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Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A
Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2013 Doctoral Committee: Professor Ruth Behar, Chair Assistant Professor Nathan Daniel Beau Connolly, Johns Hopkins University Professor Tom Fricke Emeritus Professor Conrad P. Kottak Associate Professor Damani James Partridge © Lara Stein Pardo __________________________________ All Rights Reserved 2013 Acknowledgements I would like to begin by acknowledging the institutional support that made it possible for me to research and write for extended periods of time over several years, and also confirmed the necessity of this research. Thank you. This research was supported through funding from the CIC/Smithsonian Institution Fellowship, the Cuban Heritage Collection Graduate Fellowship funded by the Goizueta Foundation, Rackham Merit Fellowship, Rackham Graduate School, Anthropology Department at the University of Michigan, Arts of Citizenship at the University of Michigan, Center for the Education of Women, Institute for Research on Women and Gender, and the Susan Lipschutz Fund for Women Graduate Students. I also thank the Center for Latin American Studies at the University of Miami for hosting me as a Visiting Researcher during my fieldwork. There are many people I would like to acknowledge for their support of my work in general and this project in particular. Elisa Facio at the University of Colorado was the first person to suggest that I should consider working toward a PhD. Thank you. Her dedication to students goes above and beyond the role of a professor; you will always be Profesora to me. -
Second Report of the Joint Select Committee on Foreign Affairs on An
THE SECOND REPORT ON AN INQUIRY INTO REGIONAL INTEGRATION AND THE STRENGTHENING OF THE CARICOM INSTITUTION FOURTH SESSION OF THE ELEVENTH PARLIAMENT Committee Mandate The Joint Select Committee on Foreign Affairs is established by Standing Orders 105 and 95 of the House of Representatives and Senate respectfully and is mandated to consider from time to time and report whenever necessary on: (a) all matters relating to the foreign policy of the Government (including missions abroad) and examining the implications and likely effect on Trinidad and Tobago; (b) International treaties and agreements entered into by the Government on behalf of the State and advising the Parliament of their likely impact on Trinidad and Tobago; and (c) other matters relating to Foreign Affairs as may be referred to it by the House. Committee Membership Ms. Marlene Mc Donald, MP Chairman Ms. Paula Gopee-Scoon Vice-Chairman Mr. Avinash Singh Member Ms. Anita Haynes Member Mr. Terrence Deyalsingh, MP Member Ms. Shamfa Cudjoe, MP Member Mr. Rodney Charles, MP Member Dr. Maria Dillon- Remy1 Member Secretariat Support Mrs. Angelique Massiah Secretary Ms. Kimberly Mitchell Assistant Secretary Ms. Katharina Gokool Graduate Research Assistant Publication An electronic copy of this report can be found on the Parliament website using the following link: http://www.ttparliament.org/committee_business.php?mid=19&id=237&pid=28 Contact Information All correspondence should be addressed to: The Secretary Joint Select Committee on Foreign Affairs Office of the Parliament Levels G-7, Tower D The Port of Spain International Waterfront Centre 1A Wrightson Road Port of Spain Republic of Trinidad and Tobago Tel: (868) 624-7275 Ext 2288; 2317 Fax: (868) 625-4672 Email: [email protected] Date Presented in HOR: December 17, 2018 Date Presented in Senate: December 18, 2018 1 Dr. -
Tunapuna Piarco
Ministry of Rural Development & Local Government Local Government Reform Consultations St. Joseph 25th April 2016 St. Joseph Secondary School Hall Rapporteurs' Full Report Submitted by FKJackie Consultancy 1 Tel: 719-5094 2016 Contents 1.0 OPENING .......................................................................................................................................... 3 2.0 CHAIRMAN’S WELCOME REMARKS ................................................................................................ 4 3.0 MINISTER’S ADDRESS & VIDEO PRESENTATION ........................................................................ 6 4.0 PARTICIPANT FEEDBACK SESSION .............................................................................................. 15 5.0 CLOSING ......................................................................................................................................... 34 6.0 ANALYSIS ....................................................................................................................................... 35 6.1.1 GENERAL PROFILE OF PARTICIPANTS ..................................................................................... 35 6.1.2 PROFILE OF RESPONDENTS .................................................................................................... 35 6.1.3 CATEGORIES/TOPICS ............................................................................................................. 35 2 1.0 OPENING The Consultation began with the playing of the National Anthem; followed by -
Conference Schedule
