Brent Assink
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Doctor Atomic
John Adams Doctor Atomic CONDUCTOR Opera in two acts Alan Gilbert Libretto by Peter Sellars, PRODUCTION adapted from original sources Penny Woolcock Saturday, November 8, 2008, 1:00–4:25pm SET DESIGNER Julian Crouch COSTUME DESIGNER New Production Catherine Zuber LIGHTING DESIGNER Brian MacDevitt CHOREOGRAPHER The production of Doctor Atomic was made Andrew Dawson possible by a generous gift from Agnes Varis VIDEO DESIGN and Karl Leichtman. Leo Warner & Mark Grimmer for Fifty Nine Productions Ltd. SOUND DESIGNER Mark Grey GENERAL MANAGER The commission of Doctor Atomic and the original San Peter Gelb Francisco Opera production were made possible by a generous gift from Roberta Bialek. MUSIC DIRECTOR James Levine Doctor Atomic is a co-production with English National Opera. 2008–09 Season The 8th Metropolitan Opera performance of John Adams’s Doctor Atomic Conductor Alan Gilbert in o r d e r o f v o c a l a p p e a r a n c e Edward Teller Richard Paul Fink J. Robert Oppenheimer Gerald Finley Robert Wilson Thomas Glenn Kitty Oppenheimer Sasha Cooke General Leslie Groves Eric Owens Frank Hubbard Earle Patriarco Captain James Nolan Roger Honeywell Pasqualita Meredith Arwady Saturday, November 8, 2008, 1:00–4:25pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Additional support for this Live in HD transmission and subsequent broadcast on PBS is provided by the Alfred P. Sloan Foundation. Ken Howard/Metropolitan Opera Gerald Finley Chorus Master Donald Palumbo (foreground) as Musical Preparation Linda Hall, Howard Watkins, Caren Levine, J. -
Doctor Atomic
What to Expect from doctor atomic Opera has alwayS dealt with larger-than-life Emotions and scenarios. But in recent decades, composers have used the power of THE WORK DOCTOR ATOMIC opera to investigate society and ethical responsibility on a grander scale. Music by John Adams With one of the first American operas of the 21st century, composer John Adams took up just such an investigation. His Doctor Atomic explores a Libretto by Peter Sellars, adapted from original sources momentous episode in modern history: the invention and detonation of First performed on October 1, 2005, the first atomic bomb. The opera centers on Dr. J. Robert Oppenheimer, in San Francisco the brilliant physicist who oversaw the Manhattan Project, the govern- ment project to develop atomic weaponry. Scientists and soldiers were New PRODUCTION secretly stationed in Los Alamos, New Mexico, for the duration of World Alan Gilbert, Conductor War II; Doctor Atomic focuses on the days and hours leading up to the first Penny Woolcock, Production test of the bomb on July 16, 1945. In his memoir Hallelujah Junction, the American composer writes, “The Julian Crouch, Set Designer manipulation of the atom, the unleashing of that formerly inaccessible Catherine Zuber, Costume Designer source of densely concentrated energy, was the great mythological tale Brian MacDevitt, Lighting Designer of our time.” As with all mythological tales, this one has a complex and Andrew Dawson, Choreographer fascinating hero at its center. Not just a scientist, Oppenheimer was a Leo Warner and Mark Grimmer for Fifty supremely cultured man of literature, music, and art. He was conflicted Nine Productions, Video Designers about his creation and exquisitely aware of the potential for devastation Mark Grey, Sound Designer he had a hand in designing. -
Press Release: (Pdf Format)
FOR IMMEDIATE RELEASE CONTACT: Robert Cable, Stanford Live 650-736-0091; [email protected] PHOTOS: http://live.stanford.edu/press LOS ANGELES CHILDREN’S CHORUS CELEBRATES AMERICAN SONG AT BING, FEATURING WORLD PREMIERE OF THE PLENTIFUL PEACH BY MARK GREY The April 19 performance will include a guest appearance by the Stanford Chamber Chorale Stanford, CA, March 25, 2015— The famed Los Angeles Children’s Chorus (LACC), led by Artistic Director Anne Tomlinson, makes its debut at Bing Concert Hall with a program entitled “Celebrating American Song,” featuring the world premiere of The Plentiful Peach by the Palo Alto-raised composer Mark Gray and Bay Area librettist Niloufar Talebi, on Sunday, April 19 at 2:30 p.m. Commissioned by the LACC, the work is adapted from a story by the great Iranian writer, Samad Behrangi (1939-1968). The Plentiful Peach is the coming of age story of a peach and the brave children who secretly grow her—against the master’s odds. The LACC also presents the Cherokee hymn Sgwa ti’ni se sdi Yi Howa; Henry Mollicone’s Spanish Ave Maria; Let Us Sing! arranged by Linda Tutas Haugen; and Meir Finkelstein’s L’dor vador arranged by Rebecca Thompson and featuring soloist Madeleine Lew. In addition, the Stanford Chamber Chorale, under the direction of Stephen M. Sano, makes a guest appearance performing separately as well as combining forces with the LACC to perform Randall Thompson’s Pueri Hebraeorum and the American folk song Shenandoah arranged by James Erb. “Los Angeles Children’s Chorus is honored to bring its artistry to Bing Concert Hall and further expand our valued relationship with Stanford University,” says Tomlinson. -
