American Academy of Arts and Letters

Total Page:16

File Type:pdf, Size:1020Kb

American Academy of Arts and Letters NEWS RELEASE American Academy of Arts and Letters Contact: Ardith Holmgrain 633 WEST 155 STREET, NEW YORK, NY 10032 [email protected] www.artsandletters.org (212) 368-5900 THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES 2014 MUSIC AWARD WINNERS Sixteen Composers Receive Awards Totaling $175,000 New York, March 4, 2014—The American Academy of Arts and Letters announced today the sixteen recipients of this year's awards in music, which total $175,000. The winners were selected by a committee of Academy members: Joan Tower (chairman), Samuel Adler, Martin Bresnick, Mario Davidovsky, John Harbison, Stephen Hartke, Tania Leon, and Tobias Picker. The awards will be presented at the Academy's annual Ceremonial in May. Candidates for music awards are nominated by the 250 members of the Academy. Arts and Letters Awards in Music Four composers will each receive a $7500 Arts and Letters Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice. Each will receive an additional $7500 toward the recording of one work. The winners are Kati Agócs, Daron Hagen, Anthony Korf, and Marjorie Merryman. Walter Hinrichsen Award Scott Wheeler will receive the Walter Hinrichsen Award for the publication of a work by a gifted composer. This award was established by the C. F. Peters Corporation, music publishers, in 1984. Wladimir and Rhoda Lakond Prize Mikael Karlsson will receive the Wladimir and Rhoda Lakond Prize of $10,000 for an exceptional mid-career composer. Goddard Lieberson Fellowships Two Goddard Lieberson Fellowships of $15,000, endowed in 1978 by the CBS Foundation, are given to mid- career composers of exceptional gifts. This year they will go to A. J. McCaffrey and Ju Ri Seo. Charles Ives Fellowships Harmony Ives, the widow of Charles Ives, bequeathed to the Academy the royalties of Charles Ives' music, which has enabled the Academy to give the Ives awards in composition since 1970. Two Charles Ives Fellowships, of $15,000 each, will be awarded to Nathan Shields and Dan Tepfer. Charles Ives Scholarships William David Cooper, David Kirkland Garner, Bálint Karosi, Jeremy Podgursky, Daniel Schlosberg, and Nina C. Young will receive Charles Ives Scholarships of $7500, given to composition students of great promise. The Academy The American Academy of Arts and Letters was founded in 1898 to "foster, assist, and sustain an interest in literature, music, and the fine arts." Each year, the Academy honors over 50 composers, artists, architects, and writers with cash awards ranging from $5000 to $100,000. Other activities of the Academy are exhibitions of art, architecture, and manuscripts; purchases. The music of Kati Agócs has been commissioned and performed by the Toronto Symphony Orchestra, the Boston Symphony Orchestra Chamber Players, Boston Modern Orchestra Project, the American Composers Orchestra, Eighth Blackbird, Metropolis Ensemble, the National Youth Orchestra of Canada, the National Arts Centre Orchestra. She was previously the recipient of the Charles Ives Fellowship and the Charles Ives Scholarship from the AAAL, awarded a 2013 Guggenheim Fellowship, a Brother Thomas Fellowship from the Boston Foundation, the Leonard Bernstein Fellowship from the Tanglewood Music Center, a Fulbright Fellowship, and a Jacob Javits Fellowship from the United States Department of Education. Born in Canada of Hungarian and American background, she earned Doctoral and Master degrees in Composition from The Juilliard School, where her principal teacher was Milton Babbitt. She is on the composition faculty at the New England Conservatory in Boston. William David Cooper (b.1986) is a composer, conductor, and organist, whose music has been performed by Liza Stepanova, Augustin Hadelich, the Juilliard Orchestra, the Scharoun Ensemble, the JACK Quartet, ECCE Ensemble, and the Lysander Trio. His music has been featured at the Wellesley Composers Conference and the Radio France Festival, and has been commissioned by Soli Deo Gloria, Inc. His opera Hagar and Ishmael will premiere in 2015 with members of the Indianapolis Symphony Orchestra. ASCAP has honored him with Morton Gould awards in 2012, 2007 and 2004, including the Leo Kaplan Award. He studied with Samuel Adler and Robert Beaser at the Juilliard School, and is a PhD candidate at UC Davis, where