INTERNATIONAL LITERARY CONFERENCE LITTCON2020 The Literature of Trinidad & Tobago 1980–2020 September 21 – 24, 2020 Books as Companions and Passports MISSION STATEMENT This Conference aims to highlight the literature of Trinidad and Tobago since 1980 and to demonstrate the urgent need to expose the nation and the nation’s children to the valuable store available to them. For this purpose, the Conference Committee has assembled a dynamic group of writers, both renowned and budding, who are making their mark on the literary landscape and whose works should be made available to students from primary to tertiary levels of education. An author’s calendar is being constructed and will be made available online. The conference makes room for critical responses and also has specially built in important commentary from students and teachers and from officers attached to the Ministry of Education and others who have worked long in the field of educating the educators. See More | Register THE UNIVERSITY OF THE WEST INDIES ST. AUGUSTINE CAMPUS TRINIDAD & TOBAGO WEST INDIES International Literary Conference CALENDAR OF EVENTS: MONDAY 21ST SEPTEMBER, 2020 INTRODUCTION TO THE LITERARY LANDSCAPE OF TRINIDAD AND TOBAGO Day Chair: Dr. J. Vijay Maharaj 8:00am - 8:45 am OPENING THE FRONTIERS Moderator: Dr. J. Vijay Maharaj Welcome, HOD DLCCS: Professor Paula Morgan Greetings by the Principal UWI STA: The Humanities in the 21st Century- Professor Brian Copeland Remarks from the Chairman, Friends of Mr Biswas The Conference: Structure and Purpose – Professor Kenneth Ramchand Feature Address by the Minister of Education: Dr the Honourable Nyan Gadsby-Dolly 8:45am – 9:45am THE HEART OF THE MATTER Moderator: Professor Kenneth Ramchand Presentation of the Annotated Bibliography: Ms. -
Request for Expressions of Interest
REQUEST FOR EXPRESSIONS OF INTEREST - “Brand creation and design and production of multi-media products to support visibility programme on climate variability and change in CARIFORUM States” The Caribbean Community Climate Change Centre (CCCCC) and the Intra-ACP Global Climate Change Alliance Plus (GCCA+) signed an agreement for Enhancing Climate Resilience in CARIFORUM Countries for the benefit of all 16 CARIFORUM countries. The maximum amount available for this contract is estimated at USD160,000 and the estimated date for the invitation to be issued to short-listed firms is April 28, 2021. The consultancy will conceptualize, shape and develop a framework that would set forth an integrated approach for the launching of the visibility programme of the Intra ACP GCCA+ Project for CARIFORUM. The conceptual framework must be clearly set out with a well thought out brand, and concepts for multi-media products must appeal to key project stakeholders and a wide- cross section of the CARIFORUM public. The assignment will involve: ✓ creation of a brand platform with an integrated logo and slogan, colour palates and other relevant characteristics that express the vibrancy and culture of the Caribbean, while paying close attention to the overall objective of the project, which is “to support the climate compatible development of the CARIFORUM countries to combat the negative impacts of climate change and disasters, while simultaneously exploring opportunities presented goals of the overall project”. ✓ Design and production of a variety of media products that are compatible and adaptable with multi-media distribution channels including social media, traditional broadcast media, print media, on-line engagements and face to face interactions. -
The Dougla Poetics of Indianness: Negotiating Race and Gender in Trinidad
The dougla poetics of Indianness: Negotiating Race and Gender in Trinidad Keerti Kavyta Raghunandan Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Sociology and Social Policy Centre of Ethnicity and Racism Studies June 2014 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © The University of Leeds, 2014, Keerti Kavyta Raghunandan Acknowledgements First and foremost I would like to thank my supervisor Dr Shirley Anne Tate. Her refreshing serenity and indefatigable spirit often helped combat my nerves. I attribute my on-going interest in learning about new approaches to race, sexuality and gender solely to her. All the ideas in this research came to fruition in my supervision meetings during my master’s degree. Not only has she expanded my intellectual horizons in a multitude of ways, her brilliance and graciousness is simply unsurpassed. There are no words to express my thanks to Dr Robert Vanderbeck for his guidance. He not only steered along the project to completion but his meticulous editing made this more readable and deserves a very special recognition for his patience, understanding, intelligence and sensitive way of commenting on my work. I would like to honour and thank all of my family. My father who was my refuge against many personal storms and who despite facing so many of his own battles, never gave up on mine. -
Celebrating Our Calypso Monarchs 1939- 1980
