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Premi Re Hotel UNVEILING KLANG’S HISTORICAL CHARM an E-Publication By
An e-publication by ISSUE 06-APR/MAY/JUN 2014 WCT GROUP BEGINS CONSTRUCTION WORKS IN JOHOR, MALAYSIA 5 WAYS TO PAMPER YOUR PARENTS PREMIÈRE HOTEL, KLANG: A PROUD RESIDENT OF THE ROYAL TOWN Premire Hotel UNVEILING KLANG’S HISTORICAL CHARM An e-publication by ISSUE 06-APR/MAY/JUN 2014 WCT LAND SET TO UNVEIL 1MEDINI GARDEN VILLAS 5 WAYS TO PAMPER ISSUE 06 YOUR PARENTS PREMIÈRE HOTEL, KLANG: A PROUD RESIDENT OF APR THE ROYAL TOWN 20 MAY JUN SPOTLIGHT: 14 Premire Hotel UNVEILING KLANG’S HISTORICAL CHARM Klang’s history and heritage has long been enriched by a flourishing port, extensive tin mining and fascinating architectures. This year, Première Hotel embarks on an educational drive to promote the town. 11 Lew Wen Feng EDITOR’S NOTE 03 05 08 UPCOMING Tan Tee Lee 04 This and next month’s events INFORM 05 Updates and WCT news INSPIRE 09 WCT Group of Companies spread festive love and joy INFOCUS 10 Première Hotel’s 09 13 Premiering Greater Klang initiative Reproduction in whole or part of IMPRESS !NMOT!ON is prohibited without 13 5 ways to pamper your prior permission of WCT Holdings Berhad. All rights reserved. The deserving parents views and opinions expressed or implied in !NMOT!ON are those of STAY IN TOUCH the authors or contributors and do 16 not necessarily reflect those of WCT Holdings Berhad. 0 3 ED!TOR’S NOTE 1 6 ISSUE 06 APR 20 MAY 14 JUN Port Klang, Klang As for this issue, we are thrilled to highlight Première Hotel’s “Premiering Greater Klang” initiatives, which promote the town’s rich history and culture. -
IN a TIME of LOVE and WAR: LI XINPING Curated by Charles Merewether
osage hong kong osage 4/F, 20 Hing Yip Street, Kwun Tong, Hong Kong T: 852. 2389 8332 E: [email protected] W: www.osagegallery.com PRESS RELEASE To Arts and Features Editors For Immediate Release 27th November 2014 Osage Gallery presents IN A TIME OF LOVE AND WAR: LI XINPING Curated by Charles Merewether Opening Reception 06. 12. 2014 6.00 – 8.00 pm Roundtable Discussion 07. 12. 2014 With Li Xinping, Charles Merewether, Au 2.30 – 4.00 pm Hoi Lam, Jonathan Thomson and Frank Vigneron (Consecutive interpretation for English, Cantonese and Putonghua provided) Exhibition Period 07. 12. 2014 - 04. 01. 2015 Opening Hours Mon – Sat: 10.30 am – 6.30 pm Sun: 2:30 – 6:30 pm Open to special appointments outside of these times. Closed on public holidays. Venue Osage Hong Kong 4F, 20 Hing Yip Street, Kwun Tong, Hong Kong Curator Charles Merewether states, “[Li Xinping creates] elaborate scenes in which love and war seem inextricably tied to one another; a heightening of the senses, their destruction, their intoxication and celebration: figures and matter merge and separate and merge again – to make love, to make war – the union of bodies.” Following the presentation of In a Time of Love and War: Li Xinping in Shanghai, the exhibition will travel to Osage Hong Kong. In a Time of Love and War: Li Xinping traces the development of the artist’s career through the thread of sensuality and the notion of a warring and dialogue of forces. The exhibition showcases the dynamic, multilateral directions in Li’s art practice of more than a decade, featuring work from 2002 to 2014. -
Announcement of 2014 Annual Results Results