Roger Sametz
Press Quotes Ives Concord Symphony & Copland Organ Symphony Recording Released February 8, 2011 “To listen to "A Concord Symphony" - Charles Ives' pathbreaking "Concord" Sonata, brilliantly orchestrated by the late Henry Brant - is to feel an exhilarating sense of discovery and dramatic vigor, an explosive dynamism that emanates from all the participants. Ives' music, first of all, retains its distinctive combination of pugnacious bluster and sentimental lyricism in this new guise, while adding a layer of world-embracing ambition that is unique to the symphonic tradition. Brant's orchestral palette is never less than ingenious, but there's a sense of Promethean struggle audible in his efforts that fits perfectly with Ives' late-Romantic mind-set. Finally, Thomas and the orchestra, recorded live in Davies Symphony Hall, convey every bit of the score's boisterous vitality in a performance of magnificent virtuosity - it's a landmark achievement. Copland's Organ Symphony, with soloist Paul Jacobs, also gets a majestic reading. ” -Joshua Kosman, San Francisco Chronicle “There is no finer conductor of Ives or Copland today than Michael Tilson Thomas, and it's so fulfilling to see him doing what he does best on the San Francisco Symphony's own label… Davies Symphony Hall has a spectacular organ that's very well captured by the engineers. Paul Jacobs plays beautifully; his instrument "fits" into the general sonic framework very naturally, while Thomas and the orchestra play as if to the manner born. A great disc.” - David Hurwitz, Classics Today.com Regarding Copland’s Organ Symphony: “…Paul Jacobs faultlessly exploits this fine score. -
Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello
Saturday Evening, January 25, 2020, at 7:30 The Juilliard School presents Juilliard Orchestra Marin Alsop, Conductor Daniel Ficarri, Organ Daniel Hass, Cello SAMUEL BARBER (1910–81) Toccata Festiva (1960) DANIEL FICARRI, Organ DMITRI SHOSTAKOVICH (1906–75) Cello Concerto No. 2 in G major, Op. 126 (1966) Largo Allegretto Allegretto DANIEL HASS, Cello Intermission CHRISTOPHER ROUSE (1949–2019) Processional (2014) JOHANNES BRAHMS (1833–97) Symphony No. 2 in D major, Op. 73 (1877) Allegro non troppo Adagio non troppo Allegretto grazioso Allegro con spirito Performance time: approximately 1 hour and 50 minutes, including an intermission This performance is made possible with support from the Celia Ascher Fund for Juilliard. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Juilliard About the Program the organ’s and the orchestra’s full ranges. A fluid approach to rhythm and meter By Jay Goodwin provides momentum and bite, and intricate passagework—including a dazzling cadenza Toccata Festiva for the pedals that sets the organist’s feet SAMUEL BARBER to dancing—calls to mind the great organ Born: March 9, 1910, in West Chester, music of the Baroque era. Pennsylvania Died: January 23, 1981, in New York City Cello Concerto No. 2 in G major, Op. 126 DMITRI SHOSTAKOVICH In terms of scale, pipe organs are Born: September 25, 1906, in Saint Petersburg different from every other type of Died: August 9, 1975, in Moscow musical instrument, and designing and assembling a new one can be a challenge There are several reasons that of architecture and engineering as complex Shostakovich’s Cello Concerto No. -
Read Program
KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Paul Jacobs, Elliott Carter, and an Overview of Selected Stylistic Aspects of Night Fantasies
University of South Carolina Scholar Commons Theses and Dissertations 2016 Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies Alan Michael Rudell University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Rudell, A. M.(2016). Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3977 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PAUL JACOBS, ELLIOTT CARTER, AND AN OVERVIEW OF SELECTED STYLISTIC ASPECTS OF NIGHT FANTASIES by Alan Michael Rudell Bachelor of Music University of North Carolina, Chapel Hill, 2004 Master of Music University of South Carolina, 2009 _____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor Charles L. Fugo, Committee Member J. Daniel Jenkins, Committee Member Marina Lomazov, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Alan Michael Rudell, 2016 All Rights Reserved. ii ACKNOWLEDGEMENTS I wish to extend my thanks to the members of my committee, especially Joseph Rackers, who served as director, Charles L. Fugo, for his meticulous editing, J. Daniel Jenkins, who clarified certain issues pertaining to Carter’s style, and Marina Lomazov, for her unwavering support. -
Orchestral Maneuvers in Surround Issue 32