Celebrating our Calypso Monarchs 1939-1980 T&T History through the eyes of Calypso Early History Trinidad and Tobago as most other Caribbean islands, was colonized by the Europeans. What makes Trinidad’s colonial past unique is that it was colonized by the Spanish and later by the English, with Tobago being occupied by the Dutch, Britain and France several times. Eventually there was a large influx of French immigrants into Trinidad creating a heavy French influence. As a result, the earliest calypso songs were not sung in English but in French-Creole, sometimes called patois. African slaves were brought to Trinidad to work on the sugar plantations and were forbidden to communicate with one another. As a result, they began to sing songs that originated from West African Griot tradition, kaiso (West African kaito), as well as from drumming and stick-fighting songs. The song lyrics were used to make fun of the upper class and the slave owners, and the rhythms of calypso centered on the African drum, which rival groups used to beat out rhythms. Calypso tunes were sung during competitions each year at Carnival, led by chantwells. These characters led masquerade bands in call and response singing. The chantwells eventually became known as calypsonians, and the first calypso record was produced in 1914 by Lovey’s String Band. Calypso music began to move away from the call and response method to more of a ballad style and the lyrics were used to make sometimes humorous, sometimes stinging, social and political commentaries. During the mid and late 1930’s several standout figures in calypso emerged such as Atilla the Hun, Roaring Lion, and Lord Invader and calypso music moved onto the international scene. -
179 Sandra J. Heinemann2, Thomas H. G. Aitken3 and John N. Belkin4 for General Information and Collections from the Dominican Re
Mosquito Systematics Vol. 12(2) 1980 179 Collection Records of the Project “Mosquitoes of Middle America” 14. Trinidad and Tobago (TR, TRM, TOB)l SandraJ. Heinemann2, Thomas H. G. Aitken3 and John N. Belkin4 For generalinformation and collectionsfrom the Dominican Republic, the first publication of this seriesshould be consulted(Belkin and Heinemann 1973). Departuresfrom this method are noted below (see especiallyunder “Code:TR”). Publications2-6 of the series(Belkin and Heinemann 1975a, 1975b, 1976a, 1976b, 1976c) recorded data on collectionsfrom the West Indies except Jamaica(covered in Bel- kin, Heinemann and Page 1970: 255-304) and Trinidad and Tobago (covered by the presentpaper). Pub: lications 7-10 (Heinemann and Belkin 1977a, 1977b, 1977c, 1978a) coveredthe collectionsfrom Mexico and Central America. Publications 11-13 (Heinemann and Belkin 1978b, 1978c, 1979) coveredmost of South America. The principal collectionsfrom Trinidad and Tobago availableto the project, that are included in the presentpublication, are recordedunder 3 separatecodes: TR, for collectionsmade in Trinidad by T.H.G. Aitken and his associatesthen of the Trinidad Regional Virus Laboratory; TRM, for a few miscellaneous collectionsmade by M.J. Moody in both Trinidad and Tobago; and TOB, for collectionsmade in Tobago, partially by T.H.G. Aitken and his associates,and partially by R.F. Darsie. Not included in this publica- tion is miscellaneousmaterial without data or with only fragmentary data from the collectionsof William H.W. Komp (TRK, TRX) and Lloyd E. Rozeboom (TRR) from Trinidad. These collectionsmay be treat- ed at a later date when additions, correctionsand an index to the entire seriesare published. Also not included is material collected in Trinidad ( 1958-l 960) by T.H.G. -
A Regional Shellfish Hatchery for the Wider Caribbean Assessing Its Feasibility and Sustainability
FAO ISSN 2070-6103 19 FISHERIES AND AQUACULTURE PROCEEDINGS FAO FISHERIES AND AQUACULTURE PROCEEDINGS 19 19 A regional shellfish hatchery for the Wider Caribbean Assessing its feasibility and sustainability A regional shellfish hatchery for the Wider Caribbean – Assessing its feasibility and sustainability A regional FAO Regional Technical Workshop A regional shellfish hatchery for 18–21 October 2010 Kingston, Jamaica the Wider Caribbean It is widely recognized that the development of aquaculture in Assessing its feasibility and sustainability the Wider Caribbean Region is inhibited, in part, by the lack of technical expertise, infrastructure, capital investment and human resources. Furthermore, seed supply for native species FAO Regional Technical Workshop relies, for the most part, on natural collection, subject to 18–21 October 2010 natural population abundance with wide yearly variations. This Kingston, Jamaica situation has led to the current trend of culturing more readily available exotic species, but with a potentially undesirable impact on the natural environment. The centralizing of resources available in the region into a shared facility has been recommended by several expert meetings over the past 20 years. The establishment of a regional hatchery facility, supporting sustainable aquaculture through the seed production of native molluscan species was discussed at the FAO workshop “Regional shellfish hatchery: A feasibility study” held in Kingston, Jamaica, in October 2010, by representatives of Caribbean Governments and experts in the field. Molluscan species are particularly targeted due to their culture potential in terms of known techniques, simple grow-out technology and low impact on surrounding environment. It is proposed that a regional molluscan hatchery would produce seed for sale and distribution to grow-out operations in the region as well as provide technical support for the research on new species. -