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Hong Kong with limited liability) Stock Code: 00511 ANNOUNCEMENT OF 2014 ANNUAL RESULTS RESULTS HIGHLIGHTS: • Group’s turnover increased by 2%, from HK$5,686 million to HK$5,773 million. • The Group absorbed the high costs of the 2014 FIFA World Cup BrazilTM which increased the cost of sales by 10%, from HK$2,221 million to HK$2,453 million. • Profit attributable to equity holders decreased by 19% from HK$1,738 million to HK$1,410 million. • Notwithstanding the reduction in the profit attributable to equity holders for the year, a final dividend of HK$2.00 per share (2013: HK$2.00 per share) was recommended, making a total dividend of HK$2.60 per share (2013: HK$2.60 per share) for the year. • Based on the disposal of 53% of the Group’s shareholding interests in Liann Yee Production Co., Ltd. announced in January 2015, a special dividend of HK$2.30 per share was further recommended which was based on the net proceeds from the Disposal (after deducting all expenses arising from and/or incidental to the Disposal and all applicable taxes payable from the total consideration). 1 The Board of Directors (“Board”) of Television Broadcasts Limited (“Company” or “TVB”) -
Fengshui in China Fengshui-Title-TOC Page Ii 29 August 2011 1:47 PM
B ‘Required reading for scholars of Chinese religion’ R Unlike popular manuals, this book approaches fengshui from an uun academic angle, focusing on its significance in China, but also Fengshui depicting the recent history of its reinterpretation in the West. It includes a historical account of fengshui over the last 150 years with anthropological fieldwork on contemporary practices in two Fengshui in China in China Chinese rural areas. The author argues that fengshui serves as an alternative tradition of cosmological knowledge to explain a range geomantic Divination between state of everyday occurrences in rural areas such as disease, mental Orthodoxy and Popular Religion disorders, accidents and common mischief. Although Chinese authorities have opposed the tradition for centuries, it has been used by almost everyone as an aspect of popular cosmology. This paperback edition of the 2003 hardback introduces new material, responding to the evolving scholarly debate and reflecting changes in Chinese society, culture and beliefs. ‘This valuable study will be required reading for scholars of Chinese religion, and makes a valuable contribution to the anthropology of religion.’ – Joseph Bosco, ‘East Asia’ ‘[This book] offers significant insights into the working of diverse coexisting traditions ... [and will] undoubtedly remain an important work in the studies of contemporary China’s transformation as well as postcolonial cultural development.’ – Yinong Xu, ‘China Review International’ ‘Ole Bruun’s direct observations of fengshui … are the -
Review of Operations
REVIEW OF OPERATIONS HONG KONG TV BROADCASTING during weekday prime time3 was 81%, against a share of 80% during the same period last year. TV ADVERTISING INTERNATIONAL SPORTS EVENTS The overall advertising market was negatively affected Significant programming resources were allocated to by declining retail sales in the first half of 2014 and by international sports events during 2014. TVB acquired the Occupy Central movement in the fourth quarter. The exclusive multimedia rights on both free and pay TV worst performing advertising categories on our free-to- platforms as well as for Internet and mobile transmissions air channels were watches and jewellery and premium for the World Cup and the Sochi 2014 Winter Olympic skincare and cosmetic products. Other important Games. revenue-generating categories – cameras and mobile phone equipment and networks – also experienced a As the official broadcaster of the World Cup which took cyclical decline in advertising spending, resulting in an place in June and July 2014, TVB introduced a series of estimated low single-digit percentage decline in Hong ancillary programmes, including thematic travelogues, Kong’s overall advertising market in 2014. high-definition documentaries, and variety programmes, across the station’s free TV channels (Jade, HD Jade, J2 Against this background, TVB’s advertising revenue grew and Pearl) before the event. They included Pilgrimage To marginally by 1%. We estimated that our share of TV Football Meccas on Jade, South AmeriFun on J2, Wild Brazil advertising spending grew by 0.6% and our share of all on Pearl, and Rio City of Sport on HD Jade. Our magazine, media advertising spending increased by 0.5%. -