he studies with Kurt Rohde, Ross Bauer and Pablo Ortiz. Cooper has served on faculty at Purdue University and the Interlochen Arts Camp. He is music director and organist at the Episcopal Church of St. Martin, Davis, and director of the UCD Early Music Ensemble. David Kirkland Garner has worked with ensembles such as the Kronos Quartet, which commissioned and premiered Lament for the imagined in Scotland in 2011. He won first prizes in the OSSIA, RED NOTE and NACUSA competitions and an ASCAP Young Composer Award in 2009. His music has been performed by the Ciompi Quartet, Vega Quartet, Locrian Chamber Players, San Diego Symphony, Wet Ink Ensemble, Boston New Music Initiative, and Eastman’s OSSIA new music ensemble. With degrees from Rice University and the University of Michigan, Garner is currently completing a PhD at Duke University in Durham. Daron Hagen is a composer, stage director, writer, conductor, pianist, and librettist. He has collaborated with Leonard Bernstein, JoAnn Falletta, Gary Graffman, Nathan Gunn, Jaime Laredo, Paul Muldoon, Gerard Schwarz, Leonard Slatkin, and Steven Wadsworth. Composer of nine operas, his music has been performed by the New York Philharmonic, Philadelphia Orchestra, National, Seattle, American, and Milwaukee Symphonies, American Composers Orchestra, Buffalo Philharmonic, the Orchestra of the Swan (UK), Seattle Opera, Opera Theater of Ireland, as well as the Metropolitan Museum of Art, Louvre, Ullens Center for Contemporary Art (Beijing), and Royal Albert Hall. Recorded on the Albany, Bridge, CRI, Naxos, and New World labels, his work has received the Guggenheim Fellowship, Kennedy Center Friedheim Prize, two Rockefeller Foundation Bellagio Fellowships, ASCAP and BMI prizes. A Curtis and Juilliard graduate, he has taught at Bard, Curtis, and the Princeton Atelier. Mikael Karlsson is a native of Sweden, and has resided in New York City since 2000. His music has been performed at Carnegie Hall, Le Poisson Rouge, Lincoln Center, MoMA, and as part of the Ecstatic Music Festival at Merkin Concert Hall. His dance commissions include works for Nederlands Dans Theater, Ailey II, the Royal Swedish Opera and Ballet, the Norwegian National Opera and Ballet and Cedar Lake Contemporary Ballet. He has composed for the International Contemporary Ensemble, ACME, Claire Chase, Joshua Rubin, Mivos Quartet, Sirius Quartet, Abby Fischer and pop singers Lykke Li and Mariam Wallentin. Mr. Karlsson has released over a dozen albums with chamber works and soundtracks. He is currently collaborating with singer Mariam Wallentin and ACME with his song cycle The Spirit & The Cloud. Bálint Karosi is a doctoral candidate in composition at the Yale School of Music, studying with Aaron Jay Kernis, Martin Bresnick and Christopher Theofanidis, and has studied composition with Adam Roberts. He holds degrees from the Oberlin Conservatory, the Conservatoire Supérieur de Genève and the Liszt Academy in Budapest. Karosi’s works have been performed by the Yale Philharmonia, the Yale Baroque Ensemble, Canto Armonico and the Miskolc Symphony Orchestra. His compositions are published by Wayne Leupold Editions and Concordia Publishing House. Karosi is an active concert organist, specializing in the interpretation of the music of J. S. Bach and historic improvisation techniques. He has won prizes at international organ competitions including the 2008 International J. S. Bach Competition in Leipzig, Germany and the 2012 Improvisation Competition at the University of Michigan. Karosi is a Teaching Fellow at the Yale Department of Music, and has served on the faculty at Boston University and UMass Boston. He is the Minister of Music at the First Lutheran Church of Boston. Anthony Korf was born in New York City and received his undergraduate and graduate degrees in performance at The Manhattan School of Music. He has written three symphonies, a piano concerto, a requiem, a cantata and chamber works. He has been commissioned by The San Francisco Symphony, The American Composers Orchestra, The New York Virtuoso Singers, ensembles and soloists. A 2008 Guggenheim Fellow and 1988 Goddard Lieberson Fellow (AAAL), Korf has been honored with commissions from the Koussevitzky Music Foundation, the Jerome Foundation, The National Endowment for the Arts, The New York State Council on the Arts, The Howard Hanson Fund and the University of Connecticut. For 