC. Whilst studying at University I came to London at the weekends to help organise the events. Often as a helper but also hosting tea- parties with Balraj, providing tea and sandwiches. Also dur-

He started employment as an Engineer at the Railways department in Delhi, India. He always wanted to progress in his profession. However he wanted to support his family financially. A family friend who realised his potential offered to sponsor him for further studies and a career in England. After attending Glasgow University, he graduated with a Masters Degree in Civil Engineering. He was employed by a reputable firm when he attended Glasgow University on a day release basis. His employer gave him a glowing report, saying, "He is an intelligent designer of structures including steel bridges in Scotland." Then he moved to London. Balraj lso designed famous structures including Queen Anne's mansions in London. Before starting his own business as a consultant civil and structural engineer, he had al- ready obtained a number of qualifications in his profession.

TAL Serving Telugu Community 86 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017 ing that time Balraj had organised fund raising events includ- tablished the educational trust in 2013. The trust had raised ing discos at Imperial College, garden parties, and other funds and had distributed books, stationery and provided functions, attended by celebrities. financial help to enable students to continue with their stud- AGE LINK was his brainchild and he was passionate ies. about helping as many elderly as possible. As the founder, The idea had its roots in Balraj's background when he honorary president and secretary of Age Link, he had been was sponsored for his studies and had simultaneously work guiding its activities with assistance from volunteers. and study. Balraj believed that "Vidyadanam" is more en- The charity covers 23 areas in London, serving ap- during than "Annadanam" as it would help a child become proximately 400 disadvantaged and lonely elderly. Balraj re- self-sufficient and contributes to the development of the flected that his greatest reward was to see the guests' smiles family and society. Balraj's legacy is that he had inspired people to volun- and being privileged to bring some joy in their lives. teer and we are so grateful that the charity Age Link contin- Balraj loved his Telugu culture and valued it im- ues to flourish with the help of dedicated volunteers. I hear mensely. We never missed attending cultural events and clas- from many people that he had inspired them and gave the sical dance performances. He also organised classical dance opportunity to serve. performances to raise funds for Birmingham temple. Whenever I meet people, they invariably tell me that He made a point of including Indian classical dance how he always inquired about their welfare and how instru- and music performances in Age Link events giving a flavour mental he had been in guiding young people. of the diversity of Indian culture. Age Link includes volun- He was a devoted and loving husband and father. Al- teers and guests from all sections of the community to re- though he was always busy he made time for me and for my flect the multicultural society we live in. daughter. There are no words to describe the void we feel in He felt indebted to his native land, India, which had our lives. laid the foundation for his future. Inspired by the success of Finally, I would like to thank TAL for giving me the Age Link in London, he wanted to help children in India for opportunity to write this brief outline on my husband, Balraj's whom the education is a dream beyond their reach. He es- life.

'Au BarFrancais' Frances Gordon

Who are you, sleeping man You sleep peacefully, resembling With Hemmingway beard a person from the past And Fisherman's cap, tilted Below your brow Your face in repose, saddened Ruddy cheeked and alone Are you an outcast In a French Bar Self imposed, maybe A pariah by choice or circumstance Music swamps your silence Who knows Governs the atmosphere Chrome, plastic, pin-balled Are you kind, selfish, gifted or drunk But you decline to hear Do you love, tear yourself apart Where do you go, to whom, if any In another world, private Does she… he… suffer for your art What do you inhabit Yesterdays, tomorrows You capture me so Sleeping man You go your own way I sit, refusing to budge Clatter clatter, thump thump I choose to stay Clatter clatter, thump thump Bravo, sleeping man In your buff coloured coat A votresante Amidst laughter and talk

Written many years ago whilst travelling through France with my family. An unsuspecting, middle aged gentleman was having a nap in the rather noisy bar where we were taking refreshment. My imagination ran away with me!

‘Ó\T>∑Tyê] ùde˝À ‘ê˝Ÿ e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017 ` 87

Á|üe*¢ø£ ìs¡íj·T+ ø£<∏ä •e k˛eTj·÷E\

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TAL Serving Telugu Community 88 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

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TAL Serving Telugu Community 90 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

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TAL Serving Telugu Community 92 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

A versatile violinist An outstanding Kuchipudi Artist Dr. Jyotsna Srikanth Arunima Kumar