Announcement of 2014 Interim Results
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Hong Kong with limited liability) Stock Code: 00511 ANNOUNCEMENT OF 2014 INTERIM RESULTS HIGHLIGHTS • Turnover increased from HK$2,592 million to HK$2,700 million, an increase of 4%. • Total costs increased from HK$1,663 million to HK$1,839 million, an increase of 11%. • Profit attributable to equity holders decreased from HK$770 million to HK$700 million, and earnings per share decreased from HK$1.76 to HK$1.60, a decrease of 9%. • Interim dividend was declared at HK$0.60 per share (2013: HK$0.60 per share). 1 The Board of Directors (“Board”) of Television Broadcasts Limited (“Company” or “TVB”) is pleased to announce the unaudited interim results of the Company and its subsidiaries (collectively, “Group”) for the six months ended 30 June 2014 as follows: CONDENSED CONSOLIDATED INCOME STATEMENT FOR THE SIX MONTHS ENDED 30 JUNE 2014 Unaudited Six months ended 30 June Note 2014 2013 HK$’000 HK$’000 Turnover 3 2,699,825 2,592,084 Cost of sales (1,149,746) (1,029,774) Gross profit 1,550,079 1,562,310 Other revenues 4 40,718 28,607 Selling, distribution and transmission costs (316,212) (297,760) General and administrative expenses (373,514) (335,522) Other (losses)/gains, -
An Exploration of the Cultural Landscape Model of Zhuge Village
sustainability Article An Exploration of the Cultural Landscape Model of Zhuge Village Li Xu 1,2,* and Shang-Chia Chiou 1 1 Graduate School of Design, National Yunlin University of Science & Technology, Yunlin 64002, Taiwan; [email protected] 2 Shang Institute of Design, China Academy of Art, Hangzhou 310002, China * Correspondence: [email protected]; Tel.: +886-965-642-484 Received: 6 July 2018; Accepted: 31 August 2018; Published: 5 September 2018 Abstract: Since ancient times, China has adhered to designing human settlement based on the concept of “defending the emperor and safeguarding the ordinary”. With its spatial structure in accordance with the Chinese ancient strategist Zhuge Liang’s art of war “the Diagram of the Eight-Sided Battle Formation” and in line with the terrain of natural landscape, Zhuge Village, the settlement of Zhuge Liang’s descendants in middle Zhejiang Province, has formed a landscape model featuring cultural characteristics. Using literature research, field research, schema cognition and analysis method, this paper investigates and analyzes aspects such as the siting of settlement, spatial layout, landscape images, ritual activities, and landscape changes so as to explore the concepts from ancient art of war to spatial design as well as analyze its landscape forms and the construction of its landscape model. The paper aims to reveal how the designer of Zhuge Village transformed the spatial deployment of the battle formation in the ancient art of war into the spatial landscape model of “living and working in peace and contentment”. In addition, this paper intends to explore the cultural landscape model of the traditional settlement on the basis of Chinese traditional cultural symbol, “the Eight Trigrams”, in hope that it will provide some inspiration for urban public landscape design in China. -
“Art of Swindlers”?