27 years, Korf, as conductor and founder of Parnassus, championed the music of living composers. He serves as co-founding artistic director for Riverside Symphony in New York City. A. J. McCaffrey is a songwriter and composer of instrumental, vocal and electronic music. In addition to commissions from the Los Angeles Philharmonic and the Royal Scottish National Orchestra, he received the Underwood Emerging Composers Commission from the American Composers Orchestra and the Paul Jacobs Memorial Commission from the Tanglewood Music Center. His music has been performed by the New Fromm Players and by members of the Chiara Quartet, the Boston Modern Orchestra Project, the Firebird Ensemble and the Scottish Chamber Orchestra. McCaffrey has studied composition with Richard Lavenda, James MacMillan, Donald
Recommended publications
  • Lykke Li Stays True to Her Style on 'Wounded Rhymes'
    TODAY’s WEATHER LIFE SPORTS Review of Lykke Li’s new Sports writer David Namm album “Wounded Rhymes” reflects on last week’s loss to SEE PAGE 5 Richmond SEE PAGE 7 Mostly Sunny 79 / 54 THE VANDERBILT HUSTLER THE VOICE OF VANDERBILT SINCE 1888 MONDAY, MARCH 21, 2011 WWW .INSIDEVANDY.COM 123RD YEAR, NO. 26 CAMPUS NEWS CAMPUS NEWS University and community come Lambda together to show support for Japan kicks off LUCAS LOFFREDO weeklong Staff Writer Several hundred Vanderbilt celebration University students and Nashville community members came together in Benton Chapel KYLE BLAINE Friday for a candlelight vigil News Editor for the victims of the Japanese Tsunami. The rainbow flag will be flying The service included high this week, as the Vanderbilt speeches of support by lesbian, gay, bisexual and Vanderbilt Provost and Vice transgender community comes Chancellor for Academic Affairs together to celebrate the gains Richard McCarty, President of made by the movement this Vanderbilt Interfaith Council year. Eric Walk, and Vanderbilt Rainbow ReVU, the Vanderbilt professor James Auer from the Lambda Association’s weeklong university’s Center for U.S.- celebration of the LGBT Japan Studies and Cooperation, movement, features a variety as well as a church-wide candle of programming including lighting ceremony, a slideshow socials, awareness events, film of pictures from the relief effort screenings and lectures as a in Japan and a performance way to commemorate the year’s by the Vanderbilt Chamber efforts taken by the LGBTQI Singers. community on the university’s Vanderbilt junior Cole Garrett campus. and senior Mana Yamaguchi, Ethan Torpy, president of the who organized the event, were Vanderbilt Lambda Association, pleased with the amount of said he is excited to celebrate people that showed up.
    [Show full text]
  • Roger Sametz
    Press Quotes Ives Concord Symphony & Copland Organ Symphony Recording Released February 8, 2011 “To listen to "A Concord Symphony" - Charles Ives' pathbreaking "Concord" Sonata, brilliantly orchestrated by the late Henry Brant - is to feel an exhilarating sense of discovery and dramatic vigor, an explosive dynamism that emanates from all the participants. Ives' music, first of all, retains its distinctive combination of pugnacious bluster and sentimental lyricism in this new guise, while adding a layer of world-embracing ambition that is unique to the symphonic tradition. Brant's orchestral palette is never less than ingenious, but there's a sense of Promethean struggle audible in his efforts that fits perfectly with Ives' late-Romantic mind-set. Finally, Thomas and the orchestra, recorded live in Davies Symphony Hall, convey every bit of the score's boisterous vitality in a performance of magnificent virtuosity - it's a landmark achievement. Copland's Organ Symphony, with soloist Paul Jacobs, also gets a majestic reading. ” -Joshua Kosman, San Francisco Chronicle “There is no finer conductor of Ives or Copland today than Michael Tilson Thomas, and it's so fulfilling to see him doing what he does best on the San Francisco Symphony's own label… Davies Symphony Hall has a spectacular organ that's very well captured by the engineers. Paul Jacobs plays beautifully; his instrument "fits" into the general sonic framework very naturally, while Thomas and the orchestra play as if to the manner born. A great disc.” - David Hurwitz, Classics Today.com Regarding Copland’s Organ Symphony: “…Paul Jacobs faultlessly exploits this fine score.