Jyotsna Srikanth is the most sought af- Arunima Kumar , an ter South Indian C arnatic violinist in alumnus of LSE , is a Europe and composer known for her ver- young role model for many. satility and ability to collaborate with She is an award different genres seamlessly and with ease. winning Kuchipudi She is an all rounder who has given nu- performer, choreographer merous South Indian classical (Carnatic) and teacher. solo concerts, jugalbandhi concerts, jazz She has received - fusion concerts and Contemporary In- several awards like the dian Music shows. Ustad Bismillah Khan Yuva She has flourished as a performer and composer, ex- Puraskaar ( by Sangeet ploring lush ground in the crossover between Indian music Natak Akademi ) for and a variety of world music & contemporary flavours. Kuchipudi in 2009, one of Ms. Srikanth is featured in many major global music the highest honours by events and venues like WOMAD - UK, BBC Proms, Royal government of India, Albert Hall, South Bank Centre , Barbican, The Music FICCI FLO award for women achievers, Sahitya Kala Academy - Chennai and many more major venues and fes- Parishad award, Asian Woman of Achievement UK tivals across the world. (finalist), nominated for RBKC London Mayors award , Recently received the Ganakalashree award from Arunima is also selected as one of the top 20 dancers in Karnataka Ganakala Parishat, India . the UK under the OneDance UK mentoring program . She is a medical doctor, a postgraduate in Pathology Arunima is also a gold medalist Pistol shooter, an but now totally dedicates her time into music. Has played actor and model . She worked for corporate at leading violin for nearly 3 00 Indian films under music directors like positions and is now fully committed to the arts , and her Ilaiyaraaja. Received fellowship for Carnatic music from work for marginalised women and those suffering from Trinity College of Music, London human rights violence. She is a student of famous gurus, Jyotsna is the Artistic Director of the London Interna- Padmashri Guru Jayarama Rao and Vanashree Rao. tional Arts Festival and Dhruv Arts in London. Her most She had her initial training under Padmabhushan memorable concert was the performance for ‘UK welcomes Smt Swapnasundari. She choreographed and presented a Modi’ event. piece for the Queen's Reception at the Buckingham Palace Collaborative projects to mark the launch of the India UK Year of Culture . Her • Nordic raga - collaboration with Swedish Folk musicians dance company AKDC (Arunima Kumar Dance Com- • Raga Garage - Collaboration with acclaimed western clas- pany) with centres worldwide is recognised by TRINITY sical violinist Robert Atchison COLLEGE OF ARTS as an arts awards centre and one of • Carnatic Connections - collaboration with the Bollywood the largest Kuchipudi institutions in the UK and is Brass Band recognised as For more details visit www.indianviolin.eu one of the ***** 5 stars Broadway Baby, Edinburgh Fringe Festival leading dance '..Jyotsna Srikanth is an extraordinary and versatile violin- companies in ist... free-flowing, often mesmerising' The Guardian, July the world, 2013 performing for '..full of delicate ornamentation' The Evening Standard major events “..Britain’s finest violinist of Indian classical music” Time worldwide Out with over “..An immense musical talent and intelligence” Deccan 1000 perfor- Chronicle mances at “..Arguably the only name that springs to music collabora- prestigious tors while seeking artistes across the Indian classical, jazz cultural and world music” Indian Express festivals and "...the amazing Jyotsna Srikanth on violin. " Independent, venues in over BBC Proms Concert 40 countries.

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Wrong Christmas

Eliana Himani Massey Age - 7, Sevenoaks

Once upon a time there was a little girl called Ruby. She lived with her parents and a little brother called Popcorn and a little sister called Sweet Corn. In the middle of the night she woke up thinking it was Christmas because somebody put the fairy lights on. She went downstairs and took out the Christmas tree from the cupboard and placed it near the window. She decorated it with lights and sparkly baubles. And then she went into the kitchen and carried some milk in a blue cup and biscuits in a gold plate for Santa and a carrot in a silver plate for reindeer. She put everything at the fireplace and went to bed hoping that Santa would bring lots and lots of presents for her in the morning. When she woke up in the morning she brushed her teeth and had a quick bath and put on a new sparkly dress with gold, blue and yellow. 'But it is Christmas mummy,' said Ruby. She combed her hair and wore a sparkly hair band. Then she ran down 'No, Ruby, it is not Christmas yet.' the stairs and saw that the milk, biscuits and carrot were there un-eaten Ruby started crying. at the fire place near the Christmas tree. Disappointed and puzzled she Mummy took her into her arms and said, called, 'Mummy...mummy...' 'There is no need to get upset my darling. Christ- Mum came in saying, 'what's the matter puppet?' mas will come very soon and Santa will bring you 'Mummy, Santa didn't have his milk and biscuits and reindeer presents. In the meantime why don't you write a didn't have his carrot.' letter to him?' 'Why would Santa come now puppet, it's not Christmas yet,' said 'OK mummy,' Ruby wiped her tears and Mummy. smiled.