michael john paton FENGSHUI:ACONTINUATIONOF “ART OF SWINDLERS”? I. Introduction In 1999 on an international fengshui tour comprising more than fifty participants from around the world, one of the seminar presenters, a Taiwanese Guobao dilijia (specialist on national geographical treasures) and the sixtieth generation of fengshui practitioner, He Jinzong, was told by a number of participants that they did not wish to discuss burial because this was not fengshui, not realizing that the term fengshui was first defined in Guo Pu’s Gu Ben Zang Shu (The Book of Burial Rooted in Antiquity or The Book of Burial).1 This is a typical case of people in one culture taking only those parts of other cultures that fit within their cultural norms, and thus creating new theoretical structures to make it easier to consume the specific knowl- edge. There are, however, precedents to such a commodification of fengshui within Chinese history. The author of the late Song Dynasty to early Ming Dynasty text, Nan Jie Ershisi Pian (Twenty-four Difficult Problems), deplores the “present day” practitioners who “absurdly match longevity, the receiving of favours, becoming an offi- cial and imperial prosperity with good and evil spirits and good and ill fortune, consequently causing the luck not to be buried and those buried not to have good fortune” and who “conduct the art of swindlers.”2 This article considers the original concepts of fengshui as garnered from major fengshui writings in relation to some of the claims made by modern Western practitioners of the art. It concludes with some musings on the relationship between culture, knowledge, and philosophy. -
Review of Operations
REVIEW OF OPERATIONS INTERNATIONAL OPERATIONS AFRICA ASIA SOUTH AFRICA OCEANIA BRUNEI MACAU SOUTH KOREA CAMBODIA MALAYSIA TAIWAN CHINA MYANMAR THAILAND EUROPE AUSTRALIA NEW ZEALAND INDONESIA SINGAPORE VIETNAM NORTH AND LAOS CENTRAL AMERICA AUSTRIA HUNGARY REPUBLIC OF IRELAND BELGIUM ITALY SPAIN CANADA USA PANAMA CZECH REPUBLIC KAZAKHSTAN SWEDEN DENMARK LUXEMBOURG SWITZERLAND FINLAND NORWAY THE NETHERLANDS FRANCE POLAND TURKEY GERMANY PORTUGAL UK GREECE TVB8 Xing He TVB Jade Jade Channel TVB - V TVBS TVBS - News TVBS - G TVBJ Australia, China, HK, Australia, China, Australia, USA Australia, USA Indonesia, Macau, Malaysia, Indonesia, Macau, Taiwan, USA Australia, HK, Indonesia, Taiwan Indonesia, Singapore Europe, HK Singapore, Taiwan , USA Malaysia, New Zealand, Macau, Singapore, Taiwan Singapore, Thailand 26 Television Broadcasts Limited Annual Report 2014 AFRICA ASIA SOUTH AFRICA OCEANIA BRUNEI MACAU SOUTH KOREA CAMBODIA MALAYSIA TAIWAN CHINA MYANMAR THAILAND EUROPE AUSTRALIA NEW ZEALAND INDONESIA SINGAPORE VIETNAM NORTH AND LAOS CENTRAL AMERICA AUSTRIA HUNGARY REPUBLIC OF IRELAND BELGIUM ITALY SPAIN CANADA USA PANAMA CZECH REPUBLIC KAZAKHSTAN SWEDEN DENMARK LUXEMBOURG SWITZERLAND FINLAND NORWAY THE NETHERLANDS FRANCE POLAND TURKEY GERMANY PORTUGAL UK GREECE TVB8 Xing He TVB Jade Jade Channel TVB - V TVBS TVBS - News TVBS - G TVBJ Australia, China, HK, Australia, China, Australia, USA Australia, USA Indonesia, Macau, Malaysia, Indonesia, Macau, Taiwan, USA Australia, HK, Indonesia, Taiwan Indonesia, Singapore Europe, HK Singapore, Taiwan , USA Malaysia, New Zealand, Macau, Singapore, Taiwan Singapore, Thailand Television Broadcasts Limited Annual Report 2014 27 StarHub TVB Awards 2014 The Way We Were A Time Of Love TVB Star Awards Malaysia 2014 28 Television Broadcasts Limited Annual Report 2014 REVIEW OF OPERATIONS INTERNATIONAL OPERATIONS StarHub’s basic packages in the hope that this would stop such subscribers from downloading TVB contents illegally. -
View / Open Yang Mei Phd2011sp
CINEMATIC REALISM AND INDEPENDENT FILMMAKING IN CHINA by MEI YANG A DISSERTATION Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2011 DISSERTATION APPROVAL PAGE Student: Mei Yang Title: Cinematic Realism and Independent Filmmaking in China This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of East Asian Languages and Literatures by: Alison M. Groppe Chairperson Tze-Lan Sang Member Alisa D. Freedman Member David Li Outside Member and Richard Linton Vice President for Research and Graduate Studies/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2011 ii © 2011 Mei Yang iii DISSERTATION ABSTRACT Mei Yang Doctor of Philosophy Department of East Asian Languages and Literatures June 2011 