    [Show full text]
  • Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello
    Saturday Evening, January 25, 2020, at 7:30 The Juilliard School presents Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello SAMUEL BARBER (1910–81) Toccata Festiva (1960) DANIEL FICARRI, Organ DMITRI SHOSTAKOVICH (1906–75) Cello Concerto No. 2 in G major, Op. 126 (1966) Largo Allegretto Allegretto DANIEL HASS, Cello Intermission CHRISTOPHER ROUSE (1949–2019) Processional (2014) JOHANNES BRAHMS (1833–97) Symphony No. 2 in D major, Op. 73 (1877) Allegro non troppo Adagio non troppo Allegretto grazioso Allegro con spirito Performance time: approximately 1 hour and 50 minutes, including an intermission This performance is made possible with support from the Celia Ascher Fund for Juilliard. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Juilliard About the Program the organ’s and the orchestra’s full ranges. A fluid approach to rhythm and meter By Jay Goodwin provides momentum and bite, and intricate passagework—including a dazzling cadenza Toccata Festiva for the pedals that sets the organist’s feet SAMUEL BARBER to dancing—calls to mind the great organ Born: March 9, 1910, in West Chester, music of the Baroque era. Pennsylvania Died: January 23, 1981, in New York City Cello Concerto No. 2 in G major, Op. 126 DMITRI SHOSTAKOVICH In terms of scale, pipe organs are Born: September 25, 1906, in Saint Petersburg different from every other type of Died: August 9, 1975, in Moscow musical instrument, and designing and assembling a new one can be a challenge There are several reasons that of architecture and engineering as complex Shostakovich’s Cello Concerto No.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • American Academy of Arts and Letters
    NEWS RELEASE American Academy of Arts and Letters Contact: Ardith Holmgrain 633 WEST 155 STREET, NEW YORK, NY 10032 [email protected] www.artsandletters.org (212) 368-5900 http://www.artsandletters.org/press_releases/2010music.php THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES 2010 MUSIC AWARD WINNERS Sixteen Composers Receive Awards Totaling $170,000 New York, March 4, 2010—The American Academy of Arts and Letters announced today the sixteen recipients of this year's awards in music, which total $170,000. The winners were selected by a committee of Academy members: Robert Beaser (chairman), Bernard Rands, Gunther Schuller, Steven Stucky, and Yehudi Wyner. The awards will be presented at the Academy's annual Ceremonial in May. Candidates for music awards are nominated by the 250 members of the Academy. ACADEMY AWARDS IN MUSIC Four composers will each receive a $7500 Academy Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice. Each will receive an additional $7500 toward the recording of one work. The winners are Daniel Asia, David Felder, Pierre Jalbert, and James Primosch. WLADIMIR AND RHODA LAKOND AWARD The Wladimir and Rhoda Lakond award of $10,000 is given to a promising mid-career composer. This year the award will go to James Lee III. GODDARD LIEBERSON FELLOWSHIPS Two Goddard Lieberson fellowships of $15,000, endowed in 1978 by the CBS Foundation, are given to mid-career composers of exceptional gifts. This year they will go to Philippe Bodin and Aaron J. Travers. WALTER HINRICHSEN AWARD Paula Matthusen will receive the Walter Hinrichsen Award for the publication of a work by a gifted composer.
    [Show full text]
  • West Side Story” (Original Cast Recording) (1957) Added to the National Registry: 2008 Essay by Robert L
    “West Side Story” (Original cast recording) (1957) Added to the National Registry: 2008 Essay by Robert L. McLaughlin (guest essay)* Original “West Side Story” cast members at recording session (from left: Elizabeth Taylor, Carmen Gutierrez, Marilyn Cooper, Carol Lawrence) “West Side Story” is among the best and most important of Broadway musicals. It was both a culmination of the Rodgers and Hammerstein integrated musical, bringing together music, dance, language and design in service of a powerful narrative, and an arrow pointing toward the future, creating new possibilities for what a musical can be and how it can work. Its cast recording preserves its score and the original performances. “West Side Story’s” journey to theater immortality was not easy. The show’s origins came in the late 1940s when director/choreographer Jerome Robbins, composer Leonard Bernstein, and playwright Arthur Laurents imagined an updated retelling of “Romeo and Juliet,” with the star- crossed lovers thwarted by their contentious Catholic and Jewish families. After some work, the men decided that such a musical would evoke “Abie’s Irish Rose” more than Shakespeare and so they set the project aside. A few years later, however, Bernstein and Laurents were struck by news reports of gang violence in New York and, with Robbins, reconceived the piece as a story of two lovers set against Caucasian and Puerto Rican gang warfare. The musical’s “Prologue” establishes the rivalry between the Jets, a gang of white teens, children mostly of immigrant parents and claimants of a block of turf on New York City’s west side, and the Sharks, a gang of Puerto Rican teens, recently come to the city and, as the play begins, finally numerous enough to challenge the Jets’ dominion.