Images of the Caribbean : Materials Development on a Pluralistic Society
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1982 Images of the Caribbean : materials development on a pluralistic society. Gloria. Gordon University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Gordon, Gloria., "Images of the Caribbean : materials development on a pluralistic society." (1982). Doctoral Dissertations 1896 - February 2014. 2245. https://scholarworks.umass.edu/dissertations_1/2245 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. IMAGES OP THE CARIBBEAN - MATERIALS DEVELOPMENT ON A PLURALISTIC SOCIETY A Dissertation Presented by Gloria Mark Gordon Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION May 1 982 School of Education © 1982 GLORIA MARK GORDON All Rights Reserved IMAGES OF THE CARIBBEAN - MATERIALS DEVELOPMENT ON A PLURALISTIC SOCIETY A Dissertation Presented by Gloria Mark Gordon Approved as to style and content by: Georg? E. Urch, Chairperson ) •. aJb...; JL Raljih Faulkinghairi, Member u l i L*~- Mario FanbfLni , Dean School of (Education This work is dedicated to my daughter Yma, my sisters Carol and Shirley, my brother Ainsley, my great aunt Virginia Davis, my friend and mentor Wilfred Cartey and in memory of my parents Albert and Thelma Mark iii . ACKNOWLEDGMENTS This work owes much, to friends and colleagues who provided many elusive forms of sustenance: Ivy Evans, Joan Sandler, Elsie Walters, Ellen Mulato, Nana Seshibe, Hilda Kokuhirwa, Colden Murchinson, Sibeso Mokub. -
UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll
UNIVERSITY OF CALIFORNIA RIVERSIDE Take a Wine and Roll “IT”!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Adanna Kai Jones March 2016 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta E. Savigliano Dr. Amalia Cabezas Copyright by Adanna Kai Jones 2016 The Dissertation of Adanna Kai Jones is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS You know how at fundraisers they say, “Every penny counts,” well the same applies to the process of dissertating. Every hug, every smile, every cheer, every piece of advice, every rough draft read, every second of listening, every book borrowed, every meal offered, every dollar granted, and every prayer sent on my behalf, all of these moments pushed me closer to the very real moment of completion. According to the south African philosophy of ubuntu, meaning “I am because we are,” I could only have made it here because of each and every one of you who hugged, smiled, cheered, mentored, read, listened, shared, cooked, and prayed for me. We all participated in a journey that has not only changed how I approach learning and teaching, but it has also changed how I view myself, as well as my purpose in this world. For each and every one of these necessary moments, I am eternally grateful. Thank you all from the bottom of my heart, mind, and soul. And now it is time for the “shout-outs!” With regards to funding for my research in both Trinidad and Barbados, I am grateful for the support of the Dissertation Research Grant and the Dissertation Year Program Fellowship, both of which were received through the University of California, Riverside. -
Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration Jennifer Rahim [email protected]
Anthurium: A Caribbean Studies Journal Volume 3 Issue 2 Calypso and the Caribbean Literary Article 12 Imagination: A Special Issue December 2005 (Not) Knowing the Difference: Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration Jennifer Rahim [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Rahim, Jennifer (2005) "(Not) Knowing the Difference: Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration," Anthurium: A Caribbean Studies Journal: Vol. 3 : Iss. 2 , Article 12. Available at: http://scholarlyrepository.miami.edu/anthurium/vol3/iss2/12 This Essay is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. Rahim: (Not) Knowing the Difference: Calypso Overseas and the Sound... Culture is an embodied phenomenon. This implies that one’s cultural location is not fixed to any one geographical space. Cultures, in other words, are not inherently provincial by nature. They move and evolve with the bodies that create and live them. The Caribbean civilization understands the logic of traveling cultures given that the dual forces of rooted-ness and itinerancy shape its diasporic ethos. Travel is how we “do” culture. Indeed, the Caribbean’s literary tradition is marked by a preoccupation with identity constructs that display allegiances to particular island locations and nationalisms, on the one hand, and transnational sensibilities that are regional and metropolitan on the other. This paper is interested in the function of the calypso as a sign of cultural identity and belonging in selected narratives that focus on the experiences of West Indian immigrants to the metropolitan centers of England and the United States.