Orchestral Maneuvers in Surround John Adams' composition commemorating the first anniversary of the September 11 attacks was recently performed at the Sydney Opera House in surround. Robert Austral discusses the details with sound designer, Mark Grey. hen American composer John Adams was Is it a collaboration? commissioned by the New York Philharmonic Mark Grey: It’s collaborative, though John has the Wto create a work commemorating the first anni- musical concept and then invites me to work on the versary of the September 11, 2001, attacks on the World project. He is very knowledgeable about electronic Trade Center and Pentagon, he knew from the outset music – he started writing with technology when he was that he wanted a setting with music, choir, recorded younger, before he began working with the San Francisco voice and streetscape sounds that felt ‘otherworldly’. Symphony and moving into the large orchestral format. His goal was to convey the presence of many souls and He knows what filters are and what envelope generators their collected energy in order to create what he termed are. He understands synthesis technology, synthesisers a ‘memory space’, where the listener could reflect on and samplers and those architectural tools very well, so grieving and loss. it’s great – we can talk both with a musical language, The resulting composition for orchestra and choir, On because I have a compositional background, and a the Transmigration of Souls, received its debut performanc- technical language. When it gets to a certain level with es at the Lincoln Center in New York under the baton of the technology, though, he doesn’t want to go there, and famed conductor Lorin Maazel. -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
Ojai North Music Festival
CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening. -
Peace, Love, Mozart & Beethoven
Peace, Love, Mozart & Beethoven January 22, 2017 California Symphony Peace, Love, Mozart & Beethoven Lesher Center for the Arts, Hofmann Theatre January 22, 4:00 PM Donato Cabrera, Music Director Maria Radutu, piano Theofanidis (b. 1967) .......................Peace Love Light YOUMEONE (2001) 5 minutes Mozart (1756–1791) .........................Piano Concerto No. 23, KV 488 26 minutes Maria Radutu, piano INTERMISSION Beethoven (1770–1827) ..................Symphony No. 4, Op. 60 34 minutes The total running time for this concert is approximately 1 hour and 30 minutes, including a 20-minute intermission. Please silence your cell phones. Support for this concert is provided by January 2017 5 The California Symphony Orchestra Dan Flanagan VIOLA Paul Hale Sergi Goldman-Hull Marcel Gemperli, Robert Hoexter Principal Holly Heilig-Gaul Leslie Meeks Darcy Rindt, Acting Laurien Jones Elizabeth Struble Assistant Principal Christina Knudson Nicole Welch Daria D’Andrea Akiko Kojima Patricia Drury is in Katy Juneau BASS her 28th season as Michelle Maruyama Andy Butler, Principal a violinist in the Betsy London California Symphony. Patricia Miner Michel Taddei, Janet Lynch In addition to her Assistant Principal performing career, David Steele Catherine Matovich Patty is the Orchestra Timothy Spears Sarah Wood Director at Dougherty Elizabeth Prior Valley High School in Carl Stanley SECOND VIOLIN San Ramon where her CELLO Orchestra students Philip Santos, Principal Raymond Vargas Leighton Fong, have established a Kristin Zoernig mentorship with the 3Patricia Drury Principal children of our Sound Minds program. Noah Strick Julie Feldman Sharon Wood Dawn Foster-Dodson FIRST VIOLIN Jennifer Cho, Acting William Harvey has been performing with the California Concertmaster Symphony since 1994. -
A List of Recommended Recordings (Weeks 1 Through 4)
A List of Recommended Recordings (Weeks 1 Through 4) Week One: France François-Joseph Gossec Selected Symphonies Matthias Bamert conducts the London Mozart Players, on Chandos Hector Berlioz Symphonie fantastique Michael Tilson Thomas conducts the San Francisco Symphony, on RCA Victor Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Harold in Italy Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Symphonie Funèbre et Triomphale Colin Davis conducts the London Symphony, on Philips Romeo et Juliette Carlo Maria Giulini conducts the Chicago Symphony, on DGG Camille Saint-Saëns Symphony No. 3 in C Minor, Op. 78 (Organ) Christoph Eschenbach conducts the Philadelphia Orchestra, on Ondine Edo De Waart conducts the San Francisco Symphony, on Philips César Franck Symphony in D Minor Pierre Monteux conducts the Chicago Symphony, on RCA Victor Vincent d’Indy Symphony on a French Mountain Air Charles Munch conducts the Boston Symphony, on RCA Victor Symphony No. 2, Op. 57 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Ernest Chausson Symphony in B-flat Major, Op. 20 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Olivier Messiaen Turangalîla Symphony Riccardo Chailly conducts the Concertgebouw Orchestra, on Decca Week Two: Bohemia The Symphonies of Antonin Dvořák Istvan Kertesz conducts the London Symphony Orchestra, on Decca Witold Rowicki conducts the London Symphony Orchestra, on Decca Individual Symphonies: Symphony No. 7 in D Minor Iván Fischer conducts the Budapest Festival Orchestra, on Channel Classics Symphony No.