    [Show full text]
  • Lykke Li Featured in Third Episode of Wetransfer's 'Work in Progress' Series
    ⏲ 17 October 2018, 16:00 (CEST) Lykke Li Featured in Third Episode of WeTransfer's 'Work In Progress' Series Lykke Li opens up for the first time about the death of her mother, the birth of her child and the end of her relationship in the third episode of WeTransfer’s documentary series. October 17, 2018 - The latest episode of WeTransfer’s new series about the creative process, Work In Progress, launches today. It focuses on iconic Swedish indie-pop artist Lykke Li and can be watched on WeTransfer’s editorial platform WePresent here. In the short film (just over 6 minutes), set to Lykke Li’s latest album so sad so sexy, the acclaimed singer-songwriter gives an intimate account of her own real-life struggles in recent years. Lykke Li talks about the loss of a parent, becoming a mother and having her heart broken - and how she emerged stronger and more empowered, both mentally and creatively. Produced by Pi Studios and directed by Kaj Jefferies and Alice Lewis on 16mm film, the episode is dreamlike and melancholic at times but always underlined with a unique, raw feminine beauty. The short film acts as a candid interview and offers viewers an intimate insight into Lykke Li’s life, with personal video camera recordings of her as a child and growing up. In the footage, Lykke Li express her views on love and pain and the therapeutic nature of the creative process. This is the third episode of Work In Progress - a documentary series which celebrates the spirit of creative collaboration which defines WeTransfer's products.
    [Show full text]
  • Paul Jacobs, Elliott Carter, and an Overview of Selected Stylistic Aspects of Night Fantasies
    University of South Carolina Scholar Commons Theses and Dissertations 2016 Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies Alan Michael Rudell University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Rudell, A. M.(2016). Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3977 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PAUL JACOBS, ELLIOTT CARTER, AND AN OVERVIEW OF SELECTED STYLISTIC ASPECTS OF NIGHT FANTASIES by Alan Michael Rudell Bachelor of Music University of North Carolina, Chapel Hill, 2004 Master of Music University of South Carolina, 2009 _____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor Charles L. Fugo, Committee Member J. Daniel Jenkins, Committee Member Marina Lomazov, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Alan Michael Rudell, 2016 All Rights Reserved. ii ACKNOWLEDGEMENTS I wish to extend my thanks to the members of my committee, especially Joseph Rackers, who served as director, Charles L. Fugo, for his meticulous editing, J. Daniel Jenkins, who clarified certain issues pertaining to Carter’s style, and Marina Lomazov, for her unwavering support.
    [Show full text]
  • Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 Pm Photo: Tristan Cook Tristan Photo
    The Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 pm Photo: Tristan Cook Tristan Photo: 2019/2020 SEASON The Chamber Music Society of Lincoln Center GLORIA CHIEN, Piano NICHOLAS CANELLAKIS, Cello CHAD HOOPES, Violin DAVID FINCKEL, Cello KRISTIN LEE, Violin ANTHONY MANZO, Double Bass ARNAUD SUSSMANN, Violin RANSOM WILSON, Flute ANGELO XIANG YU, Violin DAVID SHIFRIN, Clarinet MATTHEW LIPMAN, Viola MARC GOLDBERG, Bassoon PAUL NEUBAUER, Viola Sunday, October 13, 2019, at 3:00 pm Hancher Auditorium, The University of Iowa PROGRAM New World Spirit This concert celebrates the intrepid American spirit by featuring two pairs of composers that shaped the course of American music. Harry T. Burleigh was a star student of Dvorákˇ at the National Conservatory in New York. A talented composer and singer, he exposed the Czech composer to American spirituals and was in turn encouraged by Dvorákˇ to perform his native African American folk music. Two generations later, Copland and Bernstein conceived a clean, clear American sound that conveys the wonder and awe of open spaces and endless possibilities. Southland Sketches for violin and piano (1916) Henry T. Burleigh I. Andante (1866–1949) II. Adagio ma non troppo III. Allegretto grazioso IV. Allegro Chad Hoopes and Gloria Chien Quintet in E-flat Major for two violins, two violas, Antonín Dvorákˇ and cello, Op. 97, (“American”) (1893) (1841–1904) I. Allegro non tanto II. Allegro vivo III. Larghetto IV. Finale: Allegro giusto Arnaud Sussmann, Angelo Xiang Yu, Paul Neubauer, Matthew Lipman, and Nicholas Canellakis INTERMISSION Sonata for Clarinet and Piano (1941–42) Leonard Bernstein I.