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Youth Section

Telugu Youth UK

Bhardwaj Chada 3rd Year Medical Student, King's College, London

G rowing up in the early 2000s in Feltham, a small town in across and been introduced to more and more Telugu youths West London, I was one of very few Indians, let alone Telugu and have gradually come to be aware of a growing people, in my year. There was the Bangladeshi kid, whose community I didn't even know existed. The pervasiveness dad owned the local Indian restaurant (the only Indian of social media has facilitated the growth of this community, restaurant in town, might I add!). There were two Sikhs: one as increasing numbers of Telugu youngsters from far corners turbaned, the other not, a Sri Lankan girl and a Pakistani, of the country are able to connect with one another, both the only other person with whom I could discuss and play virtually and in-person. The newly set-up Telugu Youth UK cricket (Yes, I guess you could say I am the token brown guy Facebook page currently has in excess of 40 members, who's crazy about cricket). The rest of the year was mostly comprising mostly university students studying various populated with white, English children and a few black kids. courses, though this I'm sure is scratching only the surface But maybe because I was so young, this wasn't anything I of what is a much more expansive community. The group noticed at the time or paid particular attention to. We were recently had its first meet-up in London, which was a great just 9 and 10 year olds, for whom priorities lay elsewhere: opportunity to get to know each other a little better, and what was on the menu for school dinners that week, for promised to be the first of many. example, or whether or not we'd be allowed the big parachute The potential for this growing community is enormous: at P.E. (if you know, you know). of course there will be several opportunities to meet-up and It wasn't until I started secondary school, that I started network with fellow Telugu students. But in addition, perhaps to recognise my cultural identity and "Indian-ness" a bit more. we can follow the lead of other communities, much larger I went to a grammar school in Kingston, where the and well established than our own, to help spread the message multiculturalism and ethnic diversity on display was in stark and embrace our cultural heritage. Opportunities to set-up contrast to what I had been accustomed to back in primary university Telugu societies should be explored, and intra- school. There were hordes of South Koreans, mostly from and inter-university TeluguSoc events considered (sports nearby New Maiden, Sri Lankans (mainly Tamils, though events, movie nights, talks with prominent Telugu there were several Sinhalese kids too) and of course, as you'd personalities etc). Workshops, both for our benefit (e.g. probably expect, Indians. Lots and lots of Indians. In fact, careers advice) and through which we can help others (e.g. my school was such a melting pot of different ethnicities, interview and personal statement guidance), will further you could almost say the tables had turned entirely; my class propagate the growth of this group and the benefit it can of 30 had a handful, perhaps only 5 or 6, English kids. Being have. It's not even all that unreasonable to suggest trips in this environment made me more attuned to my heritage abroad as a community, not necessarily restricted by and roots, and acknowledge my origins. I was surrounded university, in order to volunteer towards a good cause (and by people with whom I shared a common bond. We were have fun. Obviously). the sons of migrant parents (and grandsons of migrant From being one of very few Telugu kids in London grandparents), who were connected by the values we shared, growing up, to now being a part of an exponentially growing the food we ate, and the movies we watched. Even so, I group of Telugu youths, it's clear to see that we, as a remained in a small, but exclusive, club of 2 people, when it community, are increasingly making our presence felt. This came to the number of Telugu people in my year. As you can is an exciting prospect: being surrounded by like-minded probably imagine, this is something my parents latched on people, with a shared cultural identity, is a way for us to stay to, with my mum quickly befriending the solitary, other in touch with our origins and roots whilst so far away from Telugu mother in the year. Outside of school too, I knew of home. At the same time, its up to us to use this growing very few Telugu children, with the exception of the odd community as a springboard to achieve bigger and better family friend here or there. things. Let's compare notes with our neighbouring Tamil, For that reason, it's very heartening to see the growing Punjabi and Gujarati societies, and see how they've used Telugu Diaspora in London in recent years, particularly their strength in numbers and widespread presence to better among my age group. Since joining university, I've come their communities, and start to do the same for ours. b

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UCL Achiever Rajashree Murki