Title: Cinematic Realism and Independent Filmmaking in China Approved: _______________________________________________ Dr. Alison M. Groppe Independent filmmaking in China, with the directors’ reiteration of literary and cinematic realism carried on from May Fourth, reflects the nation’s social uneasiness triggered by the enlarging division between the enlightenment indenture and the unidirectional modernization project. Resisting the national allegories and Hollywood-style big budget fantasies made by the Fifth Generation, independent filmmakers bring back to the screen the unadorned life of city inhabitants. The meaning of “independent” and “alternative” does not exclusively lie in the production and distribution venues but is galvanized by film directors’ perception and cinematic depiction of what constitutes the social realities of contemporary China. -
LC Paper No. CB(4)985/14-15(01)
LC Paper No. CB(4)985/14-15(01) Free TV licence of TVB renewed 1 / 2 Free TV licence of TVB renewed ****************************** The Government today (May 12) announced that the Chief Executive in Council has approved the application for renewal of the domestic free television programme service (free TV) licence of Television Broadcasts Limited (TVB) for a period of 12 years from December 1, 2015, to November 30, 2027. TVB has committed to a six-year investment plan of $6,336 million for 2016 to 2021, comprising $144 million of capital investment and $6,192 million of programming investment. It has also undertaken that each year at least 12,000 hours of the programmes on its service (representing about 27.4 per cent of its total programmes) will be local productions. "The licence conditions in the renewed licence of TVB are largely based on its existing licence, with additional requirements imposed to address public calls for improvements in its programming variety and quality," a spokesman for the Commerce and Economic Development Bureau said. TVB is required to provide an additional four hours per week of positive programmes in total on its digital channels, which are currently exempted from such a programming requirement. These include current affairs programmes, documentaries, arts and culture programmes and programmes for young persons. All must be first-run programmes with 60 minutes per week for each genre. "Furthermore, to respond to public aspirations and to facilitate the Government's policy of nurturing local talents, TVB has been required to provide on its licensed service independent local productions on an incremental basis from 20 hours per year in 2016 to 60 hours per year by 2020," the spokesman said. -
D2758 2017 年第17 期憲報第4 號特別副刊ss No. 4 to Gazette No. 17/2017 Gn
D2758 2017 年第 17 期憲報第 4 號特別副刊 S. S. NO. 4 TO GAZETTE NO. 17/2017 G.N. (S.) 13 of 2017 BOOKS REGISTRATION ORDINANCE (CHAPTER 142) A CATALOGUE OF BOOKS PRINTED IN HONG KONG 2ND QUARTER 2016 (Edited by Books Registration Office, Hong Kong Public Libraries, Leisure and Cultural Services Department) This catalogue lists publications which have been deposited with the Books Registration Office during the second quarter of 2016 in accordance with the above Ordinance. These include:— (1) Books published or printed in Hong Kong and have been deposited with the Books Registration Office during this quarter. Publications by the Government Logistics Department, other than separate bills, ordinances, regulations, leaflets, loose-sheets and posters are included; and (2) First issue of periodicals published or printed in Hong Kong during this quarter. Details of their subsequent issues and related information can be found at the fourth quarter. (Please refer to paragraph 3 below) The number in brackets at the bottom right-hand corner of each entry represents the order of deposit of the book during the year, whereas the serial number at the top left-hand corner of each entry is purely an ordering device, linking the annual cumulated author index with the main body of the catalogue. In the fourth quarter, in addition to the list of publications deposited with the Books Registration Office during that quarter, the catalogue also includes the following information for the year:— (1) Chinese and English Author Index; (2) Publishers’ Names and Addresses; (3) Printers’ Names and Addresses; and (4) Chinese and English Periodicals Received;- their title, frequency, price and publisher.