    [Show full text]
  • Program Notes Hosted by the Score Board 7:00
    DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum.
    [Show full text]
  • Poems, Letters, and Premieres
    Poems, Letters, and Premieres Thursday, May 28, 2015, 8:00 PM Saint Ignatius of Antioch Episcopal Church 552 West End Avenue, New York City New Amsterdam Singers Clara Longstreth, Music Director David Recca, Assistant Conductor Nathaniel Granor, Chamber Chorus Assistant Conductor Pen Ying Fang, Accompanist Andrew Adelson, oboe, English horn Petites Voix Francis Poulenc (1899 - 1963) La petite fille sage Le chien perdu En rentrant de l’école Le petit garçon malade Le hérisson Women’s voices She Weeps Over Rahoon Eric Whitacre (b. 1970) Women’s voices with English horn, piano French Choruses from The Lark Leonard Bernstein (1918 - 1990) Spring Song Jason Hill, baritone Court Song Jason Hill, baritone; Robert Thorpe, tenor Soldier’s Song Men’s voices with drum Drinking Song (samba) Matthew Harris (b. 1956) Nobody Michael Dellaira (b. 1949) Robin Beckhard, soprano Chorus with oboe New York City premiere INTERMISSION Six Chansons Paul Hindemith (1895 - 1963) La Biche Un Cygne Puisque tout passe Printemps En Hiver Verger Chamber Chorus Dear Theo Ben Moore (b. 1960) Allison Gish, soprano; Rebecca Dee, alto; Nathaniel Granor, tenor; Rick Bonsall, bass Chamber Chorus New York City premiere Four Pastorales Cecil Effinger (1914 - 1990) No Mark Noon Basket Wood Chorus with oboe Please turn off all phones and other devices during the performance. PROGRAM NOTES, TEXTS, AND TRANSLATIONS This concert has no single, overarching theme, but is connected by unusually appealing texts, both in French and in English. The secular poetry chosen by composers from 1936 to 2011 is in some cases dark, but the dark poems are balanced by ones with humor (Poulenc on the hedgehog, Bernstein on love, Matt Harris with his samba Drinking Song).
    [Show full text]
  • Alumnews2007
    C o l l e g e o f L e t t e r s & S c i e n c e U n i v e r s i t y D EPARTMENT o f o f C a l i f o r n i a B e r k e l e y MUSIC IN THIS ISSUE Alumni Newsletter S e p t e m b e r 2 0 0 7 1–2 Special Occasions Special Occasions CELEBRATIONS 2–4 Events, Visitors, Alumni n November 8, 2006, the department honored emeritus professor Andrew Imbrie in the year of his 85th birthday 4 Faculty Awards Owith a noon concert in Hertz Hall. Alumna Rae Imamura and world-famous Japanese pianist Aki Takahashi performed pieces by Imbrie, including the world premiere of a solo piano piece that 5–6 Faculty Update he wrote for his son, as well as compositions by former Imbrie Aki Takahashi performss in Hertz Hall student, alumna Hi Kyung Kim (professor of music at UC Santa to honor Andrew Imbrie. 7 Striggio Mass of 1567 Cruz), and composers Toru Takemitsu and Michio Mamiya, with whom Imbrie connected in “his Japan years.” The concert was followed by a lunch in Imbrie’s honor in Hertz Hall’s Green Room. 7–8 Retirements Andrew Imbrie was a distinguished and award-winning member of the Berkeley faculty from 1949 until his retirement in 1991. His works include five string quartets, three symphonies, numerous concerti, many works for chamber ensembles, solo instruments, piano, and chorus. His opera Angle of 8–9 In Memoriam Repose, based on Wallace Stegner’s book, was premeiered by the San Francisco Opera in 1976.
    [Show full text]