My parent's names are Suresh and Madhavi Murki. We are from Bavupet, a village near Karimnagar in Telangana State. I studied in Kavadiguda, Hyderabad in "English Union High School" until year 4. We then came to London as my dad was offered a job here. I joined in Alexandra Primary School and continued my studies in year 4. For my secondary school education, I went to Lampton School which is a state school in Hounslow. In year 11, I achieved 8A*s and 2As. After my GCSEs I continued my education in the Lampton School Sixth Form. In year 13, I applied to study medicine at London universities and I received conditional offers form these universities to study medicine. I made my choice to put UCL as my first choice and King's College London as my second. UCL's condition was that I achieve A*AA with the A* in Biology or Chemistry and King's College London's condition was that I achieve AAA. By the end of year 13, I achieved 3A*s in Biology, Chem- istry and Maths which meant that my place at UCL was confirmed. In Octo- ber, I received a letter from the local MP congratulating me on my A-Level results.

Glories of spring Harshita Chavali 12 Years, Green School

The sun is shining New life will start to venture on grassy fields and woods The daffodils are swaying And children will run around in shorts and hoods Along to the music of spring Easter egg hunters look for clues Rivers will start to flow Parents laughing right on cue While tiny cherry blossoms begin to show Children shouting "Chocolate, Chocolate where are you!"

Perched on tree tops are birds alike Spring is here Looking down on every child that rides a bike Spring is here A wonderful time to celebrate and cheer!! There's a bit of cold breeze But prancing around are butterflies and bees

TAL Serving Telugu Community 110 ` e÷ ‘Ó\T>∑T ` ñ>±~ y˚&ÉTø£\ Á|ü‘˚´ø£ dü+∫ø£, 2017

Achievement in Creative Writing

YoungWriters Parent / Guardian of Laxmi Anathula C/O Cranbrook Primary School The Drive llford Essex IG1 3PS 16th February 2017 Dear Parent / Guardian, Recently Laxmi's school, Cranbrook Primary School, submitted some of their pupils' work for our Young Writers' My First Story competition. In this exciting competition, which was created to complement Key Stage 1 learning ob- jectives, children were asked to write a story based on one of our five storyboards, encouraging them to use their cre- approve by post or online. ativity and imagination. Books in this series will be attractively laid out A5 My First Story has been popular with schools and softbacks with a full colour cover, giving children a real sense pupils alike and we've received a tremendous amount of of achievement. My First Story 2017 - Essex is scheduled entries from across the UK and overseas. Work has been for publication on 31st May 2017. Yourself and family mem- selected for publication based on creativity, imagination and bers are entitled to order before publication at the price of expression. I am therefore delighted to inform you that £15.99 per copy, and for every two copies you purchase Laxmi's story has been chosen for publication in My First we'll give you a third copy free - see the Copyright/Permis- Story 2017- Essex. Each school featured in the book wili sion form for details. After publication the 3-for-2 offer will receive a complimentary copy for their library, and a copy no longer apply. Orders will be delivered shortly after 31st of the book will be sent to the British Library and further May 2017. (Please note that all orders will be delivered to libraries across the UK and Republic of Ireland, providing a your child's school.) lasting record of your child's achievement. We will be awarding school prizes (1st prize £500, We have notified Laxmi's school of their success and 2nd prize £250 and 3rd prize £100 worth of books) to the to mark Laxmi's achievement we've enclosed a certificate top 3 schools after all the books in the series are published. of merit and a bookmark. One of our main aims is to raise Also, our favourite writer in each book will win a special awareness of creative writing within the classroom and pro- My First Story notepad and a pencil! mote the enjoyment of reading and writing - in the interest I'd like to close by congratulating Laxmi, and hope of encouraging pupils and to help achieve this aim, all young that this achievement will encourage confident participation writers stood a very realistic chance of seeing their work in in future creative writing activities. If there is anything you print. would like to discuss, or if you require further information, To include Laxmi's story in My First Story 2017 - please do not hesitate to get in touch. Essex, all you have to do is give permission to publish the Best wishes, work by 17th March 2017. Simply sign and return the en- Lottie Borham closed Copyright/Permission form, or log into your online Editor account. Please see the left hand side of the Copyright/Per- Log on at www.youngwritere.co.uk/online mission form for instructions on how to do this. We have User name: APB710960 also enclosed a proof of Laxmi's story, which is for you to Password: 7HU98WJM

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Hindu Festival Ugadi The Telugu New Year Dharmik Reddy Lekkala

The Significance of Ugadi lacy designs called 'Muggulu on it'. This is a common sight It is believed that the creator of the Hindu pantheon in India in every Hindu household. Lord Brahma started creation on this day-Chaitra Suddha On Ugadi day, people wake up before the break of Padhyami- or the Ugadi (yuga + adi)- means the beginning dawn to take a head bath and wear new clothes. Then per- of a new epoch. form the ritualistic worship to God invoking his blessings The calculations of the great Indian Mathematician before they start off with the New Year. They pray for their Bhaskaracharya proclaim, the Chaitra Suddha Padhyami as health, wealth and prosperity and success in business too. the beginning of the New Year. The onset of spring also marks Usually, the priest or an elder person of the family would a beginning of new life with plants acquiring new life, shoots Recite the Almanac (panchang). Ugadi is also the most aus- and leaves. The vibrancy of life and verdant fields, mead- picious time to start the new ventures. ows full of colorful blossoms signify growth, prosperity and Special Dishes for the Festival well-being. Also, this is the day for the families to get-to- "Ugadi Pachchadi is one such dish that has become syn- gether. onymous with Ugadi. Bittersweet chutney is made from Preparations to celebrate Ugadi Neem buds, jaggery, raw mango, tamarind juice and seasoned Preparations for the festival begin a week ahead. with chilly, pepper and salt. Symbolically it signifies the six Houses are given a thorough spring cleaning and a white wash different tastes of life: ranging from bitterness, sweetness and or a lick of paint. The doorways are decorated with green sadness to surprise, anger, fear and disgust. Also means, all mango leaves and fragrant jasmine flowers for good luck and experiences have to be treated with equanimity. Everyone well-being. Mango leaves, flowers and coconuts are vastly should make a resolve accepting it with good grace. We used on auspicious occasions and pujas to propitiate the should rise above the sorrow and happiness, success and Gods. failure. This is the primary message of the Ugadi festival. Often the court yards are splashed with fresh cow dung Ugadi is celebrated with festive flavour in the other water to smooth the ground and the women draw colourful states of Maharashtra, known as "Gudipadava".

PRINCESS UNDER THE SEA

Sophia Anya Macherla Age - 8, Harpenden

nce upon a time there was a princess called Sparkle. She All three of them swam up and up and came on top of O the water. It was so nice and warm with sunshine. They all lived under the sea. played happily and made sand castles on the beach. Then a She was so pretty with long hair and sparkling eyes. rainbow appeared on the sky. 'I want to go and touch it,' said She always wore beautiful dresses in colours of pink, blue, the princess. yellow and gold. She lived in a palace made out of sea shells 'It is too high and we can't fly like birds,' said Starry and pearls. She had a garden of seaweed and water flowers. and Goldie. She made friends with Goldie the gold fish and Starry Then a blue bird from a tree flew to them and said, 'My the star fish. One day princess got bored of playing with all name is Bluey, I can take you onto the rainbow.' the sea toys and making bubbles. Then she said to her friends, 'Thank you Bluey' said the princess. 'I want to swim up and onto the surface to see the earth world.' They all sat on Bluey's wings and flew to the rainbow. 'Yes, let's go and swim!' Goldie and Starry were so ex- Princess Sparkle was so happy to touch the fluffy and cited. soft colourful Rainbow.

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Grammar School Achievements

Samantha Reddy is 11 years old, currently studying in Year 6 at Cranford Primary School. She secured a seat in the prestigious Upton Grammar School, after the 2 years of continues preparation. Samantha managed to qualify for other schools like Tiffins, Non- such, Tiffins, Hershal grammar schools etc... She has a passion for arts and crafts. She has been attending TCC west for Bollywood dance. Now she is learning badminton. Samantha loves to read books, watch Telugu movies alongside Hindi Series.

Aman Padala is 11 years old, studying year 6 in the Southville Primary School, Feltham. Aman secured a seat in prestigious Tiffin Grammer School after writing two rounds of highly competitive exam. Aman managed to qualify for other schools like Queen Eliza- beth Barnet, Sutton Grammer, Wilson Grammer, Wallington grammar and Langley Grammer School etc. He can play cricket, foot- ball, badminton and chess. Now he is learning Karate at private institution. Aman loves to read books and play video games on new Nintendo Switch.

Anvitha Toleti is 11 years old, studying year 6 in the Orchard primary school, Hounslow. She secured a seat in prestigious Tiffin Girls’ School after writing two rounds of highly competitive exam. Anvitha managed to qualify for other schools like Langley, Non- such, Wallington grammar school etc. She can play keyboard, viola. She learned Bharath Natayam, Carnatak music at TCC west. Anvitha given performances for TAL and other organisations. Now she is learning badminton and practicing Karate at school. Anvitha loves to read books and watch Telugu movies.

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